The Recordings of the Columbia Phonograph Company 1889-1896
Presented by the National Recording Preservation Board, 2017
Compiled by Mason Vander Lugt
Introduction 1
Acknowledgements 2
Editor's note 2
List of catalogs 2
Discography index 5
Discography 9
Catalog scans 62
Introduction:
The Columbia Phonograph Company was formed in January 1889 as the regional subsidiary of
the North American Phonograph Company serving Washington D.C., Maryland and Delaware.
By November of the same year - before such activity was sanctioned by the head company -
they had begun recording and marketing their own musical cylinders. In the following years,
Columbia developed this niche and became the industry leader for entertainment recordings.
This discography presents, for the first time, a list of who and what Columbia recorded from the
first advertising brochure in November of 1889 until the establishment of a permanent-
numbering series in August 1896, which is documented in Kenneth Lorenz' Two-Minute Brown
Wax and XP Cylinder Records of the Columbia Phonograph Company and Tim Gracyk's Cylinder Lists:
Columbia Brown Wax, Columbia XP, Columbia Twentieth Century BC and Indestructible. This
document begins with and expands on Tim Brooks' 1979 ARSC Journal article A Directory to
Columbia Recording Artists of the 1890's, which includes a list of known catalogs.
We don't claim that this list is comprehensive - in fact, the list of available catalogs below
acknowledges two known gaps - but considering the similarity between adjacent listings we
believe it provides a representative picture of the recording activity of the most prolific
recording program of the early 1890s, and in a broader sense, the story of the development of
the recording industry in its first few years. Readers are invited to write the editor at
mlug@loc.gov with additions or corrections.
1
Ackno wle dgements
The compiler would like to thank Tim Brooks for the initial inspiration for this study, as well as
several integral scans and advice. Thanks also to Tom Tierney of the Sony Music Archives,
Danielle Cordovez of the Rogers and Hammerstein Archives at NYPL and the staff of the
Library of Congress Recorded Sound Reference Center for research assistance, and finally to
Allen Koenigsberg, David Lewis, Steve Leggett for help, guidance and humor.
Editor's note
This document is presented in two main sections - the first, a list of artists and titles culled from
the catalogs, de-duplicated and reorganized for easy reference. The second section is a collection
of scans of the source catalogs, which provide additional information and illustrations. Please
forgive the quality of some of these scans. They were compiled from a variety of sources and
many are second or third generation copies.
All of the recordings referenced here are in the brown-wax cylinder format, not disc.
"Discography" is used in a general sense, as how bibliographies often include more than books.
List of catalogs
The following list is adapted from Tim Brooks' "Columbia Record Catalogs: 1889-1899"
published in ARSC Journal Vol. 11 No. 2-3, p. 130-138. Those labeled with a year and letter
suffix are undated in print, and were dated approximately by Brooks. Those with an asterisk
were unavailable to the editor and are presumed lost. Those without asterisks are reproduced in
the latter part of this document.
1889
Nov. 15, 1889 - Advertising pamphlet - p. 63
1890
Feb. 7, 1890 - Advertising pamphlet with catalog 1 - p. 73
June 15, 1890 - Advertising pamphlet - p. 87
Oct. 1, 1890 - U.S. Marine Band circular - p. 98
Nov. 24, 1890 - Catalog - p. 99
Dec. 22, 1890 - Catalog - p. 102
1891
June 1, 1891 2 - Catalog - p. 106
1 "Musical phonograms" section (pp. 12-13) refers to recordings made by Edison Phonograph Works to be
distributed by North American Phonograph Company, and aren't included in this discography
2
July 10, 1891 - Supplement to June 1, 1891 catalog - p. 113
Sept. 10, 1891 - Catalog - p. 115
Nov. 18, 1891 - Catalog - p. 124
1892
1892A - Brilliant Quartette supplement - p. 133
1892B - John Yorke AtLee supplement - p. 134
1892C - Campaign songs circular - p. 136
Jan. 28, 1892 - Catalog - p. 137
June 6, 1892 - Catalog - p. 147
Aug. 8, 1892 - Campaign songs circular #2 - p. 159
Sept. 19, 1982 - Catalog - p. 160
Oct. 1892 - Catalog - p. 169
Dec. 1892 - Catalog - p. 181
1893
1893A - Undated catalog*
1893B - Humorous talking records supplement - p. 191
Feb. 9, 1893 - George H. Diamond supplement - p. 193
April 1893 - Catalog - p. 196
June 1, 1893 - Supplement to April catalog - p. 215
1894
1894A - Brilliant Quartette supplement - p. 217
1894B - Fred Roberts supplement - p. 218
Mar. 3, 1894 - Jesse Oliver circular - p. 219
April 1894 - Catalog - p. 220
Apr. 11, 1894 - Standard Quartette supplement - p. 238
Sept. 1894 - Catalog - p. 239
1895
1895A - Sousa's Grand Concert Band supplement - p. 257
1895B - Catalog (undated) - p. 258
1895C -Catalog (undated) - p. 264
Jan. 1, 1895 3 - Temporary catalog - p. 275
Mar. 15, 1895 - Temporary catalog - p. 285
2 Dated June 1, 1891 in Brooks, but the inside front cover contains a letter dated March 1892
3 Not listed in Brooks
3
1896
1896A - Opera on talking machines*
1896B - Campaign Records: Bryan vs. McKinley - p. 295
1896C - Jules Levy supplement - p. 296
1896D - Jules Levy & Trinity Chimes supplement - p. 297
1896E - New Sousa march: El Capitan advertisement - p. 298
*The Missing Pieces
In "Cylinder Records", Duane Deakins describes the missing 1893 catalog (93A in Brooks), as
follows:
"In addition to the whistling records by John York AtLee and selections by the U.S.
Marine Band, there were other categories not previously included. Several pieces by the
parlor orchestra were listed; Instrumentals with piano accompaniment included the
following instruments: Clarionet (by William Phelps), piccolo (by E.M. Waterbury), flute
(by E.M. Waterbury), xylophone (by Emma Williams - was she the first woman to make
cylinder records?), and cornet (by A. Grasskurth). Vocals with piano accompaniment
were recorded by the following: George H. Diamond - he made 39 sentimental numbers,
such as MOCK NOT THE OLD AND FEEBLE; Charles DeWitt - he recorded eleven
songs in German; John Atlee, Hal Otis, and L.B. Taylor recorded such selections as NICE
GIRLS, ON THE BOWERY, and THE PARDON CAME TOO LATE. Finally included in
this catalog were several pages of recitations by David C. Bangs ("Late of the Robt. L.
Downing Company"), Pat Brady ("Humorous talking records"), Charles B. Hanford,
and auctioneer records by an unidentified artist."
In "Columbia Record Catalogs: 1889-1899", Tim Brooks describes listing 96A as follows:
"Opera on Talking Machines. Gems of the lyric stage now perfectly reproduced. Latest
triumph of the art of record making, ([number of pages and size of pages unknown]).
Lists 16 "operatic choruses", (including Gilbert & Sullivan selections, and one "negro
song") numbered 9301-16. These do not appear in any other catalog.
4
Discography index
A. Instrumental Ensembles (p. 9)
1. 23 rd Regiment Band, N.Y.
2. 3 rd Artillery Band, U.S.A.
3. Parlor Orchestra
4. Sousa's Grand Concert Band
5. U.S. Marine Band
i. Airs of all nations
ii. Galops
iii. Marches
iv. Miscellaneous
v. Overtures and selections from operas
vi. Patrols
vii. Polkas
viii. Sacred selections
ix. Schottisches
x. Waltzes
xi. Yorkes
6. Wagner's Orchestra
7. Washington Military Concert Band
B. Instrumental Solos & Duets (p. 21)
1. Banjo
i. Vess L. Ossman
ii. Joseph Cullen and William Collins
2. Chimes
i. Trinity chimes
3. Clarionet
i. Uncredited
ii. Felix Iardella
iii. William Keppler
4. Clarionet and saxophone
i. Andrea Coda and Eugene Coffin
5. Comet
5
i. Uncredited
ii. W. Paris Chambers
iii. Jules Levy
iv. August Grosskurth
v. Grosskurth Brothers
vi. Grosskurth and Wunderlich
6. Comet and trombone
i. W. Paris Chambers and Harry P. Stone
7. Flute
i. E.M. Waterbury
8. Piccolo
i. Uncredited
ii. E.M. Waterbury
iii. Henry Jaeger
9. Saxophone
i. Eugene Coffin
10. Trombone
i. Solos (uncredited) with Marine Band accompaniment
ii. Louis Gebicke, with Marine Band accompaniment
iii. Arthur Pryor, with Sousa's Band
iv. Harry P. Stone
11. Whistling
i. John Yorke Atlee
12. Xylophone
i. Fred Wahl
ii. Emma Williams
Vocal solos (p. 31)
1. Uncredited
i. Bass solos with piano
ii. Campaign songs
iii. Minstrel songs
iv. Vocal and orchestra
v. Vocal and piano
2 . J ohn Y orke Atlee
3. J.J. Burnham
4. Lilia Colman
5. Susie Davenport, contralto
6. F. de la Rosa - Spanish songs
7. George FL Diamond
8. Edward M. Favor
9. Maud Foster
10. George J. Gaskin
11. Eddie Giguere
12. Billy Golden - "Popular Negro specialties"
13. Chas. G. Heitinger
14. Herbert Holcomb
15. Russell Hunting - "Songs by Casey"
16. George W. Johnson
17. Silas Leachman
18. Chas. O. Marsh
19. W.A. McCabe
20. J.W. Myers
21. Jessie Oliver
22. Hal Otis, baritone
23. Dan Quinn
24. A1 Reeves, with banjo
25. Fred Roberts
26. George D. Scott
27. Len Spencer
28. F.B. Taylor, baritone
29. L.B. Taylor, baritone
30. George E. Terry
31. A.C. Weaver
32. Joseph Weber
D. Vocal Ensembles (p. 52)
1. Brilliant Quartette
7
2. Highland Quartette
3. Manhattan Quartette
4. Standard Quartette
5. Taylor Bros. Trio
Spoken word (p. 54)
1. Uncredited
i. "Special" recitations
ii. Dramatic recitations
iii. Humorous recitations
iv. Miscellaneous recitations
v. Pathetic recitations
2. D.C. Bangs
i. Dramatic / serious recitations
ii. Humorous recitations
iii. Pathetic recitations
iv. The 'Rastus series
3. W.O. Beckenbaugh - "The Auctioneer"
4. George Buckler
i. Dramatic recitations
ii. Humorous recitations
iii. Miscellaneous recitations
iv. Pathetic recitations
5. Charles B. Hanford
6. Russell Hunting - "Casey series"
7. Dan Kelly - "Pat Brady records"
Discography
Instrumental Ensembles
23 rd Regiment Band, N.Y.
Au revoir waltz
Barcelona, cornet solo
Corncracker dance
Daughter of the regiment
Frolic of the coons
Inflamatus (from Stabat Mater)
La Czarina mazurka
Lawn dance
Melon patch schottische
Mexican dance, Chloe
Niebelungen march
Robin hood waltz
Shadow dance from opera Dinorah
The Polish mother's cradle song
3 rd Artillery Band, U.S.A.
Among the dancers polka
Be careful polka
Bend or break galop
Bonnie Dundee (Scotch air)
Boulanger march
Dash galop
Emma waltz
Flip flap polka
Flirting in the twilight schottische
Fond heart (melody)
Forget-me-not gavotte
Fun in a skating rink galop
Golden chimes galop
Good fellows march
Is my darling true to me
Kayuga march
McGinty's first love, schottische
Mignonette (overture)
Mountain heights polonaise
My sweetest schottische
Nadjy waltz
Nanon waltz
Odelisca mazurka
Our Naval officers march
Pirates of Penzance waltz
Pretty little butterfly schottische
Rats gallop
Scotland march
See-saw waltz
Snap galop
Souvenir de Paris mazurka
The Cossack (Russian polka)
The cricket on the hearth
The duchess gallop
9
The Minstrel's sweetheart
Venita waltz
Wake up, Gabriel (medley)
Wheeler and Wilson no. 9 march
Banta's Orchestra
At the fair galop
Mountain laurel mazurka
Belle of New York march
On the sea shore waltz
Belle of the east march
Pomona waltz
Bon ton skirt dance
Push along my honey
Dancing in the kitchen schottische
Twiggy vous schottische
Gems of Ireland quadrille
Virginia skedaddle
Honeymoon march
Wing dance
La Parisienne gavotte
Marguerite of Monte Carlo march
Wooden shoe dance
Issler's Orchestra
Battle of Manassas (descriptive - bugles,
cannon, musketry and shouts)
Darkie tickle
I'll follow thee
Invincible polka
Jockey Club galop
Let her rip quadrille
On the midway
Right left march
Robin Hood lanciers
Selection from the opera Martha
Trolley galop
Parlor Orchestra
Alma waltz (Spanish)
Beautiful blue Danube waltz
Birds of spring yorke
Black Hussars lancers (with figures
called)
Black Hussars quadrille (with figures
called)
Come along, sinner
Darkey tickle (with clog)
Eloise polka
10
Erminie lanciers (with figures called)
Greeting to Ems march
In rapture sweet waltz
La gitana waltz
La poloma
La serenata waltz
Let her rip quadrille
Manuscript waltz
Merry sleigh bells galop
Oolah lancers (with figures called)
Quick as a wink galop
Right in it quadrille
Robin hood lancers
Selections from opera "Erminie"
Selections from opera "Patience"
Southern roses waltz
The cricket on the earth
The Virginia skedaddle
Wang lanciers (with figures called)
Wang schottische
Wiener blut waltz
Sousa's Grand Concert Band
A Kansas two step (Burlesque - by
Arthur Pryor)
Circus galop (shouts of ringmaster,
cracking whips, and applause of
spectators)
Corncracker jig (alt. "corn cracker
dance")
El Capitan march3
King cotton march
La czarina mazurka
Liberty bell march
Lily Bell
Manhattan Beach march
Marching through Georgia patrol
Midway plaisance medley
Overture William Tell
Plantation chimes
Sidewalks of New York
The belle of Chicago
The darkies' temptation
The directorate march
The high school cadets march
The jolly coppersmith
The lily bell
The march king two step
The semper fidelis
The sunshine of paradise alley
Washington Post march
Water sprites
Yazoo dance
3 See flyer 1896E announcing availability of title. Performer inferred.
11
US Marine Band - Airs of All Nations
Chinese patriotic song
Die wacht am Rhein (German national)
God preserve the Emperor (Austrian
national)
God protect the Czar (Russian national)
God save the Queen (English)
La manana (Chilian dance)
La Marseillaise (French national)
La media noche (Mexican dance)
La poloma (Spanish dance)
My country 'tis of thee (American)
Red white and blue (American)
Royal march (Italian national)
Russian dance
The minstrel boy (Irish)
The star spangled banner (American)
Turkey's modern war song
Vive la Canadienne
US Marine Band - Galops
Ace of clubs
Jack of clubs (with drum solo)
Carillon
Jockey
Cavalry galop
Phonograph
Chestnut (with chestnut bells)
Prestissimo
Cozette
San Fason
High life
Steam galop
Humoristic
The racer
US Marine Band - Marches
Across the Danube
Arrival of the bride
Admiral's favorite
Aux armes
American guard quickstep (patriotic
Belphegor
medley)
Black Hussars
American medley march (introducing
Boston Commandery (introducing
"Home sweet home")
"Onward Christian soldiers)
American republic
Broadway two-step
Annie Laurie
Capparian march
12
Casino march
Champion quickstep
Chopin's funeral march (with bell
tolling)
Col. Wheeler's March (drum solo)
Columbia phonograph march
Constellation march
Continental
Corcoran cadets
Crusader
Cypress quickstep
Dead march in Saul
Death of the trombone quickstep
Draper hall march
El Paso polka-march
Excalibur
Farewell to Dresden
First of all
Forget-me-not march
Fort Alcatraz
Fourth battalion
Garfield's funeral march (with bell
tolling)
Gen. Banks' march
General Felix Agnus march
Gilmore's triumphal march
Guide right
Hail Columbia
High school cadets
Homeward bound
Honeymoon march
Independent cadets
Jolly students
Juno
Kaiser Joseph
King Carl
King cotton
King Humbert
Foyal Fegion (Sousa)
Major Perkins march
Manhattan beach
Manisot
March of the volunteers
Marching through Georgia
Mendelssohn's wedding march
Midway plaisance medley
Mikado medley march
Monte Cristo
My country home quickstep
Mystic shrine march
National Fencibles (with drum solo)
Naval rendezvous
New ideal (drum solo)
Nixie weazle
Occidental (Sousa)
On guard
Oneida
Opening of the season
Oriental echoes
Our flirtation
Patria
Paul Jones (dedicated to the celebrated
globe trotter)
Peaceful be thy sleep (funeral march,
with bell tolling)
Phonograph march (Campagna)
Picador (Sousa)
Prussian army
13
Reliable
Rifle regiment
Rockvale quickstep
Salutation quickstep
Sambo's wedding march
Second Regiment (drum solo)
Semper fidelis (with drum solo)
Sound off
Sounds of peace (quickstep)
St. Louis exposition
St. Omar Commandery
States camp march
Swedish wedding
Ta-ra-ra-boom (medley)
The adjutant
The band played on
The beau ideal
The belle of Chicago
The belle of New York
The British soldier (quickstep)
The cruiser Chicago
The cruiser Columbia
The cruiser New York
The daily post
The directorate
The dude's march
The evening news
The evening star
The fire brigade
The gladiator
The honored dead (funeral march with
bell tolling)
The jolly Shriners
The knights of Pythias
The knights of the mystic star
The liberty bell
The New York Sun
The smart recruit (quickstep)
The three guardsmen
The thunderer
The veteran
The warrior's farewell
The Washington Times march
Then you'll remember me (introducing
the grand anthem, old hundred)
Thunderbolt
Triumphal post march
Troop A (The president's guard)
Under the double eagle
U.S. Marine Band march
U.S.S. Massachusetts
Washington Post
Wein bleibt Wein
Yale march
Ye ancients (with drum solo)
Yorktown centennial (with drum solo)
14
US Marine Band - Miscellaneous
A trip on the lightning express
(introducing bell, whistle, sound of
moving train, etc.)4
Adeste fidelis (hymn with bell tolling)
Alpine echoes (cornet solo)
Andante from morning, noon and night
overture (clarionet solo)
Annabel schottische
Blending of the blue and gray (medley
of Northern and Southern airs)
Chilian [sic] dance
Chimes of Normandy schottische (with
bells)
Climbing up the golden stairs
Cocoanut dance (with clog)
Concert medley
Corner acker jig
Dancing in the barn (with clog)
Danse Africaine (with clog effect)
Dixie and Yankee Doodle (medley)
Down on the Suwannee River
Down went McGinty (schottische)
El Misererie (from II Trovatore)
Emmett's Lullaby (with crying baby)
Hear dem bells (with bell effects)
Hurry children
Kentucky jubilee (with clog)
King of diamonds, schottische
Kinloch of Kinloch (cornet solo)
La golondrina (cornet and trombone
duet)
La Marseillaise hymn
La media noche
La poloma
Let me dream again (cornet solo)
Listen to my tale of woe
Little Annie Rooney
Little fisher maiden
Little kinkies (with clog)
Longing for home
Manana (Chilean dance)
Medley of Irish airs
Medley of popular airs
Medley of Scotch airs
Medley of southern airs
Medley of southern plantation dances
Medley of southern plantation songs
(with xylophone solo), first part
Medley of southern plantation songs
(with xylophone solo), second part
Memories of the War (descriptive /
patriotic medley) 5
Mexican dance
Minnie gavotte
Monastery bells (with bells)
Moonlight at Del Monte
Mother goose melodies
Nearer my God to thee (hymn with bell
tolling)
4 Sometimes "Limited express"
5 Sometimes in up to four parts
15
On the watch (baritone solo)
One heart, one mind yorke
Oralia schottische
Overture from William Tell
Overture Semiramide6
Popular medley (introducing Monte
Carlo, Daisy Bell, etc.)
Pot pouri of popular airs
Razzle-dazzle (medley)
Red hot (musical jamborie), first part
Red hot (musical jamborie), second part
Red white and blue
Robin Adair (cornet solo)
Rock of ages (hymn with bell tolling)
Rock-a-bye baby (cornet solo)
Rocked in the cradle of the deep
(trombone solo)
Safe in the arms of Jesus (hymn with
bell tolling)
Salvation army
Schubert's serenade (cornet solo)
Secret love gavotte
Selection from Maritana
Selections from Wang7
Shout brethren, sisters, shout (Negro
melody with clog)
Skirt dance (from Faust up to date)
Soldier's farewell (serenade)
Star Spangled Banner
Stephanie gavotte
Sweet bye and bye (hymn with bell
tolling)
The advance and retreat of the Salvation
Army
The coquette (a characteristic dance)
The darkies' dream (with clog effect)
The day of the Lord (German hymn
with bell)
The image of the rose (cornet solo)
The lily bell song and dance
The Loie skirt dance
The lorelei
The lost chord
The metropolis at night (introducing the
latest popular airs)
The new American dance
The night alarm (descriptive)
The palms (trombone solo)
The postilion in the forest (cornet echo
effects)
The signal (baritone solo)s
The Swiss boy (cornet duet)
The two little bullfinches (clarionet
duet)
The Tyrolese and his child (cornet solo)
Titl's serenade (piccolo and cornet duet)
Two little bullfinches (clarionet duet)
Tyrolean mazourka
Un requerdo a Salamanca (Mexican
schottische)
Uncle 'Rastus (Negro dance)
United to thee mazourka
Wacht am Rhine
Way down in Dixie
s In three parts
7 In four parts
8 Sometimes in two parts
16
Welcome spring schottische Yankee Doodle (musical contest.
Well united gavotte introducing solos)
Whistling coon
U.S. Marine Band - Overtures and Selections from Operas
A trip to Chinatown
Carmen
Daughter of the regiment
Erminie
Faust
Faust up to date (introducing "Fove's
golden dream")
Faust up to date (introducing "The skirt
dance")
Fra Diavolo
Girotle girotla
II trovatore (introducing II Miserere)
II trovatore (introducing soldiers' chorus
and the tempest of the heart)
Iolanthe
Fa cigale
Fight cavalry
Miss Hellyet
Nadjy
Patience
Poet and peasant
Robin Hood (introducing "Oh, promise
me")
Ruddygore
Semiramide
Tabasco
The black hussars
The gondoliers
The isle of Champagne
The jolly robbers
The little duke
The mascot
The merry war
The Mikado
Wang
William Tell
Zampa
US Marine Band - Patrols
Coxey's industrial army (a musical
parody)
Irish
Marching through Georgia (arr. Sousa)
American
British
Chinese
17
Patrol comique
Turkish
US Marine Band - Polkas
Alliance (cornet duet)
Alpine (cornet duet)
Always gallant
Anna polka (cornet solo)
Anvil polka (with anvils)
Black and tan
Bombardon (tuba solo)
Christmas chimes (trombone solo)
Clover leaf (cornet solo)
Comet polka (cornet duet)
Drum polka (with drum solo)
Enthusiast (cornet solo)
Erminie Polka (Jakobowski)
Farewell polka
Glass in hand
Golden robin (cornet duet)
Gretchen (concert)
Hornpipe polka
Independence polka
Kutsche
L'Amore
Les deux amis (cornet duet)
Les follies
Lockvogelchen (piccolo solo)
Love polka
Millie polka (piccolo solo)
Old China
Pretty blue eyes
Rouge et noir
Serapis polka
Short and sweet polka (cornet duet)
Silver steam polka (cornet solo)
The lover's farewell (cornet duet)
The Queen's trumpeters (cornet duet)
To my sweetheart
Young America (cornet solo)
US Marine Band - Sacred Selections
Adeste fidelis / How firm a foundation
I need thee every hour
Lead, kindly light
Nearer, my God, to thee
Rock of ages
Rocked in the cradle of the deep
(trombone solo)
Safe in the arms of Jesus
The day of the Lord (German hymn)
The palms (trombone solo)
The sweet bye-and-bye
18
US Marine Band - Schottisches
Annabel
Chimes of Normandy
Dancing in the Barn (with clog)
Kentucky jubilee (with clog)
King of Diamonds
Nancy Hanks
Or alia
Un requerdo a Salamanca (Mexican)
Welcome spring
US Marine Band - Waltzes
A summer night in Munich
Adeline
Aphrodite
Artist's life (Strauss)
Autograph waltz (Strauss)
Bid me good-bye
Carlotta
Carmen (dedicated to senorita Carmen
Diaz)
Comrades (medley)
Dream faces waltz
Dream on the ocean
Dream waltzes
Erminie waltz (Jakobowski)
Espana
Estudiantina (Spanish, with castanets)
Fairy voices
Flowers of the Alps
Fusionen
Gondilider
II nino
Immortelen waltz
Kiss waltz (Strauss)
La gitana (Spanish)
La grasiela (Spanish)
La reine de la mer
La serenata (Spanish)
Little fishermaiden
Loin du bal (Echoes from the ball room)
Lost child
Love's dreamland
Madeline
Maggie Murphy's home
Mary and John
Mia bella
My dream
My Mary Green
My Queen
Over land and sea
Santiago (Spanish, with castanets)
School play ground
Sobre las olas ("Over the waves")
Summer nights
Sweet smile waltz
Sweetheart waltz
19
The blue Danube9 Visions of love
The little sailor Visions of paradise
Tres jolie Visions of rest
Vienna Beauties Wine, women and songio
US Marine Band - Yorkes
A remembrance of Chicago
Free and easy
Helvetia
I love Nettie
Wagner's Orchestra
Duet from Norma for piccolo and
clarionet
March - Jolly fellowship
March - The midnight special
March - The New York Sun
March - The Washington Times
Mazourka - You can't play in our yard
(vocal chorus)
Medley - A few moments in Wagner's
nursery (introducing old nursery
airs)
Washington Military Concert Band
And the band played on
Capparian march
9 Sometimes in two parts
10 Sometimes in two parts
20
Corn cracker jig
Don't be cross (cornet solo)
Midway medley - The couta-couta
dance
Polka - Marguerite of Monte Carlo
Russian mazourka - La Czarina
Schottische - Linger longer Lucy
Schottische - My pretty Gipsy queen
Schottische - Nothing's too good for the
Irish
Waltz - Dreaming beauty
One heart, one mind
Tyrolean mazurka
United to thee
Excalibur march (Knights Templar)
General Felix Agnus march
Hail Columbia march
Honeymoon march
King cotton march
Little lost child waltz
Midway medley march (the coochi
coochi)
Oriental echoes march
Paraphrase - Lorelei
Romance (trombone solo)
The arrival of the bride
The Broadway two-step
The draper-hall two step (by Orth)
The jolly Shriners march (mystic shrine
favorite)
The lily bell
The school playground waltz
The triumphal post march
Under the double eagle
Yale two step
21
Instrumental Solos & Duets
Banjo solos - Vess L. Ossman
Berkeley march
Narcissus
Chinese picnic
Patrol comique
Cocoanut dance
Sounds from Africa
Darkies awakening
The darkie tickle
Del oro mazurka
The darkies' patrol
Gaiety dance
The frolic of the coons
Hot stuff patrol
The jolly darkies
In old Madrid
Tyro mazourka
La Czarine
Wheelmen's parade march
Liberty Bell march
Margery song
White star line march
Banjo duets - Joseph Cullen and William Collins
Brownie dance
King cotton march
California dance
Vegar march
Darkies jubilee
Waltz medley
Jolly darkies
Washington Post march
Chimes - Trinity Chimes (performer uncredited)
The vacant chair
America
The home over there
The sweet bye and bye
Jesus of Nazareth passeth by
Marching through Georgia
Home, sweet home
Safe in the arms of Jesus
Shall we meet beyond the river?
Afton waters
Massa's in the cold, cold ground
Chime again, beautiful bells
22
Clarionet solos - Signor Andrea Coda
Annie Laurie
The carnival of Venice
Auld lang syne
The heart bowed down
Chopin Nocturne
The last rose of summer
Down deep within the cellar
The old folks at home
Irish fantasie
The sweet bye and bye
Lullaby from Erminie
Thine image wondrous
Monastery bells
Those sad, sweet years
Serenade by Gounod
Clarionet & Piano (Uncredited)
Alice, where art thou?
Grand fantasia n
Brepsant's 8 th air varia, first part
Serenade, by J.N. Missud
Brepsant's 8 th air varia, second part
Somnambula
Brepsant's grand fantasy
The good bye at the door
Brilliant polonaise
The heart bowed down
Cavatina from Ernani
Then you'll remember me
Concert polonaise
Thornton's 4 th air and variation, first
Drinking song
part
Enchanting polka mazurka
Thornton's 4 th air and variation, second
Evening reveries
part
Gambrinus polka
Virginia polonaise
Good-bye, sweetheart
Washington schottische
Clarionet and Piano - Felix Iardella
A dream of love Caprice polka
Attila - Selections from opera Echoes from the ball room
11 Sometimes in two parts
23
El Miserere
Longings for home
Evening star polka
Neapolitan song
Gounod's Ave Maria
Prelude from opera by Verdi
Clarionet and piano - William Keppler
A dream, by Baerman
Sleep well, thou sweet angel
Burali's prelude
Somnambula, air and variations
Cornin' through the rye, variations
Song - once again
May bells polka
Sounds from home, with variations
Polonaise from Mignon
The angel's serenade
Romantic air with variations
The lass O'Lowrie, with variations
Schottische - strolling on the beach
The prayer of the clerk, with variations
Selection from Attila
Une Pensee Loutaine
Selection from the opera Louisa di
Montfort
Clarionet and saxophone duets - Andrea Coda and Eugene Coffin
Dreams
See the pale moon
Duet from Lucia
Titl's serenade
Romance, from L' Clare
Cornet solos (uncreditedu) with Marine Band accompaniment
Alpine echoes
Let me dream again
Don't be cross
The image of the rose
Cornet solos - W. Paris Chambers
i2 Probably August Grosskurth
24
American national fantasy
Ben Bolt
Introduction to the seraph
Jessie, the flower of Dumblane
Killarney
My sweet one, song and dance
Nearer, my God, to thee
Nellie Bly polka
Old Uncle Ned
Palm branches
Peristyle polka
Robin Adair
Scenes that are brightest (from
Maritana)
The commodore polka
The last rose of summer
The low backed car
The old folks at home
When the swallows homeward fly
Comet solos - August Grosskurth, with Marine Band accompanimentuw
Ah che la morte (from II Trovatore)
Alpine echoes
Annie Laurie, with variations
Arban's polka
Clover leaf polka
Culver polka
Farewell fantasie
Gems from the opera of Martha
Let me dream again
Lullaby from Erminie
Oh! Do not mingle (from Somnambula)
Pretty Jane
Sea flower polka
Serenade by Gumbert
Snow drop polka
Surf polka
Sweet Marie
The heart bowed down
The image of the rose
The last rose of summer
The minstrel boy, with variations
Then you'll remember me
Three star polka
Weber's last waltz
Comet solos - Jules Levy
Alice, where art thou Du du (German song)
Ben Bolt
13 New category Sept. 1894 - may have been same in "U.S. Marine Band" category previously, uncredited
14 Earlier catalogs note Marine Band accompaniment. Later catalogs don't, and repertoire changes. Later selections
may have piano or other accompaniment.
25
Hearts (waltz song by the author of
"After the ball")
Home, sweet home
My country 'tis of thee
Nearer my God to thee
Say au revoir, but not good-bye
The blue bells of Scotland (with
variations)
The old folks at home (Suwanee River)
The palms
The star spangled banner and Yankee
Doodle
Then youTl remember me
Comet duets (uncreditedis) with Marine Band accompaniment
Golden robin polka The Swiss boy
The queen's trumpeters
Cornet duets - the Grosskurth Brothers, with Marine Band accompaniments
Alliance polka
Les deux amis
Alpine polka
The lover's farewell
Comet polka
The queen's trumpeters
Golden robin polka
The Swiss boy
Cornet duets - Grosskurth and Wunderlich, with Marine Band accompaniment
Golden robin polka
The Swiss boy
The Queen's trumpeters
Cornet and piano (Uncredited)
Ah, che la morte (from 11 Trovatore)
Celine polka
Arban's cornet polka
Clover leaf polka
Bouquet of sparks
Contest polka
15 Probably the Grosskurth brothers
16 As above, may have been previously credited only to U.S. Marine Band
26
Ein Vogel (grand fantasie), part 1
Ein Vogel (grand fantasie), part 2
Gems from the opera of Martha
I'll await my love
In old Madrid (ballad)
L'elegante
Lullaby from Erminie
My lodging is on the cold ground
Oh! Do not mingle (from Somnambula)
Polacca
Sea flower polka
Serenade by Gumbert
Snow drop polka
Song of the rose
The favorite
The heart bowed down
Then you'll remember me
Three star polka
Tyrolean aire varie
Une serenade (air varie)
Weber's last waltz
Comet and Piano - August Grosskurthi7 (solo cornetist, U.S. Marine Band)
Ah che la morte (from II Trovatore)
Alpine echoes
Annie Laurie, with variations
Arban's cornet polka
Arbucklenian polka
Clover leaf polka
Contest polka
Culver polka
Ein Vogel (grand fantasie), part 1
Ein Vogel (grand fantasie), part 2
Farewell fantasie
Gems from the Opera of Martha
I'll await my love
In old Madrid (ballad)
L'E claire
L' Elegante
Le chevalier
Let me dream again
Lizzie polka
Lullaby from Erminie
Oh! Do not mingle (from Somnambula)
Polacca
Pretty Jane
Sea flower polka
Serenade by Gumbert
Snow drop polka
Song of the rose
Surf polka
Sweet Marie
The carnival of Venice
The favorite
The heart bowed down
The image of the rose
The last rose of summer
The minstrel boy, with variations
The palms
i7 Sometimes "Krosskurth"
27
Then you'll remember me
Three star polka
Tyrolean aire varie
Une serenade (air varie)
Weber's last waltz
Comet and trombone - W. Paris Chambers and Harry P. Stone
Columbia phonograph march
11 Miserere (from 11 Trovatore)
Rock of ages
The gobble duet (from The Mascot)
We sat by the river, you and I
Flute and Piano - E.M. Waterbury
Annie Laurie
Bonnie sweet Bessie
In stilly night
La Rossignol waltz
My sweetheart' s the man in the moon
New Paris waltzes is
The last rose of summer
Piccolo and piano (uncredited)
Bobolink schottische
Canary polka
Cavatina de Donizetti, part 1
Cavatina de Donizetti, part 2
Chirp, chirp polka
Gem polka
Lockvogelchen polka
Nightingale polka
The Swiss boy
Piccolo and piano - E.M. Waterbury
Birdie's favorite
Bobolink schottische
Canary polka
Cavatina de Donizetti, part 1
is In two parts
28
Cavatina de Donizetti, part 2
Chirp, chirp polka
Gem polka
Humming bird polka
Piccolo and piano - Henry Jaeger
American airs and variations
Annie Laurie, with variations
Auld lang syne, with variations
Columbus fantasie
Cornin' through the rye, with variations
English airs and variations
German air - du, du, with variations
Irish airs and variations
Jenny Jones, with variations
Medley - We gather shells and we won't
go home till morning
Lochvogelchen polka
Nightingale polka
Souvenir of St. Petersburg
The Swiss boy
Nightingale fantasie
Robin Adair, with variations
Rossignol polka
Rossignol valse
Scotch airs and variations
The carnival of Venice, with variations
The gem polka
The old folks at home, with variations
The sweet bye and bye, with variations
Through the air polka
Saxophone solos - Eugene Coffin
Culver polka
Fantasie for saxophone
I don't want to play in your yard
Now I lay me down to sleep
Polonaise
Rocked in the cradle of the deep
Say au revoir, but not good-bye
Sea flower polka
The palms
Tramp, tramp, tramp
Trombone solos (uncredited) with Marine Band accompaniment
Christmas chimes polka Let all obey
Down deep within the cellar Rocked in the cradle of the deep
29
Romanza
The palms
Trombone solos - Louis Gebicke, with Marine Band Accompaniment
Down deep within the cellar
Rocked in the cradle of the deep
Let all obey
The palms
Trombone solos - Arthur Pryor, with Sousa's Band
Little Nell
Say au revoir, but not good-bye
Little Marcia Marie polka
There's only one girl in the world for
Trombone solos - Harry P. Stone (acc. not listed)
Cujus Animam (from Stab at Mater)
The evening star (from Tannhauser)
Down deep within the cellar
The heart bowed down
Fritz' lullaby
The holy city
Love's old sweet song
Then you'll remember me
O, promise me
Trusting
Rocked in the cradle of the deep
"Artistic Whistling" - John Yorke Atlee
A curl from baby's head
Chirp, chirp polka
After the ball
Comrades
Annie Laurie
Cornflower waltz
Annie Rooney
Down went McGinty
Anvil chorus
Dreaming as she sleeps
Bischoff' s bobolink
Erminie: Gavotte and march
Blue Danube waltz
Erminie: Lullaby
30
Erminie: The sighing swain and what
the dickey birds say
Erminie: When love is young, and the
dream song
Ever of thee
Fair dove, fond dove
Golden robin polka
Home, sweet home
Love's dreamland waltz
Love's golden dream is past
Maggie Murphy's home
Marching through Georgia
Now was I wrong?
Xylophone and piano - Fred Wahl
Carnival of Venice
Dimpled cheeks and laughing eyes
El Misererie
Marriage bells
Martha (from opera "Norma")
Once upon a time
Sleeping I dreamed, love
Sounds from nature, imitations of birds,
etc.
Suwannee River
Sweet bye and bye
The devil's march
The dude's march 19
The mocking bird
When will the birds come back?
When you and I were young, Maggie
Would I were with thee
Medley of Irish jigs
The mocking bird
The Suwannee River
Weston march
Xylophone and piano -Emma Williams
My sweetheart' s the man in the moon
The blue bells of Scotland
The fairy wedding waltz
The old oaken bucket
The Suwannee River
19 Sometimes "The Dudes March"
Clover blossoms waltz
Hold the fort medley
Home sweet home
Listen to the mocking bird
Marching through Georgia
Molly, darling
31
Vocal solos
Bass solos (uncredited) with piano
A warrior bold
All on account of Eliza
Annie Laurie
Bedouin love song
Ben Bolt
Blue bells of Scotland
Cooper song from Boccaccio
Do they think of me at home?
Down in the cellar (German drinking
song)
Every rose must have its thorn
Farewell Marguerite
Father O'Flynn (comic Irish)
Forever and forever
Four little curly headed coons
Happy moments (from Maritana)
In old Madrid
Kit Flanagan fairy (comic)
Life's story
Listen to my tale of woe
Love is a passing dream
Love's old sweet song
Lovely woman
McSorley's twins (comic)
Midshipmite
Mr. Noah he built an ark
Nancy Lee
O fair dove, o fond dove
Oh! What a difference in the morning
Old Simon, the Cellarer
Our Jack's come home to-day
Polly (sea song)
Rocked in the cradle of the deep
Serenade (from Tar and Tartar)
Strangers yet
The bandit
The bowery grenadiers
The heart bowed down
The holy friar
The maid and the magpie
The maid of the mill
The mighty deep
The old brigade
The old sexton
The peddler
The postilion
The powder monkey
The rat charmer
The skipper (sea song)
The three sailor boys (sea song)
The torpedo and the whale
They're after me
True till death
When storming winds do blow
Yeoman's wedding song
32
Campaign songs - Democratic2o
All honor to his name
The great unsatisfied
Cleveland's white house home
The politicians
Democratic boom de ay!
The Republican platform
Free wool to make our breeches
Too long they've ruled
I'm a democrat!
We need a change
March to victory
We'll get there all the same
Our foeman to outvie
Who need believe the lie?
The day of jubilee
Yankee Doodle at St. Louis
Campaign songs - Republican
$15 in my inside pocket
Old Tippecanoe
Ben Flarrison, my boy, Ben
Our boom de ay!
Comrades join the chorus
Protection for American labor
Democracy's going to grass
Shouting for Harrison & Reid!
Grandpa's hat 2 i
The Hoosier boom de ay!
Flarrison' s rallying song
What shall the tariff be?
Hip, hip, hurrah, Harrison!
What's the matter with Harrison?
Hold the fort for Ben & Whitelaw
Whom shall it be?
Old loyalty's campaign song
Minstrel songs (uncredited)
A high old time
The old log cabin
Dese bones shall rise again
Two little girls in blue
Laughing song
20 The campaign songs listed are from 1892. Another round of campaign songs for the 1896 election is advertised
in flyer 1896B, but titles aren't listed
2 1 In one list (1892C), listed slightly separately as John S. Robson's new Republican songs"
33
Vocal and orchestra (uncredited) - Comic
Learning McFadden to waltz
Nice girls
Razzle Dazzle
Vocal and orchestra (uncredited) - Irish
Since Casey runs the flat
Since Katie learned to play
The song that breaks my heart
Down went McGinty
O' Grady's [gout?]
I owe $10 to O' Grady
The Irish jubilee
Just wait and see McGuire
There goes McManus
Maggie Murphy's home
When McCarty takes the floor
Vocal and orchestra (uncredited) - Negro
Dese bones shall rise again
Little Liza loves you
Good-bye my honey I'm gone
Rock dat ship in the morning
Johnnie get your gun
Vocal and orchestra (uncredited) -
Sentimental
A Buttonhole bouquet
Drink to the girls left behind us ("Hub
A curl from the baby's head
Smith's latest song")
A mother's appeal
Heroes
A stitch in time saves nine
I wish he were here to-night
Always together
Learning McFadden to waltz (comic)
Comrades (dramatic)
Life's story
Dear Robin I'll be true
Little Annie Rooney
Down on the farm
Little Clare
Dreaming as she sleeps
Little Liza loves you
Maggie Murphy's home (sentimental)
34
Mothers watch by the [sea?]
Mottoes that are framed upon the wall
Nice girls (comic)
Old maids (parody on Olden days)
Olden days (sentimental)
One word of love
Playmates (sentimental)
Sadie Ray
Since Katie learned to play
Sunshine will come again
Sweetest love (song and dance)
The country band (comic)
The maid of the mill
The sun shines on the old home still
Under the old willow tree
When McCarty takes the floor
YouTl never miss your mother till she'
gone
Vocal and orchestra (uncredited) - Topical
It's all a matter of taste
Near it
Then you wink the other eye
They're after me
[They never told a lie?]
He [did?] it again
He ain't in it
It used to be proper but it don't go now
Vocal and piano (uncredited)
A High old time (Negro comic)
A light in the window
A mother's appeal to her boy
(sentimental)
A spectacular bold (topical)
Always together
Anchored (dramatic)
And the band played Annie Laurie
Angels are watching baby sleep
Arthur and Martha
Beautiful language
Carve dat possum
Comrades (dramatic)
Dad's dinner pail (Irish comic)
Down on the farm (sentimental)
Drink to the girls left behind us
Funiculi, funicula
Hauled me back again
He did it so politely
He never came back (comic)
Hear dem bells (Negro)
Hello, baby!
Heroes (dramatic)
Hi! Waiter!
I am going home to Chloe (Negro
sentimental)
I bet you a dollar you don't (topical)
I did it
I had $15 in my inside pocket (Irish)
I had but fifty cents (comic)
I never drink behind the bar.
I whistle and wait for Katie (sentimental
with whistle)
I wish he were here to-night
I'll bet you a dollar you don't (topical)
I'll paralyze the man that says
"McGinty"
I'm not baby McKee (comic)
If you love me, tell me with your eyes
(sentimental)
It used to be proper but it don't go now
(topical)
It's one too many for me (topical)
It's out of sight
Johnny Doolan's cat
Kutchy, kutchy coo (comic)
Learning McFadden to waltz (Irish
comic)
Life's story (sentimental)
Little Annie Rooney (sentimental)
Little Clare (song and dance)
Maggie Murphy's home (Irish
sentimental)
Maid of the mill (sentimental)
Mamma's black baby boy (Negro comic)
Marguerite
Mary and John (comic)
My toast (drinking song)
Name above the door (Irish)
Near it
Never, no more (topical)
Nice girls (comic)
Nobody knows
Oh, what a difference in the morning
Olden days
One word of love
Only a picture (sentimental)
Playmates
Poor old dad
Pretty lips
Put on de golden sword (Negro)
Rocked in the cradle of the deep
Since Casey runs the flat (comic)
So did I
Sweetest love (sentimental)
Ta ra ra boom der e
Tell it all to mama, darling
That is love
That's all (topical)
That's love, you know [same as that is
love?]
The Market on Saturday night (Irish)
The old turnkey
The postilion (dramatic)
The song that breaks my heart
The sun shines on the old home still
(sentimental)
The Whistling Coon (Negro comic)
Turkey in de straw (Negro comic)
Twelve months ago to-night
(sentimental)
Uncle Billy's dream (Negro)
When I get to be a man like pa (comic)
Whistling Susanna
36
You drop a nickel, we do the rest
You'll be mamma's big boy bye and bye
John Yorke Atlee - Vocal and piano
Come back
Ta ra ra boom de ay!
Higho for the sailor (low)
The Irishman's "Home sweet home"
I whistle and wait for Katie
The laughing song
I'm the man that wrote Ta-ra-ra-boom
The prodigal son
de ay!
Two little girls in blue
Nice girls
When Hogan paid his rent
On the bowery
John Yorke Atlee - Whistling songs
Dat whistlin' yaller Dinah
The whistling coon
He whistled up a tune
Whistling crazy
I whistle and wait for Katie
Whistling Susanna
Push dem clouds away
Why should I keep from whistling?
J.J. Burnham - Vocal and piano (Sentimental)
He never cares to wander from his own
fireside (The latest popular song)
I'm leaving dear Erin
Mother kissed me goodbye
My sweetheart's the man in the moon
One heart, divine
Out on the deep
Remember boy, you're Irish
Scanlan's rose song
The old brigade
The old rustic bridge by the mill
The old turnkey
37
J.J. Burnham - Vocal and piano (Comic)
Do you catch on?
Don't gif dot name a pad blace (German
dialect)
Get your whiskers cut!
I'm the man that wrote ta-ra-ra-boom-
de-ay
Is that Mr. Riley? (Irish)
John McKusker
The pawn shop
The second-class hotel
The spider and the fly
Throw him down McCloskey (Irish)
Lilia Colman
Dear Louise
Down by the river
Nearer, my God, to thee
Old folks at home
Old Kentucky home
Rock of ages
Sweet Marie
The old home ain't what it used to be
The sunny south
They are the best friends of all
Whose little girl are you
Susie Davenport, contralto - Vocal and piano
A mother's appeal to her boy
Annie Rooney
Ask of the man in the moon
Daddy wouldn't buy me a bow-wow
It takes a girl to do it!
Mary Green
Molly and I and the baby
Nice girls
Only a picture of her boy
Peggy Cline
T a-r a-r a-b oom-de-ay !
The broken home
The making of a horse shoe
The nightingale
F. de la Rosa - Spanish songs
Como me gusta tu cuerpo
El hombre es devil
38
La poloma
Los ojos negros
Me gustan todas (with castanets)
En la playa
Jota de Arragon
Jota del ole (with castanets)
La mulata
George H. Diamond - Vocal and piano (Sentimental)
A letter to his dad
Always show respect, Joe
Firelight pictures of the past
Grace Conroy
He fell
He was a father
He was a soldier
Just to be at home
Keep a place at the table for Jack
Kiss my dear old mother
Madeline
Mock not the old and feeble
My mother's motto
My Son, my only son
My sweetheart's the man in the moon
Peggy Cline
She promised to meet me here
The broken home
The broken vow
The coast guard's daughter
The fight for home and honor
The song of father time
The songs my mammy sang to me
The spot where mother died
The wedding of the lily and the rose
They will never turn his picture to the
wall
Time's up
Twelve months ago to-night
Velvet and rags
Waiting for an answer
We never speak her name
We were sweethearts, Nell and I
What will tomorrow bring?
When Ireland's free
When mother first taught me to pray
You gave me your love
You had better stay at home, lad
You will never know a mother's love
again
George H. Diamond - Vocal and piano (Comic)
Annie Rooney on the boom-de-ay!
Blame it all on to the girls (low)
Brand new little coon (negro)
De order of de golden key (negro)
39
Dead on to me
Delaney, or run, run, run
Have one on the landlord with me
He didn't split the wood
He never smiled again
Heigho for the sailor (low)
His sweet face he never saw more
I departed
I found I was only dreaming (low)
I found it (low)
I handed it over to Riley
I remember, I forget
I thought it was mine
I went home wid Michael
I wish they'd do it now
I'm something of a liar myself
If I was only just behind her (low)
It's away out of sight (low)
Judge Duffy
Just because she didn't know the way
Keep your eye on Duffy
McGarry's new white hat
McNulty and the duck
Mistakes are apt to happen (low)
Not on your life, says Mary
Now he's sorry that he spoke (low)
Oh, ta-ra-ra!
Paddy Flynn
Paddy Shay
She's more than seven
Since Murphy broke his pledge
Slide, Kelly, slide!
Some day, some day, some day
Such a nice girl, too (low)
The actors' boarding house
The first time in twenty-four years (low)
The Keeley cure
The law won't allow me to do it (low)
The night Casey went to the ball
The poor girl didn't know
They wanted me to take his place (low)
Those beautiful ladies (low)
Up with the angels now
Washington after twelve o'clock at night
(low)
What's the use? (low)
When Hogan paid his rent
Yes, I don't think!
You can't think of everything
You'll find it very different when you're
there
Edward M. Favor
Push along, my honey (Negro)
Swim out. O' Grady
The Broadway girl
The forgotten word
Ben Bolt
Midway poloma
My best girl's a New Yorker
Oh Mrs. Flaherty (comic)
40
The prodigal son (Bill Nye's famous
version)
The singer in the gallery
What do you think of Hoolihan (with
comic Irish exclamations)
You can't lose me Charlie (Negro)
Maud Foster
Arrah, go on!
Dad's the engineer
Down in poverty row
Girl wanted
Henrietta
I don't want to play in your yard
I want yer, ma honey
Little Alabama coon
Mamma says it's naughty
Oh, Uncle John!
Sliding down our cellar door
The midway in the moon
The picture in my heart (sentimental)
The sunshine of paradise alley
George J. Gaskin
A letter to his dad
And her golden hair was hanging down
her back
And the parrot said — !
Arkansaw (song and dance)
Back among the old folks once again
Be my little pal
Ben Bolt
Climb up, children, climb
Day after day
Dear Robin I'll be true
Decoration day
Dixie land
Dr. Piecrust
Drill, ye farriers, drill
Girl wanted
Good-bye till we meet again
He didn't split the wood
He whistled up a tune
Henrietta
Her eyes don't shine like diamonds
I don't want to play in your yard
I long to see the girl I left behind
I loved you better than you knew
I'll be true to my baby
I'se gwine back to dixie
Jack won't forget you
Jamie dear
Just say good-bye again
Just tell them that you saw me
Just think of your mother
Kate Mahone
41
Keep those golden gates wide open
Leonore
Little Alabama coon
Little Bonnie Dean
Mamie, come kiss your honey boy
Mamie, my darling
Marguerite
Mavourneen
Mother never can forget her boy
Music in our yard
My beautiful Irish maid
My pearl is a Bowery girl
Nothing's too good for the Irish
Oh, promise me
Oh, Mrs. O'Flaherty, what did you
mean by that?
Old companions
Old folks at home
Old Kentucky home
Only a year
Only me
Parody on Sweet Marie
Phoebe (latest Ethiopian melody)
Plain Molly O
Poor little Mary
Private Tommy Atkins
Sally in our alley
Say au revoir, but not good bye
Scanlan's swing song
School playground
She may have seen better days
Sidewalks of New York
Standing on the corner
Strolling home in the morning
Sweet fleur de lis
Sweet Marie
Take a seat, old lady
Tell them that you saw me
The church across the way
The cobbler
The fatal wedding
The fisherman's bride
The fleur de lis
The girl I'll marry
The music in our yard
The sunshine of paradise alley
The volunteer organist
The widow's plea for her son
There ain't any medals on you
There's only one girl in the world for me
They are the best friends of all
Tom and I'll go too
Turn over (comic)
Two little girls in blue
We were sweethearts, Nell and I
What could the poor girl do
When I cross the sea
When summer comes again
You gave me your love
42
Eddie Giguere22
Bring back my fisher boy
French yodel
Billy Golden - "Popular Negro specialties"
Flush don't wake the baby (with yodel)
The volunteer organist
'Rang 'tang tapa (medley)
Roll on the ground
Ain't goin' to stay here any longer
The mocking bird (unique whistling)
Good-bye my honey I'm gone
Turkey in the straw
Ole Uncle Jefferson
Uncle Jefferson
Rabbit hash
Wedding o'er the hill
Chas. G. Heitinger - Vocal and piano
A mother's appeal to her boy
Maggie Murphy's home
A speculator bold
Mary and John
Angels are watching baby sleep
My toast (drinking song)
Comrades
Olden days
Down on the farm
One word of love
Drink to the girls left behind us
Playmates
Funiculi, funicula
Sweetest love (song and dance)
He never came back
Ta ra ra boom der ay!
I wish he were here to-night
Tell it all to mamma, darling
If you love me, tell me with your eyes
The sun shines on the old home still
Little Clare (song and dance)
When I get to be a man like pa
Herbert Holcomb
A night at the play A winter lullaby
22 "Well-known yodler of the police patrol company" - Aprill 11, 1894 circular.
43
Ben Bolt
Bonnie my queen
Cast aside
Clock of the universe
Dreaming of love
Love's sorrow
Monarch of the storm
Tell her I love her so
The arrow and the song
The bell of life
The palms
The school playground
Then you'll remember me
Those wedding bells shall not ring out
While the dance goes on
Russell Hunting - "Songs by Casey"
And the band played on
Once again
She didn't do a thing to him
Three old sports from Oklahoma
What do you think of Hoolihan
George W. Johnson's great specialties
The laughing song
The whistling coon
Silas Leachman - Ballads
A little boy for sale
Back among the old folks once again
December and May
Emmett's lullaby
Hearts
I can't believe her faithless
I long to see the girl I left behind
Kiss and let's make up
Oh, promise me
Say au revoir, but not good-bye
Sweet Marie
The coast guard's daughter
The volunteer organist
Then you'll remember me
They are the best friends of all
44
Silas Leachman - Negro songs
A big fat coon
Carry me back to old Virginia
Dem golden slippers
Hear dem bells (with chimes)
Linger longer. Loo
Silas Leachman - Popular comic songs
Love me little, love me long
Mamie, come kiss your honey boy!
Quit dat ticklin' me
Roll, sweet Jordan, roll (with sermon)
Strange coon
Do, do, my Huckleberry, do
I wish they'd do it now
Drill, ye farriers, drill
One of his legs is longer than it really
Greet the old man with a smile
ought to be
(Seabrooke)
Swim out O' Grady (Seabrooke' s latest)
Grover, his wife and the baby
The man that broke the bank at Monte
Hello, central! (A telephone story)
Carlo
Chas. O. Marsh - Vocal and piano
'Twixt love and duty
Maggie Murphy's home
A dear old gray haired mother
Maggie Murphy's joint (parody)
A mother's appeal to her boy
Mary and John
A mother's lullaby
Michael Mooney's home (parody)
Casey's barracks (comic)
My Mary Green
Delia Clancy (comic)
My son, my only son
Dreaming as she sleeps
Parody on Maggie Murphy's Home
Grogan's boy (comic)
Sweet Jennie Dean
He never came back
Ta ra ra boom der ay
It really isn't any fault of mine (topical)
Throw him down, McCloskey
Jack's little sister Kate
We never speak her name
Jessie's dream (Scotch song)
When Hogan paid his rent (comic)
Madeline (sentimental)
45
W.A. McCabe
Back among the old folks once again
Little Bonnie Dean
Little Johnnie Dugan
Sweet Marie
The volunteer organist
When summer comes again
Won't you be my sweetheart
J.W. Myers - Vocal with piano or acc. not listed (presumed piano)
A soldier and a man
A son of the desert am I
After twenty years, or the return of the
prodigal son
As good as gold
Bedouin love song
Beer, beer, glorious beer
Dear old pals
Her wedding bells will ring today (bell
obligato)
I fear no foe
I stood on the bridge at midnight
I'll be true to Jack
McCarthy's widow (comic)
Palm branches
Rocked in the cradle of the deep
Sing me those pretty songs again
The arrow and the song (Longfellow's
beautiful verses)
The Bedouin love song
The bell-buoy
The Bowery grenadiers (comic march
song)
The clock of the universe
The coast-guard's daughter
The gallant Emmett guards
The heart bowed down
The land league band (comic march
song)
The last roll call
The midshipmite
The monarch of the woods
The music in our yard
The old blind mule
The old sexton
The sidewalks of New York
The singer in the gallery
The sweetest story ever told
The volunteer organist
There'll never be one like you
Why don't they sing the dear old songs
Will o' the wisp
46
J.W. Myers - Vocal with orchestra
A son of the desert am I (dramatic)
Her wedding bells will ring to-day
(sentimental ballad)
The arrow and the song (Longfellow's
beautiful verses)
The Bowery grenadiers (comic march
song)
The clock of the universe (dramatic)
The land league band (comic march
song)
Jessie Oliver
Annie Laurie
Home sweet home
Love's old sweet song
My own Kentucky home
Way down upon the Suwanee River
Hal Otis, baritone - Vocal and piano
Dublin bay
Graham's "farewell" (sentimental)
I wish they'd do it now (comic Irish)
Strangers yet (sentimental)
The dear little shamrock
The heart bowed down
The song that reached my heart
The white squall
Then you'll remember me
Dan Quinn - Vocal (acc. not listed)
A cannibal king
A little bunch of whiskers on his chin
A little piece of string around his neck
A little you know so so
A sporty coon
And her golden hair was hanging down
her back
And the parrot said — !
Arrah, go on
Baby, baby (from "The lady slavey")
Black-balled in the Lime-Kiln Club
23 Standard Quartette joins Oliver in some of the choruses. See March 3 1894 circular.
47
Casey's band (comic)
Casey's carousel
Chimmie Fadden
Come down, ma honey, do
Convivial man
Darky cavalier
Dat new bully (May Irwin's latest hit)
De hottest coon in town
Dennie Murphy's daughter Nell
Do it again, it was so funny
Doolan's coterie
Faces we miss from the stage
Fishing for what
Four fingers and a thumb
Games we used to play (boyhood days)
Get your hammer out (topical)
Gilhooley's party (Irish)
Girl wanted
Go 'round the other way
Greet the old man with a smile (another
of Seabrook's)
Hold your head up, Patsy McGann
(comic Irish)
I haven't done the same thing since
(from "Little trooper")
I love my love in the springtime
I want yer, ma honey (May Irwin's hit)
I wonder why
I'll forgive him
I'll not go out with Riley any more
I've a friend who lives just 'round the
corner
I've been to gay Paree (Hoey's latest)
I've been hoodooed
In case of disappointment (topical)
In the ranks of the Salvation Army
It all seemed strange to her
It's a good thing, push it along
Johnny, my old friend John
Just as if she didn't know
Keep those golden gates wide open
(Hallen and Hart)
Kitty
Lindey, does you love me (Quinn's
composition, sung in "A Country
Sport")
Linger longer, Lucy (from "The Country
Sport")
Living pictures (sensational)
Ma onliest one
Mack's swing song
McGinty at the living pictures
McManus Kehoe and the egg (Irish farce
comedy)
Mike McCarty's wake
Mr. Captain stop the ship
My best girl's a New Yorker
My dad's the engineer
My girl's a corker
My little Polly's a peach
My pearl is a bowery girl
Now he is sorry that he spoke
O'Brien's parrot
O Solomon you are so wise
O Mr. Hitchin
Oh honey, my honey
Oh, Uncle John
On Broadway (20 th century girl)
48
One of the Gaiety girls
Oriental echoes
Parody on Sweet Marie
Plain little every day girl
Pretty Maggie Mooney
Private Tommy Atkins (from "Gaiety
Girl")
Put me off at Buffalo
Ring-tailed colored band
She bolted with a boarder to Chicago
She didn't do a thing to him (topical)
She is an Irish girl
She may have seen better days
Some dance the lancers (Vesta Tilley's
new song)
Some things are better left unsaid
Standing on the corner, didn't mean no
harm (George Primrose's new song)
Sweet Daisy Stokes
Sweet Tillie Taylor
Swim out, O'Grady (Seabrooke's latest
song)
The band played on
The belle of Avenue A.
The belle of poverty row
The Broadway girl
The deacon went astray
The gay soubrette (comic)
The little lost child
The man who broke the brokers (A Wall
Street lamb)
The midway in the moon
The midway Paloma (A travesty on "La
poloma")
The red-hot member
The sidewalks of New York
The streets of Cairo
There's only one girl in the world for me
They wouldn't do that in London!
Three little chaps (comic)
What right had he on Broadway
What won't we do for love
You-ra-liar-ty (burlesque yodling)
You don't have to marry the girl
Dan Quinn - Vocal with orchestra
Her golden hair was hanging down her
back
I do love you (serio-comic)
Linger longer, Lucy
McManus Kehoe and the egg
Nothing's too good for the Irish (an Irish
surprise)
The sidewalks of New York
49
A1 Reeves ("The famous banjoist and comedian") - Vocal and banjo
If we had such men as those
Lovely woman
Parody on Comrades
Fred Roberts - Vocal and piano
Parody on Mary and John (low comic)
Parody on picture turned toward the
wall
Daisy Bell
Parody on two little girls in blue
Do, do, my Huckleberry, do.
Pong, pinka, pong (banjo song)
I picked it up
Smithsonian Park
In a very different place
The cat came back
Little Johnnie Dugan
The girl I left behind
One of his legs is longer than it really
Uncle Charlie
ought to be
George D. Scott
A one-horse street car
A sea-sick bridegroom
Duffy's blunders
Flanagan, his wife and the poker
I forgot it
I handed it over to Riley
I've worked eight hours to-day
If I were as young as I used to be
Peggy Cline
The Irish Christening
The Lord will help me on my way
(negro)
Wash me mother
50
Len Spencer24
Carry me back to old Virginia (Negro
sentimental)
Laugh you little niggers
Little Alabama coon
Mamma, does you love your honey
There's a black sheep in every flock
F.B. Taylor, baritone - Vocal and piano
Poverty's tears
The cottage on the hill
The sword of Bunker Hill
L.B. Taylor, baritone - Vocal and banjo
Climb up, children, climb
De gospel train
Parody on picture turned to the wall
T a-r a-r a-b oom-de-ay !
The bad hotel
L.B. Taylor, baritone - Vocal and piano
He never cares to wander
I handed it over to Riley
Molly O!
My old Kentucky home
Paddy Duffy's cart
The last kiss grandma gave me
The Miner's dream of home
The old stepping stone
The pardon came too late
You gave me your love
George E. Terry
After the ball
Do, do, my huckleberry, do!
24 First appears in catalog 1895B, though biographical accounts suggest he performed some of the uncredited
songs and recitations earlier
51
Kiss and let's make up The monthly payment plan
Mamie, come kiss your honey boy The widow (from "A trip to
Not the only one Chinatown")
The girl I left behind You can't lose me, Charlie!
The man who broke the bank at Monte
Carlo
A.C. Weaver
Buffalo Bill's wild west The whistling coon
Mamie, come kiss your honey boy What the wild waves are saying
The coon that got the snake
Joseph Weber
Don't be cross
Geraldine
Henrietta, have you met her!
In old Madrid
Just before the battle, mother
Oh! Uncle John
The streets of Cairo
The sunshine of Paradise Alley
The vacant chair
The vocal honeymoon march
52
Vocal Ensembles
Brilliant Quartette
A mother's appeal to her boy
America is dear to us all
Blind Tom (Negro camp-meeting shout)
Brother Gardner's church choir
Climbing up to glory mighty slow
De courthouse in de sky (Negro)
Down in the cornfield
Down on the farm
German melody (with imitation of
steam calliope)
Golden axe
Grandfather's birthday (Negro)
Hand down that robe
Haul the wood-pile down (Negro)
He never cares to wander from his own
fireside
Hear dem bells (with bell imitations)
Hear the rumor of the Lord (comic
Negro)
Hush-a-bye baby
I never have been false to thee
I'se gwine back to Dixie
I've worked eight hours to-day (Maggie
Cline's famous song)
It's hard to be a nigger (comic)
Just as it used to be in days gone by
Keep hammering in my soul (Negro
camp-meeting)
Mary Ann medley (with warble)
Nearer my God, to thee (hymn)
Old blind Tom (Negro camp-meeting
shout)
Papa's baby girl
Poor mourner
Remember poor mother at home
(sentimental)
She danced like a fairy (with warbler)
Since Sullivan learned to act
Tell them that you saw me
The bulldog on the bank, and the
bullfrog in the pool (comic medley)
The courthouse in the sky (Negro)
The fatal wedding
The fight for home and honor
(Homestead, PA)
The Irish queen (medley)
The picture that is turned toward the
wall (sentimental)
The song of the steeple (with church
organ imitation)
The steam calliope (introducing German
melody and yodling)
Woman is the cause of it all (comic)
53
Highland Quartette
Brahm's lullaby
Nearer, my God, to Thee
Cornin' thro' the rye
Onward Christian soldiers
Grand old ocean
The bridge
In old Madrid
The soldier's farewell
Lead kindly light
Manhattan Quartette (of Dockstader's Minstrels)
A Negro's holliday
Southern medley
Calliope medley
Sunshine will come again
Plantation medley
Standard Quartette
Almost persuaded
Say Bo, give me them two bits
Annie Laurie
Steal away to Jesus
Genevieve medley
Swing low sweet chariot
Keep movin'
Tapioca medley
Little Alabama coon
The old oaken bucket
My old Kentucky home
Way down yonder in the cornfield
Nationality medley
When the mists have rolled away
Old Aunt Jemima
Widdy-wink
Old Kentucky home
Who broke the lock on the henhouse
Poor mourner
door?
Rocked in the cradle of the deep
You may talk about Jerusalem morning
54
The Taylor Bros. Trio25
I board at Mrs. Dooley's
Medley trio
Meet me at the golden gate
Telephone the news on high
The last kiss grandma gave me
25 Presumably includes L.B. and F.B. Taylor, also listed as solo vocalists
55
Spoken word
Recitations: Dramatic (uncredited)
Cardinal Wolsey's farewell to power
Closing soliloquy from act I of Richelieu
Damon's speech to the Syracusans
Douglas taking leave of Marmion (Scott)
Hamlet's soliloquy on death
King Claudius' Soliloquy (from Hamlet)
Opening soliloquy from Hamlet
Opening soliloquy of Damon (from
Damon and Pythias)
Opening speech from Richard III
Oration of Marc Antony (from Julius
Caesar)
Othello's speech before the council: Act
1, scene 3
Quarrel scene from Julius Caesar, part 1
Quarrel scene from Julius Caesar, part 2
Quarrel scene from Julius Caesar, part 3
Queen Mab Speech (from Romeo and
Juliet)
Richard's soliloquy on the death of
Henry VI
Selection from Damon and Pythias: Act
1, scene 1
Selection from Richelieu
Shakespeare's "Seven ages of man"
(from "As you like it")
Soliloquy from Richelieu
Soliloquy of Richard III on conscience
The Fool (selection from "As you like
it")
The star spangled banner
Recitations: Humorous (uncredited)
An aesthetic housekeeper
Belshazzar Smiths' cure for
somnambulism
Bill Nye on hornets
Cremation exposed
Der patter of der shingle
Der shpider und der fly
Ding-dong on vocal power
How they went to housekeeping
Kentucky philosophy
Parson Jinglejaw's surprise
Schlausheimer's troubles
The bureau (a story -Yankee dialect)
The modem Shakespeare
The railroad crossing
The Yankee still ahead
Tom Marshall (a story - Yankee dialect)
Vas Bender henshpecked
56
Recitations: Miscellaneous (un credited ) 26
A Shakesperean dream Which one? (pathetic)
The old minstrel (pathetic)
Recitations: Pathetic (uncredited)
The old minstrel Which one?
Recitations: "Special" (uncredited)27
Crown of Thorns and Cross of Gold 28
Edwin Booth's Othello
Gladstone's attack on the House of
Lords
Gladstone's message to Edison
Gladstone's speech on self-help and
thrift
Ingersoll at the tomb of Napoleon
Ingersoll's creed
Lincoln's speech at Gettysburg
McKinley's speech: Accepting the
Republican nomination29
The Lord's prayer
The mad ravings of John McCullough
The side show shouter
D.C. Bangs - Recitations (dramatic and serious)
Hamlet's soliloquy on death Shylock, in the merchant of Venice
Othello's apology to the senate The charge of the light brigade
Part of trial scene, merchant of Venice
26 Replaces "Recitations: Pathetic" category
27 Noted in catalog to be imitations
28 Advertised in flyer 1896B, category inferred. Probably an imitation.
29 As "Crown of thorns...", appears in 1896B, category inferred, probably an imitation
57
D.C. Bangs - Recitations (Humorous)
A lock of hair (serio-comic)
A stump speech on love
Bevare of der vidders
Casey at the bat
Do baby of mine
Hard earned wages
Mary Ann Dallinger's proposal
Sockery setting a hen
The champion snorer
The enchanted shirt
The original Marc Antony's address
D.C. Bangs - Recitations (Pathetic)
Left on the battlefield
Somebody's mother
The gambler's wife
The idiot boy
The street of bye and bye
D.C. Bangs - "The 'Rastus Series"
'Rastus and 'Meriky's conversion
'Rastus and the ship of faithso
'Rastus and the watermillion
'Rastus at the razor social
'Rastus blessing on the dance
'Rastus ideas on baptism
'Rastus on steamboat explosions
'Rastus' trip to the promised land
'Rastus' lecture on apples
W.O. Beckenbaugh - "The Auctioneer: A great novelty'bi
Sale of Christmas dolls, toys, etc. (with
horn interruptions / interrupted by
small boys)
Sale of dentist's effects
Sale of dime museum (with parrot
imitations)
Sale of drug store
Sale of farming implements
Sale of goods at close of fair
30 Alternately '"Rastus and the ship of fate"
31 Uncredited in early catalogs - may be different performer
58
Sale of horses, cattle, fowls, etc.
Sale of household effects
Sale of household furniture
Sale of oil paintings
Sale of old maids
Sale of pawnbroker's goods
Sale of red-haired girl (with white horse
accompaniment)
Sale of suburban lots
George Buckler - Recitations (Dramatic)
Cardinal Wolsley's farewell to power
Closing Soliloquy from Act I of
Richelieu
Damon's speech to the Syracusans
Hamlet's soliloquy on death
Opening soliloquy from Hamlet
Opening Soliloquy of Damon (from
Damon and Pythias)
Opening speech from Richard III
Oration of Marc Antony (from Julius
Caesar)
Sale of the old slave
Sale of unclaimed express
Sale of unclaimed freight
Sale of unredeemed express matter
Sale of Virginia lands
Sale of wines, liquors and cigars
Sherriff's sale (the poor widow)
The laughing auctioneer
Othello's speech before the council, act
1, scene 3
Quarrel scene from Julius Caesar, part 1
Quarrel scene, etc., part 2
Quarrel scene, etc., part 3
Richard's soliloquy on the death of
Henry VI
Selection from Damon and Pythias, act
1, Scene 1
Selection from Richelieu
Soliloquy of Richard III on conscience
George Buckler- Recitations (Humorous)
An aesthetic housekeeper
Aunt Chloe and Uncle Rastus' dog
(negro comic)
Banford's burglar alarm
Belshazzar Smith's cure for
somnambulism
Der eavesdropper
Der patter of der shingle
Der shpider und der fly
Ding-dong on vocal power
Kentucky philosophy
Mrs. Tubbs takes an elevator
59
Parson's jinglejaw's surprise
Schlausheimer
Socrates snooks
The modem Shakespeare
The railroad crossing
The Yankee still ahead
George Buckler - Recitations (Miscellaneous)
A Shakespearean dream
George Buckler - Recitations (Pathetic)
Little Joe Which one?
The old minstrel
Charles B. Hanford - Recitations32
"Queen Mab speech" (from Romeo and
Juliet)
"The fool" (selection from "As you like
it")
America (My country 'tis of thee)
Cassius against Caesar (from Julius
Caesar)
Douglas taking leave of Marmion (Sir
Walter Scott)
Hamlet's soliloquy on death
Home, sweet home
I met a fool in the forest (from As you
like it)
King Claudius's soliloquy (from
Hamlet)
32 Later separated into genres. See Sept. '94 catalog.
Macbeth's soliloquy
Make way for liberty!
Marc Antony in the Senate (from Julius
Caesar)
Marc Antony's address
Othello's apology to the senate
Papa's letter (pathetic)
Quarrel of Marmion and Douglass
Queen Mab (from Romeo and Juliet)
Richard III on conscience
Rienza to the Romans
Sheridan's ride
Shylock to Antonio (from The merchant
of Venice)
Soliloquy of Henry V
60
Soliloquy of King Claudius (from
Hamlet)
Soliloquy of Richard III
The American flag
The Baron's last banquet
The bridal feast (a temperance story)
The burial of Sir John Moore
The charge of the light brigade
The ghost of Hamlet's father
The murder of Macduff's wife and
children
Russell Hunting - "Casey Series" 33
Casey and a dude in a street car
Casey and his gang of Irish laborers at
work on a building
Casey and the dude in a street car
Casey as actor
Casey as alderman
Casey as an insurance agent
Casey as chairman of the Mugwump
Club
Casey as doctor
Casey as hotel clerk
Casey as insurance agent
Casey as judge in the criminal court
Casey as mayor
Casey as motorman on a trolley car
Casey as umpire at a ball game
Casey at Denny Murphy's wake
The old arm chair
The old oaken bucket
The seven ages of man (from As you
like it)
The Star Spangled Banner (Francis Scott
Key)
The Virginia reel (humorous and
pathetic)
The volunteer organist (humorous and
pathetic)
Wolsey's soliloquy (from Henry VIII)
Casey at home
Casey at Mrs. O'Houlegan's birthday
party
Casey at Murphy's wake
Casey at president's reception
Casey at the bat
Casey at the circus
Casey at the party
Casey at the telephone
Casey departing by railroad
Casey departing from Boston en route to
Washington
Casey departing from New York en
route to Boston, by steamboat
Casey exhibiting his panorama in
Dublin, Ireland
Casey in bathing
33 Titles vary slightly between catalogs, and similar titles have been de-duplicated. April 1893 catalog and 1893B
contains brief summaries of skits.
61
Casey in court
Casey in the bar room
Casey joins Coxey's army
Casey joins the Masons
Casey listening to an Italian playing a
hand organ in the street
Casey listening to the phonograph
Casey playing cards
Casey playing the piano at Mrs.
Fitzgerald's party
Casey serenading his girl
Casey takes the census
Dan Kelly - "Pat Brady Records" 34
Paddy's wedding
Pat Brady after the election
Pat Brady and the doctor
Pat Brady and the World's Fair at
Chicago
Pat Brady and wife in court
Pat Brady as a police justice
Casey's description of how Christopher
Columbus discovered America
Casey's fight with Geoghan
Casey's first experience as a doctor
Casey's great medical discovery
Casey's plan for freeing Ireland
Casey's political speech
Casey's trip by steamboat
Old man and Jim (Riley's famous poem)
The bureau (humorous recitations in
Yankee dialect)
Pat Brady as President
Pat Brady before the election
Pat Brady in the police-court
Pat Brady on a spree
Pat Brady's St. Patrick's Day speech
Pay Brady in the patrol wagon
34 See 1893B for summaries of the skits (1893B)
62
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■0E. NORTH
ivAND or ’ yni sole licensee of : . ■. : ;
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ftionoiiFaphs >1 pimnoaPapVG^P^pliones.
Although some ton years We elup^'l «i«e» »«**■•
the worl.1 by inventing a machine that recorded sound and
reproduced it »t will, it is only within the put few month*
that this wonderful invention has been brought osuch a d -
, L . of perfection as mates it of practical ntihtj to the
mihlic at lar«e. The orgimil Phonograplh while valnuble m
demonstrating the possibilities of human Invention, ami us
owning up u field of research in acoustics previously a.a
pLd lacked the elements essential for practicu nsm The
metallic and sometimes indistinct sound-wave*, that lure
emitted from the primitive tin-foil., the lack of proper inci-
dental mechanical appliances, the want of a suitable nui oris
f„r the impression plate, and numerous other defects, made
the ^invention useful principally in the laboratory of the
snientiat. or in the museum of curiosities.
" All these curly defects have at last been overcome, and he.
perfected Phonograph and Phoiiograph-Orapboplmne, foi the
multitudinous purposes for which they cun he used, are as prac-
tical as the type-writer or the telephone m their respec yr
spheres. By them the slightest shades and variations 0 .
human voice are registered and reproduced wi h abso ute ac-
euriu-y. Music, whether vocal or instrumental, . solo <n «
tilde, 'in all its rythm, melody and intonation, the lowest ■«=
well as the highest notes; ill a word, all sounds ol ever} cun
■ and Character, may be treasured up in “ !^ofS
extern. The utility of the invention at this early flay can
scarcely be estimated* Tho uses of an in tit ru mon t with such
manifold functions, would seem to bo circumscribed only by
the uses subserved by tho property of sound itself.
How tin- Sound Ih Hcglxtcnnl and I Cep rod need.
Tbo perfected Phonograph and PMonograpli-Graphoplioiie
in size occupy leas space than an ordinary typo-writing ma-
'i!iinc J and are much lime complicated, Indeed their simpli-
city., and the readiness with which they can bo operated by a
novictv are among their remarkable features. The found a-
tion principle consists in cutting minute indentations in a
spiral lino around tho wax surface of u small cylinder, by
moan a of a delicately adjusted cutting instrument, attached
to a sensitive diaphragm, which is actuated by son nd- waves,
and afterward reproducing the same souildg by causing the'
cylinder to bo revolved beneath a similar diaphragm, with a
non-cutting needle point attached, which follows in and out
of the indentations produced by the first cutting instrument,
and thus nets in motion tho same sound-waves. The wax
cylinder or impression plate is less than six inches in length,
and is held in place by suitable clamps,
'fl)e work of adjusting the recorder for registering is that
nf a moment, and the reproducer ia as readily placed in
position when it la sought to hear tho registered sound. The
cylinder is made to revolve either by a treadle moved by tho
foot, after the style of u sewing machine, or by a small eke-
trio motor, as may be desired, tho latter haying for its motive
power a small bichromate or other ordinary electric battery,
A rubber tube, with glass or vulcanite oar pieces to enable
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the listener more distinctly to hoar, completes the apparatus.
By means ol a small horn or cone, the sound can bo thrown
out in a room or hall for greater enjoyment of an audience.
Priveticul uses of the Phonograph and IT I o^raph-
Uraplkophoue.
While it is too early to foretell all the uses and necessities
to which tbo perfected Phonograph and Phonograph -G mph o-
p hone arc destined to be applied, sufficient tests have already
burn made, in daily business use, to warrant tho assertion
that for all the purposes hereinafter enumerated the Phono-
graph fbtid Phonograph -Urapho phone are unqualifiedly prac-
tical and eminently desirable, and in making these statements
there arc not, as is too often the case with now inventions,*
Einy reservations or quali II cations or any depending for their
realization upon expected improvements. Upon the au-
thority of thousands of disinterested users throughout the
United States who have' subjected the instruments to all
varieties of tests and upon tho certainty of operation which
the ii uielii no itself demon strides, these statements are made.
As this pamphlet goes to proas there are more than titty
machines in use in the Government Departments in Wash-
ington and the number in increasing daily, while the private
subscription list in tho same city is approaching the second
hundred.
As a Stenographer.
Obviously one of the first usee of the Phonograph find
Phonograph- Clraphophone is their use as n stenographer, for
they present numerous superior features for Hint class of
work. Leaving out of consideration tho superiority, in ab-
solute accuracy, which the Phonograph and Phonograph-
4
Graphophone necessarily possess, in reproducing the words
apokou i]3 to them, persons having employment for stenogra-
pliers will appreciate the iwi vantage of having a " mechanical
stenographer," which neither van te limdi hours nor holidays*
wliicSi can work as easily in the dark as in the light; which
js always at hand; which never interrupts the speaker nor
lmGs 11 ™-d; whoso compensation h fixed ones for all and
which never gets ill or weary. Any intelligent hoy or girl
can accurately transcribe the dictation by type-writer or pen.
t Those who have heretofore been deprived of the services
of a stenographer because of the attendant expense can now
luive an instrument which gives still more efficient service at
t u nominal outlay.
Utility for Ordinary Corie^pmidcncc.
A.s a time and labor saver, what the sewing machine is to
the needle, the Phonograph anti Phormgraph-Gruphophonc
!iru! ti:> ^ K1 P cu * Cylinders with m usages recorded ripen them
ntn \mmithy mail, i m light mailing eases, provided
h,r |,Jm * P IVf l HJ ^h at ordinary postal rates. The percentage
of persons to whom writing k u task of much labor is vePy
huge^ and the percentage of persons who are unable properly
to express their thoughts through the medium of writing.
tmd yat who fluently express the minutest shades of their
mcaiuug by words of month is scarcely less. This i & m \d\h
eomprohended when one rcilocfcs that bilking is natural™
writing is artificial*
The most ignorant never hesitates to convoy accurately his
meaning when speaking face to face, while to write with no
■uey and fluency requires previous training and education.
mu
i
5
Besides, even the most scholarly and rapid writer cannot
write one-ton til as rapidly as he can talk,
Thu Voice aa n Guido to flic Meaning*
In addition to the advantages alluded to, the Phonograph
and Phonograph- Graph option e by reproducing the exact tones
of the speaker, enable tlve hearer more completely to under-
stand the meaning. The pleasure sit times derived from
listenin'; to the voice of an absent loved otic, is denied in the
c- I I
cold characters of a letter. •
■ , ; ; | 1 , , ‘ | •]■ i
As an Educator*
s.s’r. *■■ •
Par educational purposes, the I Monograph and l^ioiiograph-
fj raphoidinnc arc destined to prove an important factor in
many ways. A & an aid in teaching vocal mid instrumental
music it is invaluable,
To tench correct pronunciation of either native or foreign
languages, Lho S'lnmogruphand Phonngmph-Graphophonouro
in v ii I liable as a supplement to a teacher or book. A child
makes known every want with a knowledge of only 504) words,
and a grown person seldom uses more than 2,000 to 8,000
words.
These SjpiOQ to 8,000 words arranged in the form of a nar-
rative, together with the translation — sentence by sentence—
carefully and distinctly spoken by a native of any foreign
con n try, ca n bo placed o ti say f o u r cy Hud era* T h esc cy 1 i nd era
can be m ami fact u red in any quaiifity and sold at a small oohI:
to .the public, hjlocution, also, as fur m modulation, tone,
and other 1 1 a ali ties of the voice are concern ud, can be easily
taught through the medium of t-ho Phonograph and Phono-
g rnpl i-( 1 ruph op 1 io i ic .
e
A Itiwn JVir CoDiincroial Travel# rn.
If a Phonograph and Idmnograph-Uraphophtme * cm placed
j n every prominent hotel in tho country, as doubtless Trill soon
be the case, commercial travelers could more readily, more
thoroughly and more accurately keep their principals at home
apprised of their doings, and the details of the conditions and
peculiarities of the territory through which they travel.
In many eases the writing of the daily letter h n source of
greater concern to them than all the day's work.
Stored -up Music* mid Elocution*
An a source of instruction and entertainment, the Phono-
grapts imrl Phonogr&jph-Graphcphoiie are bogining to fill a
large and profitable field,
i-or a ^mnl] sum the possessor of a Phonograph or Phone*
graph-Grapbophone is enabled to listen to songs by cekv
brttfcd artists, as well as to the strain 3 of the most distin-
goiahrd Kuropcau and American instnmientalistfl, and tho
recitations by renowned actors may thus bo brought within
the pecuniary reach of all, It can be readily appreciated
how inestimable a benefit this application will bo to the
blind and the sick.
A Few of the 1 111 mediate ltiiKinwri Unc*.
For lawyers and business won, at their homes or offices,
it is a mechanical stenographer always at command. The
cylinder, irtho instrument he used at home, may bo brought
or f 01 warded to f.lie user J a office* and there transcribed hy
the type- writers
Informal contrauta may be perpetuated ill tbo exact words
and tones of Use parties.
7
Instructions to employees may be given without their
actual presence.
In doctors* offices* a patient calling during the phy a icifflusf
absence, may verbally express his wishes to the in strum cut,
to bo heard only by the doctor on his return. The confi-
dential character of the patient's communication is thus pre-
served, In the sick room the physician can leave for the
nurse explicit oral instructions, thereby obviating flm danger
in such eases of depending upon poor memory.
Verbal representations by would-be customers may be
perpetuated for use in case of future disputes.
Poor writers and spellers are enabled to communicate by
mail without the disclosure of their educational defects.
For authors, lawyers, playwrights and clergymen, and all
others who have manuscripts to prepare* the instrument will
prove a most valuable time saver, and they will readily be
able to judge of the actual effect of their words upon their
hearers.
In newspaper offices especially* the instrument is oi groat
use, Most, 'if not all editorials and other matter may be
dictated, and the cylinders used by the compositors without
the necessity of reducing the subject to writing, and it k
particularly valuable ns a saver of time in the last, hurried
moments before tho paper gees to press. Telegraph opera-
tors can send press and other dispatches direct from, the dic-
tation of tho cylinder; no manuscript being required.
Actors and theatrical managers find it most advantageous
in memorizing, and in fill the details of rehearsals.
For use between an office and factory, or between a main
and branch office, there is the ff daily cylinder,” into which
8
the different bead* of departments speak their wants, with
greater parti cuUmty of detail than fa possible through a letter
uoiTuspendenee* and such “daily cylinder " am he forwarded
in t.lic flamo manner as a letter.
All Post OlliuOBMvlll he supplied with those instruments*
to enable persons to correspond — a reasonable toll being
charged per phonogram. The receiver., if not possessing an
instrument, may, by got Jig to his Post OHlce or to the com-
pany's agondOBj, ami paying a small foo, use their machine
tor translating the cylinder.
Itiilhoad managers and HLipyrin ton dents will find the inven-
tion very useful to transmit ami receive quick communica-
tions, when it is mcoTtmiont to write* or time is limited.
All orders to agents can be issued much more advantageously
by phonograms than by the present eysknu
A \ ie t » e ft e i a I H old , by m oai is of tb cso ins tnu n c i l ts , t s t li row i \
open tit the blind, enabling ilium to com mini icaic mtilily
with thi'ir distant Iriends,
Plionographs or Pho^ograpii-Uraphophoncs are leased at
^40 per iUmmn, but not sold* and blank cylinders* and Byl-
in dors with inti si cal and other records upon them, are sold at
a reason able price,
Fur the I tome*
hi J lie homo circle* recipients of phonograms may enjoy
the yd oa sure of listening to the voices of their absent corro-
sjiimdi'idr.
Sayings of children ami olliers may be perpetuated in the
language and tones o[ the Hpi'ukors.
Music, vocal and i ns t rumen foil, i* reproduced with mar-
veil on h acrnrjy.iy.
/
9
The mn siefd feature i« already attracting a great deal of
attention and giving moat satisfactory entm.amu.ent .. the
Urmua of subscriber*. This Company keeps constantly ,
stock musical records of orchestras, of brass bands of eight
pieces, cornet solos, Unto, picolo, violin, organ, V^o ^
and other musical records, which are sold at a ret.sonu,
oviee and give subscribers the opportunity of having at hot,...
Tall times a high class of music. We also have wh.stl.ng
solos by artistic whistlers, , vivid, are very popular.
W1IAT som it Aitis doino.
Most of the l’ho iuigvuph-Gviiphophoi.es i i. use in the terri-
tory 0 f the Columbia Phonograph Company serve ... the pi*™
of shorthand or longhand amanuenses, taking the dictations
of busy men. There arc, however, a u u mbev ol BuUc "J*”
who are using, with great, success, mstnunoufe l . o h
mrrimses. V'rnf. lUsoholf, the eclel.ratod blmd oigimi. .
uses a Phonograph to record piano melodies winch he oo.n-
noses from time to time, having tl.c melodies afterwards tran-
' seribed to paper fro... the machine by an amam.c.s^ J r.
O. P. Austin, journalist, has a printer's ease on ins ,-upl
nhono table, dictates his press dispatches, n»d the com-
positor sets type from the spoke, words of the Uuphop..o,.e.
u the ..nice of tl.c Century Dictionary, a l.'houngraph
to give examples of correct and incorrect pronunciatmu. At
U .0 II, ,11 it the l.'Ummgmpl. delivers UsDuvs
'descriptive or the scenes the splayed, lion Ur ,s .
Hi liver uses in Ins family flve (Irophuphoncs, «»hly £o«
rect coruespondonoo, the cylinders being sent by man to and
I
10
ti F om the numbers of bis fmniv 3
i* the voice of the qier " " *" ^ °“* th °
Member a of Com'vn^ u n , r , fc ,
«i‘xtr2r\rr i r I ?“ = "
on it^ fiat ii " b b o fitly this Company ]ma
J it.s list Ji op rosy ii tatives Pp+ni> u iz ^ ^ ^
Iowa; Atkina,,;, ..fi> , ’ 1 kl,n,, ' ls ; Strublo, of
. r Km son, of j Cltusylvaum, iindBroutinviilfro .« v
'ho reports ofTh^SttlX.iro *
wl >° ; l)y tJiis means, were ennblml t i « * h ° i>KSI>ntati ^,
Ion I'lieiwjfinph <>'i nju, Hy ’ wli i"h' ^5? a " , ™ ;n 'l »n* of Uin Oolnra-
1 tw u ‘*triet ill ColuiuUnf ’ lU 'flJ» Maiylnnd, Delaware and
0^.a.’ Wta - "*■■ a^nJieatosPhono^p],.
... , WASHINGTON, l>. C .
iSS?? v Krr t P - «•
AtmSw^'rK 1 *' W»«poiit OlrOe P.
^ v wimL 1\ ft, . 1j J ' SULlo ' lH - ^Tiuultuml UejMufc-
a ?:; S3K& **
11
“Buhl* ft. c 1 , 3 Journalist, 515 14th Street. P, (1.
1 tartan, Churn, President lied Crown AysnCation, 1kl5 Vermont. A Ye.
Ba r)*sr r C. E., Lawyer, 011 F Street. P. G,
Bell, C. J., Hiiiiker, 1f>th and Penney) van is Avennei P. O.
bin^Imin, L, & Co., Lawyers, 41G 5th Street. P. O.
^BkchoJI* J. W# t Musician and Co in poser r 12 At K Street. P. G,
Blanchard & Wurman, Exhibitor s, 1345 Penney I vania Avenue P
imd P. G.
Looker, E. A., Residence 10CH llili Street* P.
Hus well, l£. & t Stuno^JiLphar, 4U IJ Street, S. E.
-Breekiiirici^e, Hon. W, C. P,, 1451 N Kj.ivet. p, ft,
-Pro wn ( D. IV., Reporter of DuIh^k, House of RepresentativeSe P G
Crown j D. W,, Itesidonoa, JSM A Street, S. E. P, ft,
-Crown, Clurnin, Lawyer, Umimuy Bn iJ ding. P, ft.
Bnoknliaw, k lb, Typewriter Malinger, Bill ami F Streets, P. G,
JiLii-nett, C'litfcB, II., StaiK^oupliei, interstate Commerce Commis-
si on. P, ft.
Carlisle, C. t lawyer, Fkmdull Building.
£ "a rnerL tor, F. G., JiJtimuiList, 1528 Q Sir
P, G,
■[jentor, F. G., Journalist, 1528 Q Street, p. (J,
CJfljfljuiti), L 0, t Renictenee Now HzumjKdiire Avuinit,
Coast Survey, U. S. P. tl.
Coluinhin Phonogiupli Co,, 027 E Street, P. and F. C.
v Cuiltinfi , ont Ex^eriKes; Onnmitteo, U. S. Setuito. P. ft.
Condi t, Chus, L. , Coidmy DiHu unary, lOOkl F Street, P.
Court of (H: tin'll, 1500 PuansyL vania Avon no. JC C.
Cox^F. P. /felejfmjdi Ojarralur, 1M5 Vii^inia Avu., S. W.
Cox, John P, , Lawyer, O lover Bui tiling. I J . ft r
"■■Ci "aim Graoe, Ty pa writer, U1I5 F Street- 'F. G.
Cralle, J. 11., Lawyer, 1101 O Street, N r W. P.
C rollii t, VV. A. , Journalist, 11)H 1st Sti-oet, N r Ji.
■ CrojueJiu, li. F. r Ruaidonee t Street, N. W. P
F.
P. and P, £
C lidiLng, F! IT., ftarh^Id Hospital, p. G.
P, O.
and P.
ft.
Darlington, J. J ( , Lawyer, 410 5th Street. P, G,
' Davis, Eugene, Sl*no^rapJ»i', U. S. Senate. F. G.
Bavifl, Eugene, Resid^m^i 31 0 5th Street, N. E. P. G,
Deebie, W. It, Itenl Estate A^nl, BUG F SticieL P, O.
Heg-raw, p. \t, Journal^!, 515 J JUi Sl-rent, It CK
Dejd, A, B, , Beside nee UG5 A Street, S, H. P.
Dp vine, A. , Reporter of IhAiaLes, House of Roproseiikdiives
Devine, A M Re^hleuee 140ft Slst Street, H + W. F, and P. Q.
kiougius, ]J, ft,, Typewriter, Coruonui Bui] ding*. F. G.
P. G.
■ * a
pulton, ( E. + Geohigical Survey, P. <J, 1
Dutton, £'. jr», IfeKiderice, 2034 It Street P,
" I]lu " toil > K - n - > Ifewten™ «40 Ef-at CnviUA Streak. J\ mu] P. Q.
Prriuntb Committee, jj m ft p n
UM ' ll ! : L V [ Y-| J J 1 ' 1 . Vy 3 N -' H v l ' ' i e i-, EH4 1 r>t ! L Sheet. p t G
w. , r^Livvoj-. ioi u FHt™Qt p, o
Knryest, L., Lfluvynr, 90$ K Street, P ii
\uwtvf & Pnl^Mt^ ftJH F V.
L> osier, T> L^idi..mri' H>17 iMh Hired, P.
- .'^th J^ Eea r 1C, Court nC t’luimn. 1\ (J,
' ,,r Jh D., Jiiuj -unlink lj)ofl FBtrJui. l\ Q
Etiological Survey, U. K, p fj
IS a ;t u - p - °-
< f Of ho , I if. I. Hi rui iw Ni ti.it, , u tf Mm sue tJJ , p n
(Joqtfe, {}, B. , Residence Lanier Heights p h
Qwy, C, II. , Jfm rnnl Mt, 517 14th Street p*
Grjiiv, Ty|m-wri|(»r, WilkinlM u^i p
IU'hk I;. p Prim.-i|kjtr Kximiinor, Patent Oflhv p t i
EvkYV* rfi£STOT‘ , * ,,B **» amt*
[b E oL T ^ w >' l -E Wuil Building, p. a
ir.um.L, 13 ^., Stono^mpiu- 1 ', War Ueiwrf meut P t;
3-iLwyvi-. 1341 Mill Hi N W P
t^^nfc 'plr 1 Cl,lef tm “' *«► NmLh. JtSTjmiltiunl
" Kr r - Jj, " ,i,: f ' aLt - '•
h vci\ E. J,, RwUlHnne sin MnrauthitHrt N Avu p «
plJ.Vi'rMY J., WooLlmouiil Gh r h. * " 1 ■ Cj ‘
iFoJtaHiLw limn., Ihiildera, HK4 J 1 1 h Hi h-oii. V {J
o] i Ji winy, VV, H |\, 4lir> S|mh|(m Kli-tei Ijeilrofl Ptu-k l* ii
Uuum t>l Koj^.^ukilj^h. p. (j/ ui F »-jjji)ii hint, i,( h .
InlepiUfo ('ojmnoivo UomiuJ^mo, tiuu TJiri hlliu^ P ( }
Uww * J' - F^ipPu-.'. JlifT K.SLhvf. l\ a!
Joluis & Eftfttoiij Stemt^raplnJiPi*, 47^ Lou iaiium Avon ne. P. G.
"^JolinSj A., Ifesit.l&iit'Ef 1411 Coluiutiiu Hliool, N, W r F. G.
Johnson, A, B, t Rijsidenoe SGI Mkple Avenue., LeDnoit PavTc* F. G.
linve.' h "W. ^5. t Residenoi! 11£ N. Caiiital Street. F.
K night Bros. , Pa tents, OUT F Sttwt, N". W. P. G.
— J/nDow, O. D. ? Fn vote Soai'etory k A^iieultuiul Dept. P. nun! P, G.
Lousburgh & Bio., Dry Goods, 420 7th Stfeet, N. W. P. G.
Linton, I. B„ Lawyer, 410 6til Street P. G.
LLttell, J, 11. , RvUfiits, Eomu 50, Pacific Building, P.
Littlohaies, th W. , Reakkite© SOSO G Street. P. G,
Lotluop, A, H +J Kesidence SC Grunt- Place. 1\ G.
MiUilotmlcl, T. IL, Eeskleuoe 1302 K Street. P.
Marino lSuni)itsil Her vivo. P. G.
Meaner, C. W. p ieian t 1225 F Street. P.
Mosnsley, E. A., Seuretftry iiitei^tateGoniniewM Gom mission. P, G-
Mmphy, IJ. I, lawyer, Atlantic Building. P. <4,
Nuiioiifil Museum. P. G.
National Reporting A AwiaiiuenKiH AsBociution, 1410 G Street. F.
and F. G.
Navy l^parttnent. P. G.
L’luiIw, C* EltKlridiin, 1225 F Sticet, P. G,
PaLkiimu, G. B., r L'y(K. , :-\v liter, 140SJ New York Aveituu. F, G.
Patent Olltoe. P. G.
Payne, G. C., Real Estate, «1S 15th Street, P. G.
Ponnie & Goldsborougli, lawyers, 0OH P Street, P.
A J etev.s, Horn, S. It, M. C. House oi' Rejne^ijatativew, P, G.
fPeters, E- T.j Bosideuca 501 Itttli Street. P, (J.
PiiiUip^j Lai Liar & ftichry. Lsiwyers, Sun Building. P. G,
Pratt, A. S. & Soil, Real Estate and Insurance , S tin Building, F. G.
• Uk:v, J. Q., RexideiKie, 1711 tVm-dnui Street. P. tl.
Kioe, J. Q M PriLn ilUll lixanmier. Patent UiLh-e. P. G.
Rid au-dson, 31. N. , Lawyer, 1303 131 1 1 Street. F. G +
■^UtdenmiVj C, TI. , Rest doiure 3027 Q Street.. F. G,
Riley, G* V., Eniiniuilngist, Agrlunltumlil>eiNirttuait. t', (l t
Ruse, W, P-, Resideiu u bill E Hl.reuL P.
Saks, jV h A- Co,, Merdinots, 300 714l Street. P. G,
Kali non, l.ir. 0, E., Veterinarian, Agricultural Dcjiartiiient* P,
14
* e n'. ^ J - * ®*‘ Guitar, S. Capitol St, IkL Vn. Am & ft
SiK.,,,1 S^vioa, \V 1U , Department. P. ft
£!!!? i iX m ' if ' 'Jifi eth sti^t., r (3
Smj. 1 , 31 , \\ 11.. ir. * m-S g Stl-eeL P. G
uK™/ T C*’ Till and D Stiiufc. R G
u jo ' !’ £* ,V ’ '" M V p;i Patent Office. P.G.
“/ V \r Re *! <lo ! UJO * 1J " H ^ C“Uitol Street, F. '
ul n P. h ,,k-t ^“nulu^turer, 4!5(J !>t d h Street p i?
NlrnWo, Hon. I. s M ft so «h»nt S p «
bupemmnff Aivltet, Twosm-y D^^.i.nt P. «.
t«z^cs-«" •"* ohi ° a ~*«- p-
Unite cl Fro*H, 51U 14th Sti^el, \\ G,
W j L.] f '.at (• C D-, N !i ti oil: 1 1 M LI wmn. P f }
W« “ VWOn ’ A * rio »M«*»J D^rtmert
V )1S ? A \ p - Rfeportaj* or Debate, Houaeof ItenreaarikLtiv^
S ejlt RfiHldencse 1004 a fith Street P ‘ ' * *
' J r C T’ n ’WS»!i IiE0 Ji0lh m r
vV r 1 ;■ h ,j t] 1 s J - ' 1 |t 1 2 1 ; HtwM' i, p, «„
w kjy, H, W,* OlwiuiHt, Agricultural ].Wvtmntii p n
JS!' 1 ™' Jfcfildeiioe 15flt£ Vermont X veu Lie p 1 ' ^
' ^ “ili^yieewtvJrtlonUiviiioJ; A. G. O. War
atr A — * »’• «■
°°I 1 S' u ' 1 r f T ^ V P®' w ri * ei 5 B*™ k In till , D. C. P tt
V *' l\ft aaU,UU,,i * '1-Vpo-wrller Agency, *], i(]1( | F sta _
P. G,
P. G.
Yomiffn, Eljdionm, G roeer, 428 Rtli Street, P, G.
UAf/nmoiti^ mu
Abell, dm, W., ** Tlte Bmu t! p.
I
(
Id
Baker- WiiLteley Con! Co + , 40D Seoomt Street. P.
Baldwin, L. H. f Iuauriitioe, 8 Post Ofiloe Avonuo, P,
“Barnes. ItTrs. N. IE . , Ty|ia-writar h il Elost Loxinj^tou Sti*eet. P. G.
Hurtlott, J. K. f Residency, 1740 Park Avenue. P.
i Bohlits, W, H,, Stenographer, 12 St, Paul Street. P. G,
BridgoE, J. S., & Co., Printoi’S, IS 8, Chnrlea Street. P.
Giussmil, RoHiclitnec, 1222 St, Piuil Street. P,
< JurliMaiur, M. , Publisher, Calvert Btreot. P. G r
Donaldson, W, W, r Ekxjtriojn.n, Parle Avenue. P.
Dunn, FnmklinM., Viaduct EleaLi-in Workfj, 1047 Greenmoiant Ave-
nue. Ph
Putvovo, E,, Steamships^ 3£0 East Loxingtcm Stitet, t\
Gary, J. E. & Soils, ISJOOLimlen Street,
Gutman, N + , Dry Go oils. 15 W, Ij^xlngton Street, P,
Hayes, Thos. G.,U. S, District Attorney, Court House. P, G.
Hooper, Alcaeus, Manufacturer, Woodbury, P-
l looper, \\\ J, & Co., Manufacturcra, 110 r* Fiictt Sti-oot. P,
Hoonei 1 , J. E., ManutwAui'er, St, Paul and 4tli Streets. P.
Hughes, Thos, t lawyer, St. Paul Street. P.
Klingerhofer, G. J. t Commission Jlareliaut, 103 Light Street-. P. G.
Marriott, J. II. W., PubUslwr, 12 N. t^harles Street. P.
Median & Co., CoimniNsiCm WoihOiuhIh, Sennit! S1,iwt. V. G.
Mengitt, M. G. p Ooutiau^tor, If W. Franklin StreoL P.
M orriscui, MunnilcluiyHen & Boodj 102 N. Calvert Street, P.
Nelson, W. Q., Fn,yotle aacl Culvert Streets. P.
Olil Town Bank of BulLinioro* F,
O wings, T, , S3I> North CJuti les Sti-eot. P,
Price & Sienart, Palouts, 205 K Gefiinui Stro^t, P. G.
E. H. t Lawyer, South and Lombard Streets, P,
Bail ter, IV, II,, Bunt uosh Cull 13 N, Cimrlun Slroeh P+
Bu nor Mimufaoturiug Coil ipany, Point, P.
* Blirivw, BiU-'tlett & Oft, IJLwyurH, Geriiisui and Calvert StrfletN, P T
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U ISTRI CT 0 F C 0 L V- M K LA : iVt A L< l t , A N ] ) be TJ K-L A W A A A >
Utitf.R, AUTHpftfTV o'
T-HE- NORTH HM FRIO JIN PHONDHRHPH COMPANY,'
A IS OOF -THE. &OU£ LlCEKSEtOF
'FHS! K M £ Rl C& N 0 RH PH 0 PH u .7 £ GO M F R NY,
pRtHClPAI. OFFICE: 627 £ St,, K. W. ( Washington, D, C-
Eaitimore, F."d., lOancf S2 M + CSiarles STroet„
Wilmington, Oel.,S2£ Vliirket St,
o’ cb o " 6 ” o" p o . o o . o_ q p . _o . . o „ ,b_P _.^_.0 _ p p .. A.
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«• ** ' '
E, o. EASTON,
PRESIDENT^
A. JOHNS.
\ fc . I — H M
, r 4 - *■ ^
OFFICERS:
Wm. HEBERT SMITH,
UJCL-PRESIDEHT i. 1 RE ASUttEPi-
i-E h F. CR0MEL1N,
SelchIlTA^V.
DIRECTORS:
Wm, HERBERT SMITH,
BENJ, DURFEE. ‘ CHARIN BROWN.
EDWARD D. EASTON.
J M POKTAS T J MPItO VMM IvX TS,
sriu-r the previous edit ton of this pamphlet was
printed, improvements of great importance have been
made, both on fhr Phonograph uml the Phonograph-
(iraphoplmiic, and are being placed upon all nv\r in-
, *fi-«iments T wlitth- those in the hands of subsevi hors m e
being, at the expense of this company, ctinippcd >v i t li
the In test do vices.
The improvements to the Phonograph consist in
taking away more than fifty parts simplifying t ho in-
stmmcidi making It iiutu marie in adjustment, and
easy to handle.
The improvements to the Grapliuphnno consist
principally in Increase of sensitiveness, so that it is
not necessary to use laud tones in did at ion; indeed a
whisper may now be recorded and distinctly repro-
duced on either machine*
t,..
Fiionagrapfis ptio!sogFapii-|jpaplioislsBnes.
All hough some ten years have elapsed si nee hldison startled
the world by inventing a machine that recorded sound, and
reproduced *It at will, it is only within the past few mouths
that this wonderful invention has- been brought to such a de-
gree of perfection as makes it of practical utility to tlie
pn bl i e at 1 a r ge. T ho or i gi mil l v h on ogr &ph r wh i lo v al Liable i n
demonstrating the possibilities of- human invention, and as
opening up a field ol research in acoustics pic\ louslj/ max*
plorcd, lacked tlic elements essential for practical use. The
metallic and sometimes indistinct sound-waves, that were
emitted from the primitive tm-foil, the lack. ol propel inci-
dental mechanical appliances, the want of n suitable material
fvr the impression plate, and numerous other defects, made
the invention useful principally in the laboratory of the
scientist, or in the museum ol curiosities*
All those early defects have at last been overcome, and the
perfected Phonograph aipfej Ti on ogra l>luG rnphophone, for the
multitudinous purposes for which they can boused, areas prac-
tical as the type -writer or the telephone in tlrcir respective
spheres* By them the slightest shades and variations of the
human voice arc registered and reproduced with absolute ac-
curacy, Music, whether vocal or instrumental, solo or mul-
tiple, in all its rythnrt, melody and intonation, the lowest as
well a s tlic highest notes; in a word, all sounds of every kind
and character, may he treasured up ill these extraordinary
4
machines and reproduced— not once— but thousands of times,
and may be mechanically duplicated and multiplied to any
extent. 1 be utility of the invention at this early day can
tea ri X'ly be est i mu ted t The a ses of n n i nst rum cut with s ncli
manifold functions, would seem to be circumscribed only by
the uses subserved by the property of sound itself.
Itou Uio So ii 11 <1 is licgfotcrcrt ami Iteproiluccd*
Hie perfected Phonograph and Phono^rnpli-Oraphophone
maize occupy less space than tin ordinary type writing ma-
climo, and arc much less complicated* Indeed their simpli-
fy* and the readiness with which they can he operated by a
novice, are among their remarkable features. The founda-
tion principle consists in cutting minute indentations in a
sph'al lino around the wax surface of a small cylinder, h\\
means of a delicately adjusted cutting instrument, attached 1
to a sensitive diaphragm, which is actuated by sound-waves,
and afterward reproducing the same sounds by causing the
cylinder to b o re v o ] ved benea t h a ju m i 1 a r d i n ph i.\ig m, w [ th a
non-cutting needle point attached, which follows in and mb
of tiie indentations produced by the first cutting instrument,
and Hi UK sets in motion the same sound- waves. The wax
cylinder or impression plate is ]cf 3 than six inches in length,
and is held in place by suitable clamps,
the work of adjusting the recorder for registering Is that
of a moment^ and the reproducer ia as readily placed in
. P°^irjn \'hen it if? song} it to hear the registered sound. The
c\ Under is made to revolve either by a treadle moved by the
foot, after the style of a sewing machine, or l>y a einall elec-
tric motor, ns may be desired, the bitter having' for its motive
o
lwiver a small b,cl,romflte or othe r ordinary electric battery.
A niHcr in be, with glass or vulcanite ear pieces to enable
he listener more distinctly to hear, completes the apparatus
% means of a small horn or cone, the sound can MhZ
°nt in a room or ha]] for greater enjoyment of an audience.
Prnel ienl uses of M.c t*,,,, p]l p,,*,, h .
(jrraiilio))]) one.
While it is too early to foretell all the uses and necessities
^ winch the perfected Phonograph and PhotlOgraph-Ompho-
Phone arc destined to be applied, sufficient tests hare already
■fl““f a l 't!" ? bl, f n “ 3 ^ *0 Warrant the assertion
‘1 , 01 “ ! purposea hereinafter enumerated the Phono-
graph and Pli o nograph- f} raphoph one are unqualified! v prac-
Cal alM5 cm tncntly desirable, and in making tW statement,
■ icrt, .ire not, as IS too often the east, with new inventions
anv resen-atmns or qualifications or any Spending for their
realization upon ejected improvements. Upon the au -
S d d t 10US T H ,° f <Hs:r,tCreate<1 — throughout the
ta t r, tho in.tn.mont, tl all
varieties of tests and upon the certainty of operation which
the machine itself demonstrates, these statements are made
t 5,13 l ,!, 7 hrot t«» V**> there are more than a '
hundred maehmes in „ S e by Government Officials in H ash-
mg on ami the number is increasing daily, while the private
hutli’’i " 11,0 Sume cit y is :, PP>'0»el,ing the second
rtilify for Ordinary Cmreaimudcnee.
A- a time and labor saver, what the sowing machine is to
10 IICCl e ’ 1113 Phonograph and Phonograiih-flruphophone
V >
"T 'l T
w to the pen. Cylinders with messages recorded upon them,
can be sent by mail, enclosed in light mailing cases, P™' r " kd
for that purpose, at ordinary postal rates. The percentage
of persons to whom writing is a bisk ef much labor is very
lar<% and the percentage of persons "'ho are unable properly
to express their thoughts through the medium of writing,
and yet who lineally express the minutest shades of their
inclining by word of month is scarcely less. ’ Tins is readily
comprehended when one reflects that talking is natural
.writing is artificial.
As n Stenographer.
Obviously one of the first uses of the Phonograph and
Phonograph-Graph o pho i ie is their use np n stenographer, for
they present numerous superior features for that class of
work. Leaving out of consideration the superiority, in ab-
solute neon racy, which the Phonograph and Pluniogi ap 1-
tlnipliopho no necessarily possess, in reproducing the words
spoken into them, persons having employment for struugm-
phei’s will appreciate the advantage of having a "mechanical
stenographer,’ 1 which neither wants Ihnch hours not holidays ,
Which can work as easily in the dark as^thc light; which
is always at bund; which never interrupts the speaker nor
loses a word; whose compensation is fixed once for all, and
which never gets ill or weary. Aliy intelligent boy or girl
can accurately transcribe the dictation by type-writer or pen.
Those who have heretofore been deprived of the services
of a stenographer because of the attendant expense can now
have an instrument which gives still more efo-nent service at
jicpiit in ill uutliiy.
!TJTri3T
7
Xhc moat ignorant never hesitates to convey accurately hi a
itL^nning when asking face to face, while to write with ac-
curacy and fluency requires previous training and education.
Besides, even the most scholarly and rapid writer cannot
write one-tenth as rapidly a^ he can talk.
TJit Voice ns a Guide to Che Meaning 1 *
In addition to the advantages alluded to, the ] Phonograph
and riionogrnph-G mph opium e by reproducing the exact tones
of the speaker, eimble the hearer more completely to under-
stand the meaning, The pleasure at times derived ^ from
listening to the voice of an absent loved one, is denied in the
cold characters of a letter.
As nu Educator*
For educational purposes, the Phonograph and l. holograph-
Grapliophone five destined to prove au important factor in
many ways. As an aid in teaching vocal and instrumental
music they are i n valuable -
Tl> ttach correct pronunciation of cither native or foreign
languages, the Phonograph and ITioiwgraph-Graphophonenrc
invaluable as ft supplement to a teacher or book. A child
makes known every want with a knowledge of only oOO words,
and a grown person seldom uses more than 1*000 to J,0h0
words.
These 3,000 to 11,000 words arranged in thefr ■
mtive, together with the translation— sentence l.. sentence—
carefully and distinctly spoken by a native of any foreign
con a try, cun be placed on say four cylinders, 1 hose 01 linders
can lie manufactured in niiy quantity and sold at a small cost
to the public. Elocution, also, as far as modulation, tone,
i
-eib
— -
-L .U„,M - * :£ ' ■■ ■ j • ,,
8
nm.f other qualities of the voice are concerned, can be easily
t:i Eight through (be medium of the Phonograph and Phono-
ph-tlraphophonc.
The Plionogijipli ftS ji Tnidc-Urinser.
bbhte a number of wide awake merchants and business
men already appreciate the great value of the .Phonograph as
a 1 1 ado-ln i Mger, mid rent instruments which they keep con-
^tantly r, n exhibition at f licit 1 stores, rendering choice musi-
cal sch'f.d ions, and again from time to time shouting out. in
stentorian tones the bargains of the day. ft is hard to im-
agine anything move effective for this pnrposet and the men
v, ho have niaehf nes state that they have greatly increased their
business by this novel way of advertising. The through
who conic to seethe instrument leave so much money for
purchases flint the slight cost of the machine and supplies
cut 5 a small figure in the calculation. -
A Ilium 1'nr Coiumercitil Travelers.
f C : t 1 hofiogjMpha in 1 I J 1 ) on o grap h - ( I ra j >hopli o n e were p 1 a ee d
in every prominent hotel in the country, as doubtless wtii soon
be the ease, commercial travelers could more i\%Wy f more
llior-mglily and more accurately keep their principals at home
apprised of (heir doings, and the details of the conditions and
plan him ties, ol the territory through which they (ravel.
In many cases the writing of the daily letter is a source of
greater concern to them than all the day's work.
fctoiml-iiii Music ami Elocution.
.As a source of instruction and entertainment, the Phnno-
gruph and Plionograph-ff^pJiophone are beginning to fill a
large and pro ft table field.
0
frV a small sum the possessor of a Phonograph or Phono-
graph-fTraphophone is enabled to listen to songs by cele-
brated artists, as well as to the strains of the most distin-
guished European and American instrumentalists.; and the
recitations by renowned actors may thus be brought within
the pecuniary reach of alb It can be readily appreciated
hew inestimable a benefit this application will be to the
blind and the sick.
t- ■ *
A Few of Hie Immediate Business Uses.
For lawyers and business men, at their Koines or offices,
it is a mechanical stenographer always at cam m und. The
cylinder, if the instrument be used at home, may 15 e brought
or forwarded to the user’s office, and there transcribed by
the type- writer.
Informal contracts may be perpetuated in the exact words
and tones of the parties.
Instructions to employees may be given without their
actual presence.
In doctors' offices, a patient calling during the physician's
absence, may 'verbally express his wishes to the instrument,
to be heard only by the doctor on his return. The confi-
dential character of the patient's communication is thus pre-
served. In the sick room the physician, can leave for the
nurse explicit oral instructions, thereby obviating the danger
in such eases of depending tipm nory,
Verbal representations by would-be customers may be
perpetuated for use in case of future disputes.
l'oor writers and spellers are enabled to communicate by
mail without the disclosure of their education at defects,
J
’ ■ ■ ■ ■ • ' ■■ - -Pf ■■ ' | «*^T
Ifl
Vo v a u t. h or $ , In wyr-rs , p 1 ay w r igl 1 1 s and cl orgy m (4i t and a 3 1
fit her* who have imimnscriph to prepare, the instrument will
prove a most valuable time saver, and they M ill readily be
able to judge of tho actual effect of their words upon their
bearers.
Tn newspaper oflice* especially, the instrument is of great
use. Most, if not all editorials ami other matter may be
dictated, and the cylinders used by the compositors without;
the necessity of reducing {he subject to writing, and it is
particularly valuable as a saver of time in tho last hurried
moments before the paper goes to press. Telegraph opera*
tors can send press and other dispatches direct from, tire dic-
tation of the cylinder; no manuscript being ivpiii^l.
Actors and theatrical managers find it most advantageous -
in memorising, and 'in all the details of rttarsflls,
For use between an offUff and factor}', or between a main
and branch office, there isTho “daily eylmdiT/* into which
Ihc different heads of depart m tints speak their wants, with
greater particularity of detail than impossible through a letter
corves poFLdcnw, runt such “daily cylinder" can he fur ware lei E
in the same manner as a letter.
All Tost Offices wilt ho supplied with theso instruments,
to enable persons to our respond — a reason able toll being
charged per phonogram. The receiver, if not possessing an
instrument, may. by gedng in ]jfs Post Oil ice or to the com-
pany’ s agencies, and paying a small fee, a-c their machine
for Imnsbdi. ng the cylinder
CJ tf t p ,
Railroad managers and pormfendf'iita will find tho inven-
tion very jfsefut l o t r;i/i srijlt ami reecivi fjiimh rummiuiioa-
PPWU^HJPJr'
it
tions, when it is inconvenient to write, or time is limited.
All orders to agents can he issued much more advantageously
by phonograms than by tli 2 present system.
A beneficial field, by means of these instruments,, is thrown
open to the blind; enabling them to communicate readily
with their distant friends.
Phonographs or Phonograph-Gi^phe phones arc leased at
?-IO per annum, but not sold, and blank cylinders, and cyl-
inders with musical and other records upon thorn , arc sold at
a reasonable price.
Motors for PFmuogrnpli* «ml t ! i ;i iilunihtmot.
Although the treadle is a most satisfactory and' effective
moans of running either instrument, this company is pre-
pared to furnish; where desired, machines rim by electric
motors. The power fur the motor comes either from the
Edison incandescent current or from ,a storage buttery,
<■* *■
Motors mid batteries arc cither rented ur sold a 4 the sub-
scriber may prefer.
* - ' .
t'or the Home,
In tire home circle, recipients of phonograms may enjoy
the pleasure of listening to the voices of their absent corre-
spondents,
Hayings of children and others may be perpetuated in the
language and tones of the speakers.
Music, vocal and instrumental, is reproduced with mar-
vellous accuracy.
The musical feature is already attracting a great deal of
attention and giving in on. I satisfactory miter tail uncut at the
homes of subscribers.
V
W »
13
* >
MUSICAL PHONOG RAMS .
The, following is 11 list ol the musical phonograms which
can be had on order:
UK ASS BAND,
L The Song That Reached My Heart. 3, Daughter of
Love, 3. Selection from Erin iniu. 4. Monastery Bells- 5.
Selection from Mikado. 6. American Airs. 7. Killarucy
Walts. S, Society Yorkc. 9. Sounds from Homo Waltz.,
10. Beggar Student. 11. Selection from Oolah. 12. Hidden
Hours. 13. The Night Alar nr, Descriptive. 14, The Old
Oaken Bucket. IS. Tube Tlose Waltz. 16. Everybody's
Bfcling. ■
1WHLOB OltCII EST.lt A,
1, Birds of Spring, York. 2 Quadrille, Calling put.. 3.
Little G ret to. Polka. 4. Selection from Erminic* 5. Se-
lection from Mikado. 6. Selection from Oolah. 7. Selec-
tion from Brass Monkey. 8, 1 isions of Paradise W slh-
0, In Bapture Sweet. 10. Xadjy Waltz. 11, Selection^
fro u i C 1 o ver, 12, Heart's ’ Delight, Gavotte. 13, yJ o 1 - '
umbus. 14, New York at Night, March., Id. Mignon,
York.
COllNllT.
L Culver Polka. 2 . 1 1 T ro v at o re . 3 . J am i o D c ar , So ng .
4. Ilurtimm’s Favorite, 5. Anna Polka. 0. White Roj?g
W f/tz, 7. Dancing in the Barn. 8. Lover's Dreamland
Waltz. 3. Sweet Sixteen Waltz* 10. Song That Beached
My Heart. 11, Emily Polka. Vi. Arc Marla. 13. Old
Folks at Home, Song. If. Gobble Gobble, Song from
Mascot. 15. Casta Diva. 10, Little Ni slier Malden.
CL A I! I ON 1ST,
I. Coud id Thro* flic Bye 1 , 2. Irene WaBz, L Selection
from Oolah- 4. Greeting to 11 ms, March. 5. Ithiliu M alu.
-T-T-r — ■-*
■» i - S '
... . :: .v. _ V .«■-■-
_a_i j- —
is
(j, Sylvia, York. 7* The Brigands* Polka, 8. Hoboken
Pioneers, 0. Down Went McGmty. 10. Dancing in the
Barn. 11. Selection from Said Pasha. 12. Semper Fidelia.
13. Snap Galop. 14. Fortune Waltz, from Clover 15.
Kentucky Jubilee.
FLlTli.
1. Warrior's Farewell, 2, Lucille, Gavotte. 3* Robin
Adair, Variations. 4, The Queen of the k Hinge* ^ ork. 5.
Mountain Belts, Polk, 0. New Paris Walt*, 7. Air from
Santaello. S. Vision* of Paradise Waltz. 9. German BaL
lad, with Variations, 10. Dream After the Ball,
PICCOLO-
*1* Clover Leitfj Polka, 3. Irene Vi ultz. 3. Yankee
Doodle and Variations. 4. Crescent City, 4 ork* 5. Air
from Santanetlo, Q. Oriole, Polka. 7, Idalia Malta. 8,
Visions of Paradise Waltz, 9. temper Fidelis, March. 10.
Libiamo, Verdi,
VIOLIN.
1. Selection from Clover, 2. Kentucky Jubilee* 3.
Down Went McGmty. 4. Dream After the Bull, 5. In
Ila ji L u re S wee t V V ul i z . 0. Mignon, York. 7 , C E re us 1 1 e n 1 z ,
Gavotte. ,8. Lady Picking Mulberries Song. 9. Patrol
Com hj no, March. 10. Little Grotto* Polka*
PIANO DUETT.
1. Birds of Spring, 'York, 2* Visions of Paradise Waltz.
3. King John, March, 4, New Paris Walts* 5. Always
Gay, Galop, 6, Sweet Dreams Waltz.
YOC-V L QUA i E T ETTTCS,
Negro Melodies. Popular Songs.
Vocal Solos with Harp and Banjo accompaniment.
Quito ;i number of other mu dm] records are nl^o kept in
titoclv.
L
14
r
At listen 1 ISeeorils From the Hrst Soloists of the
Marine Band*
In addition to the music above sot out this company ho s
arranged with Mr. Henry Jieger, the celebrated flute and
piccolo soloist of the Marine Hand, to keep us eon stoutly
supplied with records of his best solos, wlsicli will undoubtedly
prove a. great attraction to subseribm* '■
\ ■
WHAT fiOMfi St' ItSOK l B HRS AKK DOIXG.
Host of the Phonographs a ml Grnpho plumes in use in the
territory of the Columbia Phonograph Company serve m the
l j 1 ace of sh ortha n d o r l o ngl ia 1 1 d ;u n a n tienscs . t u k \ " '* 1 1 u-
M ions of busy mem There n re, however, a i: urn be* subscri-
bers who are using* with great success, instruments for other
purposes. Prof. Biseholf, the celebrated blind organist,
u^es a Phonograph so record piano melodies which he com-
poses from time to time, having the melodies after wards Hau-
ser i bed to paper from the mete lit no by an amanuensis Mr*.
O* P. Austin, journalist, has a printers case on his Grapho-
: phone table, dictates his press dispatches, and the com-
positor sets type from the spoken words of the Graph op hone,
At the office of the Century Dictionary, a ITionogruph is used
t o gi vc e x a mp les of cur rec t an d me on e et p ron u ] i c i a t ion . At
the Bull Bun PuHururim the Phonograph delivers lectures
desfiripl i ve of the scenes tlua L c displayed* Hon* CurLus .1.
Millyer li /-l-s in his family five G rap hop hones, solely for di-
rect cor res pon deuce, t lie cylinders being sent by mail to and
v
15
from the members of his family, who hoar in each ea&e the
message in the voice of the speaker.
Members of Congress, who have large correspondence and
who have to pay for clerk hire out of their ow n pockets, es-
pecially appreciate the machines us time and money savers*
They can dictate as rapidly as they choose, when they choose,
* ;vn d utilize for the transcribing a very much less expensive
class of help than would otherwise be the case, often enlisting
members of their own families* Already tins Company has
cm its list hot ween twenty and thirty Senators and Members
of the House of Representatives, .and the number is in-
creasing dailv. As we go to press there are between Sifly
and sixty talking machine a in Congressional use*
tjraphophones are in constant use by the Reporters of
* Debates of the Senate and Mouse of Tepresei datives, who by
Shis means arc enabled to do their work with very much less
clerical force Ilian was previously required*
The following named nppaar among the snliw ribersof the Colum-
bia VI Holograph Com puny winch con ti-ol salary land t Delaware soul
t.ho District of Columbia:
P.Hiidie;draPticmogvuph. ‘T, GA indicalesrlionngTaph-
Gmphophoiie*
WANlETXtn’ON* C*
a dj u I an (■ -fie no caPs Of Hut, War Di pailniuiU. I 1 - G. l
A^ri eu Hi Li’ul Dl»i jiii'ti o«i it* 1 \ awl IA G.
Anu riraii Grunhopbmie Co., Kleiuin^ Ibnliun^, 1 - * ■-
A in If hi, Jeuuch l *, Kusidi-iiee Altf id Mtrwl, W- l* ntuyl ► G.
A spin wall , J. A,, ftosudeiica, If Du pout t-it'ule. I ■-
I T
_
u
Afu a [or. W O, j Chief Hu resin Fs:p. Station^ Agricultural DenarD
HU'ist. F, G.
Austin, O, P. , Journalist, liooiii ^ 7 , Corcoran Building. P. G-.
Austin, O. lk } Residence k;20 MusHii'luwelt.H Avenue, P. G,
Adstiii, O. I\, Hmise offteiuTOenatives. Ik ft.
Bat ■ he t Re ue, Jon run list, 2 13.1 P St res t. P,
Pa in, G. G.. Journalist, M 5 1 4* h Street, p. Q.
Burton Clam, President Red Cross Association, lOl'i Vermont Ave.
J. -r It, I h i-
IM 3, f - / f [fcH.iil.ftin.'e, 1358 Lilli Street, P. G.
I, ,! ^ *°> Bo i livers, (.Till and Pen navi vania A venno^-p. ft.
1M if 5 1 u VOn 1 0 r - T 55 5 8nt 1 1 St reet. P. a nd P. g .
Bui die, J. Jl., i^sidencm H 10 30 Ui Street. P. ft, ' .
BiP-holl', J W Miisji'iLi n nml Composer, 1504 K Street. P. G,
Blunt- hard A \\ arnnin, Exhibitors., 345 Pennsvl vania Avenue P
and Ik ft„ .
Bl uni cube rg, M s Grapher* Atlantic BuiUUii& P, G +
Boauiian, G. C, . 101.; M Street P.
Boswell, It. S., Stenographer, |r; D Street, S. K P.
Bowden, Horn (4. E. , M r C. t !22fi 14th Street. P G.
Rreefc.nridg* Hon. XV. C. Ik. >1. C M 1321 lfith Street. P. 14.
1 4 rothx Pi 1 1>I irth 1 1 J «r Co, „ 7 55 stli Sheet. P. G.
I J row ' 3 , I> \V. „ Rc| if i rter of 1 Vd h i tea , I Iq u se of Rep res*n tat i vcfe. P . G.
Brown, D. 5\., Resident*?, 314 A Street, S. K. P. ft,
ISmvvjf, 'Chapin, Lawyer. CEiuuneey Building. X*. ft,
}J ' 1 ' k 1 ,J 1 w ' . J - R ' T .v | ^ n- ri le r Ma nl i.-er, S| ] , 7i 1 1 « I F Si rea tfl. P. CL
i^irm-tL ( tins, EL, Stenographer, Interstate Commerce Conun is-
aion. P r (}.
Putts, F. A m Claims, Atlantic Building. P. G,
Cn Hi s| e , C. s r^aivver, Femhl I Building p. ft. -
Carpenter, F, O., Journalist, 1528 Q Strer-L P fj -%
Garter* Hon. T, P . M C., SIB 14th Hi reet, 1 J . G, ' X
Census OIGce, EJitl and (tSlreets. f J . G. L ?
C la rke, .1 f A A Son f Ty | kj w j-i te r A gei i ts r fm F Street. P, G .
Clayton, M, C. Typewriter, 1732 Vermont Avenue. P ft.
Coast Survey, U. S, P. G.
Coleman. If. D, f 3L C. p lijfift I street, P. G.
Cotumlha PJionri^nipli Co, r 03 i Entree!. P r and P. G r
Loranell, Hum V . ,1. , .’-I. <J. T 1 Ihfj 3r:is.-i:Uj]nifk:U» A VetlllO. P, O,
C, or 1 tinge nt I.\|if-Hsi'S Cinmniru-e, Jj m S. Sf-iiate. P. ft,
Comlil., ( Isas C, CVnUirv Jij* r iojiai-y, NHld Slivd. p.
Co u r f r . I C J n i ins, Fj W Pen j isy Ivan fa ‘ A ve n i f e. P, t i +
Cox, F, P,, I ele^j’aph Operator 0 1 u Vli^inia Avq., S. W. P. and P. G.
Cox, John R, Lawyer, Glover Building. P. G.
Craig, Ciary, Typewriter, (513 M .Street P. G.
Cralle, J. B. t Lawyer, 301 C Street, X. W. P.
Groin it, XV. A., Journalist, 10® 1st Street, N. E. p.
Cromoltn, R. F m Residence 38 I Street, X. W r F. andF. G,
Cushing', F. IX., Garlkdd Hospital. P. G.
Bn rl i i igto li , J. J. , T w yer, 410 dlli Street-. P. G.
Da vis, Eugene, Stenographer, U, S. Senate. P. G.
Hn vis, Eugene, Residence 802 11th Street, X. tV. P, G.
Deeblo, W. R m Real Estate A^ent, 131ft K Street. P. G.
Degra-vr, P. V. , Joumalist, M5 14th Street. P. G.
Dent, A. B., Ltesiilenee 1)0f> A Street, S. K, P.
Derby, O. P., Reside nee 152ft T Street. P. G.
Devine, A., Importer of Deljates, House of Repre.seiitative-^. P, G,
Devine* A., Residence MOSSJrit, Sti'eet, X. W. P. nml P, G.
Dingley, X. .fi h . . AT. tk, HomjRou Houwe. P. ft.
Dodge, A. J. T Journalist, 713 13th Street, Ik £'L
Douglas, If, G,, Typewriter, Corcoran Bn j Ming. P. G.
Downs, N. C 1 ., Stenographer, hi 3 East Capitol Street. J-\ G.
Driver h H. W r , Wines, At*.. ftOh PennKrlvnnia Avemie. P.
Durfee, Deny, Clerk Fiumiee C'nniniittee. D. S. Senate, P r G.
Duryee t S., Chief Clerk, Patent Cilice. P H ft.
Dutton, C, li. t fSeologioiil Siu'vev, p r G,
Dl i t to ti , C. V, , j r, , T ies id-.au -e , s m \ R St reel,* P.
Dye r, F. L., I ki ( e nt> ; 1 003 !■’ H 1 re ot. Ik
Dynja forth, D., Lawyer, ti24 F Street. P. G*
Easton. E. IK. Residence flJtl Hast Capitol Street. P. and P, ft,
EdwnrtLs, G. Ik t Stenograidicr, Censuu Office. P, G.
Esiuni ni5i' of Interim rencoN, Patent Ollice, Ik G.
Fa va t F, R. Jr., A ml n tec t. lilt. P Street. P. G.
Fi i in nos Corn m i t tee, IT. S. JSi-m i a 1 e. Ik £ L
Ffsh Commission, (5L h and B Streets S. W. Vk f i.
Fi sld tack, J, H.. Typewriter, 1!H2 loth St ml Ik O.
F i ( Kge ra Id , X. W. , La ivy or, 1 0 i ft F Si ree t r P. ft .
Forre-st, Ik, Lawyer, [Kis K Street. P. (1,
Fold e r A Freoma n , I k denis, full F ft ( re u 1 . P, G .
Foslt-r, C* Ik, Residence 1017 luih Street. ■ P,
EreinU. I It hi. X., M. C.„ kVurrnleys TIotoE. P. ft.
Fraser, G. S. , lteaidqute^ 1503 5013 1 Street, P.
is
French, Giso* K. t Court of Claims,. P* G,
Fry, Smith D. , Journalist, 1300 ¥ Street, P* G.
Geological Survey, Lk S* P. U,
Gihson, E. J.* Jomaiali&t, Htli and Penn svl vania Avenue. P. G,
Gslbira, Frank, Signal Office, 34th and M Streets P. G, .
Glover, J M* s Lsnvver, Atlantic Building., P. G*
Glover, J. >1-, Residence. 1510 K Street, P* G*
Goode, G. B., Ui rector National Museum. P. G.
Goode, G. B. , Residence, I^inier Heights, P* G,
Gray, C. IL, Journalist, 51? 14th Street. P.
Graii t, Hon* W. W., M. C . s Residence, 014 lOlh St roo t. p r G
i
Haina, K. P . Principal Examiner, Patent Office. P G^
Hamilton, 51 H* T., Residence 8 Grant Place. P. G.
Hamilton* Dr* J. Ft., Supervising Surgeon General Marino Hospital
Service, Vm F Street, P* G.
Hanna, B. W. 5 Stenographer, War BejuirtnietiL P, G*
Banna, B. IV.. Residence, 1001 New Hampshire Avenue, P. G.
Himsbrough, Hon* II. B. t 51. C-, Kisga How#, tk Gi
Harper, Win., La wye r, 829 F Street, X* AY: P.
Harris, A. W +I Assisi ant Chief Bureau Exp* H to, Hons, Agricultural
Deportment F. G.
Hfifrlsoitj A* Wk, Lawyer, 511 Spruce Street, Tj 3 Droit Pnrlt. P.
Herr, Austin, Bralwu* r " i Budding. P. and P„ G,
Hill, R W. T >G .el. P. Q.
Hi liver, C. J., . .deuce 2121 Massachusetts Avenue, P, G,
Ilillver, C* -J., Woodnu* Lint Club. P, G.
Hollerith, II., Patents, Atlantic Building. P,
IloUiSclaw 11 lo>. , Builders, 400 MUi Slic'd* P* O.
Hornaday, W. T, ( RosiddiK'O 485 Spruce Street, LeDroit Park* P* G-
HoU-sc of Representatives. P, G*
hitorstuhi Commerce Commission, Sun Building, i , L
Ir iv in, John, ji\ , Stenographer, 2137 K Street* P- CL
Jowett, JL D, , Lawyer, 1833 Jeffers m Place. V. G,
Johns £t Eustori, Steno^iapltej *;, 472 Louisiana Avenue. P. G.
John,*, A., K- sidi iu. v e 1411 Columbia SHoet* N. W, V, G.
Johnson, A. 14., Residency 581 A1 . i [ « Avenue., Le Droit Park. P. C#.’
JoJuirtiOn. IV,, Examiner of lute Hr Tern- is, Paten l Offira, P* G.
Jon fen, Hen. j. K., Senator, 915 M Street, V. U.
■ n^TI! ""ET
- ■ —
C'3\
10
Knees W, S., Residence Hi N. Capitol Street. LL
Ken ran, W, A., Beside nee. Ill- H Street. Ik G.
Kef we, W. J,, Stenographer, House of Rcpre&ena fives. P. G,
Kcnnedv, Hon. R. P.: M, C.* 211 A Street, fr E. P. G.
Kerr, Hon. James, if. C., 3-23 East Capitol Street* P. G.
Knight BrO-> s Patents, m F Street, X. W. P, G.
Kraemer, Clias., AYnies, &c., 787 7th Street. P*
« i
Lacey, Hon. J. F,, 11, C,, 1318 N Street, P. G,
LtfiDoiv* O- 14, * Private Secretary, Agricultural Dept* Ik and F„_G.
11 (t Residence 1444 Q Slrinit. P*
Li Follctto, Hon. li. 31., 51. G., 52 B Street, X, _E. P. G*
Lmshurgh A; Dro, t Dry Goods, 4*fl 7th Street, N, TV, P. G,
Linton, I. B. , Lawyer* 148 T F Stni^nt. P- G,
LlttelL Patents, Room nil. Ilififlc Building. Ik
mtlelialCH, G, W., Rcsulcmv 2028 G Siract, P.
Lothrap, A, M-, hesidoiu-e, 1305 K Street. P, G.
Low, H. X., Lawyer, 015 7th Street. P.
Macdonald, T. IL, Residence I2f12 K Stioet, F*
3 Intruder, John IL, Grocer. 1417 New York Avenue. P. G,
Marine Hospital Service, Ik G.
Haso n* Hon, W * E. , 31, C.. 810 1 2th St rcc t . F. G. •
MoCornatf. Hon. 1 *. E, t 31 C- , 1325 G Street. Lk li.
McCormick, 31, G + , Rcrtta.irant* 216 fit h Street. P.
McDonald, 3L, U. S* Ovunii^filoner of Fish and FisTrierksi, aLl R
Street, P. G.
3IcGowan s J. fL, Attoiwy-at-law, Q2D F Street, tk G.
Me sailer, C. W, + Electrician, 1S3 -i F Slreet. Lk
Miller, Mrs, E. V. Lk, Stenographer, 3 B Street, X W. P. CL
Moseley* B. A- f Secretary Interstate Com meree Com minion. P. G,
.Murphy* 1>. I,, Lawyer, ‘941 F Street* P, G*
Murphy, D F. f Reporter of Debates, L T . S. Senate. P. G.
National Jlusutnm P. G*
National ltc porting & Amanuensis Association, 1411) G Street, 1*
and F* I i-
NrttioPial Economisl. Pnhlishlng Go.* 511 9th Street. P.
National Prison Asscn-hihm, liiggs Uo-nsu, lk G.
X ii v v I k -j ■; i r I n ten L Ik f ! .
Newton* W. J., Lawyer, 802 F Street* P. G*
D
O^Connor, -J, D., Uesideiice, »1 K Sir rat, X, 5\* P, G,
k;
f.
k ■
V
20
0 Ci'itmor* J, J., Residence, 525 Snrtice &Wr P ft
Given, J Iotl W. D , if, K» m ]ai| [Wl . $ G ‘
Piirdne, C. Electrician, 1*25 F Street P ft
SSJSC . VST'"** m 'mil iw‘a e r. g. .
P ' , * ^ ' j * •' ™ % ll . V M ■ G ; 1 {nu ^ of Kepreaw 1_^{= ™ p. ft t ■
1 j'J m * r T,i R T^ tlc : e *' 0j Street* P. ft.
pf -V T’ iV 1 L 1 iXl T Zl ^ fl, ' v . ■ L;l w*ve Sun Rmldin^ p u
l>]'m j"' l S' 1 '□ i X -^ Rc ^ m:,} ' 212 -'■ Capitol Street, "ft Q. v
Sou, Hear Estate ami Insurance, Syji Building. P, ft,
KniuMph F J. ? Resilience, 525 drd Street, X. R p.
p ct. J. -A, Residence. 1711 Coffeoran Street P Q
FHn- 1 Ksiimi " or - latent Ofiiee, P. ft
I mu hi. j], 3L V, : y.iLivver, lJiH2 i *> i ' . si,.,.,,! i> f -
PSW°r 1 ' , v j; p" p. ft.
S 1 \--^t« ] ti^ist T A^.i r , t ] (l ival Bepai-tmeiit, P ft
t 1 S V nw mh stmet. p* r:
Rose, P, r Re** ate nee (U 4 J K Mtituf., p. ‘ \
S;i k h„ A. & O >- , 3 lor* ■ Ikl nl s. ;J f: d 7 i h Star -h p f
aSSSS*' Dr a ' ' Sf?* *a AK'i-KltHaa'l&tertliMnt P.
. . Ml KI II . Ilf. Gv ft,, ii ftddy III -I.- L 1 1 1 ; j jj* | L *» e 4 v \ v p
N- E. ©., PIihmIkt, l» lull stwi P O P *
S-'linver,J, ft. # .imjtl] Street. J- f { '
N-c rotary of (nU-rioi*. ft ft
SylVll.fVS OMfr d. War Di.puVtllK.jtt P ft
G. S. Senate, p. ft. '
fihpuvf ll. A, ft,, Tyjx-’ivritei'j Tllfl H SthmA \ r p n
' Jj TlV iJ ""- J * ' U,J JjUnj1 - 1 '- S - t St/W. vV Am & ft, +
SF^rini S-rvieo, W ar i ftp:, itm, j, t . P. G
^m.iMsih. null, W. E. , w. C\. ni.-i ft St reel P ft
S " J ’ /r ? t“v; uir ' 4]<i :jLh p.
, IjJ'l ij, \\ lj], J [, i ]^i : s|i |i:|jr r ,_i 4 hi n ,-1 P|-
SipntliMjjiian liislitutioii. 1*. (E L ' ‘
Sp.vnc.-t-v, H, C. BrisiuessftMlN-!^,. Till jMPE ?) |» ,, M i E ,
irr,n. J ft., ir S. S-fM.p.r w Fir,, Sir’ -i V V ' r ' ‘
^Ket, iiou. « ,„. ii. jt, a, « b sWii s"e r.' .i; ’ '
21
Ststyner, C, W. , Resk1ent. , e 1 1ft ft mu t Plnee, p r ft.
StBTvurd, T, tJ, t Priiieipnl E sun Li tier, Patent Office. P.G.
Ste nit i'll, T. G., Residence, JEnst Capitol Str^tit, P,
Stone, 31. C. s Miimi fuel lire r, 43Q 9th Street, P. ft.
St ruble, Hrm. J. S,, 31. CL, 20 Grant Place. P h ft.
Tar^nev, Hon, J. M. C. , National Hotel,. P*
TlionijteiOiVj Roftsij Bull Rtm PiuioramUfluth and Ohio Avenue, £*,
Thorn a-S J’ Pesidenee, 14t.lL Street. P.
Tiffany, H, „ Residence, 722 F Street. X, E, P. □.
Trft'hu ry Do jsa y IjupiiI, P. G.
Truesdeil, J, A., Jouma,li*it, 1530 1 ft til Street. P. ft.
United Press, 515 ldth Street, P, G r
Van l[(,rn, R, T, , Residence, 457 Mo. Avenue. P,
Wuteott, tV, D, , Xntionul Museum. P. O*
Wnlker, Pliiliji, J liief Silk Ui vision. Agricultural Deixvtlment,
lV r alker, Phihix Reisidence, l(i35 Q Street, p. G.
IVulwli, J. W., Bn tike p t Sun Biiildhi^ P T
W'n r Ik'j m rt i netit, P. ft.
\Vekdi, A, C. , Rojjorter of Delates IIouhj of Representatives.
Ward) Prof. Letter F. . IJ. S. fteolo^ical Survey, P. 0.
West, If, L., Residence. 11 Hu 5th Si I'lk.-I r P.
'Wheeler, P. H, , 700 Dili St. 'ect - P.
Wheeled, Malone, Resifleuce 1004 2Uth Street, P. ■
Wheeler, Jlalone, Invyutor, tO:fft 30tli Street. P. .
A V j^l it, E r B. , Jon n ia I i si , I i 12 F St reef-, IV < f.
Wiley, it, \V. r Chemist, A.^rieulUiral Department, P. G.
Win tat John IT,, Reside [ive 1002 Vermont Avenue. . P,
White. E. L., Residence, L-P 17 K Street. R.
■Wilce, Hon. Seott, it C, T 13 First, X. E„ P.
W i Ison , F ml . T„ * Cl lief All I i t a ry Reservu t i on D i vi sion , ,A .
AVar Department- P. G.
Whlson, XliDu,, Xat tonal Ahiseiun, IV (t.
Wilson, Tlios,, Residence, 12LS Connect ie Lit. Avenue, IV G,
A\' i lie , .3 i . J, , Tia \v vc.'i L , 0 J 9 ESI re* ■ I . I V ft.
Wines, IV II. t Tti.^s JIuuho. IV ft.
AV'ood, ft, M,, Wpi-wilcr, Hrrmkluiuh j), C. P. ft.
Wvi-kolf, SfuniuiH Jt Bvnedirt. Tviie-ivritor A ^viiv v. ^Lh itnd
P.G. '
P. ft
P_ ft
ft. O
F Sft.
Yomi^j PIphoiiKO, GivjCer, I2S Oils Slivet. P. O.
n
BALTIMORE, Md.
■ Abell, G-eo. W*, u The Sun. " F,
Adi e r, S. t Rcsta nmn t r 113 X. Eu t aw Street, P.
13a ke r - White ley Coo 1 Co. f 4 OD Second St reel . P .
- Baldwin, 1* H-, Insurance, H Post Olilee Avenue* F. .
Ba Tines. 311^ X. 1L, Type- writer. 0 Ernst Lexington Street* F, G*
Bsirtlutt, J. K. ? Residence, 1740 Park Avenue. V.
Bold its. W, H.. Stenographer. 12 St. Paul Street. P. G,
Bridges, J- S , & Co., Printers. 13 iS. Charles Street. F.
Cas^ml. HerWt. Peswlciiee* 1522 St. Pan l Street* P.
f Cl i ne Pros.. Haberdashery 304 W. Multi more Street. P.
Cur lam lor, M, . Public! ll-i" , Culvert Street. P. G,
Buy. Er ^ < & A. E . , 1300 A\ , Baltimore Street* P*
Di flenderlt'er. C. 1C. 1731 X. Charles Street. P-
Drvn&ldfcou* W. \VA Elect ru-uin, Park Avenue. P.
Duticnii. Dr. L.. 130 E. Xortli Ave. r.
iJimti, !■ rank Liu 41,, \ laduct El e*.-t ri e." Works, 1047 Greenniount Ave-
nue. F.
E l ! in ge r, J . , Dro ver , ft2 3 Full on A vc im e* F.
F Lit voy+y E. „ S tea iiif-Ii ips, Ea st I.o si i igl vt i St re et , P.
(.Tin y, J,. H. & S* 'JL- 1 . 120 A Liiulen Street, P.
Goliimuiif (,i,, InMiimiice, P,
GuUimn. X.. Dry Goods, 15 W t Lexington Street, P.
* riayes, Tfios. Ch.IL S. .Bistiid: At tornev, Court House* P, G.
I Lei Ip nan* l'., Cafe, T Xorth Libcrtv Street. P.
Hill. I’. JC. Lawyer, 5120 Cm ties Street. P,
Holt xnmn, ,L, Bn Hot Saloon. 24 E. Fayette Street. P.
Hooper, A Ji-uen.’ 1 , AT^ii t l i f: lc.- £ n ii. - r, Wurn.lburv. P.
Hoopm', W. J, Ot CVj,. Jlu iiiifiu ■tun. 1 rs t 11 A tv PmU Sired. P.
llui>(>i-r T J. hr, Mu n u fur t u h-r, Sr, Paul aiul -it Ji Streets, p
Hi!hIm >. TJlos,. Lawynr. Si. Paul Street. P.
Klingcrhofer, G. J, , Commission Men.-hani. JOS Light Street, P, G.
S^nbf, A.. Jt'ilei, Bank & Eih-u Erects. P.
t . L
53
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JlSeXnr. J; ,'ilotd, 407 StL*t, P. »
ItaiBia, M. C., Coul'^tm, W ^ w LombMd Street. P.
& Bond, 1» v. CU-ert bWl P.
Nelson. W. O. . Liiwyer, Pftjette ond Cnhci-L StiuaLs. P-
Old Town Bonk <>£ Baltimore. P-
Ow-ings, T„ 2411 North Clwx l«s street V. Q.
Prios & Steusrt, Patents, S*i B- Oe«na» Street. p ’ •
tecre, 13. S., Lawyer, Goulli and Lon.bar.l Street P.
divert *>•
Unver^, C. II., 1 W. U»l»«to« Street V.
■ P Pi-stauivut, IT W* Howard Street- l 3 -
'bo O nilfonl Avenue. P-
WekeUi. P„ ffishiWtor. P- -
SS 5; , ifsS^g l lS^|- i, ^o ,l Street p. G.
Wu^it rTS^««*. «» *• p ‘ tul * ■"*• 1 ■
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Alvonl, It K-, A0MXMI Cellege, College P-
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COLUMBIA
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PHOKOGRAPH
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COMP AMY-
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OK THK DISTRICT OF COLUMBIA, <
MARYLAND OKI .AWARIv ;
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THE NORTH AMERICAN PHONOGRAPH COMPANY .
Ann Of The l*tl nC*»*t* ° r
TH£ AMERICAN GRAPHGPH 0 NE COMPANY,
j «
Principal Office. Ho. 621 E Street, Korttmst, flashing, D.C.
•* A
< BALTIMORE. WD.. 301 N. CHARLES STREET.
V/ILMINQTON. DEL.. ; S26 MARKET STREET.
P +-
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©FKICERS.
A. IK .I S / 1 y,\ , , l ‘viiidfrj'
IV, V. HEKHHKT SMITH, , » V<- /*». •*/ 7W»».
* A. CKO.VEUX. Sttn\.
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IJYIFOU'l'^'i' * irCFI^OV EptEpT'T’B*
Since the previous edithm ot this pamphlet: was
printetl improvements of great importance have been
made, both on the Phonograph and Phonograph-
Graphophonc, amt are being placed upon all new in-
struments. while those in the hands of subscribers
arc being, at the expense of this Company, c< pupped
with the latest devices
The improvements to the Phonograph consist in
taking away more than fifty parts, simplifying the in-
strument, making it automatic in adjustment, ami
easy to handle.
The improvements to the Graphophone consist
principally in increase of sensitiveness, so that it is
not necessary to use loud tones in dictation, indeed,
a whisper may now be recorded and distinctly repro-
duced on cither machine.
I MS
1
T — -
Phonographs and Phonograph-Grapho phones.
—/£■. « ® — — - — —
Ahhnvh some l.m >>*'- * l, “ * ^ l 1 ''
l!lc wnrlil I.) invcntiiiU * "'a<hine tk " " ^
r ’ , r „; t n, , 1 i. a, will. i. » ««» •«* 1“" f 7 ‘ :
thh w inventi.* ha* he™ •»«'' h * “
, Ktf „ :,s makes it of prm ti. al utility to the
Tlic „ri”i«,U lUmpugraph. while wimble .IwwmtMlH* ^
' ihilUic, of hiimnii invention, ami w 7’ . '
:: r in anodes .wevi.ms.v ^ • « «■»
' "“uml-laves, *at were cminal tan the i.riiuitivc <.->■
foil, live lack of pro.srr indvlevv.,! — ham.s, .
w , nl of a suitable material for the impression pbtc, an
■ ...Ivor vlcfeCs. ma.lt <1* »”en.ion '^2/
the laboratory of the scientist or in the — »■ ‘ ^
All these early defects have at las, been o^r- ««o a
per feet cl I'honograph .ml 1 1 ,o.vo,ra ! >h-< ; r:>| 1 h<.|.h.m^o,e
nmllilndinous pur|*oscs for which they can he imal. are a ] _ _
tiectl as the typewriter or the telephone | of thc
I«T «* absohne aco-
human voice are neutered and rq*r»mit«.n
racy. Music, whether voea, or instrumental, solo or mnh.pk,
4 : 1 X 1 T ' s
in -ill its rhythm f melody and intonation, The lowest as well as
ti lc highest no u*s; in a word, ad sounds of every kind ami
character may be iroasuml np lit these extraordinary machines
and reproduced — not once, hut thousands of ^ 1S<I mn > r ,IC
mei tunirnlly duplicated and multi] iliul to any eximvt. Hie
utility of the invention at this early day ran scarcely he esto
mated. The uses of an instrument with such mamfolfl func-
tions would seem to he circimlfWTtbed only by the uses sub-
served by the prO|K!rty nf sound Et^eli
HOW THE SOUND IS H EG I ST E H ED
AND REPRODUCED.
IIil- perfected Phonograph and i'l.onogrsph-firaphnphone
m si7 „ occupy lest *l«cc than an nr.lii.Jry ty, writing machine
a„.l a uch lew omiplic rated. Indeed, their simplicity an.!
tha real! I ness with which they can he operate.! by a novice are
among their remarkable features.
dlic foimdation principle ccmsiHls in cutting minute imLn-
-Uliotis in a spiral tine around the wax surface of a small cylm-
,!er I.y means of a delicately adjusted cutting instrument
a- to a sensitive diaphragm, which is actuated I.y sound-
wa es, am! afterwant reproducing the same sounds hy causing
the cylinder to tie revolved beneath a similar diaphragm, with
a non-cutting needle-point attache.!, which follows in and out
of the indentations produced by the Erst cutting instrument,
and thus sets in motion the same sound-waves. ’I he wax eyl.n-
der, or impression -plate is less than six inches in length and ts
held in pl-ice by suitable damps.
o
The work of adjusting the recorder for registering is that ->t
a moment ; am! the reproducer is as readily lotted m post nm
when it is sought to hear the registered sound he <-! ...
is made to revolve either I.y a treadle moved by the foot, aher
the sly le of a sewing machine, or by a small electric motor, s
m „ ho desired, the latter having for its motive i-nver a s.na I
storage or other ordinary electric battery. A rubber tube, wa it
vulcanite ear pieces, to enable the listener to heur.uoro.l-
tinrtly, completes the apparatus, fly means ..fa sm 1 horn or
cone the sound can lie thrown out in a room or hall, for the
greater ufijoyinciit frf jvulicin t‘.
pract.cal uses or the ™°*^RA p H and
PHONOGHAPH-GRAPHQPHONE
While it is too early to foretell all the nscs and ne dies to
which the perfected Phonograph and Phonograph! rrai-hr-pbune
are destined to I* applied, sufficient tests have a ■ "=*>> ^
made in daily incss use to warrant the assert...,, that ho
purposes hereinafter enumerated the Phonograph and L hmm-
graph-f iraphophone are un.|nali holly practical and em.nenl.)
desirable : and in making these statements there are not, - ■»
too often the case with new inventions, any reservation r or
qualification*, or any d« landing for their real, rat, on upon t«-
1,1 Ull! the authority of thousands of disinterested users ihrougl,-
ou, the United States who have subjected the tnstr, .meets to all
varieties of tests and upon the certainty of operation who
machine itself demon si rate*, th^e statt-menis ore nw\e*
As tins jKimphfct gflCs Id press there are more than a him-
dreil niar:htntrs irt use by CrovcriimeiU officials in IV mhingtem,
ane l the mimtar b increasing daily, white the private snWrtp-
lion list (in Name city) is approaching the third hundred.
UT(UT¥ FOR ORDINARY CORRESPONDENCE
Asa time ami labor saver — what the sewing machine is to
the „ce<lk“the Phonograph ami Phnm>graph-< Iniphojihone
are to (he pen,
Cyli infers with messages recorded upon them, can be sent
l,v mail. etu-lose.1 in mailing caws proviibl for that |l"f-
iinse T :ii i in tin ary postal rates.
The jnercetuage of persons to whom writing is a task of
|imi h labor is very large: ami the percentage of persons who
are n liable to properly express their thoughts through the me-
dium of writing, and yet who fluently express the minutest
shades of their meaning by word ol mouth, is scarcely less.
'This is readily comprehended when one reflects that talking is
natural ; writing is artificial.
AS A STENOGRAPHER
C Miviously, one of the first uses of the Phonograph and l^ho-
nugraph tiraphophone ts as a stenographer ■ for they present
numerous superior features for that class of work.
!
lt ,vi„a W « of conation the *|«rinri« y ■»
^, 1 , .1* I’hon'SjKijth ,.i.i
necessarily |>ussess, i« rq.ro.l«*i«8 the ;
,™»i Kivi"B m^vmm «" *»*'" - • '
Jhe .M* of having * " . work «
neither wants limch hours u.»r holidays; » ic 1 1
easily in the .lark as in the lii;hl ; which .s « h ' 1 " >
whA never intern,^ the *l«*hcr I- •
eon^nsanon is f.xcd once for all. *.kI *H*:h never .t
weary. Any intelligent Imy or girl ran ar-crately tran*
the ,ii. tation by tyiw-wriier »r |ie>i.
Those who have heretofore Iveeu clvgrrivol "I the serM<t-s ol
a stenographer became of the ^
„ instrument which (fives still more efl.cent servo, a, ■
. muii trial outlay-
The busy man, *fc» **• «* -sh to .li'Ule with iirvcisiou
and fullness, . an Apeak to the machine such
for answer! 1)8 letters or trarMcttnB business as Ik may a
give; ami the record going to his clerk may he am|. 1 ^
enlarged to any extent desired In this way the fnm U» «“
,|i,,,4h an immense an, mint of 1ms, ness in a very short time.
The most ignorant never hesitates to convey accurate l> b
JXui,-*. *»» *'■!" - rrjzzz
curacy an, l fluency retires previous training ami '--U. ali n
Hesi.les, even the most scholarly ami ra,.ul writer . anno, .
onc-WHth a* rapidly a* he can talks
■ i ■
H
THE voice as a guide to the meaning,
In addition to the advantage alluded to, the Phonograph
and Phonograph-Graphophone by reproducing the exact tones
of the shaker, enable the hearer more completely to under*
stand the meaning. The pleasure at times derived from
listening to the voice of an absent loved one, is denied in the
told characters of a letter.
PORTABLE MACHINES.
The portable hand Graphophont, weighing much less than a
type- writer, and being much more compact, is now ready for
rental. This machine is a great convenience to travelers who
wish to correspond by cylinder with home, business associates,
or friends. The entire outfit necessary can be conveniently
carried in one hand.
PUBLIC EXHIBITION FEATURE,
Although under the terms of the regular lease, subscribers
arc prohibited from exhibiting their machines for hire, this
company makes a special contract with exhibitors; at a higher
rate, whereby they are permitted to show the machine in. an^
part of the territory for a fee. This is a pleasant and profit-
able means of earning a livelihood, hull particulars will he
given on application to any of the company’s offices.
THE AUTOMATIC EXHIBITION PHONOGRAPH,
Automatic Phonographs, to be set in motion by dropping a
nickle in the slot, are now ready to be placed ; and jtersons
desiring to have them on their premises can make the necessary
arrangements with the Goluuibin Phonograph Gotnpani, pro
vided there is a fair chance of profit to the eoinfiany- I hese
instruments will prove a great attraction in hotels, depots,
church fairs, and all places where many people congregate.
Particulars, etc , can be had by addressing the company
A REVOLUTION IN REPORTING.
The Phonograph and Phonograph -Grapho phone have so
greatly simplified repcling, that now it U only necessary in
order to make a record of a speech, sermon, lecture, or court
case, to have the words re pea toil by another person, in a lo«
tone to the instrument, and afterwards transcribed to pa] jot*
At a convention recently held in Chicago, in which were |Oes-
etit representatives bom all the local Phonograph companies of
the country, the entire proceedings were reported by being
repeated in this way to talking machines, and accurately tran-
scribed by typewriter oj heritors from the record cylinders* IH
this method a person can qualify himself for a reporter in a
short time ; whereas, the labor of learning to rq>ort by short
hand is great and the chance of success is small even after
much effort.
United States Commissioners, Notaries Public, Lx a miners
in Chancery, ami all ivbo lake depositions will do well to give
attention to this feature.
AS AN EDUCATOR,
c ,| U c LilioitLil |iiir|u >«.-», the I’hniwigtajih n,„l I’li-rtloy ruph-
(Implu.plmno arc .!csli„vd tu prove an im|«.rrnnt fnctur in
many ways. As an aid in teaching vocal and instnimcnlal
nuisic: they are invaluable ^ j r ■
Ti> teach rorrccl pronunciation of either mUivt: or rorei^n
I iniiimaes, the Phnnegraph and Phimograi.hdlraplmph.mc are
jmalmhk- as a an W . lenient to a teacher or bunk. A chi-tl
make* known every want with a knowledge of only $oo wools.
an.l a grown person seldom uses more than i.ooo to J.ooo
words. . r
Thtxn 2,000 tf> 3,000 word* arranged in the ffirm n a nnr-
tM \ vi; with tilt: transit hin— st-ntemre by ^ m ^ u:L
carcftitl v and tly spoken by a ^uivc of u»y
country', can he- placed on, say four eylmders. ll.ese cybn, ers
ran be manufacture.! in any quantity and sold at a small cost
to the public. Kloci.linn, also, as far as modulation, tone,
an. | other -pialilies of the voice are concerned, can be easily
tanght through the medium of the tgraph and 1 hono-
^mph t *ra pimp hone,
THE PHONOGRAPH AS A T RAO E- 0 RI NOEH.
Onile a number of wide-awake merchants ami business men
already appreciate the great value of the Phonograph as a tra.le-
bringeT, and rent instruments, which they keep constantly on
exhibition in their stores, rendering choice musical select, o, is,
a gain from time to time shouting out, m stentorian tones,
the bargains of the day. It is hard to imagine anything more
tfR-ctive fur this pnr|*>se ; ami the im mi who have machines
stji e that they have greatly increased their liiMUtv, l>y this
novel way of advertising The thrones who come to see the
in Bronte lie leave so much money for purchases (hat the slight
ecftt rjf the machine and sn| k] dies tuts a small tipirc in the
calculation.
A SOON FOR COMMERCIAL TRAVELERS.
If a Phonograph and Phonograph raphophone were placed
in every [imminent hotel in the conn try, as doubtless will soon
be the case, commercial travelers could more readily, nmre
thoroughly, ami more accurately keep their primi^ils at home
apprised of their doings, amt the details of the conditions ami
IKculiaritivs of the territory through which they travel.
In many cases the writing of the tlafly letter is a s.niree of
greater ennrern to them than all the day's work.
STORED-UP music and elocution.
As a source of instruction an, l entcmiuinenb the I'lmno-
graph and Hionugraph-Oraphophone are beginning to fill a
la rye and profitable field.
For a small sum tlie possessor of a Phonograph or Phono-
tfraph-liraphophone is enabled to listen to »«(? by ■ elebnled
nrtisis, as well as to the strains of the most distinguished hnro-
peaii and American instrumentalists ; and the recitations hy
■renowned actors may thus be brought within the fietmmry
12
rejicih of all. It can be rtaf I ily appreciated how inestimable a
benefit t li is application will t>e to the blind and the sick or
con valefuent.
A FEW OF TH t IMMEDIATE BUS IN ESS U5ES-
l-cr lawyers- and business men, at their homes or offices,
it is a mechanical stenographer always at command. The
cylinder, if the instrument be used at home, may be brought
or forwarded to the user 1 * office, and there transcribed by the
type- it riter-
Informal contracts may be jier]>ei tuiied in the exact words
and tones of the parties.
Instructions to employees may be given without their actual
presence,
[n doctor’s Offices, a patient calling during the physic ian's
absence, may verbally express his wishes to the instrument, to
be heard only by the doctor on his return. The confidential
character of the patient’s communication is thus preserved.
In the sick room the physician can leave for the nurse explicit
oral instructions, thereby obviating the danger in such canes of
dc] tending tq^On poor memory.
Toor writers and sjjeHers are enabled to communicate by
tiki El without the disclosure of their educational defects,
for authors, lawyers, playwrights, and clergymen, and all
others who have manuscripts to prepare, the instrument will
prove a most valuable time saver, and they will readily be able
to judge of the actual effect of their words upon their
hearers.
13
+
III newspaper offices especially, the instrument is of great
use Most, if not all editorials and other matter may be
dictated, and the cylinders used by the compositors without
the necessity of mincing the subject to writing, and it rs parti-
cularly valuable as a saver of time in I he last hurried moments
before the paper goes to ] tress. Telegraph ojK-Tators can send
press and other dispatches direct from the dictation of the
cylinder , no manuscript lacing required.
Actors and theatrical managers find it uvnst advantageous in
memo rising, ami in all the details of rehearsals,
For use between an office and factory, or between a main
and branch office, there is the "daily cylinder/ into which
the different heads of departments s]K?ak their wants, with
greater particularity of detail than rs possible throu h a letter
correspondence, amt such * 'daily cylinder" can be forwarded
in the same manner as a letter
All 1 ffistofiicefc will be supplied with these instruments, to
enable persons to correspond — a reasonable toll being charged
per phonogram. The receiver, if not jiossessing an instru-
ment, may, by going to his I’ostofficc or to the company's
agencies, and paying a smalt fee, use their machine for trans-
lating the cylinder.
Railroad managers and superintendents will find the inven-
tion very useful to transmit and receive quick communications,,
when it is inconvenient to write, or time is limited. AlE
orders to agents can be issued much more advantageously by
phonograms than by the present system.
H
A beneficial field, by means of these instruments, is thrown
tilwn to the lilinil, enabling them to communicate readily with
their distant friends
Phonographs and Phonograph (Irapliuphfuics arc leasi.il, but
not sold, and blank cylinders, and cylinders with imisiral and
other rec ords upon them, are sold at a reasonable price.
MOTORS fOR PHONOGRAPHS AND ORAPHDPHON E5,
Although the treadle is a most satisfactory and effective
means of' running either inurnment, this company is prepared
to furnish, where desired, machines run by elec trie motors.
The pnwer for the motor mines either from the hMEson mean
dec ent current or from a storage battery. Molars and
batteries are either rented ot sold as llic subscriber may
prefer.
FOR THE HOMf.
Ill the home tirck, recipients of plvcmoL'r.ims may enjoy tile
pleasure of listen ing to the voices of their absent cor re
spondeiHs- .
Sayings of children and others may be (lerpetnated m the
language and tones- of the sjieakefs.
Mask, vocal, and instrumental, U reproduced with marvel-
ou> accuracy*
'I h e musical feature is already attracting a great deal ol
attention and giving most satisfactory entertainment at the
hoint-s of subscribers.
- r*.
1 > »
13
This Company keeps constantly in shn k fine music a! cylin-
ders, covering in multiple sound, military hands orchestras,
quartettes, etc;., also solo work by cornets, (lutes, pianos, and
all leading musical instruments
MUSICAL RECORDS FROM THE BEST SOLOISTS OF
MARINE BAND.
'Phis coin (any has arranged with Me. Henry Jaeger, the
celebrated llute ami piccolo soloist of the Marine Hand, go
keep' us constantly supplied with records of Ids best solos,
which will undoubtedly prove a great attraction to sub*( rtl*.r*
WHAT SOME SUBSCRIBERS ARE DOING.
M(ki tif the Phonograph* and * pr.iphophniics in use in the
territory of the Columbia I Minting r.iph ('nmpJiiy sen e in the
piuf v of shorthand or longhand amanuenses, taking the dota-
tion* of busy men. There are, howvier. a number of sub
scriber* who are using, with great success instrument* bo-
other pur|>nses-
PmL IfisdiolT, the celebrated blind organist, us vs a firaphm
phone to record piano melodies which he composes from time
to time, having the melodies afterwards transcribed to paper
from the instrument by an amanuensis.
Mr. O, V. Austin, journalist, has a printer's rase mi Ids
firaphojihone table, dictates his (ires* itisjatches, and the coin-
jjositor sets [y|*j from the spoken words of ihe tlraphnphnric.
At , he office of the Century Dictionary, * Phonograph t*
I to eive samples of correct anil incorrect pro.H.t>c.at.on.
‘ , k t:it(tis iiniycr use, ... Hi, family five
l l V for iliroct cnrrespon.lenoe, the eylimlers being sent by
solely fur Hirer t c I , • f l , who' licor in each
mail to anil from the members of his mm y,
e ,v the message it. the voice of the speaker.
‘ of Cunercss, who have brtf! comspoiuience anti
who Tree to pay fur clerk hire out uf their own pockets,
. aiinreciate the machines as time anil money savers.
tIS can .lie rate as rapi.Uy as they chouse,
rt n; “ fi f ;Sri :.i . w «
on IIS n,i net , , number s increasing
the House of Representatives, ami the ,,u “ ucr ’■ *
2ly. As we go to press there are between fifty ami «xty
talking machine* in Congressional ^ Re|)0rt , rs of
Cirapbophoncs are in c . . who by
Debates of the Senate anil House < Represetu.it. , ,
Sr— « enabled to <lo their work w.th very much less
clerical force than was previously retpuretl,
(Please destroy all previous lists.)
LIST OP 'SELECTIONS PLAYED ST THE U.S. MARINE BAUD
. OP WASHINGTON, D.C.
♦ft
\
Columbia Phonograph Company,
G27 E St. ,N,,\7. ,0ct.l, 1890
\Ll
R C H
: e s
1
Semper Pi del is.
13
Belpliogor,
2
Crusader.
14
March of the Volunteers,
30
"'Tile Thunderer,
•f
IS
•G^idep-RifThit.-t . „ ....
4
National Pencibles.
Id
The Three Guardsmon.
s
w
St. Omar Commandery,
*
17
King Humbert,
6
The Dude's March*
13
Marching through Georgia.
7
The Gladiator.
19
forget -me -not March.
8
Washington Post.
20
Annie Laurie,
9
High School Cadets.
21
Yorktovm Centennial,
10
Kaiser -Joseph.
22
Black Hussars,
11
12
Loyal Legion.
Major Perkins' March.
23
Opening of the Season.
W A
t>, if
L
T Z E S
1
Carlo-cta. " .«
4
Sweet Smile Waltz.
2
Sweetheart Walts,
5
Love's Dreamland,
3
Dream Paces Waltz.
ji
' ■ ' “ P 0
L,
■ • .V
K A S
1
Glass in Hand,
5
Hornpipe Polka,
2
Always Gallant,
6
farewell pojka.
, 3
Old China.
7
Black and Tan,
4.'
Clover Leaf.
-8
Alliance (Comet duett ) 4
• \' A . ** *♦ i
,9
Enthuiast (Cornet oolojf,-
'
•7 • G A
L
OPS
1
Carril Ion.
Ml
Y 0
R
K EwS
1
One Heart, One Mind,
M I S C E L L A ]
I E
0 U Sc
1
"Little Annie Rooney,
12
Listc-n to my Talo of Woo
2
Down wont McGinty.
13
Kentucky Jubilee.
3
Climbing up Golden Stairs,
14
Wacht un Rhino.
4
Little pishe'r Maiden,
-15
La Marseillaise Hymn,
5
Mother Goose Melodics,
16
Robin Adair.
6
Blending of Blue and Gray.
17
Mexican Dane o'.
7-
Star Spangled Banner,
13
Longing 'for- Home,
8
Red, White and Blue.
J 9
. Way Down in Dixie,
9
Chilian Dance.
20
Dixie and Yankee Doodle.
10
Rock^a-byd Baby.
n
Razzle-Dazzle.
11 Hurry Children. ,
* ... .. v* ~ a
NOTE: When ordering pleaso
NAME of * sol action* • ,«
state CLASS, as' well as NUMBER and
-r— r-
(Please destroy all jreyloiis lists.)
tyusic Played at the White tjouse
By the President’s Band.
List of Records iytM.S, Marine Band
OP DISSHINSTOH, D. O.
Now in stock and for sale at whole-
sale and retail by the
627 E Street, R. W.
Washington. D. C., November 24, 1890.
The Columbia Phonograph Company
now offers the following records, care-
fully selected for loudness and clear-
ness, of music of the celebrated United
States Marine Band. Orders will be
filled promptly.
MARCHES.
1. Semper Fidelis.
3. Crusader.
3. The Thunderer.
4. National Pencibles.
5. St. Omar Commandery.
6. The Dude’s March.
7. The Gladiator.
8. Washington Post.
9. High School Cadets.
10. Kaiser Joseph.
11. Loyal Legion.
13. Major Perkins.
13. Belphegor.
14. March of the Volunteers.
15. Guide Right.
1(5. The Three Guardsmen.
17. King Humbert.
18. Marching through Georgia.
19. Forget-me-not March.
20. Annie Laurie.
21. Yorktown Centennial.
22. Black Hussars.
23. Opening of the Season.
POLKAS.
1. Glass in Hand.
2. Always Gallant.
3. Old China.
4. Clover Leaf.
5. Hornpipe Polka.
G. Farewell Polka.
7. Alliance (Cornet Duet.)
8. Enthusiast (Cornet Solo.)
9. Anvil Polka.
10. Silver Stream Polka.
GALOPS.
1. Carrillon.
2. Phonograph.
YORKES.
1. One Heart, One Mind.
WALTZES.
1. Carlotta.
2. Sweetheart Waltz.
3. Dream Faces Waltz.
4. Sweet Smile Waltz.
5. Love's Dreamland.
G. Santiago.
7. Estudiantina.
MISCELLANEOUS.
1. Little Annie Rooney.
2. Down went McGinty.
3. Climbing up Golden Stairs.
4. Little Fisher Maiden.
5. Mother Goose Melodies.
6. Blending of the Blue and Gray.
7. Star Spangled Banner,
8. Red, White and Blue.
9. Chilian Dance.
10. Rock-a-bye Baby.
11. Hurry Children.
12. Listen to my Tale of Woe.
13. Kentucky Jubilee.
14. Wachtam Rhine.
15. La Marseillaise Hymn.
1G. Robin Adair.
17. Mexican Dance.
18. Longing for Home.
19. Way Down in Dixie.
20. Dixie and Yankee Doodle.
21. Razzle-Dazzle.
22. El Misererie.
23. Skirt Dance.
24. Rocked in the Cradle of the Deep.
25. Sweet Bye and Bye.
26. Nearer My God to Thee.
27. Safe in the arms of Jesus.
28. The Palms.
29. Rock of Ages.
30. Darkies Dream.
31. Whistling Coon.
32. Hear dem Bells.
33. La Poloma.
34. Soldier’s Farewell.
NOTE: — When ordering please state
CLASS, as well as NUMBER and
NAME of selection.
ARTISTIC WHISTLING.
Also the following records with piano
accompaniment made by Mr. John Y.
AtLee, of Washington, D. C., the fam-
ous Artistic Whistler.
1. The Mocking Bird.
2. Would I were with Thee.
3. Anvil Chorus.
4. Sweet Bye and Bye.
5. Annie Laurie.
(5. Sleeping I Dreamed, Love.
7. Swanee River.
8. The Dude’s March.
9. Ever of Thee.
10. Fair Dove, Fond Dove.
11. Golden Robin Polka.
12. Cornflower Waltz.
13. Bischoif ’s Bobolink.
14. Annie Rooney.
15. When You "and I were Young,
Maggie.
16. Home, Sweet Home.
17. When Will the Birds Come Back.
18. Blue Danube Waltz.
19. Now was I Wrong.
20. Marching through Georgia.
21. Down went McGinty.
MISCELLANEOUS RECORDS.
In addition to the above, which are
kept constantly in stock and may be
ordered by selection, we have a large
variety of choice records of which we
can make no catalogue, the list being
changed from week to week. We
draw regularly upon the theatres here
for the best songs of the vocalists, seri-
ous and comic, visiting Washington.
We obtain instrumental solos, in the I
same manner. We have arranged with
a well known auctioneer to keep us sup-
plied with auction record covering very
many varieties of sales and inter-
spersed in a humorous way with bids
of mock purchasers. We will be
pleased to till orders for miscellaneous
records from the material we have on
hand from time to time, making selec-
tions according to our own judgment.
Wrll of COLUMBIA RECORDS'
( Please destroy all'jreyious lists,)
By the President’s Band.’
List of Records liy the U. S. Marine Band
OF^OASHINGTON. D. O.
Now in stock and for sale at wholesale and
retail by the
Columbia Phonograph Go.,
627 E Street, R. W.
Washington. D. fX, December 2,?, 1S90.
Tho Columbia Phonograph. Company now
offers tho following records, carefully selected
for loudness and clearness.
MARCHES.
1 Semper FidSlis (with Drum solo.)
2 Crusader.
3 The Thunderer.
4 National Fencibles.
5 St. Omar Commandery.
G The Dude’s March.
7 The Gladiator.
8 Washington Dost.
9 High School < tadets.
10 Kaiser Joseph.
1 1 Loyal Legion.
12 Major Perkins.
13 Belphegor.
14 March of tho Volunteers.
15 Guide Right.
1(1 The Three Guardsmen.
17 King Humbert.
18 Marching through Georgia.
19 Forget-me-not March.
20 Annie Laurie.
21 Yorktown Centeunial.
22 Black Hussars.
23 Opening of the Season.
24 Oneida.
25 Mendlesohn’s Wedding March.
POLKAS.
1 Glass in Hand.
2 Always Gallant.
8 Old China.
4 Clover Leaf (Cornet Solo.)
5 Hornpipe Poika.
6 Farewell Polka.
7 Alliance (Cornet Duet. )
8 Enthusiast (Cornet Solo.)
9 Anvil Polka (with Anvils. )
10 Silver Stream Polka.
GALOPS.
1. Carri)lon.
2. Phonograph.
3. Jack of Clubs.
YORKES.
1 One Heart, One Mind.
WALTZES.
t Carlotta.
2 Sweetheart Waltz.
3. Dream Faces Waltz.
4 Sweet Smile Waltz.
5 Love’s Dreamland.
0 Santiago (Spanish, with Castanets. I
7 Estudiantina (Spanish, with Castanets.)
MISCELLANEOUS.
1 Little Annie Rooney.
2 Down went McGinty.
3 Climbing up Golden Stairs.
4 Little Fisher Maiden.
5 Mother Goose Melodies-'
6 Blending of the Blue and Gray.
7 Star Spangled Banner.
8 Red, White and Blue.
9 Manana (Chilian Dance.)
10 Rock a bye Baby.
11 Hurry Children.
12 Listen to my Tale of Woe.
13 Kentucky Jubilee. ,
14 Wacht am Rhine (German National).
lo La Marseillaise Hymn (French National.)
10 Robin Adair.
17 La Media Noche (Mexican Dance.)
,18 Longing for Home (Clarionet Solo.)
19 Way Down in Dixie.
0 , > Dixie and Yankee Doodle (Medley.)
2 Ritzzle Dazzle.
22 El Misererie ( from II Trovatore. )
23 kirt Dance (from Faust up to Date.)
24 ocked in the Cradle of the Deep (Trombone)
Solo.
20 Sweet Bye and Bye (Hymn. )
2G Nearer My God to Thee, (Hymn with bell
effects.)
27 Safe in the arms of Jesus.
28 The Palms (Trombone Solo. )
29 Rock of Ages ( Hymns with bell effects. )
30 Darkies’ Dream.
31 Whistling Coon.
32 Hear dem Bells.
33 La Poloma (Spanish Dance.)
84 Soldier is Farewell.
NOTE • — When ordering please state CLASS,
as -well as NUMBER and NAME of selection.
1 w A M
ARTISTIC WHISTLING.
Also the following records with piano accom-
paniment mode by Mr. John Y. At Lee, of
Wn&hingtibn, D. C., the famous Artistic
Whistler.
1 The Mocking Bird.
2 Would I were with Thee.
3 Anvil Chorus.
4 Sweet Bye tuid Bye.
5 Annie Laurie.
<t Sleeping I Dreamed, Love.
7 Suwaunee River.
8 Thu Dade'B March.
0 Ever of Thee.
30 Fair Dove, Fond Dove.
11 Golden Robin Polka.
12 Cornflower Wultz.
13 Rischod's Bobolink.
14 Annie Koonoy.
1.1 When You uml T were Young Maggie.
Ill Home, Sweet Home.
17 When Will the Birds Come Back. V. V
18 Blue Danube Waltz.
10 Now was I Wrong.
20 Marching through Georgia.
21 Down went McMinty.
VOCAL AND PIANO.
1 T had but Fifty Cents. (Comic.)
2 Uncle Billy’s Dream, (Negro.)
0 Life's Story. (Sentimental.
4 I am Going Home to Cbloe, (Negro Send*
mental I
u The Whistling Coo a, (Negro comic.)
tl A High 01 I Time, ( Negro.'
7 The Market on Saturday Night, Irish.)
8 I JiUd SJ5 in my luside Pocket, (Irish. )
t k l i H a t j inn n h ilt— ya« frua li r<Fw pi e w4i)
1U M o .l md hr i l i u Otnd t r Ti r tH fr Pfv prTBmr
voice.)
11 Mammas Black Dub} Boy, (Negro comic.)
12 Carre dut Possum,
CLARIONET AND PIANO.
1 Enchanting Polku Mazurka.
2 Gambrinus Polka.
3 Viiginia Polouaise.
4 Thornton 'b 4th air and Variation, 1st Part.
5 Thornton's 4th air and Variation, 2rd Part,
fl Washington Schottische.
7 Grnud Fantasia.
8 Sonuambula.
0 Cavatina from Km uni.
CORNET AND PIANO.
1 Boquet of Sparks.
2 Threo Star Polka,
fl A rban 's Comet Pol ka.
4 Clover Leal' Polku.
3 Celine Polka.
7ircK?e Iieq fs
/
Eiopfrtr cl C01HU6IA WORDS
Sou .Flower Folkn.
Snow Drop Folk a. ’ ^
VOCAL AND ORCHESTRA^^^^
SENTIMENTAL. '
ptapj Fi 'ined upon the Wull
will Com Vgaiu.
Buttonhole Bouquet,
far Robin l it bo True.
5 £iyiiu liny. J -
0 -Life's Story
7 Tho Maid of the Mil
8 Mother a Watch ihy the
A Curl from the Baby's ^
You’ll sorer inltt \ our M< t' to'nGoao
Littlo Aiuiic^Kmey
TOPICAL.
Near It. -*
18 It's all a^Fvtter of TttBto ♦
14 Tliov AitortMe. *
ftrn
0
>10
11
12
Win It tho other Eye.
conic.
18 Razzlo Dazzlo
19 Tho Song that Breaks niv Heart
N'EOKO.
20 Dese Bones Shall Huh.- Again.
21 Good-bye ray iimieysiPiu gouo.
22 Johuuio get your Gim.
2l! Little Liza Loves You.
24iiRohk dat Ship iu the Morning.
" • IKISU.
25 I Owe $10 to O ’Grady.
20 When McCarty takes tho Floor.
28 Just Wait and see McGuire.
20 Down Went MdGluty.
MISCELLANEOUS RECORDS.
In addition to the above, a hie It are kt-ptequ-r
stoutly in slock and may be orderwdby selection,
we have a large variety of choice records of*
which wo can make no catalogue, the list being
changed from week to week. We drawl regu-
larly upon tho theatres here for tbo best songs
of the vocalishu. serious and comic, visiting
Washington. We obtain instrumental ^oloifiij
the saiuo manner. Wo have nrranged with a
well known auctioneer to keep ub supplied with
aifction records covering very many variotice of
sales and interspersed hi a humorous wavSvith
bids of mock purchasers. Wo will be pleased
to fill orders for miscellaneous records from the
material we have bn hand from time to time,
making selections according to our own judg-
ment.
I.* 1
assars.
of the
Belssolm’s
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ORK..
1
The Columbia Phonograph Company
now offers the following records, care-
fully selected for loudness and clear-
ness.
lU. S, MARINE BAND.K-
MARCHES.
1 Semper Fidelis (with Drum Solo).
(Sousa).
2 Crusader.
3 The Thunderer.
4 National Fencibles ( with Drum Solo )
5 St. Omar Commandery.
0 The Dude’s March.
7 The Gladiator.
8 Washington Post.
9 High School Cadets. (Sousa).
10 Kaiser Joseph.
11 Loyal Legion. (Sousa).
12 Major Perkius.
13 Ilelphegor.
14 March of the Volunteers.
15 Guide Right.
10 The Three Guardsmen.
17 King Humbert.
18 Marching Through Georgia.
19 Forget-Me-Not March.
20 Annie Laurie.
21 Yorktown Centennial (with Drum
Solo. )
22 Black Hussars.
23 Opening of the Season.
24 Oneida.
25 Mendelssohn’s Wedding March.
26 Admiral’s Favorite.
27 Phonograph March. (Campagnn).
28 Picador (Sousa.))
99 Rifle Regiment.
80 Farewell to Dresden.
31 King Carl.
83 Our Flirtation.
POLKAS.
1 Glass in Hand.
2 Always Gallant.
8 Old China.
4 Clover Leaf (Cornet Solo).
5 Hornpipe Polka.
6 Farewell Polka.
7 Alliance (Cornet Duet).
8 Enthusiast (Cornet Solo),
9 Anvil Polka (with Anvils).
10 Silver Stream Polka (Cornet Solo).
11 Bombardon (Tuba Solo).
12 Anna Polka (Cornet Solo).
IS Young America (Cornet Solo).
34 Erminie Polka ( Jakobowski i.
lo Short and Sweet Polka (Cornet Solo)
1G Serapis Polka.
GALOPS,
1 Carillon.
2 Phonograph.
8 Jack of Clubs (with Drum Solo).
4 Humoristic.
5. The Racer.
6. Cozette.
YORKES.
1 One Heart, One Mind. (Strauss.)
2 United to Thee.
WALTZES.
1 Carlotta.
2 Sweetheart Waltz.
3 Dream Faces 'Waltz.
4 Sweet Smile Waltz.
5 Love b Dreamland.
G Santiago (Spanish, with Castanets.)
7 Estudiantina (Spanish, with Casta-
nets).
8 Autograph Waltz. (Strauss.)
9 Artist’s Life. (Strauss.)
10 Erminie Waltz. (Jakobowski.)
11 Visions of Love.
12 Visions of Rest.
13 Little Fishermaiden.
14 Sobre las Olas (“Over the Waves”)
15 Carmen (Dedicated to Senorita Car-
men Diaz.)
AIRS OF ALL NATIONS.
1 My Country ’Tis of Thee, (American)
2 The Star Spangled Banner (Amer-
ican).
8 Red, White and Blue (American).
4 Die Wacht am Rhine (German Na-
tional).
■5 La Marseillaise Hymn (French Na-
tional).
G La Media Noche (Mexican Dance).
7 La Poloma (Spanish Dance).
8 God Preserve the Emperor (Austrian
National.
9 God Protect the Czar (Russian Na-
tional).
10 Chinese Patriotic Song.
11 Royal March (Italian National).
12 Turkey’s Modern War Song.
13 Manana (Chilian Dance.)
MISCELLANEOUS.
1 Little Annie Rooney.
2 Down Went McGinty, (Schottischo).
3 Climbing Up the Golden Stairs.
4 La Golondrina, (Cornet and Trom-
bone Duet).
5 Blending of the Blue and Gray,
(Medley),
G Rock-a-bye Baby.
7 Listen to My Tale of Woe.
8 Kentucky Jubilee.
9 Robin Adair.
10 Un Requerdo a Salamanca, (Mexican
Scliottiscbe).
11 Ihe Day of the Lord (German
Hymn).
12 Way Down in Dixie.
13 Dixie and Yankr Doodle (Medley).
14 Razzle Dazzle (Medley).
15 El Misererie (from II Trovatore).
10 Skirt Dance (from Faust up to Date).
17 Rocked in the Cradle of the Deep
(Trombone Solo).
18 Sweet Bye and Dye (Hymn with bell
tolling).
10 Nearer My God to Tliee (Hymn with
bell tolling).
20 Safe in the Arms of Jesus ( Hymn
with bell tolling).
21 The Palms (Trombone Solo).
22 Rock of Ages (Hymn with Bell toll-
ing).
23 Darkies! Dream (with ClOg effect).
24 Whistling Coon.
25 Hear dem Bells.
2G Soldier's Farewell (Serenade).
27 Selection From Maritana.
28 Ihe Coquette (A Characteristic
Dance.)
2!) The Swiss Boy (Cornet Duet).
80 On the Watch (Baritone Solo).
31 The Tyrolese and His Child (Cornet
Solo).
82 Alpine Echoes.
NOTE:— When ordering please state
CLASS, as well as NUMB Eli and NA ME
of selection.
3rd ARTILLERY BAUD, D. S, A.
1 Is My Darling true to me. (Serenade).
2 Boulanger March.
3 Bend or Break Galop.
4 Nadjy Waltz.
5 Golden Chimes Galop.
G Fun in a Skating Rink Galop.
7 Pretty Little Butterfly Scliottische.
8 See-saw Waltz.
9 Flirting in the Twilight Schottischo.
10 Among the Dancers Polka.
11 Kayuga March.
12 Be Careful Polka.
13 Scotland March.
14 Yenita Waltz.
15 Good Fellows March.
10 Nanon Waltz.
17 My Sweetest Scliottische.
18 McGinty’s First Love, Schottische.\
19 The Cossack (Russian Polka).
20 Souvenir de Paris Mazourka.
21 Emma Waltz.
22 Forget-me-not Gavotte.
23 Dash Galop.
24 Pirates of Penzance Waltz.
25 The Duchess Galop.
2G The Minstrel’s Sweetheart.
27 Rats Galop.
28 Mountain Heights Polonaise.
29 Flip Flap Polka,
30 Fond Heart (Melody).
31 Mignonette (Overture).
32 The Cricket on the Hearth.
33 Wake Up, Gabriel (Medley).
34 Odelisca Mazourka.
35 Wheeler and Wilson No. 9 March.
86 Our Naval Officers March.
37 Bonnie Dundee (Scotch Air).
38 Snap Galop.
V
ARTISTIC WHISTLING.
Also the following records with piano
accompaniment made by Mr. John Y.
At Lee, of Washington, D. C., the
famous Artistic Whistler.
1 The Mocking Bird.
2 Would I were with Thee.
3 Anvil Chorus.
4 Sweet Bye and Bye.
5 Annie Laurie
G Sleeping I Dreamed, Love.
7 Suwannee River.
8 The Dude’s March.
9 A Curl from Baby’s Head.
10 Love’s Dreamland Waltz.
11 Golden Robin Polka.
12 Cornflower Waltz.
13 Bischoffs Bobolink.
14 Annie Rooney.
15 When You and I were Young, Mag-
gie.
16 Home, Sweet Home.
17 When Will the Birds Come Back?
18 Blue Danube Waltz.
19 Now was I Wrong! 1
20 Marching Through Georgia.
21 Down Went MeGinty,
VOCAL AND PIANO.
1 I Had But Fifty Cents (Comic).
2 Uncle Billy’s Dream (Negro).
3 Anchored (Dramatic).
4 I am Going Home to Chloo (Negro
Sentimental).
5 Tho Whistling Coon (Negro Comic).
0 A High Old Time (Negro Comic).
7 The Market on Saturday Night
(Irish).
8 I Had $15 in My Inside Pocket (Irish).
9 Mamma’s Black Baby Boy (Negro
Comic).
10 Since Casey Runs the Flat.
11 It Used to be Proper but it Don’t go
Now (Topical).
12 Down on the Farm (Sentimental).
13 Name Above the Door (Irish).
14 Maid of the Mill (Sentimental).
15 Put on De Golden Sword (Negro).
1G Marguerite.
17 That is Love.
18 The Old Turnkey.
19 A Light in the Window.
VOCAL AND ORCHESTRA.
SENTIMENTAL.
1 Mottoes that are Framed Upon the
Wall.
2 Sunshine Will Come Again.
3 A Buttonhole Bouquet.
4 Dear Robin I'll be True.
5 Sadie Ray.
G Life's Story.
7 The Maid of the Mill..
8 Down on the Farm.
9 A Curl from the Baby’s Head.
10 You’ll Never MisB Your Mother Till
she’s Gone.
11 Little Annie Rooney.
12 A Mother’s Appeal.
13 Comrades.
TOPICAL.
1 Near It.
2 He Ain’t In It.
3 They’re After Me.
4 It Used to be Proper but it Don’t go
Now.
5 Then You Wink the Other Eye.
T-i CJ CO Ti<
COMIC.
Razzle Dazzle.
The Song That Breaks My Heart.
Since Katie Learned to Play.
Since Casey Runs the Flat.
NEGRO.
1 Dese Bones Shall Rise Again.
2 Good-bye, My Honey, I’m Gone.
3 Johnnie Get Your Gun.
4 Little Liza Loves You.
5 Rock dat Ship in the Morning.
IRISH.
1 I Owe 810 to O'Grady.
2 When McCarty Takes the Floor.
3 The Irish Jubilee.
4 There Goes McManus.
5 Down Went McGinty.
CLARIONET AND PIANO.
1 Enchanting Polka Mazurka.
2 Gambrinus Polka.
3 Virginia Polonaise.
4 Thornton’s 4th Air and Variation,
1st Part.
5 Thornton’s 4th Air and Variation,
2d Part.
fi Washington Sehottische.
7 Grand Fantasia, 1st Part.
8 Grand Fantasia, 2d Part,
i) Somnambula.
10 Cavatina from Ernani.
11 Brepsant’s 8th Air Vaiia 1st Part.
12 Brepsaot’s 8tli Air Varia 2d Part.
13 Concert Polonaise.
14 Alice, Where Art Thou V
15 Serenade, by J. N. Missud.
10 The Good Bye at the Door.
17 Brilliant Polonaise.
18 Good-bye, Sweetheart.
CORNET AND PIANO.
1 Bouquet of Sparks.
2 Three Star Polka.
3 Arban’s Cornet Polka.
4 Clover Leaf Polka.
5 Celine Polka.
0 Sea Flower Polka.
7 Snow Drop Polka.
8 Song of the Rose.
9 L ’Elegante.
10 In Old Madrid (Ballad).
11 My Lodging is on the Cold Ground.
12 Gems from the Opera of Martha,
13 Serenade by Gumbert.
14 Contest Polka.
15 LTne Serenade (Air Varied
THE AUCTIONEER.
(A great novelty. )
1 Sale of Pawnbroker’s Goods.
2 Sale of Dime Museum (with Parrot
Imitations).
2 Hale of Unredeemed Express Matter.
4 Sale of Unclaimed Freight.
5 Sale of Horses, Cattle, Fowls, etc.
0 Sale of Household Furniture.
7 Sale of Household Elfects.
8 Sale of the Old Slave.
9 Sale of Christmas Dolls, Toys, etc.,
(with Horn Interruptions).
10 Sale of Oil Paintings.
11 Sale of Wines, Liquors, and Cigars.
12 Sale of Virginia Lands.
13 Sale of Old Maids.
14 Sale of Red-Haired Girl, (with White
Horse accompaniment).
15 Sale of Drug Store.
16 . Sale of Farming Implements.
17 Sale of Goods at Close of Pair.
18 Sale of Dentist's Effects, etc.
lu The Laughing Auctioneer.
20 Sheriff’s Sale, (The Poor Widow).
In addition to the above, we will bo
glad _ to furnish, on demand, special
Auction records covering every variety
of. sale, interspersed in a humorous way
with bids of mock purchasers, etc., etc.
Nothing better for horn reproduction.
MISCELLANEOUS RECORDS.
We also keep constantly in stock n
large variety of choice records of which
we can make no catalogue, the list being
changed from week to week. We draw
regularly upon the theatres here for the
best songs of the vocalists, serious and
comic, visiting Washington. We ob-
tain instrumental solos in the same
manner, and will be pleased to fill
orders for miscellaneous records from
the material wc have on hand from time
to time, making selections according to
our own judgment.
(Please attach to list of Me 1, 1891.)
SUPPLEMENTARY LIST.
JULY 10, 1391.
-#U. S. MARINE BAND.i'£-
MARCHES.
33 The Veteran.
34 Champion (Quickstep).
35 On Gnard.
36 Sounds of Peace (Quickstep).
37 Peaceful be Thy Sleep. (Funeral
March. )
38 The Warrior’s Farewell.
39 The Smart Recruit (Quickstep).
40 American Medley March.
41 The British Soldier (Quickstep).
43 States Camp March.
POLKAS.
17 L’Amore.
1 8 Pretty Blue Eyes.
19 Independence Polka.
20 Alpine Polka.
GALOPS.
7 High Life.
8 Ace of Clubs.
YORKES.
3 Tyrolean Mazourka.
4 Helvetia.
5 Free and Easy.
WALTZES.
10 Summer Nights.
17 La Grasiela, (Spanish).
MISCELLANEOUS.
„ JlS-T-he-Postilion in the-" Forest.— (Cornet
Echo effects).
84 Andante from Morning, Noon and
Night Overture, (Clarionet Solo).
35 King of Diamonds, Schottische.
86 The Image of the Eose, (Cornet Solo).
37 Annabel Schottische.
38 Dancing in the Barn.
YO0AL AND OR0HESTRA.
SENTIMENTAL.
14 Dreaming as she Sleeps.
15 A Stitch in Time saves Nine.
IRISH.
6 Maggie Murphy’s Home.
HESITATIONS,
The following’recitations, carefully
prepared by artists of unquestioned
ability, are offered as admirably adapted
for home or public use. The records
are clear and distinct, eveiy word being
easily understood. The list will be
added to from time to time. The fol-
lowing are now in stock.
DRAMATIC.
Shakespeare’s “Seven Ages of Man’’
(from “As You Like It.”)
“The Fool” (Selection from “As You
Like It”)
King Claudius’ Soliloquy, (from Ham-
let.)
“Queen Mab Speech,” (from Romeo
and Juliet.)
Soliloquy from Richelieu.
Opening Speech lrom “Richard III ”
Douglas Taking Leave of Marinion,
(Scott )
The Star Spangled Banner.
HUMOROUS.
The Yankee Still Ahead.
How They Went to Housekeeping.
COLOMBIA PHONOGRAPH CO.,
627 E Si. N.W., Washington, D. C,
SEPTEMBER 10, 1391.
Ifj ft* ft* ft* (MtiMiftiWUly
MUSIC
i! unite
MY TIi 1*3
I Vesident'a Bond.
LIST OF RECORDS
hy tob
g l\> S. 7Aarip?e Bar?<d
.£#
\ o ' ■ 't
g ‘W A. S l-l I NOTON, D. c, |
jj A to otfAer Foc<x£ Instrli* sj
S ■ ■ venial Records
. .$ o
lTj ' Cl
0 Now in utoek and for Bale at whole- -6
U «L
Biilo and retail by the
I'COtUljlB^'PiJO N OGRJJPH CO., |
| 627 0 Street 12. 05., $
Washington, O, C.
Vf v <i '■■ - ■ b
<><> It fMfr<C IM>fp C 4*13 4MJ C<J ii-Q (13i
TOfet
P1EAMI3 !>r]^TH«V ALL
PK12VKOIIM
The Columbia Phonograph Company
now oiferft the following record h, cart'
fully selected for loudness and dear-
ness.
-aU, S, MARINE BAND.&r-
M ARCHES.
f 1 Semper Fidelia (with Drum Solo).
(Sousa).
2 Crusader-
- 0 The Thunderer.
A National Fenciblea ( with Drum Solo)
5 St. Omar Commundery.
0 The Dude’s March.
7 The Gladiator.
6 Wiiuhingtoii Post.
3 High School Cadets, (Sou a a).
10 Kaiser Joseph.
11 Loyal Legion. (Sousa).
12 Major Perkins.
, 13 Bel phe gor.
■14 March of the Volunteers.
13 Guide flight.
*16 The Three Guardsmen,
17 King Humbert.
IS Marching Through Georgia.
13 Forget-Me-Not March.
20 Annie Laurie.
41 Yorttown Centennial [with Drum
Solo).
22 Black Hussars,
28 Opening of the Season,
24 Oneida,
*25 MandelHSohn’e Wedding March.
2(5 Admiral f s Favorite.
27 Phonograph March. (Cumpagua),
23 Picador (Souh&Q
23) Jtlfle Regiment,
lli) Farewell to Dresden*
31 King C;u'L
32 Out Flirtation,
33 The Veteran*
34 Ohantpion Quickstep-
35 On Guard- ;
SO So n oils of Peace (Quickstep).
*37 Peaceful ho Thy Sleep (Funeral
March).
38 The Warrior's Farewell.
33 Tins Smart Recruit (Quickstep).
40 American Medley March.
*4t Tlie British Soldier (Quickstep).
42 States Camp March.
*43 Mikado Medley March,
44 Paula.
40 CoroOmn Cadets-
4ft Gen. Banka s March,
47 Salutation Quickstep.
48 Cyrrerii= Quick steps
49 Cit>iuo March.
00 Rock vale Quickstep.
polkas.
3 Glass i li Hand.
2 Always Gallant.
3 Old China,
4 Clover Leaf (Comet Solo]. 4
0 Hornpipe Polka*
G Farewell Pocket.
7 All ia nee ( Con i et D net ) ,
8 Enthusiast {Gurnet Soloh
ft Anvil Polka (with Anvils).
10 fealver Stream Polka (Comet Solo).
11 Bomba rdon i. Tm ba Sol o ) ,
12 Anna Polka (Cornet Solo).
IS Young America (Cornet SoloK
14 Erin inie Folk el i jnkcdxjwsldj.
lo Short and Sweet Polka (Cornet Duet)
10 Scrapie Polka.
17 L ’Amend.
18- Pretty Blue Eyes.
1 3 Independence Polka-
20 Alpine.
£1 fire tell tin (Conceit.).
22 The Queen’s Trumpeters (Cornet
Duet).
GALOPS,
1 Carillon.
2 Phonograph,
*1 Jack of Clubs (with Dm in Solo).
4 Humoristic.
B. The Rarer.
0. Cozetto
7 High Life.
8 Chestnut.
YQEKES
1 One Heart, Cue Mind. (3tra.una.Jt
2 United to Thee,
ft Tyrolean Mi-zotuku.
4 Helvetia.
ft Free uml Easy.
0 ] Love Nettie,
WALT2ES,
1 Cavlotta,
2 Sweetheart Wnlta.
ft Dimm Faces Waltz.
4 Sivset Smile Waltz.
ft Lovo'fi Dreamland.
ft Santiago (Spa nidi* with Castanets),
7 Edturtitmtiziu [Spanish, with Casta-
nets).
8 Autograph W niton (StraiiBB.)
1> Artist's Life* (Strauss,)
30 Erin in ie Will tat. I Jukobawaki.)
11 Vi along of Love,
18 Visions of Rest-
13 Little Fishennaiden.
14 Sobre laa 03 as (“Over theWavos^)
15 Carmen (Dedicated to Senonte Car’
men Diaz).
13 Summer Nights.
1? La Graeiela (Spanish).
13 Mia Bella.
15 Comrades (Medley).
20 The Blue Danube* (Strauss),
AIRS OF ALL NATIONS,
} Country Tis of Thee { American].'
"■ ^ ^ htISr ppangled Banner (Amer-
ican h
Wh i te and Blue ( A mericaji ) „
1 Die Waoht am Rhine (German Na-
tional),
5 La Marseillaise Hymn (French N r a-
tioiLul).
6 La Media Noche (Mexican Dance)
i La Polotiiii [Spanish Dance}
3 God Preserve the Emperor (Austrian
National),
S God Protect the Czar {Russian Na-
tional),
10 Chinese Patriotic Song.
}\ March {Italian National],
1- Turkey 6 Modem War Song.
Li Manana (Chilian Dance),
14 Vive hi Can&dienne*
15 The Minstrel Boy (Irish Patriotic),
M IS C EL LA NEO US.
1 Little Annie Roonev.
^ Rr AV u e ?f McGiii tv (Schottieche).
J Climbing Up the Golden Status.
4 La Golondrina (Comet and Trom*
bone Duet)-
>
5 Blending of the Blue and Grav
(Medley).
3 Rock-a-bye Baby.
7 Listen to My Tale of Woe,
S Kentucky Jubilee.
9 Robin Adair,
10 L T n Re querdo a Salamanca (Mexican
Schottische ) ,
11 The Day of Die X>ord (German
Hymn},
18 Way Down in Dixie.
13 Dixie ami Yankee Doodle (Mud Icy),
14 Ra-zzlo Dazzle ( Medley }♦
15 El Misererie (from 11 Trovatore}.
lfi Skirt Dance ( from Faust up to Date}-
17 Rocked in the Cradle of the Deep
(Trombone So lob
Id Sweet Bye and Eye {Hymn with bell
tolling).
1-) Nearer My God to Thee [Ilymn with ■
bell tolling),
20 Safe In the Anne of Jcgus (Hymn
with bell tolling).
21 The Palms {Trombone Solo).
22 Rock of Ages (Hymn with Bell t-o 1 1 -
in£)-
£■3 Darkies* Dream (with Clog effect).
24 Kin loch of Ki n loch (Cornet Solo).
85 Hear dam Belts.
20 Soldier l s Farewell (Serenade).
27 Selection From JIaritana.
25 Hie Coquette (A Characfcerietic
D ance.}
20 The Swiss Boy (Cornet Duet).
30 On the Wei tcli {Baritone Solo).
31 The Tyrolese and His Child (Comet
Sola).
35 Alpine Echoes.
33 The Postilion In the Forces (Cornet
Echo eilectR).
■
E4 Andante from Morning., Noon and
Night Overture, (Clarionet Solo).
35 King of Diamondej Sclioltiscbe.
3G The tmageof the Rose, (Cornet Solo).
37 Annabel Scbottiache,
38 Dancing in the Jio.i-Tj .
3 ( j Pot Four! of Popular Airs.
40 11 edley of Southern P I an tn ti OJtt Sou g h
(with Xylophone Solo).
41 Medley of Southern Pl&iitatfon
Dancer
NOTE : — IFJien ordering plttt&e ntate
CLASS unwell m NUMBER and NAME
of selection. f
3rd ARTILLERY BAND, D. 5. U '
1 Ys My Darling true to me (Serenade),
2 Boulanger Ihtl'ch.
3 [lend or Streak Galop.
4 N ad jy Waltz.
5 Golden Chimes Galop.
15 Fun in a Skating Kink Galop,
7 Pretty Little Butterfly Bchctti&che.
8 See-saw Waltz.
9 Flirting in the Twilight Suhotti&che.
!0 Among the Dancers Polka.
1! K&yuga March.
12 He Careful Polka.
13 Scotland March. n
14 Vaults Waltz.
1‘) Good Fellows March.
10 Nation Waltz.
IT My Sweetest Schotti&cbe.
15 McGinty’s First Love, Sohottischa.
1(1 The Cossack (RmsaiuU Polka).
20 Souvenir <ie Paris Mazourka.
21 Km in a Waltz.
£2 Forget-me-not Gavotte.
23 Dash Galop.
i
24 Pirates of Penzance Waltz.
25 The Duchess Galop.
£G The 51 Enat lei's Sweetheart,.
27 Kata Galop.
28 Mountain Heights Polonaise.
29 Flip Flap Polka,
30 Fond Heart I Melody).
■3 1 Mignonette (Overture),
32 The ■Cricket on the J-E earth.
Wake Up, Gabriel (Medley).
34 OdeLlsea Mazourka,.
S3 Wheeler and Wilson No. 9 March
Sfi O Ur Naval Officers 51 arch,
37 Bonnie Dundee (Scotch Air).
38 Snap Galop. .
ARTISTIC WHISTLING/
AUo the following records with piano
accompaniment in a do by Mr. John Y,
At Lye, of Washington, D* CL , the
famous Artistic Whistler.
1 The Mocking Bird.
2 Would I were ivhIi Thee.
3 Anvil Chorus.
4 Sweet Bye and Bye.
5 Annie Laurie
ft Sleeping I Dreamed. Love,
7 Suwnunqo River.
S The Dude e March.
9 A Cnrl from Buby : & Head.
10 Leva’s Dream laud Waltz.
11 Golden Robin Polka.
12 Cornflower Waltz.
13 Bischolf's Bobolink.
14 Love's* Golden Dream.
15 When You and I were Young, Mug
gie,
15 Horne, Sweet Home.
17 When \ V i L 1 the Birds Come Back?
13 Blue Danube Waltz.
19 Now was 3 Wrong?
30 Marching Through Georgia. ^
2l Comrades, y
mo
VOCAL AND PIANO. ' "
J J- Had Put i' ifty Cents, (Coniicl
; U Jiole Bi | ly s Dream , ( Negro K
a Playmates.
■1 I am Going Homo to Chloe. (Negro X —
Sentimental,) 1 .
5 The Whistling Coon, (Negro Comic,}
5 £. Hl £ 1 Tjiaa * 0 T egro Comic.)
7 lie Market on Saturday Night
(Irish),
8 1 Httli in My Iugide Pocket.
(Irish)*
0 Mamma's Black Baby Boy. (Negro
Comic),
10 Since Casey Rune the Flat,
11 It Used to he Proper but it Don’t ro
Now, (Topical), S
12 Do ’tv n on the Farm . (Sentimental},
Iii Name Above the Door, i' Irish b
1-1 Maid ot tine Mill. (Sentimental),
1° l nt oa De Golden Sword. Negro'
1(1 Olden Dayg.
IT One Word of Love.
13 The Old Turnkey.
IS A Light iu the Window, V 1
2b' I Wi*li He Were Here Tonight
21 Funiculi, Ptmicuhij
22 Clare (Song and Dance)*
A Mother's Appeal to Her ‘Bov,
(Sentimental.)
24 Sweetest Love. (Sent! mental,)
2*1 Heroes. (Dramatic,)
20 A Speculator Bold. (Topical.)
2. Maggie Murphy ’ B Home, Irish Sen-
time Utah)
t
23 When I get to be a Man like Pa,
(Comic.)
29 Hear Dem- Bella. (Negro.)
30 The Sun Shines on the Old Home
Still. (Sentimental.)
31 If Yon Love Me, Toll Me With Your
Eyee. (Sen t-i men fcul .)
32 Comrades, (Dramatic* )
"V y ttle Arm ^ Rooney, (Sentimental.)
On 3 y a, P , c ture. (Sent! n i en tal, )
SiL " *elve Months Ago To-Night. (Son-
ti mental.)
33 The Postilion. (Dramatic*)
d7 Dad s Din nor P«L (Irl ah Comic.)
c-3 Learning McFaddtnr t0 Walt*.
(Irish Comic.)
^ ^ You A Dollar Yon Don’t.
(Topical. 1
40 Never, JSTo More. (Topical.)
1 Never Drink Behind the Bur.
43 Hi, Walter!
43 Poor Old Dad.
44 1 Whistle and Wait for Katie.
(Sentimental.)
45 Turkey i n Do Straw . (Negro Com ic )
43 Hollo, Baby! v . ■
VOCAL AND ORCHESTRA. *5 ^1—-
SENTIMENTAL*
1 Mottoes that are Framed Upon the
Wall.
2 Sunshine Will Come Again -
m A Buttonhole Bouquet.
4 Dear Robin I ’ll be True,
5 Sadie Ray,
3 Lifo’d Story.
7 The Maid of the Mill.
3 Down on the Farm,
r J A Curl from the Baby’s Head.
13 You’ll Never Mitjs Your Mother TUI
tfhe’ifi Cone.
I
It Little Annie Rooney,
IS A Mother's Appeal.
33 Comrades* -
14 iDreaming m eho Bleeps.
35 A Stitch in Titiiii saves Nine*
TOPICAL.
1 Near Tt, ■ t
2 He Ain’t lit It
3 They’re After Me.
4 It Used to be Proper but it Don \ go '
Now*
5 Then You Wink the Other Eye.
COMIC.
1 Razzle Dazzle.
2 The Song- That Breaks Ify Heart.
3 Since Katie Learned to Piny.
-T' 4 Since On bey Ruhr the Flat
NEOItO.
1 Dess Bou^s Shall Rise Again,
2 Good-bye, Jfv Honey, I’m Gone*
3 Johnnie Get Your Gun.
4 Little "Liza Loves You.
5 Rock dat Ship in the Morning.
IU1SU.
1 I Owe *10 to O'Grady,
2 "When McCarty Takes the Floor. jr
3 The Irish Jubilee.
4 There Goes Me Manus,
5 Dow u Went 3 Ee I \ i n ty*
fi Maggie Murphy Y Home.
CLARIONET AND PlAN
1 Enchanting Polka. Mazurka.
2 Gumbrinijs Polka.
3 V i rg i ni a P ol on a is e.
*4 Thornton'S 4th Air and Variation,
1st Part,
5 Thornton's 4th Air and Variation,
2d Part.
0 Washington Schottisclie.
7 Grand Fantasia, 1st Part.
8 Grand Fantasia, 2d Pan.
9 Scminninbula.
10 Cavatina from llrnant,
11 lire plant's 8th Air Vaiia (1st Part).
13 Prepsa-Nt’s 8th Air Van a (5 cl Fart).
13 Concert Polonaise.
14 Alice, Where An Thou ?
lo Serenade, by J, N. Missy 1*
It) The Good ISye at the Door.
17 Brilliant Polonaise.
1 8 Good-bye* Sweetheart.
10 Evening Reveries.
CORNET AND PI/
1 Bouquet of Sparks.
2 Three Star Polka,
3 Arbuli’s Comet Polka.
4 Clover Leaf Polka,
5 Celine Polka.
0 Sea Flower Polka.
7 Snoiv Drop Polka,
8 Song ol the Rose,
fl L 'Elegante.
1U In Old Madrid (Ballad).
11 illy Lodging is on the Cold Ground.
12 Geme from the Opera of Martha,
1.3 Serenade by Gumbert.
14 Contest Polka.
.15 Une Serenade (Air Yurie.)
15 Liu. Vogel (Grand Fontasie) Paid 1.
17*Fiu Vogftl (Grand Fautasie) Part 2.
13 The Favorite.
Ill Ah Che la Morte (from 11 Tr ova tor).
20 Oh! Do Not Mingle (from So i truant -
bula).
1
RECORDS OF TEE
BRILLIANT DUflRTSTTE'/jO
Far sale by /
Tic GoIisMa Ftaiojrajt Cc.
1 Since Sullivan Lcnrned to Act.
2 The Sou g of the Steepl c (wi th Church
Organ Imitations),
3 31 Ary Ann. ('Medley.)
4 Hear Dem Bells (with Bell Imita-
tions).
5 Blind Tam. frs’egro Caunp-MeeiinEf
Shout.)
d Grandfather's Birthday. (Negro.)
L-liyj,;nikb* 4 ^^ i — m #,
S The Irish Queen. (Medley.)
U German Melody (with Imitations of
Steam Calliope)*
1.0 Ha u 1 thg W OocLPile Dow n . f Neg ro, )
U— V)rt>nuijx^ij_ahje . i^-h H,
y-Ofrf} HKHPhoe. /
h / / ^ r
THE AUCTIONEER. / ' ^
(A grtat novelty.)
t Sale of Pawnbroker’s Goods.
2 Sale of Dime Museum (with Parrot
Imitations).
3 Sale of Horses,, Cattle, Fowls, etc-
4 Sate of Household Furniture,
a Sale of the Old Slave.
t> Sale of Christmas Dolls, Toys, etc,,
fwi t-H llorn Interruptions).
7 Sale of Wines, Liquors, and Cigars*
5 Sale of Old Maids,
0 £ ale of Red-Haired Girl, (with ’White
Horse accompaniment).
i
10 Sale of Drug Store,
H Sale of Goads at Close of Fair*
^ le T of Dentist's Effects, etc.
t? Laughing Auctioneer.
U Sheriff t Sale, (The Poor Widow),
In addition to the above, wc will be
glad to furnish^ on demand special
Auction records covering every variety
or interspersed in a humorous way
w H li _bi 1 1 s ot mock pure h&Beiis, e tc. . etc ,
r. othiug better for horn reproduction.
HESITATIONS, V^’
The f I of lowing reel ca ti on a, c are f ul ly
ky artists of unquestioned
Ability, itra offered ho admirabfv adapted
for home or public use. The records
are clear an d distinct* every word beiijir
earuly understood, The lie*. will be
added to from time to time. The fol-
lowing are y OV y ^
f iiun/ura. or the
Juha Marlowe Dramatic Vo,
1 Shakespeare^ “We^Age&of Matt”
(from "Aa YoiM/ke ltFb
2 The FooD 1 (Selyktiou from r 'As
You Like It 13 ) / \
3 King Claudius^ Soliloquy (from
flam let, j \
4 “Qucon 31 ab /peech, ”Vfrbm Romeo
and Juhe-/
o Douglas TaJJag Leave of Marmlon,
_* Waifei Scott.)
heStai Spangled Banner. (Francis
Scott Key.)
/
h
-
i . ' #
RecitutiQn* by Mr. George. Buckley of
A C;
dramatic*
fl Opening Soliloquy from Hamlet,
" 2 Soliloquy of Richard III on Con-
science,
3 Oration of Marc Antony, (from
Julius Cwanr).
4 Opening Soliloquy oi 1 Damon (from
Damon and Pythin*).
6 Damon's Speech to the iJyracusane,
tl Selection from Richelieu.
7 Closing Soliloquy trom Act I of
Richtdieu.
3 HmidetJs Soliloquy on Death.
M Cardinal Wole Ley’s Farewell to
Power,
ID Quarrel Scene from Julius Cm ear,
Part l.
11 QuuU-el Soeue, &c., Part TL
V2 Quarrel Scone, Ac,, Part ! Il-
ls Selection frcuu Damoii eum! Pythias,
Act I, Scene 1.
14 Oi^niug Speech from Richard 1TT-
ir> Othello's Speech before the Council*
Act 1 , S'-eue 3 .
hi Rich mil & Soliloquy on the Death of
Henry YL
HUMOROUS.
1 The Ya n kee Still Ahead.
2 The Rail toad Closing,
4 Pirrsoil Jingle jaw's Surprise,
h Socrates Snooks,
ft Kentucky Philosophy,
7 Iteishnzicnr Smith’s Cure for Som-
nEtrubulism.
8 All Aesthetic Housekeeper,
y Ding-Dong on Vocal Power.
11 Der Eveadropper.
12 Schlansheimer.
13 The Modern Shakenpoftie,
34 Der Shpider und der Fly,
1,% Der Potter of der Shingle.
10 Aunt Chloe and Uncle Raatus 4 5 * 7 8 Dog-
(Negro Comic*}
PATHETIC,
1 Thu Old Minstrel.
2 Which One?
3 Little Joe,
MISCELLANEOUS.
1 A Shakespearean Dream*
MISCELLANEOUS RECORDS.
Wo also keep conatunCLy in uLuck a
large variety of choice records of which
we call m ake no catalogue,, the list being
eh u n ged ir o m w etk to w c e k , W e draw
regularly upon the theatres here for the
best songs of the vocalists, serious and
cons is, visiting Washington. We ob-
tain instrum onto! solos in' the a&me
manner* and will be pleased to dll
orders for miscellaneous records from
the material we have on hand from time
to time, making selections according to
our own .judgment.
NOVEm^ES 3 . 0 , 1 B& 1 *
^Cuiaas rj,4y 4 tt& i>t'<!|» iKf f • tl O *> 3?
'SIC
rp!,Tyc3 air tk U'liUc {[aiile
35 V Tir >5
President's Band,
LIST OF RS0QRD3
15 Y T 5 JJL
» IX, S, y\arir?e Bar?d
l . ■' ur
|
S WASHIKG 7 0 X, O, C.
* Also other Vocal and In&tru-
ij vientid Records
L V
tt Now lu stoeii and for sale at whole-
|J eaEe anil retail by thy
| COLUpl^ P1JONOGRJJPH CO.,
£ 627 E Streel fl Eli.,
1 WAfiHtNSTON, 0, C.
ft f>(-‘ ^ vtw OS £M5-I>« O-^r- <&*} *>e n .TM> fi (3
t»rj s a « w .- " »^. r : T s:<i v a i jl
I*£t S
' 1 i ■ ,
• V"C-:
■* ian __ __. la %. |J J,""
K. ■
* < k *w* sjw.* 4 > 5 siw-<*cCf t* wuw i>Oo« ti -.>e ft <m,v n f:
fU.'S. MARMS SAND.*:—
Marches.
; s "« ad,e <wiu> °™» **».
- Crtieaider,
? ^nuiderei , 1
£ J 111 gfl^o'a 3faich J
j Pile C^lddutor.
2 Wftriitagtou P«k
» $&&«£»* (*>•« >-
,4 ««** <rf tiie vom,,i <ie! .„.
Jl liulllo lii^Jit.
Laurie.
4 '^Sr c °“ ,RU “ i ? 1 1 ’Hft n,™
^ BJjjyk RuKSianH.
i- ■
S Kaolin '4 Weddiug Mtreh.
A u nnra] s Fiivoiitc.
S Phonograph Marc ii. (Caropagua)
^ Tic f uj«i- ( Ho u i 4 ) l 1 1
-3 Rifle Regi m eii t.
36 Farewell to Dread en.
6l Eauc Carl.
■32 Our Flirtation.
s 53 Hie Veteran].
* 34 Cham pi oil Quiet step.
ft,j Op Guard.
r:Stf Hounds of Peace (Quickstep).
■37P«aoaf«l he Thy Sleep (Fumia]
-March, with bol- tolling*.
So The Warrior Farewell.
M Thy Snmrt Reeruit (Quickstep).
American McdJ av March.
fn J' li '" ^o 3 flier (Q tucks cop).
42 States Camp March- P
43 Mikado Medley March.
44 Putrid.
40 Corco ran Cade k,
45 Gen, Bunks* Mereh,
Siluhtioji QiiicJigtepi
4d Cypreas Quieketcp,
4!> Casino Siflncii,
aC Rout vale Quickstep,
3J First of. All.
6£f Fort Alcatraz,
53 My Country Homo Qiiioktstop,
• *‘i Ails Armea.
36 Continental.
36 Reliable.
-ji Tho Honored Dead- (Funeral march
with bell tolling.)
oa Garfield’s Funeral March (with b&ll
tolling].
f[J“l f3;i 1"3.u i > _ t ■ n -r ■
50 El Paso Polk a -March.
60 Chopin h Funeral March (with bell
tolling).
61 Dead March in fclauh -
-;■_ ■ >■
FOLK AS.
1 Glass in Hand.
5 Ahvttja Gallant.
3 Old Chiiiii.
4 Clover Leaf f Cornet Solo'; .
5 TTorupiije Polka,
6 Farewell Polka,
7 Alliance (Cornet Duet).
3 Enthusiast i Cornet Solo),
0 Anvil Polka (with Anvil*,],
? £!''? S V e?ir " r ? Ikn i Comet Solo).
H Bontbnrilaii (Tuba Solo),
111 Anna Polka (Comet Solo].
13- Young America (Cornet Solo).
14 T.riniiiin Polktf.f .hikobowski j
L> she, t and Sweet Polka (Cornet Duot)
16 berapis Polka. 7
17 L’A mortp.
in Pretty i;juc Eyes,
* 5 ludapvu donee Polka.
P Alpine i Cornet Duot).
2J Grotchen (Concert),
-2 The [Jneen'i Trnni patera (Cornet
Duet).
£3 Drum Polka. (with Drum Solo).
GALOPS.
1 Onrillou,
2 Phonograph.
3 Jack of Clubs (with Drum Solo}*
4 rluftionfetm.
5 The Rmoi.
G Colette
? High Life,
6 Chestnut (with Chestnut Belle).
YORKES
i S^?,™"},, 0 " 0 “*>• (Strauss.
** united to Tlieo,
^ JVtolean Maaourka. ' J .
4 Hevletia.
6 Free und Easy T
6 I Love- (Nettie.
W/VLT2KS.
1 CiO'jfj^r
2 Sweetheart Wallis.
!; Dnsnm Fucsti U'nIU.
4 Sweet Smile W[ijta,
,K Lo'.'e * Di^ju^Iau^
£ SHUtiajs-o (Spanish, with Cngfcuieta).
* EHtudij^tiiia {Sptidiijh, with Cbh t&- I
netgj l
£ A u wg j-ai A\ W u l ta. ( Str a u«*. ) ;
5 Artist ft Lifa h [Stmuaa. )
10 Em i ini a W*l u. [ J;; kobo * i. )
1 I v iL-iii.m s ot J jOVtt. !
12 Vision* of lltiAt. >
IS kittle ^slieniuiiHlfla,
If Sobre l as Gl:t* f L 'Over theWayes * \
so Crtriiieii (Dedicated to Seiicrim Cnr-
tntn DiasO.
lfl Summer Xi^hta.
1? Ejl Grasida (Sun nidi).
IS ilia ltd La.
jy Do m ratios (Mt4!eyj,
SO The I iliac Danube. [Stroms*),
'l Bih mo G sod l live
22 11 Kino, *
AIRS OF ALL NATIONS.
1 My Country r \% of Thee l America ) r
'4 Die Stair Spangled Jiaiauer ( Ana er-
ica n).
? iiiul ishio ( American).
-1 Die sichtr aiii Itbiue iGemiim Nai-
, ^ tiona] | . ■ ^
o Lel Mansell la iso Hymn (French Ni- !
noun]). i
^ Koohe IMoxicau Dajacel> f.
L;i a J (?]oin:t (Spanish Dance), 1
s God Ih'CHftj-ve the litnjMM-oi'fAxistrifti] ■ :
A^tionol,.
0 Cod Protwt i-Iio Czar {Russian N B .
tlOUal),
\
10 i. hin e.HP Pit t.j L ko Lie Song,
i I Eioyad Mrtivli iltMjian N'utiomri a.
12 Ai rk uy ’k Modem War Song.
!;! Mauajia (Chilian Donee).
14 Vivu \$ Caiirtdicxunr,
li> The M lust i'd ] S n- v {hi ah lMiioiiuk
MISCELX.ANEOUS.
1 Little Annie Eoonov r
2 Uuwii Want JfoGmiy ta’dumitstilio).
If Ciimbhi!; Up ike ( (oiiiwn Stairs.
4 Ui Golommua (Cornet and Trom-
bone Dl.cL}.
5 blending of the Iliac mid Gmir
£ Medley L *
Ei Ko.'k a-bye bnby [Count S.A«l.
1 Listen to H \[y 'Ada of Woo
^ Kentucky Jubilee (with 0U?;ta
U Hohm Ad «ir [Comet Solo b
10 Uii Ejaijnerdo a SaiaanitTiour (Mexican
Sob otti ache L
It Tiie Day of the Lord (German
Hviijii Yi-ith Jltdiy
IS Wav Down in Dixie,
12 Dixie ami Vauikee UooclLe (Madley).
14 ftazzie Dazzle. ( Medley li
1j EJ Miric rcrio (horn 1 1 'JVovatoi-e'i .
lit Skirt Dai nee {from Faunt-ogi to Date),
17 Hocked in the Cmdie of thy Deen
(Trombone
15 Sweet Bye and Bye ( Hymn with bdjj
tolling).
Nearer My Gotf to Thee (Hymn with
bell toHin£)«
20 Safe iu iJie Aima of Jc^ns (Hyinn
with bull tolling),
S! T L'hc Painie (Trombone Solo).
Itack of Ages [Hymi^with JJaU toJl-
23 Daj'kieb Dream {-w'itiL Cioir offoct ] r
■ . S4 Kmloch of 'Kiu loch (Cornet Solo).
J
of. Boll ejecta}
£ Soldier^ Ejrei™!! fSercnad*), W *
£A “JlflOtjon Uarftaiih.
i&2£f 9 (A
m ^ uy f°«r“eji Duet),
31 Th ^ litch Solo).
lh Sdo” ift “ ! ' Dd eie Child
p (Coi-notSoio).
'as; the t
34 A 1S G^"; Mot "i?S* No™ <^d
“&^“^ sa£ ssa? hft
f Aawb^^tST' <Co “* KWW
?„ £5™e ^ JLm (with Olog).
1 PlantotiimScmffs
j, , r I" 11 n ^Jlophoaie Solo). Ui Part
«»»*■*» SoajjJ
42 in 01ie 3 ■>)*). ft) Pflj-c ,
ScJ SouthMD PJ«ltotioi
SS Ad f°;‘j rid " lia ! It }'ii>a«'ith Dell Toll-
44 Cb 't:i, ***»*•
40 Re p:in 0t ^ Iuai ‘ :,l! 1st
1 G Ruii J J at 'Mil. Ha] JauiborE«). £»j
r 5LT&,
4 1 Concert Mctllcv,
tt Th^Nriiih^ , S . Q ™ a ^ (Cornet Solo).
W The Night Aiitiui, (Descriptive),
JitoiM state
oJ^f/ctZT ‘“^BER aml-ttASUi
P, ‘ ■"■ ,l ■ ■!■-=■.■■ T--B l_. ■ ..
W ARTILLEEY BAND. 0 . 1 A.
* SiiSC 9 (S ““
3 Kadjy Walfcfi.
4 Golden Chime* Galop,
a ffre-*iiw Walt*.
0 Flirting i u (ho Twilight Sohoitlsdie.
■ vejiiia
f Nimfuj Wnlfcju
y My Siu fcu^t ^ohouisiciie.
10 Dflfih Galop.
1' J^ies of Peazmioc Waltn.
■ j. "fountain Height* Polonaise,
*° I ]ip F Jop I*o]ku,
i 1 ? 5 iC n Cri ^ ec ou *i«s Hearth.
1-; ah- 0 up, Gabriel (Modi or).
}! r!' he ^ ei a£ut TrViJson Now’s Miij-oJl.
1 1 Our Navai Officers JJaruh.
ARTISTIC WHISTLING.
t'WQX&S With pill.HO
accoinpaunijent made by air, John Y
At T.oo of Washington, D. C. h the
famous A liiatic Whittier.
J The Modfeiug Ri^j,
£ Would l were wkh Thee,
f Anvil Chorus.
4 Sweet Bya and Eye.
G Annie Laurie
C Sleeping I Dreamed, Love.
* -Sowar ,! log River.
3 The Dude's March
® ^ °Wl baby's Head.
10 Lm-C a Dreamland W&lu.
I I Golden Robin Polka,
1^ Cornflower Walts.
13 Bifichoff’a Bobolink.
14 Love's Golden Dream,. '
i
13 W1 “e. V< ‘“ 1 Young, M. s -
JS IlO'ne. Home,
, If J-ow WJ1H I UVon-r 1
SI cSdi T1 “ w, <3 | «“»*<*•
ZZ l Ia ££ io Murphy 'H lloano.
^uca upon ji iuHLv
^ Dreaming ns *(jo tleep?.
" " J 86 W* * OJ1 K * r ° J " Em- 1 UJ i e : Wh e n Lev*
23
3g Lui i, b L,< ; il '' ot ^ ! ‘«'* »&?&»«*
LtJ ^ b y irom lii'jMinWn
VOCAI^ AND PIANO,
3 Th!5‘‘ B I 7" tJi ' if ^ Cen ‘ ,i ' (Coioic).
- rJiat c Lov*, \<m Know.
o PIttynialx?H r
4 1 *'g“™S 10 CJiW {Nejtro
Sentimental,) em
f g^Mana?
® Rebind
5t R ^ U3 th * n ^- fCoaiK.)
i; §r u-h-lt 111 n'-S 11 ' 1 '
ing L Mflr91M8 in lhii ^Om-
' 14 Y< S ^ManuaaV Hi* Boy Bye-
1 i Out Wofd of Lovt
JS ^A hC r i U ihe Wil’ldoir,
^11 * ^ 'fell He Were H*ro To-iifiht
^ Funiculi® FiinfadJa & '
.] Little Caere ffkmg !t ’ncl DnneflL
rt^r 1 ' S /\W ,eal lB J i«r Lev.
v ri1> ,, (Sentimental.) J+
Zl S™* e « Love, fSentimentnj.j
^4 He roe*. (Dramatic.] *
Jft (Topical.)
«*W
: i; iv ttor ! ° ** * 3r - p*.
|ft rnlj’ _ T ° nEt ' '■Diii | ij 1 j K faux )
& S JU *? 05J tl,p Home)
E™^T£? h’ ™ J * Ie Uith Your
ay Ob. (Swiijinenbii.)
S g?'»ra<teH, (Dramatic.)
33N 1C eU]ile r (Tonne.)
£ Sfi5.“ n Pi 5 urs - JSoMimontol.)
, ^Oetiiiou. (Dramatic.)
2 ? ri ™ Wishing Bn bv Sleep.
r ' (ScSr” “ w,ilt, ‘
i ‘ S Srsfcfc,*"?' «•*“■•>
40 Poor Okl Dad
41 1 ' 9 ™,“ . Wai ‘ *« Katie,
j ... W1 rt? m ^ ral w,th wwbsio.,
is -SS 1 - ■? St|BMin ^
7? J «H if all to Mainu, Dartin'*'
. « SiKSfwasf 0 - 1
^ Maraud John. (Comic.)
. ^ He .S over Tame Back. (Cotnic.)
' _ ■-- i 1
VOCAL AND ORCHESTRA.
L YotTSE Xomi* Misg Your Mother Till
She : s 1 3 on e. (Seuti m ental ),
~ A Mother’s AopaaL i (Sentimental).
t) Consul ee. (Dro-Lostticjn
4 Playmates (ctentimental).
3 It Deed to be Proper, but it Don’t go
Now, (Topical),
G Then You Wink Che Other Eyd.
( Topical j.
7 Since OnAcy Itu u^tlie Flat. (Comic).
$ 1 Ow '0 $10 co G "Grady. (Irish).
D When McCarty Takes the Floor.
( Irish)*
ID Dows Went McGinty. (Comic).
11 Maggie Murphy J & Home (Senti men-*
L2 Learning JJcFftddon to Walt®.
(Co quo),
13 Nice Girls. (Comic),
14 Drink to tlio Girls Left Behind Me.-
(Hub Smith's latest song).
CLARIONET AND PIANO.
1 Enchanting Polka Mazurka.
£ Cambria ub Polka.
3 Virginia Polonaise. ;
4 Thom ton 3 b 4th Air and Variation,
1 st Part.
3 Thornton b 4th Air and Variation,
£d Part.
fl Washington Schottische, i r
7 Grand Fantasia*
5 Drinking Song.
5 Sommvtnbula,.
10 Cavattny. l'rorti Krnimi.
11 ilicpeant's 6th Air Varia (1st Part)*-
15 BrepsautV 3 tli Air Varia (£d Part). ,
13 Concert Polon$-i£ 4 -
14 Alice, Where Art Thou ?
■ ..
r ■
l .1 Sr*j-4 ma de* by j. N. Mf eatid .
10 The Good jiyo at th>j Door,
1” Brilliant Polonaise*
13 Good-frye., Sweetheart.,
1!> Evening Reveries.
ilD i"he Heart 1 Sowed Down.
11 i'hcc] You'U Kemembcr Me.,
CORNET AND PIANO.
1 Bouquet of Sparks.
£ Three Star Polka.
3 ArbmYn Ooruct Polka.
4 Clover r^r.f Polka. -
D Celine Polka-
(3 Sea FJnwwr Polka,
7 rinow Drop Poilta,
& Song ol fins Rose.
13 LMcgante.
LD In Old Madrid (Ballad)*
U Foiaeen*
'.’2 Goms from the Opera of Martha,
13 Moran tule by (Humbert. ^
14 Content Polka.
t.l L t im Serenade {A ir Varie.)
n5 Ein Vogel (Gram! FauUmie) Port l.
^°S eJ: (Grand Fhntaeie) Part £.
15 The Favorite.
ID Ah Che J a Morse (from U Trotter).
-- Oh. Do Not Jfingte [ho;n Somnam- 1
buln),
SU Thou Ton'll Remember Me.
3 The Heart Bowed Down,
Lullaby frojn ErniinJe,
mum mmn.
i Since Sullivan Loomed to Act.
£ The Song of the Steeple (wish Church
Grgan Imitations).
3 Mary Ann. (Medley.)
-«
r' '
. ■
1 i
-! J
l;
); '
f* I
4 Hear Dum Bella (with Bill Imita-
tions).
5 Blind Tom. (Ne^vo Camp-Meetioir
Shout)
C ft ran df cither's Birthday, (Negro,)
" Itemember Poor Mother at Home.
{Sentimental.)
H Tin: Irish Queen, (Medley,)
0 Gerrtirtij Melody {with Imitations of
St£&m Calliope).
]0 Haul thts W cifJtE- Pi [e Down- (Ne^ro )
31 Woman U the Cause of it all.
f Comic.)
i IS Neai-er >Jy God, to Tlioe. (Hymu.)
J? CoorthoUNo in (in Sky.' (Ni W .)
H I ve W orked H Hours To-Day* (Mas-
Oiiuf s Famous bort£. i
lo ihe Picture that is Tui cd Toward
j ^ (Latoet Son iinum ta 3
bong-}
i - ' I'he Bulldog on the Bank, :m d the
Bull fitly; in the Pool. ' (Comic
Medley d
17 Keep il&mmariti& in my Soul. (Me-
£ro camv-i nesting*)
IS A merica id Dear lo us A 1L
THE AUCTIONEER.
{A great novelty*)
1 SeiIo of 'Pawnbroker's Good#.
S Suits of Dime Museum {with Parrot
I _ Imitations).
: S S- : -C of Horses, Cattle, Fowlu H etc-*
4 bnly oi Household Furniture.
: Sn o of the Old Slave.
<i Sale of Christmas Dolls,, Toys, etc.,
{with Horn Interruptions)*
7 Sale of \\ incs, Liquors, and, Cigars,
f £* Sale of Old Maids.
| & ' Sul B of Rod- H aired ft i r I , [w ith White '
f ■>■ Horse accompaniment)*
e . ■ ■" ■ --
E
I
10 Sale of Driijf Stole.
1 E Sale of Goods at Close i>f Fair.
IS Sale of Dentists Effect*, eta.
The Lmmhiinf Auctioneer.
34 Shciiff’fl Sale, (Tim Poor Widow).
R^filtion to the Above, wo will ho
Aiiid to furnish, on demand, special
Auction records ooveiing every variety
of sale, interspersed in a humorous way
with bids of mock nm-cha fi ers, etc., etc,
x\otlan(j better f vr hai-n. reproduction.
RECITATIONS,
Tlie folio wing recltadoue, carefully
prepavevt by artists of unquestioned
.t b i . i ty * are cdT ui sd u a ad u lira hi y ad sni tod
for Lome or public use. The records
are clear nuddfctiuot, every word heimr
easily understood, ' b
DRAMATIC*
1 OueHiii^ Soliloquy from Hamlet
i Soliloquy of Richard HI on Con-
science.
:l Oration of Mj«fc A u tony* {from
■Jmtiifl fljesar).
* Soliloquy i>{ Damon {from
Damon and Pytljias).
f. Damons S] leech to the Syracusans*
b holectmn jjwn Richelieu.
* Soliloquy from Act I of
Richelieu,
) ; 'Jajiil-ei’h Stdilocpiy on DoiilIl.
y Cardinal W r olntay-H Farewell - to
rower.
W Quarrel Scone from Julius Ca?sar
I art 1.
I I QumjoJ Scene, * u ., Part TL
1™ Quarrel Scone, drc + I h arl Hi,
13 Hctcc-ttoii from Damon and Pythias,
Aoi I n Suene 1*
M Opening Speech from Rieliard III.
13 OthelltPs Speech before Khti Council,
Act 1* Srem; 11.
16 Eicluuda Soliloquy on tlx 0 Death of
Henry VL
HUMOROUS.
1 The Yankee Still Abend.
2 Tut! ftnili'&ad Crowing,
SohinueheituOi s Troubles.
4 PdJ'huIiI Jingle ji-iws Surprise-
6 Her iShfiidcr imd dev t'lif .
6 Kentucky PliiiobopUy+
7 llelthaniitr Srnitb's Cure for Seen*
uanibul ism .
5 All Aetflbl-lic lltmmjlioepev.
9 Ding DoiUg Oh V<-u;:i.l Power.
13 Der Patter oi dcr shingle.
PATHETIC.
I The Old Minstrel.
3 Wlllok Oaa'*
MISCELLANEOUS RECORDS.
We al&o keep coDhPuitly in *iock a
larg'o variety of oUcJce records of iruitli
we cum mrthtmo catalogue, tlie list bein£
chaitgod from week to week. We draw
regularly upon the thefttVSft lie re for the
best of the vona-lista, serious and
comic, visiting ’Wudlringfcon. We ob j
tain ins.u'umoutal solos in the samtt
maimer* &u& will bn pleased fill
ordem for miscellaneous records from
the mattiTiul we hu^ecoi hand fiornfcims
to time* making seleetiono according to
our own judgment.
II
I
SPECIAL!!
VOCAL RECORDS
J>y The Celebrated
Brilliant Quartette.
\ Climbing up to Glory Mighty Slow.
~ rim Song of the Steeple with church or-
gan imitation).
.i Mary Ann Medley (with warble).
4 Hear Bern Bells (with b>4l imitations).
•) Blind Tom (Negro camp meeting shout). ;
li Keep Hammering in my Soul (Negro
shout).
7 The Irish Queen (Medley).
■S Haul the V\ ood-Pile Down .
9 Woman is the Cause of it all. i. '
10 Hand Down that Robe
11 It's Hard to h ■ a Nigger (Comic).
12 Grandfather s Birthday.
1 3 Bhe Danced Like a Fairy (with warbler)
14 Brother Garda r's Church Choir.
15 German Melody with imitation of steam
Calliope).
Ki I've Worked Fight Hours To-day.
17 The Fight for. Home and Honor ! Home-
stead, Pa.)
1H Hear the humor of tiie Lord (Comic
Negro).
PJ The Bull-dog on the Bank Medley).
of KCOtoS AtcWvb Item
At L$ e Records
FOK SALK BY
Columbia Phonograph Co.,
627 E St. N. W.,
WASHINGTON, D. C.
— « —
ARTISTIC WHISTLING.
1 The Mocking Bird.
2 Would I Were With Thee.
3 Anri! Chorus.
4 Sweet Bye and Bye.
5 Annie Laurie.
fl Sleeping I Dreamed, Love.
7 Suwannee River.
8 The Dudes March.
0 A Curl from Baby's Hoad.
10 Love's Dreamland Wultz.
1 ! Golden Robin Polka.
12 Cornflower Waltz.
13 Bisuhoff ’8 Bobolink.
14 Lovu’s Golden Dream.
15 When You nud I Were Young, Moggie.
10 Homo, Sweet Home.
17 When Will the Birds Coine Buck?
18 Jllue Dauubo Wait?;.
10 Now whs I Wrong:
20 Marching Through Georgia.
21 Comrades.
22 Maggie Murphy’s Home.
23 Once upon u time.
24 Dreaming as she sleeps.
25 Selections from Krminie: When Lore is
Young and The Dream Song.
Mm )!bd p, °J trf y of CBtnifiM RrciM
.0 finuillie. The Sighing Swaiu and What
the Dickey Birds Say,
27 Krminie Gnvottc audEriniuie March.
28 Lullaby irom Ermiuie.
2t> The Devil’s March.
WHISTLING SONGS.
( The Whistling Coon.
2 Whistling Susanna.
8 Dut Whistlin’ YalJer Dinah.
4 W hy Should I Keep from
lOrigiuul.)
3 Whistling Crazy
(Original.)
Wliiafclin
VOCAL AND PIANO.
The Irishman's ‘•Homo Sweet rTomo.”
I Whistle and Wait for Katie.
Tn Ru Ra Boom Da Ay!
When Hogun Paid His Rent-
Como Back.
The Laughing Song
Baltimore Office: 301 North Charles Street.
Wilmington Del., Office: 826 Market Street.
THE COLUMBIA PHONOGRAPH COMPANY,
Edward D. Easton, president.
Wm. Herbert Smith, vice-president and treasurer
R. F. Cromelin, secretary.
OF MARYLAND, DELAWARE AND THE DISTRICT OF COLUMBIA,
UNDER AUTHORITY OF
THE NORTH AMERICAN PHONOGRAPH CO.
A>JD OF THE SOLE LICENSEE OF
THE AMERICAN GRAPHOPHONE CO.
(LONG DISTANCE TELEPHONE 1172)
Principal Office: 627 E Street N. W., Washington, D. C.
_S 0 N G S J_*J_
Distinct Words!
Popular Music!
Good Piano Accompaniment!
JOHN S. ROBSON'S new Republican songs:
Bright Ideas!
GRANDPA'S HAT!
Also the following:
and
OLD TIPPECANOE !
REPUBLICAN.
Our Boom de Ay!
Hip, Hip, Hurrah, Harrison!
Comrades Join the Chorus.
The Hoosier Boom de Ay!
Hold the Port for Ben & Whitelaw.
Democracy's Going to Grass!
Harrison's Rallying Song.
$15 in my Inside Pocket.
Ben Harrison, My Boy, Ben.
What Shall the Tariff Be?
What * s the Matter with Harrison?
Whom shaj.1 it be?
Shouting for Harrison & Reid!
Old Loyalty's Campaign Song.
Protection for American Labor.
DEMOCRATIC .
X s m a Democrat!
Cleveland's White House Home,
The Day of Jubilee.
Pree Wool to Make our Breeches
We'll Get There all the Same!!
Too Long They've Ruled,
March to Victory.
The Great Unsatisfied.
Democratic Boom de Ay!
The Republican Platform.
The Politicians.
We Need a Change.
All Honor to His Name.
Yankee Doodle at St. Louis,
Our Foeman to Outvie.
/ 2 ^ Q_ Mvb Item
OOtXJ ,0 0000
?®8M8300;
JANUARY
28, 1892.
£
c
0
ft
i
I
0
°°»ooooooo
, MUSIC
at
BY THE
^resident’s Band.
■LIST OF RESORTS
by the
I Aariije Bet yd
OF
Washington,
D. C.
Aho other Vocal and Instru- S
mental Records o
Now in stock and for sa l e at whole- |
sale and retail by the |
COLUpi^ PyON0GR4PH CO,, |
627 E Street [?. W., §
Washington, D. c. '(■
I- 1 "oooooooo S’!
DESTROY Air
PREVIOUS MASTS.
This Company now oilers the follow-
ing recoX, ca/ef ally selected for loud-
ness and clearness.
-3!U, S, MARINE BAND.i^-
MARCHES.
1 Semper Fidelia (with, Drum Solo).
(Sousa).
2 Crusader.
4 NationalFencihles ( withDrum Solo)
5 St. Omar Commandery.
(> The Dude’s March.
7 The Gladiator.
8 Washington Post.
9 High School Cadets. (Sousa).
10 Kaiser Joseph.-
11 Loval Legion. (Sousa).
12 Major Perkins.
13 Belphegor.
14 March of the Volunteers.
15 Guide Right.
16 The Three Guardsmen.
17 King Humbert.
18 Marching Through Georgia.
19 Forget-Me-Not March.
21 Yorktown Centennial (with Drum
Solo).
22 Black Hussars.
23 Opening of the Season.
25 Mendelssohn’s Wedding March.
27 Pi !™™ 1 ’ 8 Favorite,
o! 5 lfle ®egimnt.
§&*&£*
ss’j&sS^r^
s^asaT*"-
l&fita*
fn d ° March.
"S» lcta **o-
52 Fort Alcatraz.
“sass®”* ««•#%.
« Sfill”** 1 '
■> < The Honored Dead nr
with bell tolling ) Flmern l march
58 Garfield’s Funera? m . ,
rn tolling). aI Ma ?<* (with bell
GO cL I>aK ° F°lka- March
„ “fflif"'”*’ K«c„
go ° ea .d March in Saul.
63 °o«dental. (Sousa.)
POLKAS.
1 Glass in Hand.
2 Always Gallant.
4 Clover Leaf (Cornet Solo).
5 Hornpipe Polka.
6 Farewell Polka.
7 Alliance (Cornet Duet)-
8 Enthusiast (Cornet Solo -
,5 B&VS&80&* «*
s 5SS?S£
rt Young America (Cornet Solo).
It ^ScTfctPolkalCormetDuet)
16 Serapis Polka.
17 L’Amore.
18 Pretty Blue Eyes-
19 Independence iolka-
20 Alpine (Cornet Duet).
21 Gretchen {Goncexty (Cornet
22 The Queen’s Trumpeters v ^
23 Druin Polka (with Drum Solo).
GALOPS.
1 Carillon.
2 Phonograph.
3 Jack of Clubs (with Drum Solo).
4 Humoristic.
5 The Racer.
6 Cozette.
7 High Life.
8 Chestnut (with Chestnut Bells).
(Strauss.;
yorkes
1 One Heart, One Mind.
2 United to Thee,
f Tyrolean Mazourka.
4 Helvetia.
5 Free and Easy.
6 I Love Nettie.
_ , WALTZES
1 Carlotta.
2 Sweetheart Waltz.
“ Dream Faces Waltz
4 Sweet Smile Waltz.
5 Love s Dreamland.
7 ™ nt i?g° (Spanish, with Castanets 1
net? lSpa,d8h ’ vvith “alti:
” fsr„s;f '"“‘"■w-)
12 Visions of Rest,
if IT 1 ? 1 ® Fi shermaiden.
14 Sobre las Olas (“Over the Waves”)
“bi®f Cated t0 SeUOlit « Oar 1
16 Summer Nights
8 &<«*>«**■*
15 Comrades (Medley).
o? n le ^ Iue Danube. (Strauss)
00 Sm 6 Dauube > Part 2.
1 81c , <ioodBy '-
24 Mary and John.
SRM BB ^ a Jr Z - (St t’ilUHS. )
26 Maggie Murphy’s Home.
1 AT„r' IRS < -° F - ALL Nat IONS.
I auf Co’intry Tisof Thee (American)
lean" 1 ' Sl>ansl i
5 i»»SSJotol» H,..m lF.e»rf. S«-
6 i,.siSto »«s*< i M rss. r° os) '
5 (foa
, GoJftSSrttto Czar («»»•» »►
tional). .
g ^S^S^onal).
H Turkey ’s Modem War Song,
ll Manana (Chilian Dance,.
8 STi&SSSlS**
miscellaneous.
1 Little Annie Rooney ll0ttische) .
2 Down Went McUm ' 8t ., irs .
J audTrom -
5 ' 9 £&£”$‘ Blue and Gray
6 Boik^by|W e lOon^Sol°>-
g Kentucky Jubilee (with Clog).
9 Robin Adair 'isafamanca ''(Mexican
10 Un Requerdo a Salaman
„ Th?““S ,?>:• «-• ,G "“"
Hymn with Bell).
14 Razzle ■
15 El Miserene dioui t Date).
16 Skirt Dance (from 1'ausi up
/
17 "TSj&avssr"* of t,w Deep
18 ^Tllingl and Bje (Hymn Witb bel1
19N< Ti
2 °* a Z JeBU8 ^
oo S le , Pabll . s ( Tromb one Solo).
R ingf gGS (Hyjaln with Dell toll-
23 Darkies’ Dream (with Clog effect)
25 fw* ? i “ loch (Cornet Solo). !
or a 1* d . em Iie]]s with Bell effects)
26 Seller’s Farewell (Serenade ! ) ‘
si le °tioii From Maritana.
Danced 6 (A Cb “acteristic
on ^eSwiss Boy (Cornet Duet).
‘>1 The*!’ 6 ^\ atc ' b (Daritone Solo).
Solo) ° r d HiS CMId {Co ™ et
33 TileP 6 ^ hoes (Oornet Solo).
’“fi'SS" ““
“ Morning, Noon
» i;”f «< xUSSSt, £h„1S“ o1 '
|| h nUSTLSr' ,0 f«|»>-
30 p‘?g ng ! n th T e (With Clog).
fr, P °P lllar Airs. S>
(wBh° r Y °, UU ? era Plantation SongB
n -ir (wUh Xylophone Scftp). 1st Part
41 Medley of Southern Plantation Songs
42 Mellev of S °p So10 ’- 2d Pari
Dances S ° Uthe f Nation
43 Adeste Fidelia (Hymn with Bell Toll-
44 Chimes of Normandy Schottisohe
« Jamborie), «
46 Reil ‘’lint (Musical Jamborie). ~'l
Part.
S' ?“L B ee DfoTli^Scai 1 cutest, in-
She War (descriptive).
53 Memories oi tne
1>aTt - h of the War (descriptive).
53 Memories ot tne
54 "WelT United Gavotte.
NOTE : ~Whenv ^^ B P ^dNAME
CLASS , as well as A umd^j-
of selection.
3rfi AB.T1LLERT BAEE, U. k. A
! is My Darling true to me (Serenade).
2 Bend or Break Galop.
4 Gohlen^Chimes Galop-
Q 5SS5 in Dm Twilight Schottische.
7 Yenita W altz.
1 .
« s*;5i : STc„*...cc» i
SiS.” in !!.«>» MW*-
15 W ake Dp. C mne i No . 9 March.
10 Wheeler and W ason iw
17 Our Naval Officers March.
ARTISTIC WHISTLING.
Also the following records with piano
accompaniment made by Mr. John Y.
At Lee, of Washington, D. C., the
famous Artistic Whistler.
1 The Mocking Bird.
2 Would I were with Thee.
J Anvil Chorus.
4 Sweet Bye and Bye.
’’ Annie Laurie
« Sleeping 1 Dreamed, Love
i Suwannee River.
8 The Dude's March.
9 A Curl from Baby's Head,
i ? £°y? 8 Dreamland Waltz.
11 Holden Robin Polka.
12 Cornflower Waltz.
HI Bischofl s Bobolink.
14 Love’s Golden Dream.
10 Wh g ^ You I "'ere Young, Mag-
16 Home. Sweet' Home.
15 S5 en n VVil i th « Come Back?
18 Blue Danube Waltz.
19 Now was I Wrong?
20 Marching Through Georgia.
21 Comrades.
22 Maggie Murphy’s Home.
Cnee upon a time.
~r Drea, ining as she sleeps.
~ J ’ > . elections from Erminie; When Love
or T, ls . \°ung and The Dream Sonir
Swain °and
07 Vr ]ld,t „ tlle Du ’ ke y Birds Say.
g, s r Xh 6 f avot J}r 1111,1 Erminie March.
trom Erminie.
29 Ihe Devil’s March
WHISTLING SONGS.
w . ttk.
following t 5“ E „i;i.tling with
introducing , r The words are
piano S c001 f?lTSTINCT and the records
^’rhiTwhistling Coon.
Dinah. (Orig-
4 Why 8 Shlld i: Keep from Whistling.
(Original.)
VOCAL AND PIANO.
4 I Had But Fifty Cents. (Comic).
2 That's Love, Aou Km ■
i!ss8& ^
i file Market on Saturday Sight.
8 DriSto the OM. Lott Behind no-
9 He did it so Politely . (Comic.)
N»«- W°So' (Sentimental).
fg Oh".t“ h> the M»»-
,4 y 0 ?fl bo Mamma-e I«g B »J- B ? e
and Bye.
15 Always Together.
16 Olden Days.
17 One Word oi Love.
.q a Light in the W mdow.
19 i Wish He Were Here To-nigh .
21° rlT' 1 /!, 1 ' FllD icula
pq Q (Sen'tim^lT to IIer J %-
24
2 fi ™ S P«°^apr Bold. (Tonic ii l
"‘ga,* 1 '*"- s*»
* 7 '''(SmfcT 1 be * M “> lik « Pm
29 Th6 rl Sun'st/ Dl ' illki " S Son S-)
w „^;<ssaaS5«“ Ho ™
si 'la L "S;S‘Jr ri ‘ hy »”
gsrs.
« g-- 4'““ Boom Drt"*"' 1
£? Hauled Me Back Again.
37 T are hatching Baby SleeD
1‘ssfo.sr*" - ^
» £&&"** (Topical.)
1? fwS 1 Language.
42 JCutchf T- fm , d , VVaitfor ^tie.
48
-ST^^SSS' iw >
lq ^ and John. (Comic.)
rn ? e Hever Came Back. (Comic )
r? ^. h , u 4' aml Martha. 0
51 I Did It.
52 Near It.
53 ™ “ »>■»
56 The Song That Breaks My Hear .
67 Johnny Doolan s Cat.
68 Nohody Knows.
59 It's Way Out of Sight.
bass solos
(with piano.)
1 Midshipinite.
2 Old Simon, the Cellarer.
3 Rocked in the Cradle oi t 1
SKwtaS. Cite, (G— «■
ing Song.)
6 Polly* (Sea Song.)
7 The Holy Friar.
8 The Maid of the Mill-
9 The Maid and the Magpie-.
10 Forever and Forever.
11 The Rat Charmer.
II SCS. BO,. -ISO. S»g.)
14 Listen to My Tale of Woe.
15 McSorley s fewms. ( ConnO;)
16 Kit Flanagan I any. ( 0oin j
17 T nvft’B Old Sweet Song.
I When* Storming Winds do Blow.
lS Our Jack’s Come Home To-day.
20 The Powder Monkey.
21 Ben Bolt.
22 Life’s Story. WomeV
23 Dothey thinkof meatHom .
24 All on account of Lima.
25 A Warrior Bold.
96 The Torpedo and the Whale,
27 Cooper Song from Boccaccio.
28 The peddler.
29 The Mighty Deep.
gg^sffljSSS^*- >•
32 The Bandit.
33 Mr. Noah he built an Ark
34 True till Death.
So Farewell Marguerite.
36 Bedouin Love Song.
38 ng“ a *' 8 ^ e( 4ding Song.
: n ? Dove, o Fond Dove.
39 In Old Madrid.
41 The nufS® 1 '- (Sea s ong.)
41 The Ohl Brigade. ’
42 Every Rose must have its Thorn
| p$ sr-
4/ Father O ’Flynn /n nm .• t *
0 ° OWwhat a difference in the Morn-
12 The ® 0W ?i? «w®adiers.
.L , “ I[ le y.- re After Me.
'J' the Old Sexton.
-)4 Love is a passing Dream.
1 v VO nt L AND ORCHESTRA
^ She’^r VerMiS / S c Your Mo ther Till
o She? Gone. (Sentimental),
o § mce Katie Learned to Play
. 3 Comrades. (Dramatic). J
5 om{mates. (Sentimental).
0 den Days. (Sentimental.)
7 ™5 ay r Together. 1
8 ; ? e , L ; z “ Loves You.
10
,a JIcF "' M ” * W *V
13 W-fgt-WU.W-
oVwmo.^.
1| oSwori «'“’••
i» %sys%~ » *"* old Hom '
BILJ-J °° 1 -JpEC?»LTmS. A
SSSwSe””? 1 ’ 000 ’"
“1«0 N BT »«>*■
, jfcdHmlto* Kg; M “
l (xanihrinuB R° lk . a ‘
I; Virgmia l’olomnb • ^ Variation,
4 Thornton b 4th -»
5 Thornton's 4th Air and Variation,
CAvSSonSchottisCh,.
SSfflMffl?
U Brepsants 8th A Vari a (2d Bait).
SSSS£«>
14 Alice, vV here
u & : SS, fc J ' M,„ tlcl .
sSSVasr*
21 Tl, “ Y “''u iSineS'Ej,,^
CORNET AND PI AN0
2 ^“ qu 5* of Sparks.
3 Ar ban's ft2p olka
II
7 Inn Fi 2. wer Polka.
/ lov ' r Drop Polk-i
8 Song of 0 ,° Rose
|SSS^ 38s •'" ta, **•
16 £ 6 Vo r geUG T n A , f T Y arie - )
17 Em Vogel * a utasie) p ar fc i
« Fatl' Md ^tasie/ P$ £
on iin he ]a -'forte (from ti t
*0 Oh. Do Not 11 Jrov ator).
bula). Imgle < fro ® Somnam-
22 The Heart R Ron i e i? ber Me.
1 Nig}ft ICC ^ LO AND PIANo -
5 Cavatina • ttlj * a rt 1.
Ina de Donizetti, Part o #
MAIM! (UlBfflTE.
Organ Imitations).
JK » SfSttt. »U Imita-
5 Btod“om. (Negro C.n.pHeeting
5 (ri£’SiLao>>» oi
.•.— “few
11 Woman is the Cause
18 The Bulldog, on the Lank, and t
Bullfrog m the 1001, v
13 The Courthouse in the Sky. (Negro.)
the auctioneer.
(A great novelty.)
3 Sa SCi Cattle, Fowls, etc.
4 Sale of Household Furmtuie.
G Sale of 'christiiuiH llo'lS; Toys, etc.,
, J^S5K^SSS»'«>*»
Horse accompaniment ) •
10 Sale of Drug Store.
11 Sale of Goods at Close of Fail.
12 Sale of Dentist's Effects, etc.
u te a fc e g 4 u ^io D eer.
15 SaIeof E^rZ idOWl
glad to^fumiah * on a *j ove ’ "e will, be
Auction records coverin^ and ’ s P e eial
«hfeir 0 rcsv'' v ,s ‘»™«
A»«»„ *e,„r fm . ZSZjZZili
HESITATIONS,
prepared^by^^^^oas, carefully
ability, are offered as ad Uestioiled
for home or public ^ ‘Th^^apted
are clear and distincf 1 he records
easily understood . ery "’ G1 'd being
DRAMATIC.
3 SoP liloq^ S of 10 R ^/™“ Hanilet
science. 1 3 ' on Con-
^Julius cLs5 rC Ant0ny ’ C*om
Dainon and P^htf amon ( fro «>
a Damon’s Speech to t
?aor^te Iif ^^ n8a,,8 •
Richelieu. ' J ' 1:y 110111 Act I of
9 Ca^S y a^y on Death.
, Power. ° l8leyS Parewell to
Qoa„ r el iScene from JuHus
13 Quarrel Scene, &c Part TT
13 Quarrel Scene,’
from Damon and 1 > thias,
13 Sel Act°I, Scene 1. Biob ard 111.
^»i^- eth,!C0 T ;
16 Bictard’s^oUlodoy 011 ^ ie Deat
Henry ^ 1-
humorous.
, The Yankee Still Ahead.
I The KaUl ' 0 ^ eP B°Tronbles.
3 SchlauBheun Surprise-
4 Parson Jing ^ del . ply.
6 Kentucky P^^ure lor Som-
7 Belshazzar Smitn
n rlhetic Housekeeper.
1 8£&72#£S?
l^he Modern Shakespeare.
miscellaneous
lIshakespereanDream.
S;S££es*5
1
* f ISO *.
§ E
■^■-_
,-j- r
’i!
*S
c:-i
if
■*
■■; ■
The president's Band! I
ri'
^LIST O R <-
I U . §) . M ari r\e ji^aniL I
3 t 1
1
3
I
I
Afci> crimp
RECORDS,
I J’lionogntph Kep rod net ion
| Non- in stock id for sale si wWesale id retail ;j
<]
s
f
'-Li
1
Cj
*7"-{
Itv Tins
COLUpi,^ PplOGftJPH CO,
fisr E Stieet, E. V/..
WASHINGTON, D, C
Distance Telephone, 1373.
3
Pfease Destroy at! Previous Lfsis.
< J ]t Stasis PEERLESS ani UNRIVALED on lh
", AKER^AU COrtTEHEKT^"
firent Words iron a Great -lodge '
Read what the famous Gilmore says about
THE U. S. MARINE BARD.
Giiittfu e* coiHjtitiHPtii tv mi#
Xplvmlhl Mtiaintl Or*f<mixitUon.
Thr following Idler from Mr, F S. Gilmore i» in ^
3 lv to one receded from chairman of i commUtee
SfV^ititntbusMiea*™^ ^ Umis intere^
u. soma bo be e™ III that City by t^ Suited
pJi<w Vonitr MsiTSli r, t 5 ^i-
utly asked, ps yo'i not*
r Band of W*fih 5 melon -
^ ji splendid band, lor
--leill Sweat Loo in 'JVftBh-
fo, first-clap* tiUlffri.-Liii
toLild not be inau«d
Lit g- tli frosiiLer life
Ific JneLTibtr& of Lbe
p:id a long nthiar&nl
fell a lout is Sufficient
ThLld, they
lohii Philip Sonsa, who is a
‘ wbO£e own conn jiU-LlbLOtii,
_ . eel 1 5 - of olll cr to TlipOSer S’
isdant cvidtsice of Mr K L 11 hiR h ot’JT 1 -
'■'ht Him is pcrfeclitni, and ™U 1 i
114.1 Ihc ttrslil of lilC natLof Jit-
iCCS en-OllJirh to inipirc iJin-tK
nsr fjii. 1 i tlic nwat cJiiwmSnE
IC art of in Li ILL- -Is cAJinblO tEj
Lise Marine Hand of ’iVnainu (f 1
_r nrrrf ntirr&il?f<l -P h " l - i£ AviftffU'i
and kci* tli *' 11 play when yonhav^
un wilt doubtless* he to aivPOtei
h.iml O I wli'i* h L-'-C lrUVL-nin!L-iil
fee L. and do ltd. justly proud.
'• S. GlbWtlRE-
M v i> KA |t Sift t i a til Fred denttj
a&k, my opinion of ttie ^ ar J!VF "
■SVcLl ihc band cannot kelp bei -■*;
iniriojL is, p srtftl SncSyceiucnt f—
iojoin use band, ^
lo julrt Hit regular «niy, leijr*
mL ,f kt be their fait-. Second
Marine B^nil nrC ohlif'cO 10 atb
iilm-usi every day in the year- w llL "^;
td nunLLf ilicni pUy splendidly tofif«h«_
nrc under a director, Mr.
nunst L-|CCOniP'i illtrl iftlSPIC 'mi,
Hit aiF«U(s .LLtmirabt*;
svorkM. give itbnnl™---- -
n&lity. and arbs-itc ability-
>VHh such a Leader, u lioti.
Iliu l-tauSy. The culture, nr
HIP capital Jilt bin audim-
him and Sis men lo btLas
dfecl^r which -
ii noilo n-e
■ nil Blicmli £l-M‘d
(y!iil/\fUi- y lit
TL1E OPpi-l-fl^SlHyi. Si
that uncle S itn Ita^ a
■-1J!,- 1 ilij; lieonlc OM-SjUl w
aarj l Vt ^, (iticcrel} . yoarJ
T HO MAS A- 13 .I>U» 05 ?,
/wiie-stlnu* 0 / i. 7 * e ,PAorio^rej:i?L or ’
I
2
IMPORTANT!
We desire to remind those who hav# aulo-
nuiic ot exhibition phouogrnphs that ill Gi der
to make money and keep up the earnings ol
tftfcir machine;, they iiutsE ot mti it tie to use
only good, loud and attract! ve record a.
All records listed in this eat&iogne are first
class, unequalled for biilliuuc^ cieatuehi
nud general enc-ellt-uLce-
We keep constantly instock a largo variety
of choice records of u liich we cun nuke no
catalogue, the list being chan god from week
to week. We briug eminent artists here from
New York, Poston. Chicago jtuO other cities
at great expense, for the enpic.-£ puipoac oi'
ntakiug records of their special 'ies. iteako
draw TegitlajJy upon the theatres liercfor the
best songs of the vocalists, Be' ions and comic,
V id I L : i :■ - \V ashi n^rt'l'lj . We will In- pleased In
fit! orders for raised] ad cons lecoule train iho
material on hand from time to time, making
sc Lee lions aecotdirg to our own jnrtgu cut.
fn ordering please state dearly n-v kef her you
desire reterds for horn reproduction, spot un\--
chinc or multiple lubes.
To gsuirrf again si errors, (1 /tears £ for Uiilftc
and number of selection* as well a j ifa l tjt of
record.
To iaclli Sate prompt filling of orders, cuts,
touseiB Hire requested to give ns the pi id lege
of substituting wto flier record lor any spe-
cific selection which al the time may not be
in stock. Unless other** lea instructed we
will exercise Ibis liberty.
Unless o,\sh accompanies order* goads toifl
be sent Q O- L>.
iSa^A tt «n 1 1 on ia socially called to dircc-
tions given at clos* of .this catalogue, for the
pare and tuccenaC ut operation of ihe phono-
graph .
I
L
1
j
This Company now offers the follow in e
lecoida, carefully scle-otcd tor luuduess and *
Clearness.
-HJ, S, MARINE Mm^
MARCHES,
1 &em per Fidelis ( w i tb dm rn eolo ) . So a $a.
£ L.rysatler.
5 The Thunderer.
4 National Feucihles (with drum solo),
Ji tif. <J J4.i ;*; i l OojiHjianderv.
0 Tbo Dudo'e March.
T The Gladiator.
6 Wo bIiih gtoa Pom.
H High School Cadets. Sov.su.
Id Kaiser Joseph.
IE Loyal legion. Santa.
13 Major Perkins.
Beipljegor,
14 March of the Vo] uniters,
lo Oujde Right.
Ifl The Three Guardsmen,
17 King Humbert.
15 Marching Through Georgia.
ID Forget-Me-Not M:irc]v
20 Annin Laurie.
Si York tow a Centennial {with drum Sol oh
Black iJnsAUrs.
.33 Opening of the Seaao]i.
?A Oneida,
Sfj Mendelssohn's Wedding March.
20 A d m i ra 1 "s Fa i ari tv .
27 Phonograph March. Ctimitaann.
2S Picador. Soiled,.
2!# Rillu liegfmem.
JjO F a ig wo] I to I'J resrlc n,
if I King Cur)..
33 Om- Flirtation.
513 The Veteran.
1
i
I
4
Ch&mpiou Quickstep,
S'f On Guard.
3ft So unde of Peace (Quickstep).
Si leacefiil he Tli >- S leap (Funeral Mniijh.
with bell tolling)*
Sti The Warrior's Farewell.
The Smart Recruit (Quickstep).
40 American Medley March,
41 The British Soldier (Quickstep 1,
43 Sinles Gamp March.
43 Mikado Medley March;
44 Fntifft.
43 Corcoran Cadets,
4ft Gtu, B Links’ Marcli .
47 Salutation Quickstep,
45 Cyprass Quickstep.
49 Casino March.
Rockvale Quickstep.
=>J First Of All.
53 Fort Alcatraz,
Jly Conn In- Homo Quickstep,
54 Aux Amies,
bo Coutiuentiii.
oft Reliable,
57 The Honored Dead (Funeral march with
hell tolling).
55 G [i r fie! rf V .Fu n e ml larch (w a tb bed 1 f o 1 3 -
Rig),
5D FJ Paso Folfe a- Match.
dl> Chopin’s Funeral March (with hell toliin'A.
ftE D^wd Atarcli iu Saul.
(33 Occiil. 'iL tal. SSoma,
ft 3 Across the Danube.
(14 Homeward bound.
G5 Tlie Fine Brigade.
ftC Sound Oil r .
(37 New Ideal. ■ ih
Jude|)endeut Cadets.
IIU Jolly Students.
70 (i jmore'a Triumpha],
31 Fourth Battalion,
73 Ta -RmRjpDGOm (Medley.)
1
73 Nixie Wcuzle,
74 Maui sot.
75 Thunderbolt
jft Second Regiment.
77 Col- Wheeler's.
7S The Adjutant,
7ft Boston Gominaudoiy.
SO Boa tli of (} ie Trombone Quickstep
15 Guard (Patriotic MedliyK
S3 1 he BeiLo of Chicago. J
POLKAS,
1 Glass In H nod .
2 Always Oallaut.
B Old China.
4 Clover Lenf (Comet solo).
5 Hornpipe Polka,
ft Faro well Polka,
7 Alliance (C'orii&t duot'i.
S Enthusiast \ Comet solo]
® (tvith anviH),
0 Sdvfti Stream Polka (Comet solo),
if Bombardon (Tuba sokii
13 Anna Polka (Comet wloh
J J louug America (Cornet solo).
h ^ Ei'iniiije Polka. Jakoboivski.
in &?£*?? S. WBet p&3 ^ (Comet duet).
IS bempis Polka.
17 L ’Amove,
IB Pretty Blue Byoa.
itl Independence Polka
20 Alpino iCornet dueth
s = Gretelieu (Concert),
l\ E?SJ?P* * r Tl ' u iL n V eW! ' s <Ooruct Duet),
I" 11 " 1 Fulka fwjth drum t:oio).
if V eus Au '™ (Comet duet?.
If ' he T^vcr s Farewell [Cornel d net)
Vti £ e r t:F en ( 3>] coo] o So] o. )
1‘ ( ^i^n Robii, (Cornet Duet. )
H Mdhe PolUo, (Piccolo solo, >
p Love Po]ka.
3D Gomel Polka (Cornet Duct),
GALOPS,
1 (Jin- ill on,
Pln?jao£rrLph.
? of ^ Clubs ( xvltli dtrnui solo],
4 HuqiOi'istic.
5 The Raijei'.
<i Coze tie.
7 High Life,
S Ctout(ffU|i chertnut tells),
U Cavalry Galop.
10 S4eam Galop.
YORKES,
I Oise H^art, One Mind. Strauss
3 United t;o Theo.
Tyrol eau MtiKoiti'kd.
4 Helvetia.
£* f'Tee sin] Kinsy,
0 3 Love Nettie,
* A Remembrance of Chicago.
WALTZES.
1 Cftrlottfl.
5 Sweetheart
3 Dream Ftbcee,
4 Sweet SmiFe.
j-j Lorens Dream I arid.
0 Santiago f Span teh, with Ca&tnnet&L
V Eb endian tin a (Spanish, with Castaneted.
5 Anto-.-R.ph WaJta. jfcrai™*.
J Artmt 3 Ljfe, -SVrcmiWA.
JO Erminia Wfllte Jato>bow&L
J1 VJhHOUB of Lov«.
13 Vision a of R^t.
Li LUtle Fjghei-inaideii.
14 fwbre \u.i Ohis l ( 'Om the Waves' b
10 Carmen.
10 Summer
17 t jii ( 3 ra f> E efa (8 [ ja 3 ti nb )■
15 Mict belle,
iy Comrades (Medioyk
7
If '• «-«-■
3S Bld ineCiood-Bye.
2ii 31 Kino,
34 Mary ft ml John,
JJ ^iasWaUss.
S6 Maggie Muiphy'a Home.
4t My Queen.
» vital al 'i gong, Pan j,
nil ! „ e ’ vVomaa ^ U( \ £ 0J]f „ p ( &
30 A Su,„„ MT Kif . M iuTriin’iJl.
31 E-span a,
I? ?/ Cj ' Lrtl[ d and Sea.
My Dream.
Tre&JoJle,
S3 Adeline,
40 My Mary Green.
SCHOTT ISCHE5.
\ Kentucky Jubilee, (wit}, doc}
s ^sts^sr^
4 Annabel.
5 E?“ tla 6 the Bar,, (mh ,o u ,.,
echoes of Kor»« Bfly - (v "
* Oralia.
S 'Welconie Spring.
ajks of all Nations
| If 3=B-£Sr- I
s |aSSSa?a» i
i h* ? ol ™ 1 * (Spw 1 iaIj da uee).
« le *»P“« (Austrian ]
£ ■
13 Manana [Chilian danced
14 Vive la Can adieu ue.
]5 The Minettel Bov [Irish Patriotic }<
id Russian Dance*
SACRED SELECTIONS.
J Hearer, My God, to Thes,
2 The Street Bye-nud-Rye,
8 Safe 131 tho Anns of Jesus.
4 Rocked iu the Cradle of the Deep (Trom-
bone Solo].
5 The Palms (Trombone Sole?.) '-
G Rook of Agee. i .
* J Adesto Ridel is. _
8 Lead. Kindly Light.
9 1 Need Thee Every Hour.
10 The Day of the Lord (German Hymn).
MISCELLANEOUS,
1 Little Annie lloon&y-
3 Down W^u(j McGintv.
8 Climbing Up the Golden Stairs.
4 La GolondniiA (Comotand troiu bone <1 net).
8 Blending of the Blue and Gray fil fed ley j.
0 Rock’a-bye llahy (Comet solo).
7 Listen to My Tcuc of Woe.
8 The New American Dance*
9 Robin Ad air (Comet Solo).
10 The Signal, (Baritone Solo)* Pari 1.
H The Signal, (Baritone Solo), Parts.
12 Way Down in Dixie-
18 Dixie and Yankee Doodle (Medley).
14 RaKv.teDa.Kidc (Medley).
15 El M I serene (from II Tnovatore).
15 fcikirt Danye [from Faust up to Date). *
17 The Two Little Edllftnchce (Clarionet
Duet).
16 The Advance cod Retreat of the Salvation
Army.
19 Dan Africa! ne (with, clog).
30 Secret Love Gavottes.
Ul Lot Mo Deain Again (Cornet solo).
33 Cocoannt Dance (with clog).
>
"V.,
I ■
9
25 Darkies' Drcaaij (with clog).
34 Kin loch of Kiotocb (Cornet eolo). i
Ea Hear dem Bells (with bo! 1 elf eels).
36 Sol dieris Farewell (Serenade],
37 Selection Froie Mari tan ft.
2^ The Gttjuette (A Ohftr an lei istiy Dunce).
29 The Swiss Boy (Cornet duet).,
30 On the Watch (Baritone soloi-
st The Tyrolese and Hie Child (Cornet solo),
32 Alpine Echoes (Cornet solo),
55 The Postilion in the Fctest (Cornet echo
effects). ,
M Andante from MoruJug, Noon and Night
Overtu m (Clarionet solo). 1
E5 Shout Brethren, Sisters, Shout (Negro
Melody with clog).
86 Tli# Image of the Rose (Cornet Solo).
57 Well United Gavotte.
56 Unde 1 Ltestus (Negro dance).
39 Tot Four! o£ Popular Airs.
40 Mod ley of Southern Plantation Songs
(With Xylophone jolo). 1st Part,
41 Medley of Southern PI an bit Jon Songs
( w L tli N y Jojjh on a Solo) . M Part .
43 Medley of Southern Plan tation Deuces*
43 Red ltet (Mutical Jamborfe} 1st Part,
ii Red Hot (Musical J&mhciie)* Sd Part.
45 Concert Medley,
4<j Schubert’s Serenade (Cornet Solo}.
47 The Right Alarm f Descriptive],
4S Memories of the War (descriptive). Parti*
49 Memories of the War (descriptive). Part 2.
50 Memories of the War (descriptive)* Part 3.
51 Memories of the War (descripti ve). Part 4.
62 Selections from Wang, part I,
63 “ ■* ^ “ 3, l'
54 ^ “ “ ** $ ?
65 11 11 “ "4 i
J-
NOTE:— When ordering phase stats i ■
CLASS , rj.s trWf as NUMBER rutd NAME of
selection, |.
I
■
PARLOR ORCHESTRA
1 Ecjiiit if Li 3 blue Oauube W iL Ji7
i Alma Uajtz (Spanish*.
3 Weiner Bhu W-jlJIss.
* 3 Inuiigcri|>c Waff*,
J ,Q Rapture Sweet Waite
' b Southern Rosa* 'Waite.
' Greeting to Ems March
S SrJ;\ L ,,‘" cers fibres cKiiQdj.
SarS L “ M “' Ben™
3? Ry*lsof Spring Yfli-fea
1 1 EH&i&o Folk ft.
^ CllcJiet 01 ' t]j^ Earth.
]'l Sections fioin Op ern “Pafcje BM ."
'’DxmiiheP 1
ARTISTIC WHISTLING.
A 3 (so the following records n iHi
m.j.'bv Sir. John VjTi
L ' *• «“ i.wS
] i be Mocking Bird
l VVer * With Thee,
,j AiiviJ Clients,
% Swr«| By ft ;> ud ByS.
• > Annie Untirif.
5 f typing I Dream ecL Love
j WuiViinncd
® ljjft Dudes Mn'i’f],
6 A C-nrl from Bab y' e Head.
10 I jo ye & Dreamland Waltz.. h
11 Golden Robin Polka
!■■■ Com flower WaR?.,
J5 J*»srJn)lf , & Bobo! in k H
v([ l . v ' r - ! * Golden Brcnm.
J? f «“*> I Were Yo«n fi , JW-ie
Ii; Ho tne, Sweet Home b * &S 34 '
31 Wl«« Will thu Bird, Come Lack*
iw Mno Danube Wall*.
U
i
IG Now was 1 Wrous'^
J?
W#f.Sle Jlm phj ’s Home.
33 Once upon a time.
34 Dreaming a a she sleeps.
Ibe DiclrVi* iS/™” *° d Wle ‘ '
« V“- v " ,te Emiinio Muich
^re Devil a Dt J jtic 1\ r
WHISTLING songs
S5"2SSt!S£: f
*
^ all > ™o m „ leu d^ [
t T Ac Whiffing Coon. \
i Wmeshng SLi^rtijiia, i
i Why" Sh“j ( ,’ ' wKtr 1 ' •
(brigiusj,) 1 Whistling*
& Whistling Cra,*y.
VOCAL AND PIANO, j
w 7 . j- // j t’c
I M 11,,liD ; s :; if ™ Sweet Home »
! Sf “B vr»it for K ntie ! “° ,lie '
f S lta Jv;t ^0111 De Ayf j
j When Hogan Paid Mii Kejlt
j Lome Bitci. ;
C J lie liangiiing Song. /
j' Jr B/traA(fw.
^XTDEiiKTAl.. \
l G 1 8 Old brigade
- One Heart, Divine
i
1
1
13
IS
S The Old Turnkey .
4 Scan l auds Rose Some.
5 Out on the Deep,
*i Mother Kisivflj Me Goodbye.
7 fly Sweetheart s the Man' in the Moon,
e Psever Cares to Wander from Nifc Own
1 The latest popular song-. I
u jIio Old Rustic Bridge by tlie Mill
30 Remember, Iln y> You're Irish,
11 l in Leaving Deal' Erin.
to me.
1 The Second class Hotel*
2 I a That Mr. Riley?
5 B 11 ' 0 ^ ] } 1 ™ McCloekey (Irish)
4 I iif; spider h,uc 1 th-e Flv*
5 Do You Catch On V
6 Get Your Whiskers Out 1
1 The Pawn Shop.
8 r ™J h * Giai wrote Ta^a-Jj^Boom-
OS' A y..
& Bou r } V if *\ ot Kiime & l >ad Glace, (German
Dialect.}
10 John McKuftker,
CLARIONET AND PIANO.
&Jf Ftlix lardcUa,
Soto Clarionet? j/, (f t S. Jifyiine Sand.
1 Evatriug Star Polka.
2 Echoes From the Ball Room.
3 A Dwam of Love.
4 '‘Attala — Selections from Oiv^ra
5 Prelude from Opera by Verdi.
■G Longings for Home.
7 El Miserere.
$ Caprice Polka.
9 Neapolitan Song,
CORNET AND PIANO.
By August ICt ossknyU^
Boh? Cfr tiethii (/. S. Marine Hu mi.
1 Weber b Last Waltz.
S Three Stai' Polka.
3 A r ban's Cornet Polka.
4 Clover Leaf Polka.
5 I'll Await fly Love.
G S&ft Flower Polka.
1 Snow Drop Polka.
8 Son# of the Roi?te,
9 L 'Elegante.
10 in Old Madrid (Ballad).
31 Pul acta.
13 Gems from tiro G|iera of Martha.
IS Serenade by Gum hurt.
14 Contest Polka.
15 Fra Serenade (Air Yaiie.)
1C Lin VogeJ (Grand Fan Unde}, Parc 1.
17 Eio Vo#e! (Gmnd Fantasfe). Fart 3.
16 The Favorite,
3f) All Cho la Tdorte {from II Trovntore).
SG Ohl Do Not Mingle (fi-om Sonina in bu la).
Si Thou You ’ll Remember Me.
S3 The Heart Bowed Down,
33 Lullaby from Erminie.
24. Tyrolean Aire Ynrle.
PICCOLO AND PIANO.
By £. M. Waterbary.
1 Nightingale Polka.
3 G?m Polka,
2 Loehvogeteben Polka.
i Cavatina de Donizetti, Part I.
fi Cavatina de Doniiotti, Part 3.
§ Canary Polku-
7 Bobolink Scbottische.
S Souvenir of St- Petersburg.
9 Chirp, Chirp Polka,
30 Birdie^ Favorite,
14
FLUTE AMD t>JANO.
By E-. Jtf. IVttfcrbriry,
1 Annie Ijimie.
2 Bonnie Siveet Hessfo,
8 Sfr *etlieai't J 4 the Man in the Moon*
VOCAL JiECQKUS.
By 'fk? Cc&bralcd
‘►BRILUAKT fil'ARTElTE.4.
1 Climbing up i.o Glory .Mighty Slow
~ ■ Bpi “ ,wi “’ di, * ,c " w -
" ? Anu Medley (With warble},
t ?r ai ,^ iD B ® IJ * fwHJt bcl[ imitations},
it T ^S^camp.meetiug about!
x£r * iD r r Sci ' 1
- I The Il iflh Queen (MetlJey).
S Wood Pi Je Down,
m 2 OJ1 V l V 1 Ifi t)l£ CjlUi *- of it nJL
10 Hand Down that Robe
' ’ ^ * N Mb'er (Comic),
i 7, d 1 . 1 3 “y 1 f - 11 ^ lw 1 B irtJn I ft v .
3| > £»<> Danced Like a Fairv ( w jri.
14 flrotliey Garduer's C * 0 '*
G T£r j ( ' viti1 imi ‘ n * iDu ° f **<*“
j JS EI ft ht Hours To-tlay.
rtei^pl°) r 10 " M ' (Home-
18 ’’'Ne^o) EUni ° r ot it,e Lord ( Comic
J ' ]lc if iii 1-dog on the Bank (Medley),
T>IK AUCTIONEER.
(A great novelty, }
[ ° ] Pawnbroker's Goods
” tations)'’'’ 0 l wla > P*»™t imi-
9 flule of IIokbs, Cuttle, Fowls, etc.
4 bale of Household Fui-in ti> re
o Sale of the Old Sl*\e-
6 Sale of Christmas I> ofte. Tory, etc,, (with
^ nti.ru intearaptions).
' of V 1 inesn T.ii|nory ttud Cigars.
# Sale of Old Shads.
5 Sale of Reel !Uii ed Girl, (with white horse
ftfcornpauinieiUp
10 Sale of Di lx^ Store.'
13 gale of Goods at Clow of Fair,
1- bale of Don tint's Effects ete.
]y The Laughing Auctioneer.
14 Sherill s Snle, fTlie Poor Widow).
In addition to list abovtf, wo win he "lad to
luring mi demand, special Auction Ifr-cuttfe
covering; every variety of sale, iiitersneisod in
a hn morons way with bids of mock pnr-
ctuisets, etc., etc, ■ *
NOTICE!
Rocoh^ which ai-o worn out by fnumicnt use,
anti w|i]<di am no Longer musical and attrac-
tive io listeners, can be ^ent to us by express
carefully 1 wrapped in cotton wadding t ,nd. ex-
celsior, and packed in a wooden box, end we
wj]i make an allowance for them as blanks
proviiifrf they arc faux tyiwdcn a?rrf not rrm &i'ii
&r eftiffirtf. If crocked or chippcnl they cau-
nid- be used by us again as blanks for record-
nip, and are wholly worthless.
mm
Etiisocvs Perfected Pksrtofgraph
S^usf Stsntsg raphe r. ?J
17
[
■ i
i
INDEX OF FARTS.
1 Brass mandrel* to hold wax cyl index-.
S Paring knife, to pare olT cylinder.
3 Ffcod-ann, with twin nuts, to cany for-
ward diaphragm arm.
4 Buck rod* on ’which feed- arm and dki-
phTftgmsirm run.
i > Paring fcni fa gang*.
G Main shaft.
7 Main shaft pul fay, for motor belt. ;
5 Governor and governor frame,
ft Governor springs,
,10 Governor center.
U Swing- arm i open* to allow cylinder fa go
on uianOid.
12 Swing-nrm cenfar-
1S Sti-i light edge, on which front of dift-
pbruni slide s-
14 Dlkiihragjii-Ri'iii.
Id Diaphragm.
IP D [an hie got adjusting arm.
17 Die phlegm itdjns Ling aim screw.
15 Diaphragm -arm Jew,
1ft G or e ruor ad j us ft 1 1 g *or c w.
20 G hi v ern or b w i y eh and b ns K e .
2 1 Ai in a ( n re &hn \ t \vn 1 1 Qy , fa] n io tor be! I .
22 Amiat.nro shaft center.
23 Governor block i push fa left to lighten
governor belt.
34 Ifa(iy ; juisli fa right to tighten motor belt,
£i > Bof j- he ?J d in g screw s : I ousen to m o vft hod y .
2P Parang knife lever.
27 Chip hex, lor receiving the wax paring*.
AS TwL-hj nurs, fitting into' thread g of main
shrill,
20 Speaking- tube, far recording. ■
3ft ffeariwg or reproducing- tube.
3 1 Try n fieri her s sfa-i t-o n tl'- sfa p k ey ,
32 Wax recording cylinder.
33 Top plate cover, }
Ifl
Directions for Proper Han tiling and
Care nf the Phoim^i-aph.
The Phonograph tequirea m3 in g everv rtov
vriivo, but the i.juftiitity of oil used khould
be very slight* Wiping llm had; rod {on
’i^hicii Uie diaphragm arm travels) with an oilv
cioLh will be EDitli ient to remove the dust, anil
particles of grit which aeon mu Late there -
Tli'Mhifer«3tt centers oil which the iiiicmo
graph nmsflho did be oiled at the same time
with a drop or two Of oil.
Neccr allow oil to drop upon the motor or
governor belts. If they become saturated
wiili oil they will dip, nud the result will be
n discoid hi your record* These bel ts should
be nmewed every month or two; the expense
IS- Lrifiijjg.
The sum II oil hole nt tlm back of the ma-
chine, with cup, is for sending oil to the hoi-
ton] of th a armature or motor. A few drops
once a month will be surtlcieut for this.
If your Phonograph starts slowly instead
of responding <priohJy to the current, it usu-
ally indicates e dirty condition of thy com-
EiHTi.Mtor or top ol the motor where the copper
brushes retd. The Phonograph should e>g
lifted ni> out of it? box or e^e and the arm
to which the brushes nn? attached unscrewed
«ad milled out on its center, exposing the
b i- n Flies to vie w, With it si>f t piece of choene
cloth s: i tu rated with benzine. carefully wipe
the oil and other da rk-ro loved iiee]>* lions
from (be points of the brushes. Thou with a
emit! I flat hie gently nib I ho points of ike
brushes ud til they me bright and clentu nml
replace them again- The Implies should rest
firm Lyt but not too lightly) against flic com-
mutator, to prevent the Gpurkiugof the cur-
rent;.
Thy governor hrUshea should be cleaufti in
the same way. This cun be don? by unscrew-'
mg the govern 01 com er screw, Khno'iug tlic
governor, and then the brushes can be easily
leiiched-
The line feed screw which c antes forward
the nickel plated llut. unu should IjC- Vv J {ltd
■with a cloth saturated with bousiu^ evei'y
week or so, n nd then oiled w ith a drop or two
Of oi I ; the t ivj n nuts w h ich f cod i u to tl ii s sc l ew
• should also be cleaned and oiled in the same
luauner.
The brass mug tire I should be kept bright
and clear by wiping if weekly with benzine
find po'isiiing it with a chamois skin. If
email particles of wax ore allowed to adliyi e
to u nd i cumin upon its surface, it will gh-o
: ■ a i uneven repiomieUou of the I'ecord, be&klvs
being liable to Crack the cylinder,
It the wax cylinder adheres to the bras*
man die 3' and will not slip oil by ordinal y
pressure, it con be 'removed by placing
pi HOC Of soil tissue p;rpyr on the tivt'lV vO of
the cylinder, allowing the hand forest lightly
upon the hr per, and the wuijulh of ihe hand
will suou loose u the? cylinder, and If w i I J then
slip olt without injury,
Xever try to- i'otco a cylinder oft the man-
drel by pound iiig or knocking it.. Ji you do
.! it will surely be cracked and ruined..
The wonderful reproductions given lu the
■{ Phonograph are accomplished fhr-Okgh the
gluts diaphragm, to which is [ithtchcd, on the
under si do, m round sapphire point or repro-
ducer, This i-ound gluts bnll follows [n the
tiflcl; of the prepared record ami agitates the
gl ass d in ph l.i g m * tlnus re) jrod nc i ng 11 it sou nt.1 s
recorded upon the cylinder.
This reproducing ]x>1 u t . -or stylus, should
be k e] d j'(« f i oj h u n.x o r d nst b v occasion a 3 1 v
brushing it gently with a tmmeVs imir bin sit.
»t™m"',?^ l L” aer3honW 1,1 Wfll*t CTutly
® SftS ys*2F#v*
g£fV"" d 4r^rasaaRfiSli
™£* KSl^SK "xvrf ■ «5
cirvctt a&Wss
^5*25® w?4 C ped ^ OOU^ D 1 3
-nd »plitced in
in which they wae j-tcelvL) } " b0( V ;< l
wf>rtfej\thev fthmtW i,„Li f ' L ' or ’ Hr ^
l*»x made for the n a finder
and kept uafa, Sock -fSTfci'! | 5, ' evtflLt iD W,
^^^sSjffPT
taiDedo/thfBConijjiiuy. f b,f J "
A e v c r fieii d cj 1 in cl eb t li row git the j n -
t] , !e fon £h idling tltfty ' - S
almost aJwftyg rft3l Jj ts ir ; i - m
before deJlyeVv TW ?» ,7^'^ b? ‘ :ikl ^
■ J» *■
Baltimore Office: 301 North Charles Street
Wilmington Del., Office: 826 Market Street.
THE COLUMBIA PHONOGRAPH COMPANY,
OF MARYLAND. DELAWARE AND THE DISTRICT OF COLUMBIA,
UNDER AUTHORITY OF
THE NORTH AMERICAN PHONOGRAPH CO.
AND OF THE SOLE LICENSEE OF
Edward D. Easton, president. THE AMERICAN GRAPHOPHONE CO.
Wm. Herbert Smith, vice-president and treasurer
R. F. Cromelin, secretary. (long DISTANCE TELEPHONE 1172)
Principal Office: 627 E Street N. W., Washington, D. C.
August 8th, 1892.
The COLUMBIA PHONOGRAPH COMPANY desires to call attention
to the list of
CAMPAIGN SONGS,
with Piano Accompaniement , given below, which we are prepared to
furnish in any quant ity. The demand for records of this character
has already begun, and will undoubtedly increase during the next
three months. The records we are offering are loud, distinct and
easily understood; the music is mostly of a popular character, and
the subject matter contains reference to the leading issues of the
day.
The following records can now be supplied, and the list
will be added to from time to time:
REPUBLICAN SONGS
Our Boom de Ay'
Hip, Hip, Hurrah, Harrison!
Comrades Join the Chorus.
The Hoosier Boom de Ay!
Hold the Port for Ben & Whitelaw.
Democracy’s Going to Grass.
Harrison's Rallying Song.
$15 in my Inside Pocket.
Ben Harrison, My Boy, Ben.
What Shall the Tariff Be?
What's the matter with Harrison?
Whom shall it be?
Shouting for Harrison & Reidi
Old Loyalty's Campaign Song.
Protection for American Labor.
DEMOCRATIC SONGS
I'm a Democrat!
Cleveland’s White House Home.
The Day of Jubilee.
Free Wool to Make our Breeches.
We'll Get There all the Same!
Too Long They've Ruled.
March to Victory.
The Great Unsatisfied.
Democratic Boom de Ay!
The Republican Platform.
The Politicians.
We Need a Change.
All Honor to His Name.
Yankee Doodle at St. Louis.
Our Eoeman to Outvie.
“It Stands PEERLESS and UNRIVALED on the
AMERICAN G0NT1NENT.’
Great Words from a Great Judge [
Read what the famous Gilmore says about
THE U. S. MARINE BAND.
(HI move’s Hiqh Compliment to this
°%Z»di(l Musical Organization.
.sdBfflasaassssg
sstr^-rscsa
States Marine Band ;
New York, March i, 1S92.
MV dear Sir: X am 'Washington,
ask, my opinion fS a splendid band, for
Well, the band location in Wash-
three reasons. First, its permauc musicians
ington is a great ^ d "^“^i° r c “ r u id not bte induced
to join the band, musicians frontier lift
to join the regular army, fe«m & tna mbe r s of th .
might be ttaeir f ate. § e to attend a long reliearsa.
Marine Baud are oblige it whiai a i 0 ne is sufficient
almost every 7 day in the y ear, ther Third, they
to make them play s Pl e Philip Sousa, who is a
are under a directo^Mr. Jol “ ^ wn compositions,
most accomplished musicia , of ot her composers
^1?vfXtd e an"ev?d e Sce of his genius, origi-
nality, and artistic ability. perfection, and with
With such a leader, whose.aimmP ln Qf the nation at
the beauty, the culture, the to inspire both
the Capital for his audiences e ^ most clia rming
him and his ar ° of music is capable— is
effects of which t^^Vtthe Marine Band of Wasliing-
it not to he expected that the Maxi 0 „ the American
tou should stand d them piaywlien you have
continent.' Go, then, a doubtless be convinced
an opportunity, and you will dOUDt^ ^ Government
that Uncle Sam has a band of ‘ feel justly proud,
and the P^emigW-o ftel, an p _ s . GilmoEE .
This Company now offers the following
records, carefully selected for loudness and
clearness.
-MJ. S. MARINE BAND.-^-
MARCHES.
1 Semper Fidelis (with drum solo). Sousa .
2 Crusader.
3 The Thunderer.
4 National Fencibles (with drum solo).
5 St. Omar Commandery.
6 The Dude’s March.
7 The Gladiator.
8 Washington Post.
9 High School Cadets. Sousa.
10 Kaiser Joseph.
11 Loyal Legion. Sousa.
12 Major Perkins.
13 Belphegor.
14 March of the Yolunt<te~s.
15 Guide Right.
16 The Three Guardsmen.
17 King Humbert.
18 Marching Through Georgia.
19 Forget-Me-Not March.
20 Annie Laurie.
21 Yorktown Centennial (with drum Solo).
22 Black Hussars.
23 Opening of the Season.
24 Oneida.
25 Mendelssohn’s Wedding March.
26. Admiral’s Favorite.
27 Phonograph March. Campaqna.
28 Picador. Sousa.
29 Rifle Regiment.
30 Farewell to Dresden.
31 King Carl.
82 Our Flirtation.
33 The Veteran.
34 Champion Quickstep.
35 On Guard.
36 Sounds of Peace (Quickstep).
37 Peaceful be Thy Sleep (Funeral March,
with bel tolling).
38 The Warrior’s Farewell.
39 The Smart Recruit (Quickstep).
40 American Medley March.
41 The British Soldier (Quickstep).
42 States Camp March.
43 Mikado Medley March.
44 Patria.
45 Corcoran Cadets.
46 Gen. Banks’ March.
47 Salutation Quickstep.
48 Cypress Quickstep.
49 Casino March.
50 Rockvale Quickstep.
51 First of All.
52 Fort Alcatraz.
53 My Country Home Quickstep.
54 Aux Amies.
55 Continental.
56 Reliable.
57 The Honored Dead (Funeral march with
bell tolling).
58 Garfield’s Funeral March (with bell toll-
ing).
59 El Paso Polka-March.
60 Chopin’s Funeral March (with bell tolling).
61 Dead March in Saul.
62 Occidental. Sousa.
63 Across the Danube.
64 Homeward Bound.
G5 The Fire Brigade.
66 Sound Off.
67 New Ideal.
68 Independent Cadets.
69 Jolly Students.
70 G lmore’s Triumphal.
71 Fourth Battalion.
3
•« la-wt-Ka-eoom Medley )
73 Nixii Weazle.
74 Manisot.
75 Tlnmderbol \
76 Second Regiment.
77 Col. Wheeler’s.
78 The Adjutant.
79 Boston Commandery.
80 Death of the Trombone Quickstep.
POLKAS.
1 Glass in Hand.
2 Always Gallant.
3 Old China.
4 Clover Leaf ( Cornet solo ) .
5 Hornpipe Polka.
6 Farewell Polka.
7 Alliance (Cornet duet).
8 Enthusiast (Cornet solo),
in £ A .? vl1 Polka (with anvils).
10 Silver Stream Polka (Cornet solo).
11 Bombardon (Tuba solo).
13 Anna Polka ( Cornet solo ) .
13 Young America (Comet solo).
14 Ermrnie Polka. Jclhoboivski.
s I Po,k “ ICor “*
17 L Amore.
18 Pretty Blue Eyes.
19 Independence Polka.
20 Alpine (Cornet duet).
21 Gretchen (Concert).
os rw® Queer's Trumpeters (Cornet Duet).
~ ' Polka (with drum solo).
of ? eux Amis (Comet duet).
Tke Lover s Farewell (Cornet duet).
i 2 Lockvogelchen (Piccolo Solo.)
” ‘ Col den Robin (Cornet Duet.)
4
GALOPS.
1 Carillon.
2 Phonograph.
3 Jack of Clubs (with drum solo).
4 Humoristic.
5 The Racer.
6 Cozette.
7 High Life.
8 Chestnut (with chestnut bells).
YORKES.
1 One Heart, One Mind. Strauss.
2 United to Thee.
3 Tyrolean Mazourka.
4 Helvetia.
5 Free and Easy.
6 I Love Nettie.
WALTZES.
1 Carlotta.
2 Sweetheart.
3 Dream Faces.
4 Sweet Smile.
a Love's Dreamland.
6 Santiago (Spanish, with Castanets).
7 Estudiantina (Spanish, with Castanets).
8 Autograph Waltz. Strauss.
9 Artist's Life. Strauss.
10 Erminie Waltz. Jakobowski.
11 Visions of Love.
12 Visions of Rest.
13 Little Fishermaiden.
14 Sobre las Olas (“Over the Waves’ ’).
15 Carmen.
16 Summer Nights.
17 La Grasiela (Spanish).
18 Mia Bella.
19 Comrades (Medley).
20 The Blue Danube. Strauss. .
21 Blue Danube, Part 2.
5
22 Bid me Good-Bye.
23 II Nino.
24 Mary and John.
25 Kiss Waltz. Strauss.
26 Maggie Murphy’s Home.
27 My Queen.
28 Wine, Woman and Song, Parc 1.
29 W ine, Woman and Song, Part 2.
30 A Summer Night in Munich.
31 Espana.
32 Over Land and Sea.
33 My Dream.
34 Tres Jolie.
AIRS OF ALL NATIONS.
1 My Country ’Tis of Thee (American).
2 The Star Spangled Banner (American).
3 Red, White and Blue (American).
4 Die Wachtam Rhein (German National).
5 La Marseillaise Hvnm (French National).
6 La Media Noche (Mexican dance).
7 La Poloma (Spanish dance).
8 God Preserve the Emperor (Austrian
National).
9 God Protect the Czar (Russian National).
10 Chinese Patriotic Song.
11 Royal March (Italian National).
12 Turkey’s Modern War Song.
13 Manana (Chilian dance,.
14 Vive la Canadienne.
15 The Minstrel Boy (Irish Patriotic).
MISCELLANEOUS.
1 Little Annie Rooney.
2 Down Went McGinty (Schottische).
3 Climbing Up the Golden Stairs.
4 La Golondrina (Comet and trombone duet).
5 Blending of the Blue and Gray (Medley).
6 Rock a bye Baby (Cornet solo).
7 Listen to My Tale of Woe.
8 Kentucky Jubilee (with clog).
6
9 Robin Adair (Cornet solo).
10 Un Requerdo a Salamanca (Mexican
Schottische).
11 The Day of the Lord (German Hymn
with bell).
12 Way Down in Dixie.
13 Dixie and Yankee Doodle (Medley ).
14 Razzle Dazzle (Medley).
15 El Misererie (from II Trovatore).
16 Skirt Dance (from Faust up to Date).
17 Rocked in the Cradle of the Deep
(Trombone solo).
IS Sweet Bye and Bye (Hymn with bell toll-
ing).'
19 Nearer My God to Thee (Hymn with bell
tolling).
20 Safe in the Arms of Jesus (Hymn with
bell tolling).
21 The Palms (Trombone solo).
22 Rock of Ages (Hymn with Bell tolling).
23 Darkies' Dream ( With clog effect).
24 Kinloch of Kinloeh (Cornet solo).
25 Hear dem Bells (With bell effects).
26 Soldier’s Farewell (Serenade).
•27 Selection From Maritana.
28 The Coquette (A Characteristic Dance).
29 The Swiss Boy (Cornet duet).
30 On the Watch (Baritone solo).
31 The Tyrolese and His Child (Cornet solo).
32 Alpine Echoes (Cornet solo).
33 The Postilion in the Forest (Cornet echo
effects).
34 Andante from Morning, Noon and Night
Overture (Clarionet solo.)
35 King of Diamonds (Schottische.)
36 The Image of the Rose (Cornet solo).
37 Annabel Schottische.
38 Dancing in the Barn (W T ith clog).
39 Pot Pouri of Popular Airs.
40 Medley of Southern Plantation Songs
(With Xylophone solo). 1st Part.
7
41 Medley of Southern Plantation Songs
(with Xylophone Solo). 2d Part.
42 Medley of Southern Plantation Dances.
43 Adeste Fidelis (Hymn with bell tolling).
44 Chimes of Normandy Schottische (with
bells).
45 Red Hot (Musical Jamborie). 1st Part.
46 Red Hot (Musical Jamborie). 2d Part.
47 Concert Medley.
48 Schubert's Serenade (Cornet Solo).
49 The Night Alarm (Descriptive).
50 Uncle ’Rastus (Negro Dance).
51 A ankee Doodle (Musical contest, introduc-
ing solos).
52 Memories of the War (descriptive). Part 1.
53 Memories of the War (descriptive). Part 2.
54 Memories of the War (descriptive). Part 3.
55 Memories of the War (descriptive). Part 4.
56 Well United Gavotte.
57 Shout, Brethren, Sisters, Shout! (Negro
melody, with clog.)
58 Oralia Schottische.
59 Secret Love, Gavotte.
60 Let me Dream Again (Cornet solo).
61 Cocoanut Dance (With clog).
62 Selections from Wang, part 1.
63 “ “ “ 2.
64 “ •“ “ “ 3
65 “ “ “ “ 4.
66 Danse Africanie.
67 Salvation Army.
68 Two Little Bullfinches (Clarionet Duet.)
NOTE: — When ordering please state
CLASS, as tv ell as NUMBER and NAME of
selection.
PARLOR ORCHESTRA.
1 Beautiful Blue Danube Waltz.
2 Alma Waltz (Spanish).
3 Weiner Blut Waltz.
4 Manuscript Waltz.
8
5 In Rapture Sweet Waltz.
6 Southern Roses Waltz.
7 Greeting to Ems March.
8 Oolah Lancers (with figures called).
9 Black Hussars Quadrille (With figures
called).
10 Birds of Spring Yorke.
11 Eloise Polka.
13 The Cricket on the Hearth.
ARTISTIC WHISTLING.
Also the following records with piano ac-
companiment made by Mr. John Y. At Lee,
of Washington, D. C., the famous Artistic
Whistler.
1 The Mocking Bird.
2 Would I were with Thee.
3 Anvil Chorus.
4 Sweet Bye and Bye.
5 Annie Laurie
6 Sleeping I Dreamed, Love.
7 Suwannee River.
8 The Dude's March.
9 A Curl from Baby's Head.
10 Love's Dreamland Waltz.
11 Golden Robin Polka.
12 Cornflower Waltz.
13 Bischolf’s Bobolink.
14 Love’s Golden Dream.
15 When You and I were Young, Maggie.
16 Home, Sweet Home.
17 When Will the Birds Come Back?
18 Blue Danube Waltz.
19 Now was I Wrong?
20 Marching Through Georgia.
21 Comrades.
22 Maggie Murphy’s Home.
23 Once upon a time.
24 Dreaming as she sleeps.
25 Selections from Erminie; When L6-,.e is
Young and The Dream Song. j
%
26 Erminie. The Sighing Swain and What
the Dickey Birds Say.
87 Erminie Gavotte and Erminie March.
28 Lullaby from Erminie.
29 The Devil’s March.
30 Chirp, Chirp Polka.
31 Sounds from Nature, Imitations of Birds,
etc.
WHISTLING SONGS.
We take pleasure in announcing the fol-
lowing popular songs by Mr. At Lee, introduc-
ing artistic whistling with piano accompani-
ment. The words are CLEAR and DISTINCT
and the records are specially recommended
for exhibition use.
1 The Whistling Coon.
2 Whistling Susanna.
3 Dat Whistlin’ Yaller Dinah. (Original.)
4 Why Should I Keep from Whistling.
(Original.)
5 "Whistling Crazy.
VOCAL AND PIANO.
By John Y. At Lee. '
1 The Irishman’s “Home Sweet Home.”'
2 I "Whistle and Wait for Katie.
3 Ta Ra Ra Boom De Ay!
4 When Hogan Paid His Rent.
5 Come Back.
6 The Laughing Song.
By Chas. O. Marsh.
I WherrHo ,an Paid his-Rent-feonric).
-3 ■Maggie Murphy’s Home! -
4 Parody on Maggie Murphy’s Home.
5 Maggie Murphy’s Joint (Parody).
6 Michael Mooney’s Home (Parody).
J0^OC0G0-<i05 0T^03fc0M-©C0G0-3C50T W lO M- C©-305 0T£i.<10tOh-‘©C©00-3
io
I y Only Son.
s Lullaby.
Sentimental).
cy/( Comic).
> Appeal to her Boy.
jd anil Duty.
^tracks (Comic).
^x, oWn.
Mary and John.
Throw Mm Down, McCloskey.
Sweet Jennie Dean.
It really isn’t any F;
any Fault of Mine (Topical).
CLARIONET AND PIANO.
Enchanting Polka Mazurka.
Gambrinus Polka.
Virginia Polonaise.
Thornton’s 4tli Air and Variation. 1st
Part.
Thornton 's 4th Air and V ariation. 2d Part.
“Washington Schottische.
Grand Fantasia.
Drinking Song.
Somnambula.
Cavatina from Ernani.
Brepsant’s 8tli Air Varia. 1st Part.
Brepsant’s 8th Air Varia. 2d Part.
Concert Polonaise.
Alice, Where Art Thou V
Serenade, by J. N. Missud.
The Good Bye at the Door.
Brilliant Polonaise.
Good-bye, Sweetheart.
Evening Reveries.
The Heart Bowed Down.
Then You’ll Remember Me.
Brepsant’s Grand Fantasy.
CORNET AND PIANO.
1 Weber’s Last Waltz.
2 Three Star Polka.
Arban’s Cornet Polka.
Clover Leaf Polka.
I’ll Await My Love.
Sea Flower Polka.
Snow Drop Polka.
Song of the Rose.
L ’Elegante. •
In Old Madrid (Ballad).
Polacca.
Gens from the Opera of Martha.
Serenade by Gumbert.
Contest Polka.
Une Serenade (Air Varie.)
Ein Vogel (Grand Fantasie). Part 1.
Ein Vogel (Grand Fantasie). Part 2.
The Favorite.
Ah Che la Morte (from II Trovatore).
Oh! Do Not Mingle (From Somnambula).
Then You'll Remember Me.
The Heart Bowed Down,
Lullaby from Erminie.
24 Tyrolean Aire Varie.
PICCOLO AND PIANO.
1 Nightingale Polka.
2 Gem Polka.
3 Loehvogelchen Polka.
4 Cavatina de Donizetti, Part 1.
5 Cavatina de Donizetti, Part 2.
6 Canary Polka.
7 Bobolink Schottische.
8 The Swiss Boy.
9 Chirp, Chirp Polka.
THE AUCTIONEER.
(A great novelty.)
1 Sale of Pawnbroker's Goods.
2 Sale of Dime Museum (with parrot imi-
tations).
3 Sale of Horses, Cattle, Fowls, etc.
12
4 Sale of Household Furniture.
<5 Sale of the Old Slave.
6 Sale of Christmas Dolls, Toys, etc., (with
horn interruptions).
7 Sale of Wines, Liquors, and Cigars.
8 Sale of Old Maids.
9 Sale of Red-Haired Girl, (with white horse
accompaniment).
10 Sale of Drug Store.
11 Sale of Goods at Close of Fair.
12 Sale of Dentist's Effects, etc.
13 The Laughing Auctioneer.
14 Sheriff’s Sale, (The Poor Widow).
15 Sale of Unclaimed Express.
In addition to the above, we will be glad to
furnish, on demand, special Auction Records
•covering every variety of sale, interspersed in
a humorous way with bids of mock pur-
chasers, etc,, etc.
We also keep constantly in stock a large
variety of choice records of which we can
make no catalogue, the list being changed
from week to week. We draw regularly upon
the theatres here for the best songs of the
vocalists, serious and comic, visiting Wash-
ington. We obtain instrumental solos in the
same manner, and will be pleased to till
orders for miscellaneous records from the
material we have on hand from time to time,
making selections according to our own judg-
ment.
GAMPAIEN SONGS.
Distinct Words! Bright Ideas! Popular Music T
good piaxo accompaniment.
JOHN S. ROBSON'S New Republican Songs.
GRANDPA’S HAT and OLD TIPPECANOE.
Also the following :
Republican.
1 Our Boom de Ay.
2 Hip, Hip, Hurrah, Harrison.
3 Comrades Join the Chorus.
4 The lloosier Boom de Ay.
5 Hold the Fort for Ben and Whitelaw.
b Democracy’s Going to Grass.
7 Harrison’s Rallying Song.
8 S15 in my Inside Pocket.
9 Ben Harrison, My Boy, Ben.
10 What Shall the Tariff Be V
1 1 W hat s the Matter with Harrison
12 Shouting for Hariison and Reid.
13 Old Loyalty's Campaign Song.
14 Protection for American Labor.
DEMOCRATIC.
1 I’m a Democrat.
2 Cleveland's White House Home.
3 The Day of Jubilee.
4 Free W ool to Make our Breeches.
5 We’ll Get There all the Same.
6 Too Long They’ve Ruled.
7 March to Victory.
8 The Great Unsatisfied.
9 Democratic Boom de Ay.
ocTOnj:jt j
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*
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president's 1
Band ! $
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AND OtKEIi
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RECORDS,
For Phonograph Reproduction
to in skck and for sak i\ wb&!c&ak and retail
-BY THE-
COLUMBIA PHONOGRAPH C0. f
62 r E street H- W-
WASHINGTON, 0. C.
Dong Distance Telephone* ii^s*
§
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Please Destroy all Previous Lists.
Mieto^r
“PEERLESS and BHRlViL-ED od the IMERlGiH
EORT 1 KEKT."
Great Words front a Great Judge ! '
Read what the famous Gilmore says about
THE O. S. MARINS BAND.
>i
Gilmor^n JUffk CantlM***? 1 **
Sjtle 1 1 fU d .1/ ftxt eft- 1 Ot 'W ** iztl fi ° 1J ■
C SiSS ffi ?&£*“' 6 a£ 0* .
. r. “W
UtliuJ StAlei Marine BfcSd !
MflW VORKi tEPTCh f. 1^-
My Dh.sk 6th i l am frequently i»Ek*d, as T*™ i^™
Well, The Laud help 11 s P 1C[U f ld
sct-ernl tumour Firftl. its t™<*ii*utkocaiiom Ln
■ is * S re*t Midueumsat tor firtt-clas* inTJricuia*
totfiu t a* bawl. Lim^Lcmiis who 6o^A »ot tc
to join tlit «fylar army, fcnrLu£ Thai fretrU^ jjj*
mfeht Lo tl«ir to*. S«Crtd, th« Dicrntwr* of the
•nii-LiMiiMHi arc obligee » * Ltiad a ]ovff ^
rimfru every day in the yew, which ator^ Ie tiiJIkdedt
'. to malw ihein play ftplenaMIy f .
With the beamy, the culture, ^ ld «« brai11 6f tJie
li; ato« aUhcrC^Uht tor »dic«^wH lo ^ L ' c
the „ 1411 to briiitf forth the Chart* Loir
?bi e ; tli “diTldi ati of «i»ie « at >»t
ejEpcc l<;d tb«i ita* M»rLn* Bjid to
S l l£ >t.hi su»d *uWr« CN '
,aidiK«tf C*. theu. and hear them ]>laywhe» y<^ h^e
3
", ^ j
Tliw Compauy now offn^ the hi I owing
record^ carefully seJi^unJ tor loudness and
cUnirueaa.
!
1 ^u. S. MARINE BAND.*-
MARCHES,
] So tn^e-r Fill*] i 3 {wiefc drum *£>!&)♦ Si*i
2 Crusader.
' S The Thunderer.
Jj ■ 4 J^njioiirik Ftnicihles ( with drum soloji
5 fit. OnitH' Comm tindery,
Ci TU* h ThilH 1 "h Mui'ull,
7 T1jl> Gladiator.
8 ■Washington Post*
0 High Siijtooi Cadets, Sousa.
j 10 Kaiser Joseph-
] ii Loynl Legion. Sows*.
ri Mjtiot Pertiui,
; 13 I'elplie^or,
14 Jl.-trch of the Volunteers-
15 Glint*? Right,
1(1 Tile Three Guardsmen.
IT King Humbert-
lit SiLaxYjhinif Ttiruiigh Geor^i^
Itl Forget -Idft-Xot March.
SO Annie Ltttirie*
0 1 Y ( >r [e tow n Cen te uni at l w i ui a ru m holQ ) .
‘2% DiUl'Jl HlTSKKi'K.
2S Opening of the Season.
■J a 4 Ouchlu-
■rt 25 Wedding March.
2G A d n\ ii'fi.1 'a. F a voritu,
ST Plioi] ogtapb Mill'll - C'flHijhijma.
2t) Pk iulor, ftoasa.
gy Rilte Rcgituent
3p Fare well to Dresden-
itl Kin?' Cart-
Dux Flirtation-
s
S3 The Yut^rnu.
34 Champion Quioksilap-
Si> Oil (tllJHTil.
vW Sound* of Pe*tct (Quicktifcop).
3 V Peaceful he Thy Sleity (f’uuernl MJrtk,
with tuil tolling).
S3 The Wa-nior'a FjtrtnvelF
39 Tilt? Hmyit Recruit {Quickstep).
40 Ameriy:tu MetUcy March.
4 i Tb ti B : i t jsh So Lit it! r tQ u i ok stop ) .
42 Wtu.tei Uimip M Eti'-b h
43 Mikado Medley March.
44 Patna-
45 Coreorun t Jatiats.
4ij ( ieu, Banks 1 March.
4" Salutation Quickstep
“J .4 (. :,>■ } hlK’ri H Qu j '..■ kattip,
4 l® Cel ai HO M ti I'uli,
Ml Kockva k Quickstep.
31 First of Ail.
153 Fort A lustra a.
53 My CjntiUy Home Quiukfitup,
j4 Aus Artiic^
ftiV Continental.
5G Reliable.
07 The Honored Dead J, Funeral march with
bell tolling),
33 Garrteldbj Funeral Mikroh {with bel] toll-
\u%).
C H j El Faso Polka-March,
tii) Chouiji’fiFiiuemi March (with be31 toiling),
t?i Dead March in Haul-
Li j Occidental. $Quxit,
$3 Aci osse the Qnnubu.
ti-4 Homeward Bound.
tiO The Fire Brigade.
6fi Sound Off.
07 Xew Ideal,
Ei3 I nd epeit den f Cad et tc
OS Jolly Students.
70 G Imore'B Triumphal,
71 Fourth Battalion.
5
73 Tji'Ea- lia-Booui (Med ley 0
73 Nixi Waa^Lu.
7-1 Manisot-
73 Thun tier bo It.
7ti Scirond Reginitmt-
77 Coin VVhi'eler 1 *-
73 The Adjutant.
70 Bosto i C-onmnmdery,
cO tteiuhof the Trombone Quickstep,
Hi Amcticnn Guard (Patriotic Med (ay)* ■
POLKAS.
1 GIjibs in Hand.
2 Always Gallant.
5 Old China.
4 <Tovaf Leaf (Comet wlo], *
7 HompEjie PnJkju
IJ Farewell Polka.
7 A Unmet [Our net dueth
5 Enthusiast (Cornet soJol.
6 Anvil Polka (with anvils}.
] 0 SiJkvr Stream Polka (Comet hoIu).
J ] Boil tbrndnu ( Tn hn solo ) ,
L3 Anna Polka (Cornet aoio'i.
ih Vounj % America {Cornet enlob
14 Emmiie Polka. Jnk.^boirski.
j' 1 I’hort and Sweet Polka (Co rue c du^tv,
HI Seifljdsi Polk a.
17 L ’Aments
13 Pretty blue Eyes,
lit Independence Polka.
2 b A I nil] e [Com et d uat b
-1 G]'etchnn (Concert).
22 Tin? Queen ’« Trumpeters (Cornet Duet).
33 Drum Polka (with urum eolo}-
i;4 Les Dens Amis (Comet duet).
Jo The Lovoi-V Fai'eweLl (Cornet duct)..
24J Loo k vop Jc' i eu ( p i ecu lo -So lo ■ }
27 U-olrlen Robin (Cor ct Duet,}
2 S MiRte PotLia. (Piccolo solo-
■■■ -i
1
i
1
a
GALOPS.
] Carillon-
2 Phonogrit|dL,
3 Jack o: Clubs (with dram solo].
4 Humoristic,
ii The lisicer.
D Ooxcitlt
-7 High Lite.
6 Chestnut {with l' lit 5 ?; r . j l ui holts).
YORKES.
1 One Heart, One Mind. Strauss.
2 United to Thee,
§ Tyro I ecu Masourka.
4 Helvetia
.“5 Fret' and F>:by,
Ci I Lore !N r^x-5 i*: ■
WALTZtS.
1 CtM’lotta,
2 t lVCtd + -h.t , iil L [.
3 Dream Face*.
4 wee t S in i la-
ri Loves Dreamland,
d Santiago [Spunitdi, with CAti^pats}-
7 E&tudi tin tin a f&pu liI hiJi i with Castanet* V
8 Aut(^ r in]ili Welti.
9 Artist's Life, Str'd-tts*.
JO Eriniuie Waltz,, JflAofrottfjii.
It Vision i> of Love,
li VifiJcmiio*' Fa i-i t-
13 Little Fishennaideu.
14 rtobj-ri las Oliis [“’Over tho Waves 1 ? JL
25 Carmen,
10 Summer Night*.
17 La Uraiteln {Spanish]-
15 Mia J Set l a,
3U C4nirnil^ [Medley).
20 The Blue Dauubo, Fart l. dfrawifs,
{71 Blue Danube Part 2.
■7
22 F5id me Good-Bye.
2S It Nino,
24 Mary mid Jotm.
2 5 K i.se W alcz, S tra >t *tr .
20 Maggie Murphy’.* Home.
27 My Queen.
26 \S : iu£- Worn an and Fan L
20 Wine. Woman and Sous, Part 2- '
30 A Summer NigliHn Munich.
3t Eapann,
32 Over Land ami Sea.
S3 My Dream,
34 Treti Jo] to-
AIRS OF ALL NATIONS.
1 My < Himniry ’TiiofTlmo i Am erica n).
2 Tim Hlstf Spangled Limner (American).
3 Rial- White and Uliie i A meric: in).
4 Die Wacht am Rhein {German National),
o La JlArselllaise Hymn (French National).
0 La Madia NocJse {Mexican dance),
x 7 La Polo in a (Spojdhh da nee),
5 God Preserve the Emperor (Austrian
Nation a] 5-
SI (.3 O'l Pl'otee t the Cn ar {Killian National).
10 Chinese Patriotic Song. (
11 Roy a] Munch iltuliau National), r
32 Turkey's Modem War Song.
3 & Mamma {Chilian dancoi.
14 Vive la Gamut inn no. j
15 The Minstrel Boy Uriah Patriotic).
MISCELLANEOUS,
1 Little A nn Ee Rooney.
£ Down “Went McGinty (Kobottiscbe).
3- Climbing U i> tiro G olden Stairs-
4 La Gohmdrin a (Cornet and trombone duet),
5 Blending of the Blue and Gray (Medley).
G Rock-a-hye lia-by i Cornet nolo).
7 Listen to My Tale of Woo- j
S Kentucky Jubilee {with clog).
i
s
Robin Adair | Cornet .solo),
10 Usi Reipierdo a Salamanca (M&sicaii
Bchottische).
11 Thy D:j V of tlif Lord (Cermau Hymn
with
12 Way Down in Dixie.
Dixie fliiri Yanliee Dood Ik i M ed toy ) .
1 4 JC;L axle D : i z-/Av ( Med ) <*y ) .
IE Ft M isernift if iota II Trovacore).
Ifi Dunce ( from Faille u\t tit Date).
17 Rocked in the Cradle of the Deep
(Trombone fsoEo ).
13 Sweet Hye and Bye (Hymn with hell toil-
ing)*
10 dourer My Cod to 1 Thee (Hymn wii}i bell
to I liujifb
£u Safes in tile Arm* of Je-aus (Hymn with
belt tolling),
The Palms 1 Trombone nolob
IWk of Agt?n I'Hyum with Hell tolling].
23 Darbies" Dream { ^Vitli clog effect)-
-■1 Kin loch of Kinloob (Cornel jmjIo).
2D Hear clem ItelJsl With bell effects).
-Jj> Soldier's Fails we 1 1 (Serenade!.
27 Selection From Mniitanit,
2^ The Oonuette (A Characteristic Dance).
30 The Swi;-4ti Boy (Cornet duct).
id> On tile W a tell (Baritone solo).
■3] Die Tyrolese and Min Child (Comet solo).
52 Alpine Echoes (Cornet solo).
^3 Tim Postilion in the Forest (Cornet echo
elTects).
i!4 An dilute from Morning, Noon an 6 Night
Overture (Clarionet solo.)
Sa King of Diamonds (Scboitiscfrfiv)
St The I mage of the Rose (Cornet solo),
o7 Annabel Sebottisehe,
Sd Dancing in che Bain (With clog),
3S Pot Poqri of Popular Airs.
40 Medley o£ Southern Plantation -SongtH
(With Xylophone solo). 1st Part.
i)
41 Medley uf Southern Plantation Songs
I with Xylophone So] oh 2d Part,
42 Med lev of Southern PJ flotation Dances.
43 Adt'SU 1 Fnhdi* (Uyjiiu with lnol] telling].
4 1 OiimiFh of Noinvuulr Si-hoLlisi'lia uvith
be I \y ).
4.'i L [oil Hot (Musical daiiilKjritj). l^tP.irt.
4t; Uod Hot (Mu.s3c.nl Jan thorn-]. 2d Part,
47 Concert Medley,
-IS Srlmbetd'ri Senuiade (Cornet Solo).
4t) Tile Night Ah: rm i. Descriptive),
flu l 7 at to Tiiiwtnij (Negi'O Dance],
a l Y a nkce Den al I e ( M n sic a J contest , in trod no -
in £ fiolfizd.
"i2 MfiJtloribis Ol the WaHdescripti ves), Part 1.
'•H Mem oj j es of 1 1 ic Wit r ) - lesf ripti va }.- Part &.
fi-j Memos ion c, J" i.bo War idc^criptivi:). l-arL S,
,*!S Mem or lew of i.|ti< WjiV (tLopcrtlitlaV). part 4,
CHS W i -3 1 LJ ir t Led < I i tvo{ i o ■
(57 Shaut. 1 s l _ h ■ i. I a re a , Sirtt-rKj Shout! iNcgrt
iiiolNlVf with clog,)
,ls{ Ornlu Scliotti&ehe-
4il fretetet Lore, 1 iflOOUje.
(SO J .i: r . ]iu‘ Dmi.ni Again (Cornet no to).
(i I Cocoon u t Da Jica ( i the I og),
(s£ Kel«( tions from Wuug, part 1-
■V &t ■ k frh H A
hi LI Li fclig
■j Lb hi IbH
Ob Dabse Africidno i with Dog),
(17 Ylatt Advance and Retreat of the Salva-
tion Arm.V'
lLS Tivo LiLlin KullAiiohes (Cl a lionet Duet.)
00 Woteojub Spring ^choltLiielie.
70 Th ■? Signal (!) u'itoite Solo).
jYOTF: - What ordenng please state
CLASS, a sit'd i (is NUMJiER and NAME! of
selection.
PARLOR ORCHESTRA.
J Bftimiful Blue Djujubft Waltz.
^ Aljtisi Waita (Spanish),
J Winner KJui
4 Manuscript Walt!!:.
fk hl JiftptHJ'e Sweet Waits
0 Southern Ro hes Waltz,
7 Greeting to Em* March.
3 m a r ]l L 5f ncoj,s {with called'-.
3 , “I]l < .,{[ IWHars L:aicai ^ ("itli i^inea
li- liinl * of Spring Ycu'ko,
Hi I'rJitJiHc l h Hj|Jiu.
It P 1 ;- ° l ' tejEvt Q, i the Hearth,
f ^<*ti<Sn$frmn Ope™ ^Patience. ’>
14 ‘Erminfe."
ARTISTIC WHISTLING.
Aiwa tin. jTl] 1 n IV j l! ;T j-tlcovd,, ■u.^+Il „„ „,
«T“ , I ,, - I, «* “ , * de b y Mi - - Join, V. At r^a
K ] ; ingwu ’ "• c -.°“
1 Ti r ^ Mocking Rj M,
^ Would i iivoi'c x\- i tb Thee.
hj A?iv;l Clioius.
4 Sw C fit Bye and Bye.
.j- Annie Laurie
0 Bleeping £ Dreamed, Love,
j buwiuiueA River
* T Ji« Dude** March.
J A Cuil from Baby He*d-
1{! Loyo’i Dreamland Walt*,
3 1 O olden Itotun Polka.
■* Waltz.
4 3 Bifid toll fi jju bo tiu lc
14 Love's ftofden Dream.
U \\ J»eu Yon ami I were Yonug h Maggie
1 C Home, tiweet Home, * B " ie "
| I iei L ^ d 3 the J.i.j rd* Oo Bat- It '* *
1-S Blue Danube Waltz,
11
y ' fctrr j fc i XUljnr-
yu Nan.-.] dug Through Georgia,
ill Comrade,
Murphy 5 Homo.
Ojicu upon a time
24 D^mnhigasshesloeps.
iiG *^ tiakAi frojlJ Ei-ruin io- When Love i*
Young and The D^ara Sous.
Su ' ;tln ^ What
-lit! Dickey Birds Say.
,Ty V J J!| 11 h tf ^ lV<? ^ liUi} Enuiiiie March.
rn, 'i"> D'OJll KlilUJlig.
o-J The Dyvii h March.
J® Chirp, Chirp Polka,
Si So "“?« Wstu™, limitations of Birds,
WHISTLING SONGS,
'iV# take pleasure jq ttououncliQg the fol-
WmffWufar ™ gB by Mr. AtLe^utr^c.
mSiL Th^ u' h r 'f ililg T " 1 - 1110 fCMiiiHant
W ^' dK C3LK Aii and DISTINCT
Ssr "«»»“» <*■*
1 Tim W h i I i Coon .
2 W hiptliug SuBunm*.
\ wl w sdoiti' Y ? u r Dm T- »rirwi.i
. 1 frol “ Whi “ Ui »S-
5 Whistling Cisiy,
VOCAL AND PIANO.
Ry / aJlJ t K At Lee.
?> 1 J t *} imn 11 ' fl 1 14 1 0111 6 t Home,”
Z l \l 1} B J le Waj t for- ha tie,
'■■' Ja Ra Ra Boom Do Ay-J
4 When Hogan Paid Hie Bent,
0 Cjoi. 110 Back,
Ji- Tiro Laughing Song.
13
By Ch i 7 j , £>* JMarsk.
1 Parody on Maggie Murphy's Home*
% Margin Murphy^ Joint I Pei roly k
■I) Michael Mooney's Home (Parody].
4 Jly Son, My Only Son*
■ l i A Mothers Ln Uahy.
0 Madeline (Mt:nli[noiit;ti).
7 A Mothers Appettf toiler Hoy*
t> Mary and John*
CLARIONET AMD P14MJ.
By Felix Iarde//a k
U. S. kfarim fy and.
1 Evening Star Polka,
1! Echoes From Uu. 1 Sail Room*
3 A Dream of Lovij,
4 ’ ^AttUa. “—Selections from Opera,
5 Prelude From Opera by Verdi,
li Longing* for Koine-
7 EJ Mibtixoro*
8 Caprice Polka,
9 Neapolitan Soiig-
CQRN&T AND PIANO*
By August Aro&skttrtft^
£)&/& Coruelisiy ij- S, A/crittc Baud,
2 Weber’s Last Walt*,
a Three Star Polka,
3 Arban's Cornet PqIJeh,
4 Clover Loaf Polka,
5 1 'il Await My Love.
C S Flower Folk a,
, 7 Snow Drop Polka,
8 Sou.? of Clni Rose,
9 LJElejHMitfi.
j 10 In Old Madrid (Ballad).
11 Points A*
12 Gems from the OpuLU of Wa^hti,
U Seyenady by (Jumbcri,
t
l ,r S
1 -li
14 Con Writ Polka.
In Uuu tienmade (Air Varied
10 JSin Vogel {Grand pjiiiLjisro). Part L
l 7 Jim Vogel {Grand Fun Wide), Part 3,
1.8 Thu Favorite.
]i> .ilk * ho ta >Unw (from It TrovaLoreV
iv Oh! Do Not Mia^le (.From Sonmjnikhuly),
2\ Then You'll Pomeniber Me,
22 Tins ilwd Bowed Di»vu,
D:{ l*n i J hI iy f ioi 1 1 Es n l i a in.
24 Tyrolean Aire Varies*
PICCOLO AND PIANO.
Bv F- AJ. IVafyriwry.
i N"i g] l tin ga lc Pol ku,
V Hum Polk n.
;i Loi-hvogelehen PolU, ‘ L
4 Oh Vatina de Donizetti, Part 1*
j Cavatina do UonUetii, Parti*
<1 Canary Polka.
7 Bobolink WehoUirehc.
8 Tiro Swiss Hoy.
9 Chirp, Chirp Polka*
i
THE AUCTIONEER.
(A great novelty.)
1 Sale of Pawnbroker's Gotnlis.
2 Sale of Dime Museum (with parrot imi-
tations f.
8 Sale of 1 liases, Cattle, Fowls, eW.
4 Sale of HouneJqold I’urniULIG.
■!j Sale of the Old Hhive,
ei Sale of Chriatiuas Polk, Toys, etc,, (with,
ho r\\ i a turnip t i o us),
7 Sale of Wines, l.iiLtlora* and Cigars,
8 Sale of Old Mniits,
U Sale of Ked-Hahed Girl, (with white
atiuonipauiment]-
ti) Sale of Drug Store,
1 1 Sale of Goods at Close of Fair.
i r
14
n Effect ttfl.
i 1 r-L*, 11 *-' ] 1 i Hfc F Auqv ou ter.
14 bh&tift s SaJe, rflw Pool' ^ w) .
Ui ihe , rthDVe » 1V * «-iU be fflful to
* h.— “L™ 1 %b < hiS'5‘W ,d f »
Aarons, oic,^/ hhla of niOL!li
VOCAL QUARTETS,
The Celebrated
BRILLIANT QUARTETTE,
( Stock Limited.)
,i up (o QIpry Mighty fli uw
i ' T} lC ■ Q uo **t (Sffidley).
.2 {J r :iuJ the Wood- Pj ia Down.
J Woman j, the, CiLHse of i*nJl
i Down that Robe
; aasK^'cassfia.^
VOCAL AND BANjq RECORDS,
At Jtfisv&s,
, The Famom Banjoul and Comedian.
{^ioe Jc Limited)
\
:
v-- «i.
13
f a B wiS ““ “ ThM -
S P °Wali.‘ ilJ 1,ict,, *’ ! Toward the
SAMPAfGN SONSS.
DiSlil,t:t Wwd > ! Bright Ideas: Populate!
MM w.lffl Kf(UI?L\imL
liert’BLiCAfl.
\ 1
’ Old TlppocftiiM.
- OUJ- HufllJ] dj; ^y,
1 l* 1 **' H jlb MinTAJioJbiTiwn.
; If J r ; lfl ^ Jvm th * Putins.
2 rite Inojer J Loom do Av.
y iw Elll? j '“ 1,L 1(hJ ri+,f3 VVhitolav
-j!. , ilIMHOJI ti. luilfvjuK hji .v
J * is ill my Ins hie Peeked
1? *J. ,ul f. H l]l * ^attnjr With liiiri'inou ,J
n oTi^? 1 ' ^ rF is&li ami
E „ lll[ W*Uy MCnmp'iimj jW r
5 J ™^ ^Osi Tor American Labor.
DEMOCRATIC.
1 Pm a D&motiat.
S Olooelami-s White HTooae Hon.e.
V /. Ll " Jubilee.
ii w^lr°?Ti 0 J, " k * ! ou * inches.
; r; '/ c ^t There a u u,e
- S nJ Tlmy'vo Ruled.
7 Muttoh to Victory.
I
i
i
■ The C it- a t Mu satis fieri,
... Democratic Loom fit Ay.
3.0 Thy UqmlUcnu L J 1 trffo* nt,
ll TJjt' Potitiyii'rTJK.
i 1!3 We Xl, l lm ,3 a Dlningo.
13 Ail lion. V ILiuMrlnit,
H Yankee Doodle At >i. Louis.
Our focmau to ()utvie t
Hi Who .Meed LSolievc the Lit?
NOTICE!
Record* which arc worn out by frcqtu-et iifi;,
ami which no longer Jnmfioal :ut<J :i
tfvc to liatetierK* -auu bu ?eiit t * by csfn-^K,
4 CtLHO fully Wvqipi-iJ in tNlttOEl WAfhlijliC -(Uil^K-
cuisior n AUiJ packed in u wooden bo\, and wo
will make im allowance for them as blanks.,
provided they art; latter cytiadn 'J iurd mil rrarksd
or chipped, If cracked or chipped they emi
imt bi- usod by us again os blanks /or record-
ing, urn I uro wholly worthless,
!
I
j
17
PHOTOGRAPHS
—OF—
EDISON, ;
THE PHONOGRAPH,
LABORATORY, ETC.
Class A,
Pictures, Jqxlj COrdS-
1 * Laboratory e sc terio r— w i u tor seen#.
2. Laboratory, Galvunojiiefcor or Electrical
Dept.
■S. Laboraiflry Phonograph, ejcpyrl^uoiatQL
4, Laboratory. Ciiemina! Dept.
51 r. Edison at work in Chemical Dept
La-bo ratory, main machine shop.
7- Laboratory oxter. (Bcmmer) comer rear
view.
5. Laboratory Library, with statue “Genius
ot Light . f1
“ GJeuihout,^ exter.. showing Cbnaer*
X'iitoify mid ' L Dfcu. *’
10. “ Glun;|Kmt N Tt Parlor,
11 Glenmont "Den.” sWieg ceiling
. painting, upright view.
I*. ' G!emiu>ar. tf + JUeu. 1 ' WizoHcud view
1B+ GlCDinont exter., showing (Joneeiva-
tor_v and porch -
1 4, Ei] iso u pitting .-t Labor* tcuy tab] e _ taken
1 S®&
^^||gy portrait, oval, with signature,
}J' £ ' ' V ' ho n Li ^ n iD S 4 o Phou Offrnp h, 6 f kSL
il Wtatue eu Li hrnry, ^Genius of Light. TT ■
Laboratory Dynamo Dept
JJj- Laboratory ex ter., main building.
The Ldjaoo Phonograph, latest type.
;
1
w ,
Laboratory Precision Dept .upper sin™.
r ^ftbotiitory exter, aumine]-, game vjeW
Rs IS o. } .
- — '■ ^ s - Edison.'* portrait at t 4,
£ li Ed id ■ ti '% mother.
E:ll.*&u'a portrait at 4.
Allegorical Birth of t ho EdU
sou IntrJitWflcflijt Lump, lieu ]o Park,
57. Edison^ Birth place.
Class B.
Picture*, I r. Oat tCBClJr earrtfi.
40 ll fi h?! 1 ^' l n“ Ji PriQHd aud pub-
■ t’f- 3 /A E ? i 5 P u ’ i,u b0! U‘d tiidn
LtaJciigy tV Grand Trunk R. K ;u l 4
/>v«/ t j For r .'. '
41-- Trunk Herald.*’ printed and
pubtahurt by T* A. Edison on bonrd
t-r:L]jj . -Jiicugo <£: Grand Trunk E. R
■Lt 14. buck view.
4 -*. K*.Ei i-oi] ’s B Lrth j dace.
Edison’s Frailly f
-Jj. £dtaou'* bu^t, ova L with aiiLograpti,
4.>, Jr,lij *o^ s bust, oval* with autograph,
i6 - Edison, 3 length, TS&y.
JJ y^eiiyu PcLili Gurrunuo.
s&. hdii-00 it 14.
J S’ SI ^ HOU . J f e D j u S to Phon ograph.
oo- Ltltaoji s jki other.
Lri. Edison's First Patent, Vote Recorder,
^ Patent sheet
Edison « Newark Wngrd St. Factory. Edi-
wn in group, im.
^4. Eel ] sod at 4.
54 . A 1 Logon cal P ft inti ng,— Bi rth of the Ed i -
a ™ inciiudesowii Lan>p- 3kIenloPerh.
!b«d.
Ca. Ed Ison d ri vi n g his firs & Electric Locom o-
tive, id 79.
15
Class C.
r’iriurti. jsS ou *kig carili.
Edison s Bi r ti i]j lacy.
h -- Edison, 5 size,
' ' " 1 1>U “ Cl ° ' ,U 1 il l t]l a Gtuchee l ,
™ b,JEst - autogapn attoclMil,
S' £or > ’ a wniffl of library
flcc^ ’ ' view * fj0ni wail
SS' I btf EdiefUL Phonograph— latent type.
Pj t ory ^ &qjL ’ u l >,>ur ^op,{lihora-
SS r jr'; b “ l " bl |> r Li b > w I Mi Peru 6. ; ,
Jr }' »hoiu)grepii Works, >
4 Ed i-Hon s Jlotker-
I J Eijifluli a Mother, reduced aiao. 3
^ Edifipn at 14,
Eilii>ori at 4. ■
|i
Mi'scclkndaus Clas.3, \
JJ?’ *{«**> Pilot*. , Fly V head.
>Jl >™ f'horo Jiamboo Filaments, show-
tug ribro-Vaa^itLai' biiiutles, used in
Edss&n Lam a*, III jsS*,
Ku m-rP-phoio Itaoiboo PitameuLR, show.
DUJfF^bip. Vase liar bundles, used in
tiSZS^sT'*' mMt '‘“s“ ifi «-
150. Lie iv ell yw Pjvrk Entrance, 10.x 15,
OJ-dhV O// HK 4 Mt 6 «l\ plV^Jj 7 cf«JJt +
Send for Prices,
|i
i‘
L-
I J
Si
INDEX OF PARTS.
l Brae* i)ji!)KhvJ h to hold wax cylinder,
3 Phiii]^ knife, to i-iai'y off cylinder.
* t'oed-rLi'Dii, i* l tli t** in iitiU, to carry for-
ward ditphicgm arm,
4 Buck rod, on which feed-arm and dia-
phragnt-nTiii nm.
.1 Paufiny k u if e gauge,
ff Main shaft.
7 Main shaft pntky, for inotoi belt, I
d tiovtmioi’ and governor rraiha.
!J (lOVHl’UOi' Springe.
1 U < So* t'mor <■ en ter.
lj 8 wing ami l opens to alh>w cylinder to go
On 1 ; i and n : ) .
13 CCDfcl J'L
id Straight edge, an which front of dia-
p]jr:titi ti ( ] d . [
M Diaphrngm^&ijh.
IJirtph mg m.
3d Diaphragm adjusting arm.
17 Diaphragm adjusting amt screw.
Diaphragm lever,
] !) Go vc ntoi - adiu stin g so re w.
-h Governor a wi tch ami brake.
2 { A rniiitum sh nit pul ley , for mo tor hoi t-
33 Armature sEini t center,
£3 Governor block ; posh to Jeff to tighten
governor belt,
2-\ Hotly ; push to right to tighten motor bolt.
-•> Body holding se rews i loosen to nioT^ body.
3u Paring knife jever.
37 Chip box, for receiving the wax pairings.
2$ l'witi nuin t tilting into tile thrcadrciniam
fib aft.
8] waking- iu In:, for recording.
dO Hearing or repvodutiiig-tuli#.
jl'T?raincribei , 's etsjt-und-atop k ?y.
33 Wax recording cylinder.
33 Top. plate cover.
1
i
i
3pKs^S»aS;.
‘SS-S-SP 5 **
fSawSSE^
!« ■yw.-ci 4*“' «®or,.?. ri, e * ^“'1
'“#<«»*- ■ "’“““. »r two ; T " ‘.
?% m «™ o^' ».2
r^> ^ste k
o/ I 3V! Wd
|\ 33 Toj
Tt
recc
DECEMBER . 1 892.
clea ... - 1
. : The President’s B and !
~32J~
-> LIST OB' ■*
LI, g 8. Marine 0>aacj
AND OTHER
RECORDS,
For Phonograph Reproduction
Now in stock and for sale at wholesale and retail
-BY THE-
COLUMBIA PHONOGRAPH CO,
m E Street N- W-
WASHINGTON, D, C,
Long Distance Telephone, 1172.
: wm mmmmmmmmmmmms
Please Destroy all Previous Lists.
.^3
‘'PEERLESS and UNRIVALED on the AMERICA
CONTINENT.”
Great Words from a Great -lodge !
Read what the famous Gilmore says about
THE U. S. MARINE BAND.
(illmoi-e’s High Compliment to this
Splendid Musical Organization.
The following extract from a letter from Mr. V. S.
Gilmore is in rcplv to one receive! from tile chairman
of a committee nf prominent business men nt St. I, coins
interested in the concerts given in that city by the
United States Marine Band :
New York, March i, 1S92.
My Dear Sir; I am frequently asked, as you now
ask, my opinion of the Marine Band of Washington.
\y e ll, tbe band cannot help being a splendid band, lor
several reasons. First, its permanent location in Wash-
ington is a great inducement for first-class musicians
to join the baud, musicians who could not he induced
to join the regular army, fearing that frontier life
might he their fate. Second, the members of the
Marine Band are obliged to attend a long rehearsal
almost every day in tbe year, which alone is sufficient
to make them play splendidly together.
With the beauty, the culture, and tbe brain of the
nation at the Capital for audiences— enough to inspire
the men to bring forth the most charming effects oi
which the divine art of music is capable— is it n °t
to be expected that the Marine Band of Washington,
should stand peerless and unrivaled on thr American
continent? Go, then, and hear them play when you have
an opportunity, and you will doubtless he convinced
that Uncle Sam has a band of which the Government
and the people ought lO feel, and do feel, justly proud.
Very sincerely vours, T ■ S. Gilmore.
This Company now offers the following
records, carefully selected for loudness and
clearness.
->HJ. S. MARINE BAN De-
marches.
1 Semper Fidelia (with drum solo). Sousa.
2 Crusader.
3 The Thunderer.
4 National Fencibles (with drum solo).
5 St. Omar Commandery.
6 The Dude’s March.
7 The Gladiator.
8 Washington Post.
9 High School Cadets. Sousa.
10 Kaiser Joseph.
11 Loyal Legion. Sousa.
12 Major Perkins.
13 Belphegor.
14 March of the Volunteers.
15 Guide Right.
10 The Three Guardsmen.
17 King Humbert.
18 Marching Through Georgia.
19 Forget-Me-Not March.
20 Annie Laurie.
21 Yorktown Centennial (with drum Solo).
22 Black Hussars.
23 Opening of the Season.
24 Oneida.
25 Mendelssohn’s Wedding March.
20 Admiral’s Favorite.
27 Phonograph March. Campagna.
28 Picador. Sousa.
29 Rifle Regiment.
30 Farewell to Dresden.
31 King Carl.
32 Our Flirtation.
2
33 The Veteran.
34 Champion Quickstep.
35 On Guard.
8G Sounds of Peace (Quickstep).
37 Peaceful be Tliv Sleep (Funeral March,
with beB tolling).
38 The Warrior’s Farewell.
39 The Smart Recruit (Quickstep).
40 American Medley March.
41 The British Soldier (Quickstep).
42 States Camp March.
43 Mikado Medley March.
44 Patria.
45 Corcoran Cadets.
4G Gen. Banks’ March.
47 Salutation Quickstep.
48 Cypress Quickstep.
49 Casino March.
50 Rockvale Quickstep.
51 First of All.
52 Fort Alcatraz.
53 My Country Home Quickstep.
54 Aux Armes.
55 Continental.
56 Reliable.
57 The Honored Dead (Funeral march with
bell tolling).
58 Garfield’s Funeral March (with bell toll-
ing).
59 El Paso Polka-March.
60 Chopin’s Funeral March (with bell tolling).
61 Dead March in Saul.
62 Occidental. Sousa.
63 Across the Danube.
64 Homeward Bound.
65 The Fire Brigade.
POLKAS.
1 Glass in Hand.
2 Always Gallant.
3 Old China.
3
4 Clover Leaf (Cornet solo).
5 Hornpipe Polka.
6 Farewell Polka.
7 Alliance (Cornet duet).
8 Enthusiast (Cornet solo).
9 Anvil Polka (with anvils).
10 Silver Stream Polka (Cornet solo).
11 Bombardon (Tuba solo).
12 Anna Polka (Cornet solo).
13 Young America (Cornet solo).
14 Erminie Polka. Jakoboiuslci.
15 Short and Sweet Polka (Cornet duet).
16 Serapis Polka.
17 L'Amore.
18 Pretty Blue Eyes.
19 Independence Polka.
20 Alpine (Cornet duet).
21 Gretchen (Concert).
22 The Queen’s Trumpeters (Cornet Duet).
23 Drum Polka (with drum solo).
24 Les Deux Amis (Cornet duet).
25 The Lover's Farewell (Cornet duet).
GALOPS.
1 Carillon.
2 Phonograph.
3 Jack of Clubs (with drum solo).
4 Humoristic.
5 The Racer.
6 Cozette.
7 High Life.
8 Chestnut (with chestnut bells).
YORKES
1 One Heart, One Mind. Strauss.
2 United to Thee.
3 Tyrolean Mazourka.
4 Helvetia.
5 Free and Easy.
6 I Love Nettie.
‘4
WALTZES.
1 Carlotta.
2 Sweetheart.
3 Dream Faces.
4 Sweet Smile.
5 Love’s Dreamland.
6 Santiago (Spanish, with Castanets).
7 Estudiantina (Spanish, with Castanets).
8 Autograph Waltz. Strauss.
9 Artist’s Life. Strauss.
10 Erminie Waltz. Jakobowski.
11 Visions of Love.
12 Visions of Rest.
13 Little Fishermaiden.
14 Sobre las Olas (“Over the Waves”).
15 Carmen.
16 Summer Nights.
17 La Grasiela (Spanish).
18 Mia Bella.
19 Comrades (Medley).
20 The Blue Danube. Strauss.
21 Blue Danube. Part 2.
22 Bid me Good-Bye.
23 II Nino.
24 Mary and John.
25 Kiss Waltz. Strauss.
26 Maggie Murphy’s Home.
27 My Queen.
28 Wine, Woman and Song, Part 1.
29 Wine, AVoman and Song, Part 2.
30 A Summer Night in Munich.
31 Espana.
AIRS OF ALL NATIONS.
1 My Country ’Tis of Thee (American) .
2 The Star Spangled Banner (American).
3 Red, AVliite and Blue (American).
4 DieWachtam Rhein (German National).
5 La Marseillaise Hymn (French National).
6 La Media Noelie (Mexican dance).
7 La Poloma (Spanish dance).
5
8 God Preserve the Emperor (Austrian
National).
9 God Protect the Czar (Russian National).
10 Chinese Patriotic Song.
11 Royal March (Italian National).
12 Turkey’s Modem A\ T ar Song.
13 Manana (Chilian dance,.
14 A T ive la Canadienne.
15 The Minstrel Boy (Irish Patriotic).
MISCELLANEOUS.
1 Little Annie Rooney.
2 Down AVent McGinty (Scliottische).
3 Climbing Up the Golden Stairs.
4 La Golondrina (Cornet and trombone duet).
5 Blending of the Blue and Gray (Medley).
6 Rock-a-bye Baby (Cornet solo).
7 Listen to My Tale of AVoe
8 Kentucky Jubilee (with clog).
9 Robin Adair (Cornet solo).
10 Un Requerdo a Salamanca (Mexican
Scliottische).
11 The Day of the Lord (German Hymn
with bell).
12 AA^av Down in Dixie.
13 Dixie and Yankee Doodle (Medley).
14 Razzle Dazzle (Medley).
15 El Misererie (from II Trovatore).
16 Skirt Dance (from Faust up to Date).
17 Rocked in the Cradle of the Deep
(Trombone solo).
18 Sweet Bye and Bve (Hymn with bell toll-
ing'.
19 Nearer My God to Thee (Hymn with bell
tolling).
20 Safe in the Arms of Jesus (Hymn with
bell tolling).
21 The Palms (Trombone solo).
23 Rock of Ages (Hymn with Bell tolling).
23 Darkies’ Dream (With clog effect).
24 Kinloch of Kiuloch (Cornet solo).
6
25 Hear dem Bells (With bell effects).
20 Soldier’s Farewell (Serenade).
27 Selection From Maritana.
28 The Coquette (A Characteristic Dance).
29 The Swiss Boy (Cornet duet).
• 30 On the Watch (Baritone solo).
31 The Tyrolese and His Child (Cornet solo).
■ 32 Alpine Echoes (Cornet solo).
• 33 The Postilion in the Forest (Cornet echo
effects).
34 Andante from Horning, Noon and Night
Overture (Clarionet solo.)
35 King of Diamonds (Schottische.)
36 The Image of the Rose (Cornet solo).
37 Annabel Schottische.
38 Dancing in the Barn (With clog).
39 Pot Pouri of Popular Airs.
40 Medley of Southern Plantation Songs
(With Xylophone -olo). 1st Part.
41 Medley of Southern Plantation Songs
(with Xylophone Solo). 2d Part.
42 Medley of Southern Plantation Dances.
43 Adeste Fidelis (Hymn with bell tolling).
44 Chimes of Noimandy Schottische (with
bells).
45 Red Hot (Musical Jamborie). 1 st Part.
46 Red Hot (Musical Jamborie). 2d Part.
47 Concert Medley.
48 Schubert’s Serenade (Cornet Solo).
49 The Night Alarm (Descriptive).
50 Uncle 'Rastus (Negro Dance).
51 Yankee Doodle ( Musical contest, introduc-
ing solos).
52 Memories of the War (descriptive). Part 1.
53 Memories of the War (descriptive). Part 2.
54 Memories of the War (descriptive). Part 3.
55 Memories of the War (descriptive). Part 4.
56 Well United Gavotte.
57 Shout, Brethren, Sisters, Shout! (Negro
melody, with clog.)
58 Oralia Schottische.
59 Secret Love, Gavotte.
7
60 Let me Dream Again (Cornet solo).
61 Cocoanut Dance (With clog).
NOTE: — When ordering please state
CLASS , as well as NUMBER and NAME of
selection.
PARLOR ORCHESTRA.
1 Beautiful Blue Danube Waltz.
2 Alma Waltz (Spanish).
3 Weiner Blut Waltz.
4 Manuscript Waltz.
5 In Rapture Sweet Waltz.
6 Southern Roses Waltz.
7 Greeting to Ems March.
8 Oolah Lancers (with figures called).
9 Black Hussars Quadrille (With figure®
called).
10 Birds of Spring Yorke.
11 Eloise Polka.
12 The Cricket on the Hearth.
ARTISTIC WHISTLING.
Also the following records with piano ac-
companiment made by Mr. John Y. At Lee,
of Washington, D. C., the famous Artistic
Whistler.
1 The Mocking Bird.
2 Would I were with Thee.
3 Anvil Chorus.
4 Sweet Bye and Bye.
5 Annie Laurie
6 Sleeping I Dreamed, Love.
7 Suwannee River.
8 The Dude's March.
9 A Curl from Baby's Head.
10 Love’s Dreamland Waltz.
11 Golden Robin Polka.
12 Cornflower Waltz.
13 Bischoff’s Bobolink.
14 Love’s Golden Dream. ' 1
8
15 When You and I were Young, Maggie.
16 Home, Sweet Home.
17 When Will the Birds Come Back?
18 Blue Danube Waltz.
19 Now was I Wrong V
20 Marching Through Georgia.
31 Comrades.
22 Maggie Murphy’s Home.
23 Once upon a time.
24 Dreaming as stie sleeps.
25 Selections from Erminie; When Love is
Young and The Dream Song.
26 Erminie. The Sighing Swain and What
the Dickey Birds Say.
27 Erminie Gavotte and Erminie March.
28 Lullaby from Erminie.
29 The Devil’s March.
30 Chirp, Chirp Polka.
31 Sounds from Nature, Imitations of Birds,
etc.
WHISTLING SONGS.
We take pleasure in announcing the fol-
lowing popular songs by Mr. At Lee, introduc-
ing artistic whistling with piano accompani-
ment. The words are CLEAR and DISTINCT
and the records are specially recommended
for exhibition use.
1 The Whistling Coon.
2 Whistling Susanna.
3 Dat Whistlin’ Yaller Dinah. (Original.)
4 W T hy Should I Keep from W r histling.
(Original.)
5 Whistling Crazy.
VOCAL AND PIANO.
By John V. At Lee.
1 The Irishman’s ‘‘Home Sweet Home.”
2 I Whistle and Wait for Katie.
3 Ta Ra Ra Boom De Ay!
9
4 When Hogan Paid His Rent.
5 Come Back.
6 The Laughing Song.
By Chas. G. Hettinger.
1 Mary and John.
2 He Never Came Back.
3 Playmates.
4 Tell it all to Mamma, Darling.
5 Angels are Watching Baby Sleep.
6 Ta Ra Ra Boom Der Ay!
7 Comrades.
8 Drink to the Girls Left Behind us.
9 If You Love Me, Tell Me With Your Eyes
10 The Sun Shines on the Old Home Still.
11 A Speculator Bold.
12 Down on the Farm.
13 My Toast (Drinking Song).
14 W’hen I get to be a Man like Pa.
15 Maggie Murphy’s Home.
16 Olden Days.
17 One Word of Love.
18 Sweetest Love (Song and Dance).
19 I Wish He Were Here To-night.
20 Funiculi, Funicula.
21 Little Clare (Song and Dance).
22 A Mother’s Appeal to Her Boy.
By jChas-. O. Marsh.
1 Grogan's Boy (Comic).
2 When Hogan Paid his Rent (Comic).
3 Maggie Murphy’s Home.
4 Parody on Maggie Murphy's Home.
5 Maggie Murphy’s Joint (Parody).
6 Michael Mooney’s Home (Parody).
7 My Sou, My Qnlv Son.
8 A Mother’s Lullaby.
9 Madeline (Sentimental).
10 Delia Clancy (Comic).
11 A Mother’s Appeal to her Boy.
12 He Never Came Back.
13 ’Twixt Love and Duty.
10
14 Casey’s Barracks (Comic).
15 My Mary Green.
1G Jessie’s Dream (Scotch Song).
17 We Never Speak her Name.
18 Dreaming as She Sleeps.
19 Mary anil John.
20 Throw Him Down, McCloskey.
21 Sweet Jennie Dean.
22 Jack's Little Sister Kate.
34 Ta Ea Ra Boom Der Ay.
24 It really isn’t any Fault of Mine (Topical).
25 A Dear Old Gray Haired Mother.
BASS SOLOS
(WITH piano.)
1 Midshipmite.
2 Old Simon, the Cellarer.
3 Love is a Passing Dream.
4 Nancy Lee.
5 Down in the Cellar. (German Drinking
Song.)
G Polly. (Sea Song.)
7 The Holy Friar.
8 The Maid of the Mill.
9 The Maid and the Magpie.
10 The Postilion.
11 The Rat Charmer.
12 Strangers Yet.
13 The Three Sailor Bor’S. (Sea Song.)
14 Listen to My Tale oflVoe.
15 Father O'Flynn.
16 Lovely Woman.
17 Love’s Old Sweet Song.
18 When Storming Winds do Blow.
19 Our Jack’s Come Home To-day.
20 The Powder Monkey.
21 Ben Bolt,
22 Life’s Story.
23 Do they think of me at Home?
24 All on account of Eliza.
25 A Warrior Bold.
1 1
20 The Torpedo and the Whale.
27 Cooper Song from Boccaccio.
28 The Peddler.
29 The Mighty Deep.
30 The Heart Bowed Down.
31 Happy Moments (from Maritana).
32 The Bandit.
33 Blue Bells of Scotland.
34 True till Death.
35 Farewell Marguerite.
3G Bedouin Love Song.
37 Yeoman's Wedding Song.
38 O Fair Dove, O Fond Dove.
39 Every Rose nnst have its Thorn.
40 The Skipper (Sea Songj.
41 The Old Brigade.
VOCAL AND ORCHESTRA.
1 The Sun Shines on the Old Home Still.
2 Life’s Story.
3 Comrades. (Dramatic.)
4 Pla 3 r mates. (Sentimental.)
5 Olden Days. (Sentimental.)
G Always Together.
7 One Word of Love.
8 A Curl from the Baby’s Head.
9 Old Maids. (Parody on Olden Days).
10 Maggie Murphy’s Home
11 Under the Old Willow Tree.
12 I Wi-li lie Were Here To-night.
13 Drink to the Girls Left Behind Us.
14 Little Clare (Song and Dance).
15 Sweetest Love (Song and Dance).
BILLY GOLDEN’S POPULAR NEGRO
SPECIALTIES,
1 Ain’t Goin’ to Stay Here Any Longer.
2 ’Rang ’Tang Tapa. (Medley.)
3 Wedding o’er the Hill.
4 Rabbit Hash.
5 Turkey in the Straw.
12
0 Uncle Jefferson.
7 Roll on the Ground.
8 The Mocking Bird. (Whistling Imitation.)
CLARIONET AND PIANO.
1 Enchanting Polka Mazurka.
2 Gambrinus Polka.
3 Virginia Polonaise.
4 Thornton’s 4th Air and Variation. 1st
Part.
5 Thornton’s 4tli Air and Variation. 2d Part.
G Washington Scliottische.
7 Grand Fantasia.
8 Drinking Song.
9 Somnambula.
10 Cavatina from Ernani.
11 Brepsant's 8th Air Varia. 1st Part.
12 Brepsant’s 8th Air Varia. 2d Part.
13 Concert Polonaise.
14 Alice, Where Art Thou V
15 Serenade, by J. N. Missud.
16 The Good Bye at the Door.
17 Brilliant Polonaise.
18 Good-bye, Sweetheart.
19 Evening Reveries.
20 The Heart Bowed Down.
21 Then You’ll Romeniber Me.
22 Brepsant s Grand Fantasv.
CORNET AND PIANO.
1 Weber’s Last Waltz.
2 Three Star Polka.
3 Alban’s Cornet Polka.
4 Clover Leaf Polka.
5 I’ll Await My Love.
6 Sea Flower Polka.
7 Snow Drop Polka.
8 Song of the Rose.
9 L 'Elegante.
10 In Old Madrid (Ballad).
11 Polacca.
13
12 Gems from the Opera of Martha.
13 Serenade by Gumbert.
14 Contest Polka.
15 Une Serenade (Air Varie.)
16 Ein Vogel (Grand Fantasie). Part 1.
17 Ein Vogel (Grand Fantasie). Part 2.
18 The Favorite.
19 Ah Che la Morte (from II Trovatore).
20 Oh! Do Not Mingle (From Somnambula).
21 Then You'll Remember Me.
22 The Heart Bowed Down,
23 Lullaby from Erminie.
24 Tyrolean Aire Varie.
PICCOLO AND PIANO.
1 Nightingale Polka.
2 Gem Polka.
3 Lochvogelchen Polka.
4 Cavatina de Donizetti, Part 1.
5 Cavatina de Donizetti, Part 2.
6 Canary Polka.
7 Bobolink Schottische.
S The Swiss Boy.
9 Chirp, Chirp Polka.
BRILLIANT QUARTETTE,
1 Climbing up to Glory Mighty Slow.
2 The Song of the Steeple (With Church
Organ Imitations).
3 Mary Ann (Medley).
4 Hear Dem Bells (with bell imitations).
5 Blind Tom (Negro Camp-Meeting Shout).
6 I’ve Worked Eight Hours To-day.
7 Keep Hammering in my Soul (Negro).
8 The Irish Queen ((Medley).
9 German Melody (with Imitations of Steam
Calliope).
10 Haul the Wood- Pile Down. (Negro.)
11 Woman is the Cause of it all.
H
12 The Bulldog on the Bank, and the Bull-
frog in the Pool (Comic Medley).
13 The Courthouse iu the Sky (Negro).
14 Papa’s Baby Girl.
15 Down in the Cornfield.
XYLOPHONE and PlaNO.
Fred Wahl.
1 The Mocking Bird.
2 Marriage Bells.
3 Medley of Irish Jigs.
4 The Suwannee Hirer.
5 Weston March.
C Martha, (from Opera “Norma”).
7 El Misererie.
8 Dimpled Cheeks and Laughing Eyes.
9 Carnival of Venice.
THE AUCTIONEER.
(A great novelty.)
1 Sale of Pawnbroker's Goods.
2 Sale of Dime Museum (with parrot imi-
tations).
3 Sale of Horses. Cattle, Fowls, etc.
4 Sale of Household Furniture.
5 Sale of the Old Slave.
G Sale of Christmas Dolls, Toys, etc., (with
horn interruptions).
7 Sale of 'N ines, Liquors, and Cigars.
8 Sale of Old Maids.
9 Sale of Red-Haired Girl, (with white horse
accompaniment).
10 Sale of Drug Store.
11 Sale of Goods at Close of Fair.
12 Sale of Dentist’s Effects, etc.
13 The Laughing Auctioneer.
14 Sheriff’s Sale, (The Poor Widow).
15 Sale of Unclaimed Express.
In addition to the above, we will be glad to
furnish, on demand, special Auction Records
15
covering every variety of sale, interspersed iu
a humorous way with bids of mock pur-
chasers, etc,, etc.
HESITATIONS,
The following recitations, carefully pre-
pared by artists of unquestioned ability, are
offered as admirably adapted for home or
public use. The records are clear and dis-
tinct, every word being easily understood.
DRAMATIC.
1 Opening Soliloquy from Hamlet.
2 Soliloquy of Richard III on Conscience.
3 Oration of Marc Antony, (from Julius
C’Eesar).
4 Opening Soliloquy of Damon (from
Damon and Pythias).
5 Damon’s Speech to the Syracusans.
6 Selection from Richelieu.
7 Closing Soliloquy from Act I of Richelieu.
8 Hamlet's Soliloquy on Death.
9 Cardinal Wolsley’s Farewell to Power.
10 Selection from Damon and Pythias, Act I,
Scene 1.
11 Opening Speech from Richard III.
12 Othello's Speech before the Council, Act I,
Scene 3.
13 Richard’s Soliloquy on the Death of Henry
VI.
HUMOROUS.
1 The Yankee Still Ahead.
2 The Railroad Crossing.
3 Sehlausheimer’s Troubles.
4 Parson Jinglejaw’s Surprise.
5 Der Shipder und der Fly.
G Kentucky Philosophy.
7 Belshazzar Smith’s Cure for Som-
nambulism.
IP
16
8 Au Aesthetic Housekeeper.
9 Ding-Dong on Vocal Power.
10 Der Patter of der Shingle.
11 Hill on Hornets.
12 Cremation Exposed.
13 Vns Bender Henshpecked.
MISCELLANEOUS.
1 The Old Minstrel (Pathetic.)
2 Which One? (Pathetic.)
3 A Shakesperean Dream.
We also keep constantly in stock a large
variety of choice records of which we can
make no catalogue, the list being changed
from week to week. We draw regularly upon
the theatres here for the best songs of the
vocalists, serious and comic, visiting Wash-
ington. We obtain instrumental solos in the
same manner, and will be pleased to till
orders for miscellaneous records from the
material we have on hand from time to time,
making selections according to our own judg-
ment.
Hunjorous tatfuijg Records,
Welitcp CDn^anLSy an' hniid a full lituck of the
celebrated
PAT llKADf RFCUltDiS.
i Ttieie tecoftia nrc very carefully laVnn ate
fJoar and Hmd, sa that every wrtl oau be clii-
tsncliy understood by the hearty. The firilew
lug Ja ft o^nuptSB w UK subject
i. J*ut Hrady nattPulIce-JaatJoo^ Hit,
iuji been elected la AiSce, he Bdmiuliteti the
law iut a very novel ni »n iicr h uud readers Haiti e
very orfRiatil dfcciusonis,
** l*ut llmdy mi n hv Important
eeestbavIsE taken place !ti hi* household, he
Nkbral^ *1 iu n noisy way wl-.li hie Hr! end a
iCtkoeiHr)
II. Jlnwlj* In tho Pfti.ro! Wnpon .
Jlavlttg fOGieli»iMt an an reason able Jvm p bie
VecDinffl demonstrative quarrels with tils laswl-
loi J, and *hc patroUwagou lakes Htt party
away, (Chorus.?
4. Put Jimdy luiforo ttttn Election* He
sdiirenra hi 4 followers, nml Flakes them a*
Itavlgaut, promises, if they will elect hint to
office. 3 Chorus,}
m» Put Bi-ady after tlio injection, fit
explains haw ft was iliai he heat aiutpiy "by u
small Majority.^ ichuniauj
fi, Pat ilrntly e*n4 tloo Doctor. Ready
Mails far a plsysiclnn, asks »se »liSi|p qO'tj*
taous, nml receives some good advice,
T. Put Ilrudy in fcho Police- roart* We
tuecti a (Wcrni on ike aired) an altercation littrs
place., and he erplains ihe causes iu the judge.
5, Pat Ifrtulyanil I the Wnrld^H Pulp. Tic
gives Mt □pinion as to what countries should
««4 represents lives to Chicago and who should
Stay away. ' (Chorus >
fb Pat as President. He sint«
what his polity would be hvnalt the TudianA,
□ ad olhcr reforms be wo eld make If lie wa*
fileciftl ftC&fdttlL
t O „ Pniifiy’ji TVcHlfl I np, Pal Effliy fella a
fanny Irish diary ah® at at. itTw, and COU-
eludes with no Irish gong.
Ti l PAtJtndy it ml Wlfo irt Court . Re
feels a divorce irom hi* wife, and tells IhC
story of his duiueslle troubles.
!£.* St, PntTlcIr*B Day SpoDoh* Ur ad’
dresses his country men cii St. Patrick's Bay*
gives litem same crii r.al IJtigliSli hintdry., and
makes sonse jJTcdJctfoB,*, {chortlB.j
I
1
We also cart? in etoct, U« celebrated
CASEY SERIES,
cf irifrH dialogue records,, which,, id addition to
the excellent LirogTir, Itilipd litre many novel
elfwtfl flmch as the fl.uirn 4 artiOneg feci, pail-
wnd tnki, Btflimluitu, etc.
TJic list lute! tide* IhcJollawieit nubjecla;
I- Casoy and tboJtudo. hiecthutm dndt
citi a attest e.ir, Cnsey bidlltjfM in sonic fun at
tlw eltidte's eipeaaq.
2. I?l(tn Jtoff KXioillg I rotund.
Aa rcpre^Hlaii^ yf the I u, u t- i., da-wy es-
plniua to bla hearem the plans of that myirte-
nniin society.
Jl. On*ny .Exhibiting Mis l*jmonuna>
^hile visiting Du him, he cnlertfliHH.fla audi-
ence wiihlrjls paifoYitmu and gives adine Enler~
« Lih£: la furm alios, .* bou t Niaeat ai Falla , etc.
4. CuBoyifi Ftrtjt llTiHirtoat'o ns a. LKhi-
tyr. Hf lialta iamr u iacitl on a i cgprti-
LaRHei paitEcut'aaystipS.ciiB* and s'ees Isim Bymij
valuable advice.
S , Casey at u, Vnrty, while esj«y Itijj Mr*.
U'lTyl^rHL^ husjKtnlLty, [iu*p j amt hf» kicada
cizchasKejofcca and p.u-*ake of refresh incut.
O* rJ&UniMff to a 1 1 f|iuI*OrfClia * Artci
Fidimr I jip he luitdliirruceuf the tuankey , Casey
rtvarb his friends with a mdsijj. with h.au"tl-oj’*nti
utcanjjiaokiieui.
7.13a I toll to to WoafUtietcui* Hefone
leik-lteg for Wafthlngtail as rcpratctl !ntii-e in
Congress, Cnsey trlli hist cvostltHCUle what he
lutvscla to say |u the tTl'Caident.
.8, by ^rnaillbOHit. Casey and
His fries ns leu v c Kv.v Y orfc by st ra:it tr, jm d £ n d
Some Strange thing* 1 1 talk about.
I). Cfiyoy nt ttieTekpliiniioi, He calls up
h is ttlesd Murphy mil learn * of a happy event
in the litters household.
to. Cm i soy rtH -Tm [fifth He Vartui rWBts
lhmjr mbuMt legal let nifl and disposes of Rome
Stn-.*is ea.*rt,
71 - Casey ns Clmlrmnu of the Mu^-
tViiTmi Club. HcprcaJilirs *t a luecduR untied
Ibr tby purpose of deciding an the hied of
l Orclses In be curried !a a pai adc.
CrtJAUy jird IiIh Cunjr of fjlborur-n.
\ r - Micury MciIJuh nbirets lu errtalu
dldJ M aau ^U0er4 aertoua ipfarlea la coftBr^
ifaerice.
Cuilambia Phonagrapit Cfimpany,
027 E St N. w.,
WaBhln^ton, 50, O.
< B ^ M P f i
-7. ; + *t.«v wsi fx
qp 0*
rim jut Any », 1S!>:{.
* -
New Vocal Records
GEORGE H. DIAMOND,
I p O!i SA JJ3 JtY
Columbia Phonograph Co.,
627 £ St. N, W.,
WASHINGTON, D. C.
Wft have obtained, at considerable expense,
thu feervkos of tbe wall known vocalist, Mr.
G BO !i(f L H. DIAMOND, whose scra gs are go
highly appreciated by tipere of the Phono*
graph throughout the country. The words
tire clour and distinct , the piano adootiipani-
inent well rendered and nicely balanced, and
the records are unsurpassed* They will be
aold at $1.2.i each. OK'ing to the limited
number of each nelection, we would suggest
that custom ere, in ordering, name several ad-
ditional records as second choice, as we may
bo obliged to fUbaUtute when the stock be-
comes atnaLL
Follow log are ike selections!
SENTIMENTAL.
1 The Broken Vow,
5 You Gave Me Your Love.
3 Ha Was n Father.
4 Firelight Pictures of the Past,
a Waiting for ail Answer.
■fl We Were Sweethearts, Nell i«nd L
T The Song of Father Time,
8 My Mother's Motto.
9 Mock Not the Old and Feoblo.
I ft You Will Never know a Mother's Love
Ajsuln-
i L The Spot Where Mother Died.
\*1 Velvet and Hags.
13 What Will Tomorrow Bring?
II Peggy Cline.
I« Keep a Place at the Table lor Jack.
* 1fl The Songs My Mummy Sang So Mr.
Ti Tie) Fight for Home and Honor.,
15 The Wedding of the Lily ana the ’Rose.
Ifl kiss My Dear 014 Mother.
20 He 1 ell.
21 She Promised to Meet Me Here.
22 When Mother First Taught Me to Fray,
23 The Broken Home,
2-i Always Show Respect, Joe,
2-t He Was a Soldier.
2<1 Oroce Conroy .
27 We Never Speak Her Nam#.
38 A Letter to Hie Dud.
2© You llad Batter Stay fit Homo, Lad.
80 Time -a Op.
HI My Sweetheart's the Man in the Hood,
35 Just to be at Home,
33 Twelve Months Ago To-night.
84 When Ireliuid’s Free,
4." The Coast Guard's DungJuer.
!-
19
aa
m
COMIC.
, , r Wish They'd Do It Now T
2 y^e Law Won’t Allow Ma to Do If, (Low
5 i jv'eparted,
j W3i„ Sweet Face He Never Saw More.
? Jidk' DttFy,
« StaitV^W BK,ke His Plodgc.
7 Viand Now LJtUelwm, (Nagto).
8 He NBV«rSi.’ ,1 , l i H n««i
0 Sucli it Nil s i- ,rl ' '.“V 1 '* . ,
111 Aiinlu Hu.noj t. 0 }, ho .
41 Hidgho for the 9 lllor ’ ! wTiVtu-i \r
12 Haw One On the ^ndlord With Me,
13 She's More Than F
14 I Handed It Over ctLW 1 ?/’
Iij When Hogan Paid J *“ ™{- ,,
1ft Blame It All On To ® llh * ^ owi -
17 He Didn’t Split the Wl 0<l
r %r*
1 - i— n
tr,
<_ii
H E ' !i ;? tTSjne in Twenty-four Years, < Do
*S> riiuw Beautiful Ladies. (Lqw\
m Yes, I IWt Think!
-I T Fotiml It. (Low }.
19 They Wanted He to Take Hte Plmnj, (Lowt
2.-I Paddy 3hsr<
S U U T Hu >a Hu Spoke, (Lou )
i] Me Lurry a Now White |-J (L.t
2S I Thought it Was Mhie
ar Whftt'e the Use? {Low}. '
S3 I Went Home Wld MiebileL
SU The Keeloy Cure,
i;? £)* Order of do Golden Key, (Negro),
^ l JJie Ac Lois Boarding House.
Keep Tour Eye t« Duffy.
Noton Your Life, Sa^-g yi aF¥l
*1 Ob t Tu-]t^K u 2 “
- I'm Something of it. liar My eel t
Jii [f r Wae Only Juet Behind her, Loivh
d? Ycm Can’t Think of Every thing.
Are Apt to Happen, \ Low),
•W Dead on to Me.
40 Jl, sfe Haumihs She Didn't 1C now the W« y,
J1 It‘rj Away Out of Sight. (Low}.
1? ? i r > V nd 1 Wm Cjtll > T Dreuming, (LowV.
4tt Y unhung ton After Twelve O'clock at
Night (Low).
44 You ’] i. Ttnil it Very D • ffewa t WJi#® You ’re
There. /
4t Pnltiy F|yhu, t
4fl Slide, Kelly. Slide I
«=* 47 The Poor Girl Didn’t Knoy^,
s; ”
mm. 2
' - “ ■'/. U X .
i ‘it
s - .
■ u ‘ lnL - '«»».
1
Tne president’s Band l
LIST OF4
0 Cl. <g. Manned
^ <- *
AXTi OTHER
0 RECORDS,
'J For ^Jionooraph Keproduciion
N S vM 55 t«taj,jft rsa , e , tfft}b5lcjr!jr{iii| |
■ ■
-ay jur-
“ *■ J J-i -IV -
| COLUMBIA PHONOGRAPH CO.,
: ‘ K S tract JJ. ^
Washington, d, c.
If ’ LonS! Distance Telephone, n, 2
~ ^Sv^^ssw....^,, 7 I
35e Destroy all Provisos Lists.
5
C Ll
■■7-
0
£
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tf-
I
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"PSEJiiSSS S5<i URBiMLfcSO on Ik llJEGiCIN
MKTi RESIST,"
Gfftit Words fi-iji/i a Crcit Jiniie !
■-i*
RtiaiJ what ihe famous GiJmore says about
THE U. S. MARINE BAND.
*‘* 1 *{* * r M * ffA t '> JW /J / IN Cl I t ill th iS
Vlit ftilfowinjr **tract i'pu.u a letter from Mr j s,
<.Llmoi‘L' u.m Killy to o« v i^njl from the rliairstan
J /’ Lu.:MSh-hH lUOIl I.oiisis
i t! U’r(.'<r.Lri.: .i. tl,e Coiictrls jfSvtin in that city W the
Eluted SjLiMlCH Marine JLmulI
St - ;w ' Veras: . March i :„Soa.
11 V 1>JiAH Sj]l ' [ “HI frill u«nly allied, n* you uo v
-islc, my optuiEin Of Lhfi Alnri m hand of WaHhUiptou.
■b\i;Li, i he hand cannot he-[p tmiis^a a p lend id baud, f-nr
several rca^oi; a. FirH.tts permanent locaiLoti i.L Wait,.
in^ou id i 2 rc*.t ittd h«kk:ii L IW first-class lh b aidaiis
tojfuEL ilie band, mudiCiAtt:; who could not be- induced
to join the nsyjular array, fenriiij: that fromkr life
ltlt ^ llt ** ^te, Second, llie members of tbi=
MiLrmc Band Are otiLij^ed to aUetwl a lon.d rehear^]
r. ! itLC-h t c'Etry Jay in [lie year, which Alone ls Sufficient
to make ikm pi iy -spleai 0 fd ly togfetlicr.
Witli the beauty, the cnUiLrd, and tin? brain of the
station Bt the Capital Jot (udicutei-cnougii to inspire
the men to btiiij; north the most ctarenfnjf cJTcctfi of
which the diviaic Art oT music is capable— i s Li not
to he expected fhut the iJurine Raid of ‘WaKhiQgton,
Should Hand fusiie j-j nn 4 tatrh>ah 4 M ifa Aai^ti^nn
£ ftuinifHt.? C n, t h nD , a LiLi hear th imu pj ay ter], on Y o u :■ ai-«
pci opportunity, and you will doubtless be cot ivineed
that Uncle Sum hat a ha mi of v.-El’CI, the Govern menu
iliuI the people oyjfiit u> fctl, and do .tee], jn&uy pre.uj.'
Vcrv smetrclv vo nra. i=_ a. ctLaione,
MIAS A* EDISON,
f the Phonograph or “Ideal
Stenogi'apker.^
IMPORTANT!
Wo dee iiie to remind there who have auto-
matic <? r e jtl ti bi lion phouogra] dr & th at i n ord er
to make money and keep up the earrings of
their machines, they must continue to use
only good, loud and attractive records.
i , All records listed in this catalogue are jS at/
class, unequalled Cor brilliancy, bleiunew
and general excellence.
We keep cou&taatly in stock a large variety
of Choice records oi which we can make no
catalogue, t.Jj.e 1 being changed from week
to week. \Y'o bring oin incut artists hfli 1 ® from
Kuw York, Poston, Chicago and other cities
n-t great expense, for the express purpose of
making records of their opisciali Iojs. \V<# aUo
diiiw regularly upon the theatres here for the
bc-STi songs of the vocalists, at nous and comic,
vibifiiur VVibshington. We will be pi eared to
JILL orders for mireeUau&mJ4 iceoJ'ds from the
material On hand from time to time, making
selections frccordi eg to our Own judgment-
In ordering pleads stale clearly whether you
desire records for horn reproduction, slot mu-
ch ire or multiple tabes.
7 o guard against errors, aheays give name
a ad number of selectivity as welt as class of
record.
To facilitate prompt filling of orders, cus-
tomers are requested to give ns the privilege
of aubs tidy ting another record for any spe-
cific selection which at the time may not he
in stock. Unless otherwise Instructed we
will exercise tills liberty.
Unless cash accompanies order, goods will
■ be sent C. Q. D*
Attention is specially called to direc-
tions given at close of tins catalogue, for th&
care and successful operation of the phono-
graph. y '
3
This company makes a specialty of high
Class, on i of k a L likccHD^, carefully selected
for louLitie.-s and clearness.
-*(J. S. MARINS BAND.-*-
Tin r United Stoles Marine Sand is the most
famous musical organization on the western
hemisphere, ft is the official baud of l he Pres-
ident _ of the United States, and plays for the
President at the White House on all' state occa-
sions : and at Inaugural Balls, The great
Gilmore .so id of this baud, "It stands pen less
and unrivaled on the American continent.
Note. — P honograph recoid* are made ex-
clusively for this company. Alt high class
Originals 5 no duplicates made or sold.
MARCHES.
1 Semper Fidelia {with drum solo].
2 t'msiider.
3 The Thunderer.
4 National Kyucibles {with drum solo).
5 St- Omar (JouLimmdery,
G Tire Uudu 'a March,
' T The Gdadiatot-
6 Washington Pobt.
y High School Cadeta.
10 Kai$Or Joseph.
11 Loyal Legion.
12 Major PertiuE.
IB Pelphegor-
14 March of the VolunteOi'a,
15 The Belle of Chicago.
16 The Three Guardsmen.
17 King Humbert.
IS. Marching Through Georgia.
IS F&rget-lW'K ot March .
A u* & marine baxd,
20 Ami It; Laurie,
J1 York town Centeuu ial (with drum eolo)-
J2 Black Hn$g&rst
'’■■■ Am S rle lLH C uard Q u i-ok tj Lop ( Patriotic Med-
ley}.
£4 Dcatfi of the Tronibouo Quickstep.
2'i Mendelssohn's Wedding March.
26 Admiral^ Favorite.
'Z7 Phonograph March.
Picador,
20 Jiiho Regiment,
30 Farewell to Dresden.
31 Boston C&nimamk'ry,
32 Our Flirtation.
35 The Veteran.
3-1 Champion Quickstep-
s' On Guard,
30 Sountlh of Peace Quickstep-
37 Peaceful ha Thy Sleep (Funeral March,
with bell tolling:?.
The Wiu-rjnra Farewell.
'.i'j i’iio Smurt I-ier.-n.iit (Quickstep),
4(1 American Medley March.
41 The British -Soldier (Quickstep) ,
42 The Adjutant.
4-3 Mikado Medley March.
44 PutriA.
45 Corcoran Cadets,
4<i Gen , Banks* March.
4T Salutation Quickstep.
4ti Cypress Quickstep,
^0 Casino March.
Rookvule Quickstep,
51 First of All,
52 Fort Alcatraz*
53 My Country Home Quick step.
H4 Aui A rmos.
55 Continental.
56 Reliable.
^7 The Honored Dead (.Fun-fli&l m&i'ch with
bell lolling).
u, a. it a hike iiAjcD, ^
SS GniJieUrs Funeral March ( witJl ^11 ^
f]! El Paso Polka-March.
5? ri ™‘* 1 Mnnh (with bell tolling)*
01 Dead M ,uch i u Sa u R ^
02 Occidental.
63 Across the Danube,
£4 Homeward Bound,
fio 'File Fire Brigade.
GG Sound Od.
67 New Ideal (Drum Solo}.
03 Independent Cadets,
611 Jolly Students.
70 GiJmoi ee Triumphal,.
71 Fourth Battalion.
'2 Ti\ Ra- Ita-Boom Medley.
<3 Nixie We aide,
74 Man i sot,
75 Thunderbolt,
™ S^tond Regiment (Di um Solo).
- - LoJ. Wheeler's March [Drum Solo),
POLKAS.
i Gtuse in Hand-
13 Christmas Chimes (Trombone Solo)
3 Comec (Cornet Duet).
4 Clover Leaf (Comet solo)*
15 Hornpipe Polka,
6 Love Poilim
7 Alliance ' Cornet duet).
8 Enthusiast (Cornel solo).
9 Anvil Polka (with anvil a).
J! gilver Stream Polka (Comet solo),
11 Bombardon (Tuba boIo).
IS Anna Polka (Cornet solo},
13 Young America (Cornet so Jo),
14 Ermmle Polka,
15 Short atd Sweet Polka (Comet duet)*
16 Sciapis Polka.
17 Mrllio (Piccolo Solo),
1& Pretty Blue Eyes.
6
ll BAh'D.
1? Pol ]( ft ,
?? duet),
|i ^ ret 5 f™ i Concert).
g E2®?fffi8r »-*
gi fi“fi v# i e! E Iea *»<*> Soil) '
3 ' Golden Robin (Cornet Duel).
I Carillon, GAI ' 0PS -
" PliottogfMjh.
4 ffitssl?* <with lt,a " 1 “I®)-
£ r i lie Hiiter,
d CoKette.
7 High Life,
, usr.£: fctai ' M,) '
]0 Steam Galop.
YGJ3KLS,
* Gti* I-Imns, Ouv MEnd.
a L'Uiceii eo TLei>
5 ^™l«n Jr ; ,Serka.
4 A nemembt-jiiee of Chicago.
1 Carton, WALT2E3 - ,
2- Sweetheart,
J P'A«ehii i-Vc^s,
! Stvet>i fciuije.
i! Love V Df&unJaud.
I-! ky^tiugo (Spanish with Castanets l
1 .«k332w
_® Artists Life,
{? Eiimiule Walts,
Ji ;w»wof Love,
YiRJODg 0 f
18 Uttie Fisber^l^
tFr £. JtAJtlNE UAVU,
7
“SSSS^^^s-wwi.
22 N(ghte.
II
Oouiradafl Aredlev
?? £f t: Si 1 * 3 «u
S3 Ki3* Da r? Ut,e - h -
S Bid m e Good-B^o,
r* -U iNi.no,
ij? jof 1EL
3i - N Kits Waits,
I? >f r ;^;” ulp ’ 0J "' »«.
Jjj! ?f 0niai1 Son- ft
3J 1 Woinai i nud Sou? Y
ifCr wNieh ‘“ M ^i.
| p&i™ d **•
J4 TreyJoJio,
so AiJelTuu
so My Mary Greet.
£ 5"*“ ™ the Ocean.
2 ' “ ,0 “® «l Paradise,
« Iib£otM« 1 Wkij|J“ f, '°'“ th ‘ Bil11 Sown).
SCHOTtlSCHLS,
3 ^^r£^i]-do b a L St] '■ wi ih
4 lfr “ ic ““ K
5 Welcome Spring.
1 nr t r- AlRS ° F ALL HAT1 OWS.
$
Vm s - samj.
S fe^' 1 '
II Afaj-^I -iiir 4a .^^cg).
i «**££? SSLE criONs,
s Tils Swee^Bjrof.^ jP"’ 01
S TjJ^J Sol .“J- ' ' ll * " f t * 8 Dee I> (Ttt»m-
e fi«tofA™ e r ''° lnboi '“ Solo.)
* £d«te KJeiij.
9 u/^dTh? ly t Li8,lt -
3 ° iht Dt/oniwT^ Z 10 "*--
; Lm,i(G —
] Util. i miscell aneous
3 ri' t le Roauav 1
* i?OW 4 Went ir
JJswSSPH-* i
ISawa^wsa# i
3 Bobin Adaii t
10 Tie SiraS S°Ioi.
S^tegf «Sfc E /
l|S» e ^ f
•I
J
| l, ’<'WB«Ej„ |i
I 18 Sf' LitUC BallJ, “ CriM W-ta*
iBD ^-- a(llt6tre#tDftheSa!vatiM
j
: || wl»).
! " olS;: b8 i' Mr8c “>-
» OvSre ®*™ ^nJid 9 , £
» Th* 8 “,L»^ n,w *- «•
;® Ob jj 10 Wf,^, t).
* wio) -
■ * +»<&?\ rw M ,tm ^ «*»
88 «$rs^ffi8r ms> *
U Tb *™? 7 "' iIh il 4 ). *’ Si, °"* ( - Ve K'f
?? f«t dour*),
do MeiU«r of <£S?? ,a ' ^ii«. '
« s ™*«
« s “*“
£ gS*?* 8 fiiT «-
« Tie N//h (filar “ 3 ?r Solo'
ifejuor^a 0l r +t ^r)^ N?SCn Pttve) J
00 w 6410 ®® <?f the a.
° Tories o/ tJie ££fc*PKv 4 . ^
fll Wotonpw T# ). c+
3IJ U + & MARINE iUND.
-A ^ JQj0 ^ ce ^ r ar {descriptive), d.
03 tjelevtioDJt fro FA Waug a
^ Selections from Wong. ft.
Selections from Wang. ?..
fl.J Selection* from Waa|. d
^ A Trap on the Lighting Expose flatro-
ducmg Bell, Whistle, Sound of Moving
-H am, etc. ) &
^ £"”*•« f « Lullaby {with Crying Baby)
5® 5 f “^ ter y Boils (with iiellsi * J
.. fr abephaaae Gtvotie,
nr *2 ™ r ~™ w&zrtng please state
a, ‘ d *di« ««•
PARLOR ORCHESTRA.
1 Beautiful Blue Danube Walts,
- Ainu a Waltz (Spanish). ■
3 Wiener t3[ uc Waltz,
4 Manuscript Walts.
■> in Ha Hare Sweet Walt*.
b Southern Roses Wwlte.
I March.
? (willi figures called),
B f£] e ? UWftrfl LarDCelbf < WlHt
3? Spring Yo ke.
-1 £ I oise Polka.
}® Jha Cricket on the Hearth.
14 Selections from Opera ‘'Patience.”
}? Selections from Opera ^Enninle. 11
Ijj Lome Along, Sinner.
J2 SJSS?** (wfttfiguiee called), '
L Quick an i ink Galop,
Jn Tw rkajr Clog),
it! Wang taneier 3 (with figures called).
i
11
ARTISTIC WHISTLING,
By John Y, At Lee.
r
ii/A 4fLcet* fheuiosi/tfinoii^ icrAftr/sr o/
present d<ty f HU runs and (nils are
marvelous. For finish and brilliancy his ear*
ecu t ton h as never dee n eq nailed. Thereco rds
are all clear and enchanting. Then are the
most urngue and striking contributions ever
made to oar art ♦ and command astonishment
and wonder. All hove dashing and brilliant
Pi a 7io aec amp i nimen t. Th e lou dett tire Ufl .
wraUeled f or horn reproducti&ty and will
Jill the largest audience room.
Notb. Mr, At Lee makes records exclu-
sively for tills company.
1 The blocking Bird.
S Would I Were With .Thee.
3 Anvil Chorus.
■t Sweet Bye and Bye,
5 Annie Laurie,
fl Sleeping I Dreamed, I*ve. .
1 Suwannee River,
d The Dudee March.
9 A Curl from Baby's Heal.
B) Love’s Dreamland Waltz.
It Gti hi on Robin. Polka,
HJ Cornflower Walt3-
r
<: .■
Vi
S 3 Bigeh off ’ft Bobo link.
14 Love ’e Golden Dr&am*
15 When You and I Were Young, Maggie*
16 Home, Sweet Home.
17 Whew Will the Birds Come Eackr
IS Blue Dun u be Ws 1 tz-
10 Now was I Wrong?
20 Marching Though Georgia.
21 Comrades.
32 Maggie Murphy's Home.
23 Ouce upon a Lime
j£4 Dreaming aa she sleeps.
25 Selections from Erminia: when Love \s
Yo li ug an d T lie Dream Sou g .
20 Rnuinie- The Sighing Swidn and ^ Hat
the Dickey Birds Bay.
27 Erminie Gavotte and Evmintc March
£& Lullaby injm Ermime,
liU The Devil’B March.
WHISTLING SONGS.
By Jo fin K At Lu\
The Mww'w popular seat's, Ay Mf r At Lit,
introduce *1 m at tistfc wkistisrg, *tf* W™ iK ~
ComfHwimtnt, The i wrds are Bear, and dish mi,
the airs bright and catchy, and the whtsfhftg in-
terludes surprise and delight hearers. Ae tfoi/ec*-
tieitis complete without these resards,
Note. “M r* At Lee makes records exclu-
sively for this comps ny*
1 The Whistling Coon.
2 Whist) in £ SuBuuna. .
8 Dat WhiflUin 1 Yaller Dinah. < Origins! 4
4 Whv Should I Keep from whistling:.
(Original.)
5 Whistling Crazy. ,
H 3 Whistle and Wait for Katie.
7 PubU dent Clouds Away,
.. ri
(N
VOCAL AND PIANO,
By John 15 At Lee
1 The 111 shma n '» ‘ ' Home Sweet Horn 3 . 1 ’
2 Nice Girls.
3 Tu- lia- Ra-Boom -De- A y 1
4 When Hogan Paid TLis Rout.
■5 The Prodigal Son.
C The Laughing Song.
7 3 p iu the Man that wrote ta-Ra-Kfc-Baom
de Ay l i
8 H'gho for the Bailor, (Low.)
0- On" the Bowery, j
By J '. 7 Burnham, /
SESTlMENFAL. /
v i The Old Brigade. /
'S ^One Heart, Divine.
3 The Old Turnkey. ./
4 Scanlan’s Rose Song,/
5 Out on the -Deep. J
C Mother Kissed Mff Good bye.
7 My Sweetheart s the Blau in the Mpp 11 '
6 He Never Care a to Wander from His Own
Fireside, , , , 1;11
The Old Rustic Bridge by the Bill*
10 Remember', Boy, You’re Irish.
11 I’m Lcaying Dear Eiin.
/ CGHIO.
1 The Sftcond-ulasa Hotel.
2 Is That Hr. Riley ? ■ ( Iiishh ■ . , ,
g Throw TTim Down, McOlbskey (Insh]
4 The Spider and the Fly.
5 Do You Catch On V v
0/Get Your Whisker# Cut k
/ T The Pawn Shop. \ d t*™™
B I’m the man that wrote TakRa-Ra-Boom-
|-3 gjj A V a *
& Douh Git dot Name a Pad Blacb^Oorm&n
Dialect.} \
, V . I0 John McKusher. \
*
14
VOCAL AND PIANO.
By George H, Diamond,
C|T
Mm*4
tVa have obtained, at amsidetyUtle expense, the
services of the i veil known vocalist, Mr, George
Jf. Di at /ip mi, whose songs are so highly nppre-
dated by users of the Phonograph throughout the
country. The wards an eUer and distinct, the
\ i . piano (ucGfttp&niiiieirf well rendered and nicety
balanced, and the records are unsurpassed,
Qtving to the limited number of each selection,
would suggest that Off turners, in ordering,
mime several additional retards as StCOnd choice,
as we may be obliged to Substitute when the Stock
becomes small.
SENTIMENTAL.
1 The Broken Vow. b- n •-■■X,
‘2 Yon Gave Me Your Love. j- d .
3 lie W :i h » Father. ofUr^ P**
4 JMirtdigllt-Prctll rfB'0£-4ta-hfll^ ■fi't'M M
5 Waiting for an Answer. ’ U
<5 Wo W era Sweethearts^ Nell and I,
7 The Song of Father Time*
S My Mother's Motto.
tt Mock Not the Old and Feeble.
10 Yon Will Never Know u Mother'* Love f
Again.
11 The Spot Where Mother Died.
13 'Velvet and Rage. *v-' > 1 Vr
13 What Will Tomorrow BringV
14 Peggy Cline.
15 Keep a Place at the Table for Jack., . \ " '
1C- Fbo-Soiig^Mu.M-ftmtny'Saiag w io--Mc , ’J- H -v 3 -j ' r " r '' T
j7iUdehtie.
lb The Wadding of the Lily and the Roae.
10 Kits My Dear Old Mother.
30 He Fell.
-l Sh« Promised eo Meet Me Here.
3i3 When Mother First Taught Me to Pravx
S3 My Soiij My Only Son.
SI Always Show Respect, Joe.
£3 He Was a Soldier. - '
SC Grace Conroy.
£7 They Will Never Tutn His' Picture to ihe ■
Well.
£8 A Letter to HEs DjuI-
Sfl You'd Better Stay at Home, Lad,
30 Time's Up^
31 Juitt.Ep be ttfr'Home.
S3 Twelve- MtSCftti a Ago TO'Eighh
COMIC. * ' |
1 I Wish They’d Do It Now h
> 3 The L^w "Won't Allow Me to Do IMLowi.
i 3 J Departed.
4 Hi A Sweet F Hce He Never Saw Mot*.
5 J tidge Dully.
01 Since Murphy Broke His Pledge.
7 Brand New Little Coo n n (Negro).
3 He Never Smiled Again ,
tJ Such » Nice Girl, Too.
: 10 Annie Rooney on the Boom- de- Ay I
H McNulty and the Duck.
l£ II » vc One On the Landlord With Me.
I
fc
1>3 Shc’y More Than Seven.
U l Handed It Over to RjW
15 When Hogan Paid His Rent
iG I IwHiemLiijj , I Forget.
17 Ho Didn't Split *h& Wood
IS Those Beautiful Lad tea,
IS Up With che Angela Now.
£0 I in and It, (Low).
S l h Z w L“ ted Mc Take Hie. Place,
-£ -rtitidy Shav*
S3 Now He's. Sorry That He Spoke.
2i McGarry New White Hat..
A k - r " ■»
£S Da Order of dc Golden Kcv
g Tbrtetom-^owdtag Howie.
oi- lT„r I?,.ti T 5„„ ¥ l
-A?
2? or Run, Kuu t Run.
fi Day ’ Sonie D “- v -
33 It I Was Only Just Behind Her.
^ £ 'i
V M ^ v 'ji J ■;' I fcHT- /? jT~^-
„A' , ..Gt ri i....-^ err '-X A-
j? clarionet AtfD piano
ArWtf. Vs
, ../" A By t J?tlix /nr^tf/Zn,
/Tr'Vw fu.,.4.* v
Zrt ^ K i ;ln«
1 Killing Star <^atkL /
2 Echoes From the Hail Room,
5 A Dream of Love.
4 Attiia— Selections from Opera
l P^lude from Opera by Verdi-
6 Longings for Home.
7 El Miserere.
£ Caprice Polka,
y Neapolitan Song,
10 Gounod to Ave Maria.
f Ca~V- f
■ .
n
[
*
17
CORNET AND PIANO,
By Angutf Xrdts kurih,
So/o Comefiti, U. s. Marine Btwd>
1
2
3
4
C
0
S
Weber a Last Walts.
Three Star Polka,
Arban : e Cornet Polka.
Clover Leaf Polka,
T’Jl Await My Love,
Sea Flower Polka.
Snow Drop Polka.
L 'EelJiire.
!* L ’Elegante,
10 In Old Madrid (Ballad).
11 Polncea.
13 Geme from the Ope™ of Martha.
Serenade by Gmnbert,
14 Coutest Polka.
JJiie Serenade (Air Varie. }
JS El* Jg**nd Fanusie). *.
h Vogel (Grand Fbutasie), b,
1“ The Favorite,
If f*orre ih ' 0m 11 Trovatora).
Si JS 0 ™^ l 1 Mo.
2~ I ho Heart Bowed Down,
33 Lullaby from Eruiiiho,
£4 Tyrolean Aire Vnrie,
PICCOLO AND PIANO,
By £ r j'I/. WaUrbury,
1 Nightingale! PoSk».
2 Gem Polka.
3 Loohyogalyheu Polka.
4 Cavatina rfe Donizetti, o.
5 Cavatina de DouiaetiL b.
0 Canary Polka,
7 Bobolink Schottiache.
S Souvenir of St. Petersburg
r
f
\
I
j
j
[
\
\
f
r
IS
in n hi ;P’. C £ il 'P Polk »-
Si I'd iq b Fitvorite,
H Hvmtniug Bird PoJka*
f J-UTE and fianq,
By E. M Waiobu-ry,
X Annie Laurie
* ™ff E * Snftet Beasfc.
i My Sweethearts [)i* jvr ttT] *.i__
j La Bossipw,! Wal™ ™ lu tho M *™-
& New Pane W ft ;r ztH+ , a
- 3? V^i *<*•««• *■
--S *-► 1: '
- - Qi
p ffT EfiflB'r'S
l^h ^
H Al<1-t 1*9
Humorous Talking Records,
for thk phonograph.
gjfpsri £ asfe
whim, tbnv “ " POn
•HaliBgci nw'tr’.
gww'^b i SSS®5
^cHd fmir
melon or the genuine ariicle, 1J
1C
The following ig n synopsis of the subjects:
?■ Pat Brad/ as a Police Justice r Huy ing bsen
elected to office, he administers the Jaw in
a novel manner, and renders some very
original decisions,
2. Pat Brad/ pn a Spree. An important event
having taken place in hi* household, , he cele-
brates it in a noisy way with hi* friends.
(Chorus.)
& Pat Brad/ in the Patrot Wagon. Having
come home at nn unseasonable hour, he be-
cjome* demonstrative, quarrels with hiu Und-
Jord 1 Aud the patrol wagon takes the party
iiwuy. (Chorus.)
4 p M Srad/ before the Election. Ha Addresses
hi# follower^ and makes them extravagant
promts if they will elect him to office,
j (chorus,)
J. Pat Brady after the Election, Ha captains
how it was tii at he beat Murphy lL by * small
■ majority 1 ’. (Chorus,)
ff, Pat Brad/ and the Bitter. Brady send* for
a physician, asks some strange questions. and
receives some good advice,
7. Pat Brad/ In the Police Court. He meets a '
friend on the street, an altercation takes plate,
and he explains the causes to the judge.
&. Pat Brad/ and the World's Fair at Chicago,
He gives his opinion as to what countries
should sen a J^presejitatives to Chicago and
wJio should stay away. (Chorus.)
9, Pat Brad/ gs President He states what his
policy would bo towards the ladling and
other reforms he would make it if he wens
elected Pies i den t, (Choru s .)
10 . Padd/'s Wedding. Pat IJrath- tolls a funny
lush story about McGnflm, and concludes
with an Irish song.
L a-
If. Pat Brady afl d Wife in Court. He seeks a
divorce from his wife, and tell* the story of
1115 domestic troubles in a vei'y am using way,
// Fat *rady‘s SL Patrick 9 ff af Speech. Ho
addresses hie countrymen on St, Patrick’s
Hay, given cl em some oriKinai English his-
tory , and makes some predictions, [ Chorus , )
HUMOROUS RECORDS /-
W^- »v \//
MRUR-USSELL HtTONG.
^ A
THK^^BKATiiD
“iKliciTaev'Ca'sey” Series,
■t
j , We ha vt Attained the service/ of Mr Hunting
who - Jf *"*Aiti£ these papular record; ri'
presstyfor f ( $. \
' The ^ Anders have been on the market for
over a year, and have received a most critical
t r J?L % ^ r \ ! ht ' phwvgrnph K iu almost
e^ery Stale vi the Union and are recognized to-
V \
■ ■ ■ ■
as
/
be hud ^J clearest records of l fie kind
on the market.
The words *re recorded and tested person*
fSil Mr. Hurting; are made singly: built on
tne Mg cylinders, and arc very land and clear.
h Mjthaei Case/ and a Dude in cr Street Car.
In trod Uci ng five oh ara c tenp A Beene bet w &> a
ibe l.ondiwioi', Mr- Mui-phy h Casey, two
dudes, etc. Bell punch introduced
2. Micbiis! Copy's PIM& for Freeing Ireland
L.atity as urepresuniniv* of. the I. O. <X- L i
(ludeiwadeat Order of 2nvi, lC ii r ] e ,)
nmkM a thi-UIiDg speech, gi* fug hits plans for
audience l>? ^ J L ^ ee eu Hi ns i Qfttic
****** *'* ^rortrmff /n
SS"' .VPW Iwturetf on Niagara
al I a, mi (1 Tin uni I i n the Li on "s Den „ Rem *, i t n
iutJfV^lsf IEL t ie a y utI ^ uce ' Music at
4. Michael Casey as a Physician. j Introducing
three vhai-yc torn,. -- Reproduction of t>oi J
id St opening door, Casey com log down amirs.
Wrii,,*™ e? T " 0 I'*" 11 "* **+
WfWfl#/ Cfljey flj Mrs. b’Mwtigan's Birthday
wWh h lr ‘ ° l ^ y hj ! 3 51 DUrt ^^iof new jol^s
he ^ vtfrt to tho guests^ ovokfag great
laughter nod applause, *
ji * tcAa ** r Listening ta an jk/lan Maying a
Hand Organ w the Street. S^ ae bfcWen lAJy,
Wilkioa, Mr, Murphy* aiA Italian, a
police in :lh and a number ot ■■epeutatore h
mwkeyf' ^ baUd Chitte?/ug of thu .
t Catty Departing from Boston en route
ta Wtehmgtw. .Scene in a railway', station,
Miv Catty uinves on horee-b -clij. Ibtroduc-
hjk reproduction of the horse galJo'pinb o n the
Pavements, a great crowd cheer i Casey
/' 1
,
/
aa he i& boarding the train. Exact reoresen.
tfie tmi11 leftvr ing the station,
ff. Michael Casey Departing from N*„ y 0 ^ en
Tt^'l b], . Si$a ™^^ Hccno on the
hair. Reproduction of steamboat leaving
! PUi ll r E iu pl “ nJ; ‘ Misties*
on to*™ 1 U** steamer.
$. mkaet Casey at the Tdeph me. M v ; Cubs y 'ft
2ISS 1 * l<! “ Ce d ,tsln ^ tbp telephone Tie
1 11 10 an causing depute with a number
w] ? Q1 P he c l liu ^ talking to him-
jjn moi'ous recoi-d.
hTl , ' 1 ™“ / nff «i rte ^mwha/
,U, Casey _e [erst; tidn L. A very am using acene
Mr. C*«y .ad 1.hc ip,,Mlus i a «“?
If, b , efc,re , lh " i-ouit. IiitroJudtiK !■
nuiubt'i- of chan-ftcters-
' tr fh m l in V iei i rs a 11 [ne11 te 111 re fareuce
to Hie kind and ^oJoi’ of torches which tits
c ub are m carry in d» fmdni.ght
t-essiou ju honor of their presidential eaudi-
indndi ° lj ' e " el| l ht ° r ,lil * tf o!mrnvter rt ,
e U pci'^ou Who sent Ecru.
ntJ*^** C f% a ** h **sm*f Irish labnrsrs
J T* a", fl Keprod notion of the
ficujid of laying brick*, hamtnoiing, eawinc
t^Uft1rom C tl > ! cG ^ ty ' S rtV *Mlk:k/ McGinn;
I I i f 1 y rn the ton th s tory , A g rout aoci dent
j 13 . Casey s Pel f t mat Speech. Mr. Cams speak a
' Sff! 1 ; ^ very entbusiaetic audience. iiKS
that he- is iu favor of free tiade, civil service
S ^t^ iorm : What he wouJd dQ j f hs woi*
. te n 4 - M
y ffSSfcSSLSr ' t0 "*-*xuv «m
- -V i~ mm* m J _
J
W. Hkhaa! Casey a. Axeman; Clmey states
reference to-l»p«tintf Hie Vans-
tian Gondolas which he calls “Goudoiyeri ,.. 11
a ^ V* ^ CafiCj appear
revived fioii] Dennis TtiJcir, lu trod uci m? a
Sol,! *“ p ble fi * ht ' wSicl * « ''«'■? hum-
OB?il bSi^n ?*'• C r 5 ' relate »' al “ 0Bt
hw Sfr ^ 'vhipptd'Onsj. Gocg-
j-io, 1 pulled him down on tor* of me ami
put my fact against bis fiat "/ P fll * ami
P J*\, (if Jto. Fttigenid's
i? s ti^lW? y i P re 3 M S*i iitSitlnift-
ia6t]Cftll T v applauded by the gueats.
„ - ■ Jof- A .humorous poem, qr
Vo *' b .v De Wol f ft Hopper,
. <?«* Mr. Cane £ {X-
vSim* h TViL° V ? X th a ver 7 Poor touting
>fo bn, Trees to cimib up to her window on
the Tvatcr-bpoiit, but fail*. Is aireaied bv !
piHiceman, who this k s be is a burglar.
ivj^h J^ ey P^agpoter
bf™, 1 p y ' osoomea Tory angry
**T’ as be tSSK
ld ^ S IUJS Jlfl . d Jiu!e C&sinom
g a me of poker. Spec utters 1 iiugh heartily
dSuce in i fireech K ® J * hua ^o au-
ujoiice m reference to hie great tnedi-clne
He M'ili* ttrn_JH " C ^ : °- v 1? Wseaae Eteatroyir. 3 *
■He reads some great tastimonjaHVhiob ho
^ 6 J L ? m l ,arti “9 have used jju ™!
oiftoicmft. Very humorous. \ gi * at
Case's ef taw Christopher Cof-
(tmbvs Discovered America, Casey eayshU father
SSSShSfSff ^ Chrises
Columbus, fat ier; therefore ^ he It enahWVn
Columbas 5 father; thcreforc l he it enu.bied'to
give a positively truthful description of M?
d,d ,ii8COTer Ameik!^
did ft JSAfr *ffsws, Mr, Casey
flt Mfe - SulJjvan^a and with a
Disputes w]tk7
lli-s, Sullivan as to her ago. ‘
^5. Casey os Or insurance Agent. Mr* Cusev
obtjms Borne interesting foot* from 3 pr0i £
C?*i va CuflIOJnei '' ad v Ues him noi to
[hem.^ P ° l£i0&s wHens ]j» -wifa may find
HUMOROD 3 SELECTIONS.
rtcpniwuUdfoT Horn rtfradM/ion.
TL^TV^^ U ; i A , stoiy - dialeth)- v
£l*<rDureau, fA story. Yankee dialect, ) \
X
THE AUCTIONEER,
[A great novelty.)
1 Sale of Pawnbroker's Goods.
B taliSn?™ Mufl0Um (wLtb Parrot imi.
? S° lB X Catt3 *' ^owle, eta.
4 Sale of Household Fui'niturOh
ft Sale of the Old Slave^
G Sale of Chiietinae Do! la. Toys ei,c {with
„ e horn hiteiruptions}. ’ 1 {WltJl
7 bale of Wines* Liquors, and Ciffars
8 Sde of Old Malle
5 8aloof Red-Haired Ghl, {with white liorso
acco m pan imeut ) . ^
10 Sale of Drug Store.
11 bale of Goods at CIojm of Fair*
I 1 ? Sf e of Dt? utitit > 6 Bffecta f etc.
i? d! ls Auctaoueer,
14 Sheri fif T j&BaJe, (The Poor Widow).
(The Poor Widow).
fn!?' ^ thi l above i we will b e glad ft
° a decnElud s special Auction ifeeord^
ovenng ev(u-y v»nety of sale, mtftraperdod iu
with bids of X
Etfison-s Perfected Phonograph
Ideal Stenographer.' 1
£7
INDEX OF FARTS*
t Brass t i> 0. 0 cl ro 1 r to hold Vi'l-jl cylinder,
3 Paring knife, to pa re oif cylinder.
3 F«d-arm, with twin Luts, to caiTy for-
ward diaphragm arm,
4 Back rod, on which feed- arm and difl-
phratfJit-Hm run.
3 Paring knife gauge,
(> ilaiii shaft-
7 Ham shaft pulley, fop motor belt,
5 Governor and governor frame.
f> Governor springs.
1 U Go v truer oen te i\
II 3wing-nrm ; opens to allow Cylinder to |fE>
on mandrel.
3£ SivLJi^-uim center,
43 Straight edgo, on which front of Jin-
pliia^in slides,
14 Diaphra^m-arnd-
b~> Diaphragm.
Ifi Diaphragm adjusting arm*
17 Diaphragm adjusting arm screw,
1# Diaphragm-ami lover.
l& Gov arjiOL adjusting ecrew.
SU Governor switch and broke.
Si Armature shaft pulley, fen 1 motor hoit.
A rmutu re shaft center-
23 Governor block :; push to la ft io tighten,
governor belt,
£4 Body : push to right io tighten motor belt,
Body holding screwy .loosen to move body-
2il Pai iug knife lever.
£1 Chip hos, for receiving the was paiings-
SS Twin Dufs, fitting into thready of maiu.
shaft.
9D Speaking-tube, for recording.
30 Hearing or reproducing- tube,
31 Tram; ori her : ei star t-an<b stop key*
32 Was recording cylinder-
33 Top plate cover.
1
36
Directions for Proper Handling and
Care of the Phonograph*
i
[
r
i
The Phonograph requires oiling everyday
or two, but the quantity of oil used should
be very slight. Wiping the back rod (ou
yhich the diaphragm ami travel 0) with a 11 oily
cloth will be sufficient io remove the dust and
particles of grit which accumulate there.
Tbs different centers on which the phono
gi'aph nans should bo oiled at the same time
with a drop Or two of oih
Never allow oil to drop upon the motor -or
governor belts- If they become saturated
witli oil they will tllp, and the result will be
a discoid in your record. These belts should
be renewed every month or two; the ex pen no
is trifling.
The small oil hole at tire back of the ma-
chine* with cup, is for send in g oil to the bot-
tom of the armature or motor. A few drops
once a month will be sufficient for this.
If your Phonograph starts slowly instead
of responding quickly to the current, it uiu-
ally indicates a dirty condition of the com-
mutator or top of the motor where the copper
brushes rest. The Phonograph should be
lifted up out of ice box or case and the arm
to which the brushes are attached unscrewed
and pulled out On its Center, exposing the i
brushes to view, With a sof t piece of cheese
cloth tjuturated with benzine, carefully wipo
the oil and other dark -colored accretions
from the points of the brushes. Than with A
small flat tile gently mb the points of the
brushes until thev are bright and clean, and
replace them again. The brushes should rtit
firmly (but not wo tightly) against the com-
mutator, to prevent the sparking of the cm>
rent.
The governor brushes should be cleaned in
the sn me w ay . Thi» caii he done by u n sere w -
Ing tho governor coutet 1 screw, removing the
goWrnor, arid then the brushes can be easily
,C The line feed screw which carries forward
the nickel-plated flat arm should be wiped
with a cloth saturated with benzine every
week or so, a. rid then oiled with n drop 01 two
of oil; the twin nuts which feed into this screw
should also he cleaned mid oiled in the same
U The brass mandrel should be kept bright
and clear by wiping ii weekly with ben &1110
and polishing it with a chumOis mIhu. li
small jpur ticlefc of wax ore allowed to adhere
to and remain upon its surf neb, it will give
elu uneven reproduction of the record, besides
being liable to orach the cylinder*
If the wax cylinder adheres to the brew
mandrel and will cot slip off by ordinary
pressure, it can bo removed by placing a
piece of soft tissue paper on the surface of
the cylinder, al Lowiug the hand, to rest lightly
upon the paper, and the warmth of 1 he hand
will aotm loosen the cylinder, and it wul then
Alip off without injury*
Never try to force a cylinder off the man-
drel by pounding or knocking it- if you do
i t wi 1 f an rel y be c rn c ked an d iu med -
The wonderful reproductions given by the
Phonograph are accomplished throe gh the
glass diaphragm, to which is attached, on. tho
under aide, around sapphire point or repro-
ducer. This round glass ball follows m tho
track of the prepared record and agitates the
glass diaphragm, thus reproducing the sounds
recorded upofl the cylinder,
Thiti re pi educing point, or etylue, should
be kept free from wax or dust by occasionally
brushing It gently with a camera hair bruth*
UO
The wax cylinder should be handled gently
a t Aral, until the operator becomes practiced,
Thru at the first and secoud f Lasers of thy,
light hand into thick cud of cylinder and bold
£as$fc by 6]>readhig these fingerx apfcl't- The
outside surface should not he touched
with the hand in uny w**y, Fjuger-mftrifft
3eft upou the surface impair the record* and
any indentations or scratching of the surface
cause obstructing rounds, which spoil tliC
cletif reproduction.
When not in use, musical and other records
should bo carefully wrapped In cotton wad-
ding and replaced in the small pasteboard
ixjxtis in wldUi they were received ■ or, teftai
H better,, tluuy should be placed hi a cylinder
box made Lor the purpose, U> prevent injury,
and kept under loci; ancl key to prevent pos-
sible tampering by unauthorized persons ,
Wooden boxes, wills post* made to hold
twelve or twenty records -each* can he oh-
tailed of this Company-
Never send cylinders through tins mails, ns
tliy rough handling tb«Y receive in- transit
almost always results in their being broken
before delivery. They should be wrapped in
cotton wadding and excelsior* packed In a
wooden box, and sent by express*
1
NOTICE I
SooordF which aio worn out by frequent 115 e,
™d which are no longer m us teal and attrac-
tive to iiatenery, can be rent to us by express,
carefully wrapped fr cotton wadding and ex-
celsior, and packed in a wooden box, and we
will make an allowance for them as hlaukt,
provided they arc lottg Cylinders o mi no! t enckek
or chipped. If cracked or chipped they can-
u-tJt be iiMed by us again ax bl Jinks for record-
ing, and are wholly worthless.
"!■
,
ff
i
f .
a
j
JITXE 1, 1803.
NEW RECORDS.
(Supplement to April List. I
VOCAL AND PIANO.
By Hal Otis , Baritone.
Dublin Bay.
The Heart Bowed Down.
The Dear Little Shamrock.
The Sone; That Reached My Heart.
I Wish They’d do it Now, (Comic Irish).
The White Squall.
Then You’ll Remember Me.
Strangers Yet, (Sentimental).
Graham’s ‘‘Farewell,” (Sentimental)
By Miss Susie Davenport , Contralto.
Only a Picture of Her Boy.
The Making of the Horse Shoe.
Ta-Ra-Ra Boom-de- Ay !
Annie Rooney.
Peggy Cline.
The Nightingale.
It Takes a Girl to do it !
A Mother’s Appeal to Her Boy.
Molly and I and the Baby.
Daddy Wouldn’t Buy Me a Bow-Wow.
The Broken Home.
AbIc of the Man in the Moon.
Nice Girls.
Mary Green.
By L. B. Taylor , Baritone.
He Never Cares to Wander.
My Old Kentucky Home.
The Miner’s Dream of Home.
Paddy Duffy’s Cart.
The Old Stepping Stone.
Molly O !
I Handed It Over to Riley.
The Pardon Came Too Late.
You Gave Me Your Love.
The Last Kiss Grandma Gave Me.
By F. B. Taylor , Baritone.
The Sword of Bunker Hill.
The Cottage on the Hill.
Poverty’s Tears.
VOCAL AND BANJO.
By L. B. Taylor.
Ta-Ra-Ra-Boom-de- Ay !
De Gospel Train.
The Bad IIott‘1.
Climb Up, Children, Climb.
Parody on Picture Turned to The Wall.
XYLOPHONE AND PIANO.
By Miss Emma Williams.
Listen to the Mocking Bird.
Hold the Port Medley.
Marching Through Georgia.
My Sweetheart’s the Man in the Moon
The Suwannee River.
The Fairy Wedding Waltz.
The Blue Bells of Scotland.
Columbia Phonograph Company,
627 E Street N, W.,
COashlngton, TD- O.
\Xv bare again secured, at great expense, the nervier
nf tbo famous BRILLIANT QUARTET, tl»e deihnnil
fur whose records hat never been, aiietitmtely met, Wu
have tyKeii Li larger atosjk than over before, embracing
Jtl- ibeir viE ’ knowu specialties and adding many new
it in i popular selections The records of Lb in quartet are
<m ni\ to n<mc In tile world, and e* hitfton and other
..sens til talking mac bines will do well to obtain a fall
supply while the stock in complete,
Brilliant Quartet teewtfs can Only be obtained of this
t tu li pa nj - Followi is K j s a list of the selections ;
Tit# Song of the $taepte, witli Qbnrclt Organ Imitation
Mary Ann iimlley, with Warbling
Hear Dciti Beil#, with Bell Imitations,
UKnd Tom, Negro Camp Meeting Shout* [Shout,
K.vj Hammering in My Soul. Negro Camp Meeting
The Irish Queen, 3ded]i*y r
Woman is vlie Cause of it AU.
H's Hard i t be a Nigger.
€*nind father 1 a Birthday, with Solti and Negro Laugh
She Danced Like n Fairy, with Warbling,
CtirnuiJt Melody. with Imitation or Steam Calliepe.
The Tight f »r Home aud Honor.
The Picture that is Turned Toward the Wall,
Down on tlie Farm.
JD' Never Cites ut Wander from His Own Fireside
A Mother 3 k Appeal to Her Boy.
1‘sc Owtnc Back to Dixie,
Down in tlie "orn fluid.
Columbia Phonograpb Company
B37 E Street, N. W +(
WAsmitaTojf, l>, C +
i
Bongs toy Fred, :RotoerLs*
{Km* Accompaniment j
Mr, Robert h Trail knann thmuulkout to
c tmf-rr a* *+0nm U e J ^V r
eHin^ with Gus Hi IPs fiuodw company nnd ,
! lia ™« irdB «*« not Busily ohtoi»ed J l 2all l S Iff
Sv"!"®* r t0L ' k - , ®>* wtoiottti uri nN tfS
Ur charnel er, imd their rendition in Mr HoUrta'
instable atyle, makes tom very allrictiCm
P° r fk iJ'Vfify QStr of the phonograph shuuiUl
hare one i$ u permanent part of hie epJleetloih
1 Parody on Two Utile Girls in Blti a
- One of His Legs fa Ujqgw Tlmri it ]^ a( | v
Ouyht to Be* J
a ‘jinithbooiim T J nrk.
4 Ihi, Do, My HuLklebtrrv, l> a .
J !□ n A ery liferent Ptwe.
(i Por^, Finite, Pong Banjo Sona
7 f. Picked it, Dp*
^ The Cat Qmjc Bath.
SI little Minnie Dojjj, dlonH m
«o»K 19 having a groat ran in Sen- York and
oEner uustern dtics.
JO Sin ate Charlie,
II 1 he Ciiri I Left Behind
It Da !?fy (Ml.
eis
COLUMBIA PHOYOCKAPH C 0 „
PsrmByivania Avenue,
WASHINGTON, 0, C*
hmit i M IW JMirj | ftCl
Baltimore Office: HO E. Baltimore Street,
LOHQ DWTAHOE TELEPHONE MTS.
Cable Address, "colpho.”
'Jl# •’psfwj «l4
Under Authority of the North American Phonograph Go. C>
and the American Oraphophone Co*
919 PEIlllSri.VflUIfl fIVEWfUE,
WASHINGTON, D, C.
S ale Agents in Md„ Del, and Diet. of Col, for the HEHRMORE TYPEWRITER .
n« r* UHUM&Lin, OfCBITWIT.
f. dorian, maiumwii. Washington, D. C., Unroh 3rd* 1894*
Star Sir;—
This Ccanpany has at last succeeded in obtaining first class
records of the fonale voice* KISS IPESSIE OLIVER IS SHE FIRST song**
stress whose work is both musically and phonographically satisfactory
Many others have tried but none have been sufficiently successful to
continue. Mias Ollivier gives a clear, loud record, without sacrific-
ing any of the purity of the music or destroying the quality of the
voice, The selections are the melodies which never grow old and are
always in demand* The Standard Quartette have assisted an the chorus
of same of the old-fashioned melodics, making a novelity whiph charms
all hearers* The supply is limited, and reserved wholly for our retail
trade*
The selections are as follows:
PAY DOUN UPON THE SUWAHEE RIVER;
UY OUR KENTUCKY BONE;
HOME SHEET HGEIE;
ANNIE LAURIE;
LOVE 1 S OLD SHEET SOHO;
Orders should he sent ismddiatoly to secure first choice.
Price .3,00 each*
Edward d. Easton, pauimrt.
Wm. Herbert Smith, v>ce-pm«. am Taw.
D C P anu r i L*J 0 .,uta*u
COLUiBIB. PHONOGRAPH COUP ANY,
Washington D, C,
$/\s * " f ¥
Colombia Eecqeds.
LI5T OF
|
United States Marine Barjd
Ar^ O’t'Ker Records
roa the
Edison p honoc rap h
and Graphophone
»UHUPACt1K»H& ASD FOJl SALE
BY THE
COLUMBIA PHONOGRAPH GO.,
919 Pe cina. Avenue,
WASHINGTON, D. C.
CAIff,E AHt7'RBS& " COt/'/fO.*'
E, D. BAflTON, /V^Jtdnrf.
ft. p. CROMELlN, £
F. DOfttAtf t Afa»W*r, J
pl cate Destroy sit Previous Lists.
Betts Than Ever ! ! !
Improvements which commend the af-
tentbn of the world.
We ary non' Kitted hi out mvr building, the
finest for Talking Machine purposes in tilt mM,
The marked improvement in our merits, pn>
ducul by new applbroees, new methods, enlarged
quErtera ami fuciLitiea, mid the ntfriition of the
leading teen rd- making sf«€uilisla maintain them
m the very front nmk.
We ore the (ntyf’tit ftutl munt twjtrHrure ff
nwimiftieturer* of ftujh efftm iu ronL* uml em-
ploy only the most accomplished nrlista, Music
Department in charge of Mr* C. ti. Child,
Our faPMua productions of l lie UNITED
STATES HARINE BAND stud ARTISTIC
WHISTDNQ RECORDS, must lie heard to be
upprediited. Tiny are not e^asillgil by any thing
offered elsewhere. A sample order will receive
prompt sind direful attention,
UK itn - "** mm mm
IMPORTANT,
Wo dwire to remind those who hove Automatic
or Exhibition Phonographs or Umphophonrti that
in ol der to make money mul ke=e[i- up the earnings
of tli dr machines, they must curamue to use only
good, loud find attractive records,
All records listed in this catalogue mjfottlam,
wwn nulled for briUfcmuy, clearness imu general
excellence*
Wo keep constantly lo stock a krye variety of
choice records of ttlisch we can n Hike no mtHkwtie,
the ik being chunked from week te week. We
bring eiimitmt artists here from Aew York,
Boston, Chicago and other cities at great expense,
fur the express purpose of making records of
their ttpeckltiPS. tVd #\bq draw rypu lorly upon
the theatres here for the best eonga of the' vgchI-
ists, ttfkws and tomir, visiting \V usltinglun. We
will be pleased to iiLl orders for in iscelta neons
records from the material or. hand from time to
time, junking selections according tu our own
judgment.
In tinlervHj pkam *htfe chart g tzhdlitr .fmi derim
record* for horn rrpnxtndAm } dot HtticJh'rte or mttlli-
pfe ml**.
To guard figumri emm t, idtcnifA give (lame and
niontar <f *dedimt t m adi an dam -if reconi
To fad] ltnle prompt Idling of orders, customers
are requested to give m the privilege of substi-
tuting Another record for any specific selection
which at tiie time may not be in edodk* Uni™
otherwise instructed we will exercise this liberty.
Uiilmt* mrfi ncmmtmiiw vnlfr^ gm\l* mil be wot
Or 0 * D- Jkittru vjprtfw dturyw cVm be mikiI Ht
remitting vAik your ftijtf.
3
COLUMBIA RECORDS
AT FHE
World's Fair,
This Tolls thu Story l
CuicAiiOj, III*, Oct.-S?, ’$3+
Cbfofrt&ia FhCntirjmph tb.,
HW[f»jfan r IX C.
Gewtlehe* *
Enclosed 9nd check to balance our account*
Your Recordh have given pleasure to
tliouHmi<l» nb the Worlds Fair where we
have used your Marine Bands utmost ex*
clusiTely*
Y co rg very truly ,
ChkslgO Central Phonograph Co, ,
Lxon F. Douglass,
Vice -/Tf+ttWC,
4
Oilmen 's Opinion of Sigrmr F mcMIL
The following letter for Itself;
New York Cm' ( Jnbj II,
Hon. Ji. 1'"- Titter,
Hear Srst ;
?ignor FonciuJIi is a. first daBS satekfea in every
tense* a good— yes, it yTe:d*— coniposer, mbs
thoroughly Udclerstoru’b iirraiigingmoat effectively
for military hands. Under his direction the
Marine Bund would attain the bldicst measpro of
perfection.
I have the honor tu remain, dear sir.
Your o!>edjent servant,
l 3 , Oilwre*
Gt!trsore f u prophecy fe fttlJHI U d \ Prqt Jun-
< LnUik fUntss ns conductor of the Uuitc-'i suites
Murine Bund is demonstrated in the marked im-
provement tlie Imiul huts attained muter his laud*
enibip* Prof. Fuw julli perrannlly coopers tea
mithys hi Imaging out in our work the finest
effects of which the bund isr-H[wblc, nnd mir latest
records will odd to the fume of this excellent
leader end composer and his oreat bund.
5
t
T
6
April, iSftl.
0. S, tyuriije pai)d.
Tiie UniteiJ States Murine Band fa the most
famous muattsi] orgoirizaiKHi op the Western
Hemisphere, It fa the oflklai band of the Presi-
dent of the l! idled States, plays at the White
House on ah state owuuona and at inaugural
Bills,
Our list of selections fry tins famous band hua
bp eh carefully revised and Many
new select ions are added and only the very best
of the musical gains in the library of the band
are lifted
Phonograph records of the Marine Band or*
made eselOHively by ibis Company. AH high,
class originals — no duplicates made or sold,
MARCHES
MurcliCH Composed by Prof. PA. N" CH7 LTA",
1 U. S. Marine Band March,
2 Tire Evening Star,
3 I he Daily lVst.
4 The Evening News (Very popular! *
h IheCnEaer Now York (Splendid h
*} 1 be Cruiser Chicago. ,,
7 IMS S. MarawhufieltB.
8 Troop A, (The President 1 ^ Guardi.
9 Naval Mendez vans.
10 The Cruiser Columbia (Funciullfa latest).
1
it, s. itaai vn a a s o.
7
Marches Comtmseit toy Tolia Philip Sousa, ■
II Washington Post fifwtijs Popular).
IE Utah School Oalcts (Every body Knows This)-'
Id The Menu Ideal,
14 The Thunderer,
15 Thu Glndinlor. >t
in Thu Belle of Cbiva'in. '
17 Beni p er Fidelia (nnh Drum Solo),
IE Ktrte it egi me ill,
III Our Flirtation,
2U Manhattan Be-ieh (One of Sousa^ Best).
21 The Honored bead Funeral March*
22 Garfield's Funeral March*
23 Tori; tow it Centennial (With Drum Solo).
2-1 Xntlonul Fen&lbUs (With Drum Sjlo). ii
Uil S)t, Lunar Oonnmunltty,
26 The liberty Bell {A Grand March— ESousL'afr-"""^
Latest),
MtauuHnueotis Marclios.
27 American Kepiihlie.
2S YTi Ancients With Drain Sob),
£9 Pruseiiin Army,
30 The Three Guardsmen,
31 King Humbert.
32 Sired bla Welding,
33 rorpet-Me-Not,
34 Annie Luitrle.
35 American Guard Quickstep.
36 Mendelssohn's Wedding March.
37 Farewell to Dresden,
3S Boston Cominaiidery (Introducing Onward
Christian Huldiem.)
3© St Louie Expos 1 lion.
4{) Wein Dleibt SVtan*
41 Monte Crista.
42 Juno,
43 Sounds of Peace Quickstep.
Ui &. HAND.
Feacdbl be Thy Sleep (Funeral March),
Chopin's Funeral March.
Bead March in Bnul*
The Warrior's FaravreU-
Tk& Adjutast.
American Mecilcv,
Patria.
Fort Alcatraz
My Country Horae Quickstep.
Homeward Bound .
The Fire Brigade.
Gilmore’e Triumphal.
Fourth iiiittolitra.
Colonel Wheel er'e March (With Brum Solo).
Sambo’a Wedding Marti .
Then You'll Remember Me Tntrodadngthe-
Grand Anthem, Old Hunijrcd i*
60 Paul , Touch (Dedicated to the Celebrated
Globe Trotter) .
PATROLS,
1 American*
!! British.
3 Irish.
4 Turkish.
5 Chinese.
Patrol Coruinue*
7 Murzlujig Through Georgia , Arranged hv
Sousa).
POLKAS.
1 Hornpipe.
2 Anvil (with Anvils!.
$ Serapss.
4 To My Sweetheart
5 Kutgohe*
<t Les Follies.
7 Bouge Ed Noir.
13. R- MAEIt’E DASH,
GALOPS,
1 C&rrllloil,
2 Jockey.
a Jack of Clubs i with Drum SoIol
4 Humoristic.
5 The ILmer,
0 Goselte*
7 Prestissimo,
S &U1 FjIBOU.
SCHOTTISCHES.
1 Kentucky Jubilee (with Clog).
2 King of Diamonds,
3 Aihkiitel.
4 Din ring in the Ikim (with Clog).
5 Welcome Spring.
0 Fancy Hanks.
WA LTZES.
1 The Blue Danube,
2 Woman and Song.
*\ LaSemuitu (Spanish).
4 Aphrodite.
§ Jal Gitanu (Spanish).
13 Vienna lteaintta,
7 Flowets of the Alps,
5 Dream Waltzes,
0 Fairy Voices.
H) Fttsbtien.
11 GoflildiiterJ*' > *^
12 La Beine de In Mur.
la The Little Sailor.
1*1 C.iriutin.
15 Dn*uui Foces.
lit Love's D round rind.
1,' Sontiai^o (Spanish, with fe&tuncts ,
13 Esturiinulirui (Spanish, wi th Coshmefe).
ID Artist ! s Life.
20 little I'shernmlden,
lo
tf. tt* HA1U£R 33AJJD.
21 LiGtnslelfl (Spanish).
MS Mm Bella.
2d Imurarttsleu.
2* Bid Me Good Bye.
25 Kisa Will*,
2l> Madeline.
27 Aly Queen,
23 Esputi a .
2D Over Land and Sea*
30 My Dream*
31 Trt^Jolie,
32 Dream qn Lbe Ocean. ■
S3 Visions of Paradise,
3-t Loin du Bui (ElHimb froofThe Bull Boob)).
OVERTURES and SELECTIONS from
OPERAS*
1 William Tel).
2 lEainpa.
it ^emiramide.
4 The Jolly Robber**
ft light Cavalry*
0 Poet and Feasant*
7 l>*i DkvoLo*
5 Carmen,
6 Krinime.
10 Faust*
11 Iduntbe*
12 Nudjv.
13 lluftlypore*
14 The Merry War. ^ -
Id The Gondoliers* - "
10 Patience.
17 Dm^hter of the Iteieimeiit.
la Faust Up to Lute (introduefflg u
Dance *')* +
19 Faint Up to Pate InhoOticing
Golden Dream
20 Girolle Gfoulk*
21 La Uijfale.
The Dktrfc
“ Love’a
U. S* lfAKtKE HAND.
It
22 IlTrovatora (Introducing 11 Miserere).
23 II Truvaiure (Introducing Soldiers’ U boras end
the Tempest "of the Heart).
24 IVantr. /
25 Mi®He&y«r
20 Rabin Hood (Introducing O f Promise Me)*
27 The Mascot.
23 The Mikado,
20 The Black Hnesars.
t 30 Thelaleof Champagne*'
31 A Trip in Chinatown.
CORNET SOLOS-
Bf Anprust Rrosalcnpth* Wltli Marino Hand
Accompaniment*
1 Arbucklenkm Polka.
2 Culver Polka.
3 Surf Polka.
I Lisjsiu Polka*
ft Farewell Funtnaie.
ti The Last Kose of Summer.
7 Le Chevalier,
a Let Me Dream Again.
0 Alpine Echoes.
10 The Image of the Bose*
CORNET DUETS.
By tl»e Grveeltu rth TLrotlicra* With Marino
Bund AceompuidmunC
1 The Swiss Boy.
2 Comet Pollen*
3 Ajlhutce Polka.
4 Alpine Polka.
ft The Queen's Trumpeters*
U Lee Deux Ami's,
7 The Lov&r’t Farewell*
5 Golden Robin Polka.
12
IT. 9 . MAIUKE UASE.
TROWt BONE SOLOS,
J&y Lou lit Golilckei IVUli Bund Ac-
oompaalniant*
1 Rocked In the Crndle of the Deep.
2 Let All Obey.
& The Pahns.
4 Down Deep We thin the Cellar*
Ams OF ALL NATIONS.
1 My Country f Tla of Thee (Atoericanj*
2 The Star Spaugled Runner (Anientth).
4 Red, White and Blue : American)^--'
4 Die Wudit uoi Rhein (Brnnauv^
6 La Marseillaise (I'nemob -
fl La Media Jiocbe (Mexican Dunce; .
7 La VolnmE, {Spanish IMoec*.
$ The Minstrel ikiy (Irish.
0 3a Manana (ChiJint) Dunce' .
10 Royal March (Italian *
SACRED SELECTIONS.
1 fearer, My Goth to Thee.
2 The Sweet By^omU&ye-
5 Safe in the Arms of Jefitte*
4 Rock of Ages.
6 Adeste Fidulis.
0 Lead, Kindly Light.
7 1 > T eed Thee Every Hour.
8 The Day of the Lord (German .
MISCELLANEOUS
I 1 Fqtmtor Medley (Introducing -derate Carlo!
Daisy Bell* etc.).
2 Madley of Scotch Aim.
4 Medley of Irsgh Airs.
4 Medley of Southern Airs.
5 Memories of the War i Patriotic Mealey),
u + a. itAIttlUL SAND.
1$
G Minnie Garotte.
7 Moonlight ut Del Munlft,
a One Heart, One Mint], Yorke.
9 United to Thee Mitaouncu.
10 Ttvoteaa MwoutUh.
11 l a Goluudrinn (Cornet and Trombone Duct).
12 Blending of the Blue and Gray (Medley of
\ 0 dbem imd Southern Aka).
13 Rock -a- bye Baby.
14 Dixie nod Yankee Doodle
15 The Two tittle Bullfinches (Clarionet Duet),
Lb The Advance and Retreat of the Salvation
Army,
1“ Thinse* Arriqnitie (with Clog).
IS The Darkies* Dream (with Clog).
1U Ileni- riein Bells faith Bells Kinging).
20 The Postilion m the Foreet (with Bugle
Effects).
21 Uncle ’IbiBtns (Segro Dance!
22 Tlie r^cet Chord,
23 Medley of Southern rhuitntion Dunces.
24 A Trio on the Limited Express (Introducing
Kell, Whistle, Suomi of Moving Train, etov-
25 Emmett's Uillaby (mth Crying Ruby 1.
2d Hephunwj tlayolle,
27 litl'ij Sereuude for Hide and I lorn.
JSVTE: TlTum :jrtfcri«0 pk\m ttate CLASS, as
trtff as A'UMBEft «mJ 2*AME of tttedtoru
-f
14
iraiw aaru
1
15
F AttLOR ORCHESTRA. ^
1 LaSerenata Waltz. r n H /i/l t ,j fi u i i
2 Alum Mia (Spanish)* „ j
3 La Polo urn. {
4 Kobin llowl Loocem r T
5 In ltepttue Sweet Waltz.- - *- **
6 Let Her Hip Qtiadrille.
7 Greeting to lima Mutch.
8 Oolfib Sincere (with figures (filled;,
jfe Lancers , wth
H
L-~-
-i'lf '
Yorke*
Black Iluasiira
10 Birds of Spring
11 Etoise L’olfaL
12 liidit in It Quudnlle* .
BtlStlflM frtiin Opera “1’aUence.
'UWirtiHi frmn ( 1 £ LfUliUICi
figures called).
14 Seketi'jus from Opera
HU Wuiig^chntlisclie* , „ „ „
r U\ Erniitiit* Uacere (with floras wilted),
17 La Gitana Wiflta.
15 Merry Ste^b Uelb Giikip.
ID Wung Lancets (with bourse called),
rt., mi [1‘ .I...1.M ..
artistic whistling.
Jig Jvhn York? JtXc ft
Ifr, 4i.to w Ift* mori/dJJMhiJf' n/tfitfer 0/ tfm
imwcTii dqy. i£?J nine fmd IrtJk aw wwruJpta.
Jbrtfntoi tiJ-tf Imt utter bcm
equalled* The Tttotde are all dear and aidmnling.
They are Qicmwt unique and sirij^zuj cmiribniwm
IS
m <tde io (Hit art, md ertW*nHrfl<j fltfwtffcnwjl flfid
cMtxirfwerd. Tlit hatted are for Hum
rejrfUKhidfflH tuidniU 01 Hu famed Umittiva ruar.\,
*W-Alr + AtUe makes eidudvdy
for thb company.
I The Mocking Bird*
♦» Would I Were With Thee.
3 Anvil Chorus.
4 The Sweet Bye end Bye.
6 Annie Laurie*
(J Sleeping I lhenined, Tot®.
7 The Suwannee Biver*
ft ThelhideaMnrch.
A Cut L from Itoby's Hwd*
jfj Love 1 # Dreamland ttidtB.
II Golden Boh in Polka.
12 ComlloTfer Walt*.
U ttiuhoirg Bobolink.
14 ijuv« f e Golden Ureom. „ ,, ,
1"> Whfii Yuli n ml I Were ^ oting, Moggie*
W Home, Sweet Home,
17 When WSJI the Bints Come Bod:,
] h ElutPrtiiutie WnltA.
li» 2iowmi*tl Wtuni£'. ?
20 Marching Thrush i-ieorfiia,
Si UomradH).
22 Mi^gfe Murphy s Home.
23 Once Upon » Tune.
3 SSfSS: VtoLovefe Young
-a « «-
Dickey Birds Sny.
27 Enuitiie Gavotte and Bjicimfl Jlurcn.
y23 I.uUubv from
^29 The Devil's March.
30 Chirp, Chirp Polka-
31 After the Bull,
IT
WHISTLING SONGS.
+ }bj J'Ju i Porto AtLe&
IkiflIWf W*ir miW ™j rarf g« fSJiSf
irtWffwj, itM nwmp«e™flrf* CTJ w
rrre cfcnr oml dMh rrf, ™
(A t ir/f^^np irtfeHwifrJ «»rf tfeM torcre*.
wife tUm «r k icmiuid ««tt ™ c ™-
Note— A ir. At Lee makes records esclnslveljr
for this company-
1 The Whistling Coon*
2 Whistling SmnnniL n .* M
:i Bat Whistlin' Yall*r Dinah. -Or^iroU
4 Why Should 1 Keep from WliHtltng.
(c trtnirail.)
fi Whining Crazy. .
a 1 Whistle and Wait for katie,
7 Push dem (jloiicfe Away.
5 He Whistled up n Tune.
SONGS.
figJohn 1VB: Atl&,
1 The Irishman's "llG-’iie, Siffifit Hone-,
« Sh* Girts*
3 l^s -lliv I hid kid ni dfl- Ay *
4 When 1 loga.m Bind lu&iteat*
5 Tli i3 Prodigal Son.
? KJfiMSW. XaOm.IU-Booowle-
A\" 1
B Higho for the Sailor
y On the Bowery*
J lt> Two JJtUe Girls in Blue.
f SONGS.
$y George Scoff*
Thcurh new £» AAoiMjfiTflfJA
wato ft much better record than many alder
vocalists* Me to a Strang v clear voice, re-
IS
markttbiy good e/mm fatten md a style in ting-
ing that will mate him a gtiurh faodrtte wt£h
eicr patrons*
I Duliy^ifliinilera* „ . ,
3 pva Wuikyd E^ht Hours lo-diiy ,
3 Pe® Llhw. ,
J Thefrish tHiraleniiie.
5 A Onu-Huiw Street Cur.,
I hur^oi li-
7 Wash Mo Mol her
3 If L Wire M Towns A* I > sed Iq Me.
ft I Handed It On* To it i ley.
ID rtumigrai, His Wife and the Poker,
II A^-rftekllrid^niKJui. ,
12 The Lord Will Hu Ip Me On My M a 3% h >
THE TAYLOR BROS. TRIO,
jTiene ™jr. lifH twH’H *W jwjwfafWfd"
,-ri.N r.j' liWiti fjton. The tt&mh nre much J*. *nj«
8., *L«* IV "*+, '«* J»« « f«; ffr *
IwniAw^f. TAe irurdu nre rfoirttf «f 1 w
1 I Board id Mm. Dooby's*
2 Medley TiJu. t
3 Telephone ike News. on HwTi.
4 The Lust lifei Oram dim O.ivis Me,
5 Meet Me at the HoWen Gate*
SONGS,
Iff/ (Jrorpr li JfciTy.
AT, Terr* U me of W^huttjm’n pillar 1 voiM.
T7- n good IxmUm, voice t «md hemfuji ^ UL
c/iorwnW /-ft* rt'rm^ <itt a^rc te™* f “gjjf
W j) Jf /,i r , iVftf iitf ultf he L'iilttnjrd ttu/tni tin
gU* ifte npc«( amf mot* *»"$* < 1 2 3 4 5 * * * * * * * * * 15 ^
apftmr*
1 After the BftU.
S Ki$e and Let’s Make L p.
IP
”{“S XiOj m My Huckleberry, Dol
5 The Ms^wliO^ke the Baokot Monte Carlo.
U You CW1 Lose Me, Unde.
7 The Girl l Left Mebirwk
S A1 ub lie, Connf lv» ^ our H ortey J»y ■ _
9 The widow (from Ef A Trip to Olmwto™ )■
ID The Monthly Payment Plan,
Steinway Piano used for all Acto/npaminttnis,
THE BRILLIANT QUARTET.
tv* tore o large dock vf the# rcawk, embw&ty
oil :f-nr naif knuii uptchrUkf «n^ tubling wnn.V J w'j
tl^Z j We fawti r.f ftn WSfW«'
far Ill'll erf'«JW»
will rfaitdUaQWtUt it Stitt mM*# Wiethe net
SSptdfc iWterfajhr. l«<jP
1 The Sonsj of the Steeple Willi Church Oigjm
j Mbiv Ann Medley (With n arblnw).
3 Hei Dew Kells (Wth Hell I -'Wlwm).
4 Blind Tom (K^ro CatH|» 3 Saa imp bliautL
3 Keep Hum menu- in My £out (^ra
Moating Sbout\ . .
0 The JvlFhiluaHO iMerllearV
7 Won an h tUttOmse or H All,
1 gSSSMlSSv («» “ il Ke ^
HI chVnSnceil life® a Filirv (Wtll Worblinsj.
11 Ge^m Melody OVittahnitodao of Steain
12 TlieFk^t for Home ami Honor.
M The Picture that i. Inroad Toward the vt ell,
a sn« »» h- <>«
Fireside. . __ _ T
ID A Motiier’a Appeal to Her Boy,
so
17 I r ge (Swine Hack to Dixie*
IB Down in the Cornfield,
IS IIush*a*bye Baby,
PICCOLO SOLOS*
TlVift Pifiwf Ac&iUi}Mtf:tiiu. nL
Wfl-preaent to our patrons for the first time a
list of Pfocofa Solos performed by the lieu owned j i
Plate Sokrat of the Marine Band,
ilSi. UfiXaY jaeser*
Mr* J&ager Is m artist of natlomil reputation,
and hilt marvelous execution helds the listener
entranced* Por horn reproductions no piccolo
hqIcw hare over equuihstl these records*
21
1 Through the Air, Polka*
2 Nightingale I’autasle.
3 Jenov Jones, with Yuriutious*
4 Medley — We Gather Sheila and Wo Won't Go
Home Till Momiflsr-
5 American Airs and VorktldtiR.
Ci English Airs and Variations,
7 Irish Airs and YiLrhtuoua,
a Scotch Airs anil Y dilutions.
6 CotolH&i JfimtaHe.
10 The Carnival of Venice, with Y aril lions,
11 ltobin Adair, with Van nitons.
12 Auk) Lam; Syne , wiLli Vrriatk>n&.
13 Condo' Through the liyc* with Vitiatkfflfi.
14 Annjc Laurie, with Yami Liana.
lfi The Old Folks Jit Home, vo tb Variations.
10 ltossignol Vulse
It lios%tiol Polka*
15 The Sweet. Bve nod live, with Variations*
HI The Geui Polka.
20 German Air— Du, Du, with Variations.
22
CORNET SOLOS,
ITlffc Pimrw Accompaniment,
Wc recommend p with pMflure, the following
list- of Sobs performed by the Popular Coraetlst
mr, august oROPfl^OJrm,
<jf the Marine Bund, The erwotkm is deer
and brilliant, *m& these records lire admirably
adapted for concert use with the horn.
1 Weber's Last Waltz,
2 Three Star Polkn-
3 Artma's 1’dk.iu
4 Qo^er leaf Polka.
5 Pretty Jflue.
(5 Sea Plotter Polka.
7 Snow Drop Polka.
8 The Camvol of Venice.
23
9 The PtdRi^.
10 Sweet Marie, , _ T .
11 Geoia from the Opera of Martha.
12 Serenade by (iuiubert-
13 The Minstrel boy, ivhh Viir in lums.
14 Annie Lnixrie r with \mfiBtioflSk
V, Ah Che U Mofie (from t! Trovatnfe
10 Oh l Do Not Mltiffle (from botnmtiubLilaj.
17 Then You’ll Remember Me.
15 TEie Heart Bowed Down.
10 Lullaby from Erin hue.
Steffi* a? Piano uted far d? Accampawm*nf*-
Clarionet solos,
If ilA Jlftinfl flpmmjWRPfflflit.
In the reword* listed Mow, m rendered by
M!U IVILUaSI KEerLU*!
ma CUxrimttuA <$ % Vumt Jkwh
W e hive tif ceeiletl hi obtaining not «nl* perfect
execution, hot the pure sweet tones oi the i&-
34
atrumeot. Mr, Reppler's performance leaves
doming tp be desired, nisii we feel sure our qiia-
totnera w iil thoroughly enjoy bits record*.
1 May Belk Polka,
- Polonuise from Mi good.
B The Angela Serenade,
4 Eortg— Once Again.
£ feiwp Wdlj Thou Sweet Ancei
d A Dream, by Uuennan.
? Burali's Prelude.
5 SchottisdiG — Strolling on the Bench.
0 Selection Iroin the Opera, Louisa di Montfort.
10 Selection from Attihi
11 SouLpambiilii, Air mid Variations.
12 BomtuiMc Air with Variations,
1J Sounds from Homey with Variations.
}4 Coinin' 'ill rough the live, Vnrhitlobg,
to The Ijtsa OM/jwrk, with Variations,
1 fJ On# Pensea JjQutuine.
1? Tike Prayer of the Clerk, with Variations*
KYtOPHOME AND PIANO.
Jiy J/iwi jTmnvi tl ilium x,
1 I-fcstenj to the Mocking Bird*
y Hold tiie Fort MeilUsy.
B March lug Through Giorgta,
4 My Sweet E^irt's the M-m in the Moon*
5 The Suwannee ltifer,
ti The Furry Wedding Waite.
7 The Blow Belle of Scotland,
S Molly, Barling,
h Clovtr Itlo&owg Waltz.
10 The Ukl Oaken JJuflfcef.
31 Home, Sweet Home.
I UttMiVlrtliU iscjsjpijni*:-! itwiAuottsJ
.was a.io do noimutfi anx do y
T2B
RECITATIONS.
Our er.rleavor to create ft demand for high class
redUtiona lias proved a Step iti tlte right direct ion,
mid we are daily receiving tetterateaii lying to the
superb quality of tlie records, They lire carefully
made, the wards are Hmr s'-od distinct, and lilu
iubJectH urc well adapted either to pubbe use or
tho home circle.
CHARLES B. HANFORD.
Nr, Hanford has hem before the American
AutiJic for maw years. He has been leading
su&jtort of such world famed artists as Keene^
Kelson and Crane, mdjeska, fnha Afar to to,
an d the Bootk-B<irrHt combination. He bids
fair to become the leading ifogedtan on ike
American stage. Hit rendition of well known
27
{ferns of boeit y gives them new life and menti-
HI? ffls lll ft excM suited to tj* Mo-
nograph, and his records are
mallfne collections. 7 key are prefat ed only
for this company.
1 The Star Bpajwted Bkimer.
2 America My Country ‘Tie of Ihee).
% The American Vims, „ .
4 Mure Antony's Addtess [from Julius Ctmr).
f> Cs&slus Xpao&t Osnr (from Julnt* Cmsar).
0 Othello's Apology to tlie bena-e.
7 Soliloquy of ttkhnnl ILL
5 The Seven Ages uf Man (frooi As 1 ou LiU It).
0 li Let a Fool mthe*orrat [from As >ou Ldceiti.
Id Queen M&b (from Homed end Juliet}.
11 Huulsft So) iloquy oil Death.
V2 Soliloquy of King Clu ui 1 1 us (from H amkt).
v\ Wnfeev^ SoUltMiuy from Henry Till}.
14 Shy lock to Antoidc (from The Merchant of
1 5 Mare Antony in the Semite (from Julias Ciesu*}.
lfl Quarrel of Munition ami Donatos.
17 The Virginia Keel (Uuuiorora and bathetic).
13 The Voluoieer Qrgamat (Iiuumrons and Pa-
thetic).
ID TLw* Baron's Last huoqoet
20 Menu* to the Homans,
21 Jiotfse, Sweet Home.
*2 The Old Atm Chair.
23 The Old Oaken BwVet.
24 Tlit Ghoet of Hamlet’s Father.
25 Kfchsud HI on Conscience.
?® Wife aea QUtan.
2S TheUunal of Sir John Moore,
an Make Way for liberty I
30 The Charge of The LighL Bngsae,
31 Sheridan's Ride. .
32 Tapft'fl Better (Pathetic).
S3
THE ’RASTUS SERIES,
j
By 1 ). C Bang*.
Mr. Bangs S3 a VEry ttevcr humorist His
eetcc&msiii out previouy cahdojtaes have already
made him known to A r customers* He ar-
ranged this scries especially ior tine phonograph,
ttml ins practice an iii recorthtnaker Ims been put
to gpotl advantage in the new selections And re+
arrangement- of old favorites, Tbe records am
carefully made, duty one being prepared nta time,
iuiit the dialect, fa tli il t qf tbe Boo t hem tf d&i'ky J f
to perfecuon. After you Jwve heard one of these
cylinders, you will want the whole series-
f* 'Rastas and the Water million. 'Bantus Jis-
covera a youthful sinner and corrects him in truly
philosophical manner*
2. 'Fast us md tbs Ship pf Fatih* He discourses
on one of his favorite topics in a very interesting
manner, and relates a miraculous example of sav-
ing ifnitt.
3. ‘ffostus and ‘Mtrikfs Converts. 'Basins*
daughter ha some religious views which do not
agree with I hose of the old wan, and he proceeds
to revise (lien) in si manner bulb vigorous und ef-
feciueL
4. 'Fait its' leeiure an Apples* A unique and
amusing (si k on lliht pjjndur fruit und \la resem-
blance to lire htmmti nice,
5. ’ Rasta f Stming m the ftnnse. Tit- Invokes
Epeeial Divine fa ror an this popular recreation
Add gives his leasutis for departing trout the
straight and narrow path.
6. 'Fast us ott Siecfrb&nt Ffpfosiam* 'KasttLii
and I.uw hsiv« an etiterfammg euuversiLtiun on
what mifhl happen, which leads ’ lhistua to the
expression of a very decided o|iKiiuii.
7. 'Rastas /dsns an Baptism. The old gentle-
man is pniglik ne.i uIhhiE several JLibli «i at murks
ami thinks ha has found m easy way I e oidvaLion,
3. 'Rastas at tbe Razor Soria/* Ele iv fates hb
experience with his bt^tgiil at mi tuning party,
much to die enjoyment, of his In siren .
9, ’Rastas' Trip fa tbe Promised Land* He ex-
peffeuces i c ii unge ot heart, thinks lie i» not long
for this world, but proves a mb arable backslider.
Mr* Bangs bus not eondnecl himself to tbe dia-
leet series, but eonliimefl to supply ug with records
of his recitations of other eludes as follows:
30
Dll ASIATIC AVI) SERIOUS,
1 Hamlet's Soliloquy on Death.
2 Sltvl<H'.k + in The Mprnlintifc of Venice,
4 J OtMlo’e Ajwlogy to tlie Senate,
4 Part of Trial Seenc* Merchant of V enfee,
5 The Charge of the Lfebt Brigade.
path Uric.
1 Left nn the Battlefield-
2 The Idiot 3 toy,
:j The (tom We: a Wife.
4j S&Uiebo ly'a Mother.
5 The Street of Bye timl Bye.
mnionoi a-
1 The Champion Snarer.
2 Casey at the tint,
3 A Stump Speech on Jxive-
4 Itoviire of der Viddeis.
5 A Luck of I lair iSerkj-Comic ,
tt SockeiT Setting a He it,
7 The Original M rtn Antony^ Address,
5 Mary Asia Ito Usurer's Pi*t^>osiiL
(I Hard Karma! Wages,
10 Dot Baby -uf Mine.
11 The Endbtmied Shirt,
51
THE AUCTIONEER,
1 Fak of Dime Museum i with parrot itmtatioaii),
2 Bak of Horses* Cattle, Fowls, etc,
3 Safe of Household Furniture,
4 Sain of the Uhl blare.
ft ?aje of ClirfetmM Dotig, Toys, etc, [with bora
interruptions h
{! Safe of Wines, Linnora, ami Cignrs,
7 Solo of BeiLHiiired (jirl (with white horse ivc-
commidoient ,
8 Side erf Drug Store.
9 [Sale of t-toone at Cl mb of Fair,
10 Sale of Dentate ElfecUJ, etc.
In addition to the above, we will be jrlfld to
furnish, oil dunijind, Si*eial Auction Records
co verify every variety of ante, interspersed in a
humorous way with bids of uaqek purchasers, etc,,,
etc.
Baltimore Office: 110 E, Baltimore Street.
Lukes distance Telepnohe 1172.
Carle Address, "oolfhq."
IWW Co mes
Under Authority of the North Ameriftn Phonograph Co.
and the American Oraphopbone Co.
919 PEr)r)SY^VfII)IfI f?VE^UE,
WASHINGTON, D. C.
S ole Agents in Md., Del. and Diet. of Col. for the DENSMORE TYPEWRITER .
Washington, D. C., April 11th 1 . i 4,
THE S TANDARD QUARTETTE.
During a recent visit of this famous quartette to Washington,
we obtained their services* They make a specialty of old-fahioned
melodies and jubilee, songs and have no equals in that line. They are
all "geiitlemen of color" and sing their distinctive songs with har-
mony and sweetness.
Swing Low Sweet G&ariot,
My Old Kentucky Home,
Way Down in the Cornfield,
Steal Away to Jesus,
Keep Movin' ,
Poor Mourner,
Who Broke the Lock on the Henhouse Door?
Tapioca Medley,
Say Bo, Give Me Them Two Bits.
SONGS
by
EDDIE GIGUERE.
Mr. Giguere is the wel 1 -known yodler of the Police Patrol
Company. He has remarkable us of his voice and the cylinders listed
below, while hardly loud enouji for nor i reproduction, are attractive
especially for the slot mac .me.
Hush Don't Wake Lie Baby, (with yodle)
Erenah Yodle,
Bring Back My Pisher Boy,
The Volunteer Organist.
Edison Phonographs,
Perfected Oraphophones,
Phonograph and
Qrapbophone Supplies.
Typewriter Papers,
Ribbons and Supplies.
Edward D. Easton, pmsiowt.
Wm. Herbert Smith, vhse-pru. andTma*.
R. F. CroMELIN, Smastmv.
F. Dorian, m««mea
THE COLUMBIA PHONOGRAPH COMPANY - .
Columbia Records
LIST 03 ’
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1 GU13IA PHONOSRAPH SO.,
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5 919 Penn a. Avenue,
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VMSHiNSfON, d. c, ,
r; I>J J K fJipJ's " OOf.J*f/Ot’
' t f.;. jt. 1v ASTON. PtfiiJ-'/'i
li. K, C KONV-^TN. '.
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You need no nigumeiit to ronvihn? you that
it pays, in any bu-^newst to use tno beat of evtrry-
I t! ling. The n h why shouldn't The Columbia
Phonograph Company. who sue the largest
eiikI moat experienced DuinufartureirS of records
1 in the world* located in the b^st building on
earth now occupied for Talking Machine pur-
poses* with the best iaciiities for conducting
the business, employing only the best artists
i nnd the heal methods, under the direction of
the best specialists in record -making, turn out
the be?t record n ju tln j World T They should
— and they do !
i ■ —
t,
j YOU WANT THE [JEST ?
WE HAVE IT I
Shall we supply you with it?
YOUR ORDERS WILL
ANSWER THE QUESTION I
: Piipsiy ir :asiJ2 K puke
H VIM IV
:t.
■ ■’■■■ ■■■* -i ■■« "It r£r*’i
■ |Xr .-1 ■ «T i
IMPORTANT,
We desire to remind those who have Automatic
or exhibition Phonographs or CiRiphophotiM that
in oliLcl to make tuouev and keep up the caru-
™ of ihcir ukirhiaes, they iinwt continue to use
only good, loud and attractive records,
AU records listed in this catalogue are /rat-ctaa*
ort'ffdtfdjfi unequalled for brilliancy, clearness aiui
general excellence.
We keen constantly in stock a large variety of
choice records of which we can make no catA-
lo™ue the li*t beuiif changed front week to wees.
\y^ bring eminent artists 3 cold New Vjtn,
iSofiton, Chicago and other cities at great expense,
for the expire 1 -* mirpgaa of making records oi tJiHf
speciaidc"' We also draw regularly Upon «»
-theatres here for the best so Lies yi tire vocalists,
5 eriOLi> and wmle, v (siting Wastu ngton . V* o iv A i
be pleaded to iill orders for mkcellanyous records
from the material on hand from tune to time,
making selections according to our own judg*
meat.
In ordering j >lfa*e »tnk dearly whether yon desire
record* far ham reprodntfion, dd machine or wdti-
jjlf h t&ffl.
To guard against errors, always give name anti
mender of election ns v. vll ns dafs oj recont.
To facilitate prompt idling of orders, custoniera
are requested to give us the privilege os iunsti-
tilting another record for any specie p selection
which at the time may not be in _ stock- Lniess
otherwise instructed we will esereise this lioerty.
Zhdem Cn*k flccftift/Kmirt order, goods t all be wnl
C- O. D- Return c.i:pr&e chargee ffl3» be mtwl
your order.
Seplcin ber, iSlhl.
'.I
U* S- lyiaritjc gaqd.
Hie Lnited States Marine Eand is the JUu&t
fatuous musical organization on the Western
He tni sphere, It is the official hand of the Presi-
dent of the P atari States, and plays at the White
House on all state occasions and at Inaugural
Balls,
Our list of selections hv this famous band has
been carefully revised ami rearranged, Many
new elections are added and only the verv beyt
of the musical gems in the lihraryof the band
are listed.
Phonograph records of line Marine Baud arc
made exclusively by this Company. All high
class originals— no duplicates made or sold,
MARCHES.
Marches Comjiosieil Uy Prof* FAN'CIULLI,
Conductor of the u. S, Marino
1 U, S„ Marine Band {Superb.}
2 The Evening Star.
3 The Daily Post,
-S The Evening News (Very popular},
o The Cruiser New York {Splendid).
6 The Cruiser Chicago.
7 lb S, S. Massachusetts.
S Troop A, (The President's Guiud).
{) Naval Hendezvoiis.
10 The Cruiser Columbia.
4
LJ. SIAMESE BAKU.
Mfirchts CoiillHlwd by John Hillip Squab ■
Washington Tost (Always Popular).
... - ' /
11
12 TIE^b School Cadets,
13 The item ideal, *
14 Tlie Thundei'er*
15 The Gladiator.
Id The 3 Vile of Chicago.
17 hem per Fideiis (with Drum rkjlo).
LS Hitte Ke-ij:]3Tiien.t.
]f) Our Flirtation.
29 Miunhattam Pc.irh (One ofSoiisa'a Best.)
21 The Honored Demi Funeral March.
22 Garliuld’s Funeral March.
23 York town Centennial (with Drum Solo),
24 National Fenuibieg ■' svLtii Drum Soio.j
25 St. Omar Command^ry,
2$ The Liberty Hel] (A Grand March — Sousa's
latest),
MittCt llunooua Marches*
27 American Ltepubltc,
28 Ye Ancients (With Drum So!oi,
29 PruE."ian Army.
30 The Three Guardsmen,
31 Kim Humbert.
32 Swedish Wedding
;J3 Forget-Me-Not.
34 Annie liiurie.
35 American Guard Quiok&tep-
3fi Mendels&ohrFs We idittg March.
37 Farewell to Dresden.
38 Boston Commander? (Introducing Onward.
Chn-stian Soldiers].
311 St. Louis Exposition.
40 The Knight ft of Pythias.
41 Monte Cristo. r
4a T3ie Knights of the Mystic Suit, \f
43 Sounds of PeftCi Quselifltep,
44 Peaceful be Thy ttjeep [Funeral March}.
A
-
IT. K. MAfijtft iiAXP.
5
45 Chopin's Funeral M:nrrh.
4b Dead March in Saul.
47 Tire Wa nigra Farewell.
43 Tire Adjutant.
40 American Medley.
m Patna.
51 Foi’t Alcatraz.
52 My Country Home Quickstep.
53 Home ur;\n t’ liou ml,
51 The Fire Brigade.
55 Gi! ri3 gne's Triumphal 5 [arch,
5fi Fourth Battalion.
57 Colonel Wheeler'* March {With Drum Solo).
58 Sum boli Wedding March,
59 Then You'll Bern ember Me [Introducing the
Grand Anthem , Old Hundred).
(jD 1 COLL MTU A FHOSOi iilAPjl [Bright and
Catchy),
PATROLS.
1 Amen ran*
2 British,
3 Irish.
4 Turkish.
5 Chinese. ^ J
fi Patrol Comique. o
7 Marc) ling Through Georgia (Arranged by
Sousa),
H Gosey’s Industrial Army (A Musical Parody),
FOLKAS,
1 Hornpipe.
2 Anvil [With Anvils),
3 Sevaoi*.
4 To My Sweetheart,
5 Km&che.
d Lea Follies. ^
7 Kouge Ft Noir. \_f
L\ S. MAli[££ JJASD.
GALOPS,
1 CaniHdn.
- iJotkev,
3 -Tack of Clubs [With Drum Solo],
4 Humoristic*
5 The Racer,
0 Colette.
7 Pregti-siiHO*
it Sun Fuson.
SCHOTTISCHES.
1 Kentucky Jubilee ( With Clog),
2 King of Diamonds.
3' Annabel*
4 I talcing in the iJnrji (With Qog),
3 Welcome Spring,
ti Saucy II links.
WALTZES.
1 The Blue Danube.
2 Win# p Woman and soil".
3 La Sui pimu (bptiniyh).
4 Aphruriit&
5 La Gitiiian (Spanish),
it Vienna Beauties,
1 Ftetm-sof the At us.
8 Dream y:es,
9 Fairy Voices,
10 FugEuften,
H Gondilider.
12 ht lie Liit* de la Mcr.
13 The Little Sailor
14 C.U'lotta.
1 15 Dream Faces,
Id Love 1 * D rerun land.
17 Santiago (Spanish,, wiih Castanets},
15 Estmlijimina tSpanfe&, mth Castanets)
10 Artist's* Life.
20 Little FbJiermaiden.
u. B- MABIS T & sand*
21 I a Grtifiiela (Spanish).
22 Min Bella.
23 Imtnortelep.
24 Bill M e Good Dye.
25 Kiss Waltz*
20 Madeline.
27 Myijueen.
23 Kspana.
29 Over Lnnd and Sea.
30 Mv Dream.
31 TresJoiie.
3”i Drentm on the Ocean.
33 Visions of Paradise.
34 Loin du 13ol [Echoes from the Ball Room).
OVERTURES AND SELECTIONS FROM
OPERAS.
1 William Tell, r i
2 Ziimpa.
3 Semi ramble,
4 The .Tolly Robbers,
5 Ltybt Cavalry.
(5 Poet and Peasant.
7 Fra Ditivolo.
8 Carmen.
9 Emmie,
10 Fau&t
11 lolantne.
12 Nftdjv.
13 Rudilygore.
14 The Merry War.
16 The Goutfolterg.
10 Patience.
17 Tabrisco,
18 Fau?t Up to
Dance”).
19 Faust Up to Date
Golden Dream”).
20 The Little Duke*
Date (Introducing M
( Introducing
The Skirt
■"Love's
s
l:. a, MABISti BAsn,
21 I ji. Clgali?.
22 II Trovatnre (Introi'liH'incr 11 Miserere).
23 11 Troeytnre (IritrohucEnir SoUliers' Chorus
and line Tempest of the Heart),
24 Wajisr. 1 o
2.1 Mlvi Ut-livet.
2i t Rohm Hood (Introducing Q, Promise Me . \/
"7 The Mascot, /
2 s1 . Xh« Mi km lo.
2i‘ The UlitL-h S'
3(1 The Ule of C'h:LL3i[u^n0. i>
31 A Trip lo Chinatown.
CORNET SOLOS.
liy AiifcitHt (i u rt li t ivitli Marine Umul
A croni pan t men t.
1 Culver Polka,
2 Surf Pol kii;.
3 Fane well lAinttfsn?.
4 The Last Rose of &m naier.
b Let Me Ihvmn Again,
0 Alpine frrhnra,
7 The Image of the Rose,
CORNET DUETS.
Ily 1 M^ustps, flpois^kiirtlL and Wunderlich,
Wttli Murine ihiEid AucompaalmebL,
. 1 The Swiss Hoy,
2 Comet Polka,
3 A It lance Polka,
4 Alpine Polka. >
5 The Queen's Trumpeted
Hi Left Ucuk Amis.
7 The Luver'a farewell.
8 Colil en Robin Polka.
ir. a.
jiyiclMt DA SI)'
A r
9
)
TROMBONE SOLOS.
With M-’lne '
lKoC k*l m the Cradle of UM»U«P-
0 All Obey.
1 thjC-tar.
J Chrl-tuws CLiinwa 1 ° LU *
L . airs of ALU NATIONS.
1 Gall swrath* lAu«. k an>.
X £ fe£? a “ cei ’
i u lMloiml ispnlidj
^The Mh^trel lk»y Qi '"1 ] ,
9 Ifi. Mtiniuw (CliHi^t tiUK ,-
!□ Royal ilwtdi iltdM).
sacred selections.
1 swrer, >lr 'fSf"
l The Sweet Hy*-
B Safe in ihe Arms &S ' lt5U * r
4 Rock of Atf«\ 1rt L- _ : i,lesie FideVii).
j ilo.v Firm * 1-oUTi'lr.lioTi i*«s
■ l^BBlTheeKrerj- I'O"- _
g Th* D»>* of tbe Lord l^enoaoj,
MISCELLANEOUS-
/ V ,-,t \hAit ilfltimWmg the
h The Metro nohs at - >» ul ^
l— I sitest Popular Atpji —
h i Matllev or Sri 1 ’ 11 An 3 -,
10
L\ S. JS.AJtlliE KANO.
7 Moonlight at Del Mon le-
ft One Heart, Ons Mi mi, Yorke*
0 L'niied to Thee Mazourka,
10 Tryolnm MaxoUrku.
11 Li Colo mi riuai ; Comet aivl Trombone Duel),
1 U Blending of lbs Blue am l Gray (Medley of
Northern kind southern Aino;
13 lioqk'a-bye Baby.
14 Dixieaiul Yankee Doodle,
15 The Two Tittle 1 Sul! line: ten [Clarionet Duet),
LtS The Advance and Retreat. of the Salvation
Army,
17 Damse Africaln^ [whh Clour L
18 The Dai.rli.t^s 1 ' Dream (wuh Clou),
IS) I 'ear it™ Bells {with Bells Bilibina).
20 The Pofxilion In the Forest [with Buule
Effects),
21 L'lifle TLifctus (Negro Dance!,
22 The Lost Chord,
2;4 i Mi.diyy of Southern Pltuhatiuia Dana**
Hi 1 ■ k 'jVij i hi i ' t! 1 1 .■ i in i i r*4 1 ' i;s rims- I il fi t i i 1 itfitag
LtelU Whistle, SuiiL'ici uf Moving Train*
eta),
20 Emmett's Lullaby {with Crying Baby),
20 Stephanie Gavotte. ■
27 TlcFs Serenade .Piccolo and Cornet Duet),
28 The Night Alarm.
29 The Dole Skirt Dance.
NOTE: iVVim ordering pfra^e CLASS, as
well as NUMBER and NAME r L f mltctiwi.
•rnc?
ipvpjail, J
12
OUCH ESI BA.
PARLOR ORCHESTRA.
I Serenata Waltz. _
» Altua Walt/, (bpanwhj.
3 La rolflLiaa.
'4 Robin lloo'l
5 In Rupture biveet V alt*-
r> Let Her Rip e-
7 Greet mi; to Luis M^n.
8 Birds oi Spring ^ or^c.
9 Klcise rolkti.
10 Ki-ht In U Uuadnli a.
II Wring SehottirrctLe,
12 I A G'itanii WaiU.
IS ^e«y SleLdU^ns Ga >p ; )r
1 4 W flog Luat-er^ 1 it 1 1 J •■ 1 r
15 Hue Virginia Skedaddle.
artistic whistling*
jj-jj J'lftti lcn'te -LtLc<r.
ar>*. -| ,te 7 f ii'n'/in" "-V-
epafMI- (Irilin?
2 + ft e y are ^ ,Mfl * , \ ,j nimnv mit rrxfm^'.ui™. und
tvet made i» <wt rtr nm t br^wnt ac-
’<«' '“" Je " rw ™’
is
A KT [ST (C \tU 1ST IT'S C«»
Kotb,— M r. At Lee makes records exclua^Y
for this company-
1 The Mocking
ee.
4 The Sweet live ami i>ye,
5 Annie Laurie.
fr -T. ' li^ftH ' fr D rermtcil , T ^ ve '
7-T l it ? 1 h frn J u i ni i e^Urrii!t'.
1 11 1 IAJ '- L - 3 1 II I " HI r'Tl '• ' 11 ''UE.
1-1 k a.
IS Cuiidluwiit
14 t j-nVg Cioliietl Lrenm is 1.
15 When You and ! Wer e Young, > la SS ie '
rT WlwrTwiirS^ e ' S ii n i h. Cume Back.
IS Blue Danube Whit*.
gil y [ . . r i. leorfrm.
a n u r ‘ | t - ttf l -hv S llomC-
23 OnC*H l*on a dune..
» When LcweuVomi*
end The Dream . f . tllfl
hi na ow-miii and U hat the
Dickey LirdsMuy. , r .
27 -Ei mhir<T*gotie and hi-mime ^archu
29 Lullabv fro a 1 1 Kiarinie.
20 Tlpw. IJt l ''iL : ?-d a re h ■
SfHirtdrpT-tr^^
SI ,Vfw-thn ML
WHISTLING SONGS.
By John Vcrfce AiLct
u
wilHTLfSG SOSGi.
w)itxiH:tt$ t with ju’fino Qciyintiftrniincnt, The morcfjr
frrtf ch v -rr ffwii flif*iinrt r the turn bright aud cttlchy, mid
ih C H'ht-diiH \$ 'nilrtdtitifx fmrpriWirnit dtftffhf hrnrm.
No tffUedirm w cf/mphte without the*e recant*.
N urn. —Mr. At Lee makes record? exclusively
for %hv$ com puny.
>-^i^^rrFT^rrtTr^^ n +
2 Whintlimr Susanna,
— ffirtrtrril . )
— >'TT>htt>. — j — -k^qr — iT um- 7
^riginuL)
Ji Whittling CniBV,
G I Whistle and Wait for Katie.
r^-Posh dew
6^H g^Vtri i ■t k 'T'Hf j; - a ' i d uie,
SONGS.
Ky JtJn i Yorte AU&
H lk! ~f i U] j l Hull i ^> tr *T* ±_EL»nie, ”
2 Nice Girls,
3 T&-Ita'lta-Kwrew!e'Av !
Ifcn t.
6 The I'rudJiial ion.
7 Pm the Man that Wrote Ta-Ka'Ra'Booru-de*
AyE
S Ilighu for tli e Sailor.
O On the Bowery.
SONGS
By CEGRGR J. GASKMr
Tiw /VjHftr Phonograph Singer.
Mr. Gaskin is, too widely known to require couch
mention, He faaa recent I y completed an ensatre*
meat with us and lias supplied ua with the latest
and best of his selections. Hi.s voire wm never in
better condition and finer records from this popu-
lar vocalist have nevef been made. Every one is
£5 £.□
sosgs.
io
dEsti™ V ir S ]11 to ! l<?r f nd] ™ ] anf] avllable
dtstiiHt. They may he heard in the remotest
cornet of a tri-eiu thrntr? if horn k attached " v*t
*h* tilbea Un|>lftmn ' ly 1 ° U ' i " hcn helrd
1 JSweet Marie.
2 ihe Fetid Wedding 1 ,
? They are the I test Friends of AIL
4 Mamie, My Darling,
0 Oh, Promise Ate.
_ Vohi titter Organist.
1 Muvotinretik
3 M hen I (\oss the Sjn,.
to 9 An ^HSet Her Boy.
JO The lidiermatPa jlride.
11 Lithe Bonnie Demi
}? Iv^d 111 '^- liieUlli F> ‘Its Once Arab.
?J \\S ' Verc -Nell nrni I. S
14 Ark^HMLiw i^oriLf «nd Ounce),
jo Tom and I'll ('to Toy.
k* Scunlu n * Siviiii:: Skmsj.
1 J “>L..f-ILI'J Tff*.
18 Jack Wont 1^ Y oU .
13 J ou G.,v,- J[ e Yuur ]„a>.
£ { t b-ft Ibhbd.
_A J t rt-r tu l] is J)ad.
srewlty In Our Alley. —
£4 Leon ore.
if J lst TJ k of Yon r M ot tier,
3ti Turn Over fOomie). :
-8 He Whittle* I Up a Tune
5 ^ i ;t' Children, CJimb.
nP Only a Year,
"1 S* tle ? s “ mi,| er Comes A^ain*
- 1 noebe i Ute,st Kthio]hau M«!odv\
d Ihe Cohrder. * s
pZ e m i ‘ e , »u!"’ '™ W5 atsinwi * Pia/ "> *■ <"< »«>»-
Hi
IT
*
t
J *
EOKGS
Bf S/LAS LEACWA&
€?hietvjtt** I^tt'orite Vornlt.it.
Mr. Leach roan has n cl tar and svmpathetic
voice and eiiuncmtfK distinctly nnd eriectivelv
l A t 11 ? 08 rinj-is them
He has had extensive experience in pho-
in^iE 1 Wr> ^ wt ‘ Ttlke in commenU-
J n t his records as hemg of a very high order,
halladh.
1 Miine.
2 They Are the V^t Friend#- of All
j gack Antons the Old Folks Once Azam
4 kiSf and Let's Make Up.
\ Y Ln f JkMIeve iLr Faithless.
1 ! > A Little Uov For Sate.
I Ep the Gil 1 J Left Behind.
5 Liiimett's Lull a by,
0 Dteernber and May,
llJ P ie \ T okmteei‘ Onanist.
1 1 The Coaisr i iuaiups i >. aiehter
Jy Then You'll Hementber Me.
13 Oh, Promise Me,
14 Hearts,
ixiy An lie voir. Bat Not Good- bye.
£ 1
V3/
4F
tJ
iwi’lar ro mic Hos^,
1 Hello, Central! {A Telephone *tonr),
? !n rOV ;?' {[ ]fi Wi ^ i'nd the Babv. *
- P°i Mr Hut-kleberrr, Do
o ”ghuU itT iK Unser Ttam »
fi I Wfch They'd Do It Now.
6 Drill, Ye Turners, Drill,
7 The Mail That Broke the Jknk at Monte
Litrio.
o S.™1 JSeebrooke-a La test hr
9 Greet the Old Mim \\ ith a drnJIe {Another of
&eabroofce s hnocesai^s).
1&
NKHittr.l SOJtO-S.
1 Linger Longer, Loo,
2 Mamie, Come Kiss Vuiir Linnev Boy]
A Quit i>;it Ticklin' Me.
4 Strung Coon.
t \ Lf ?J J ?r in |W|R 0™i Chime,,}.
b A Kjj? Fat Ga&n,
7 llolt Sweet Jordan, lioit /With Sermon).
Cui j y Me Bjiok to < Hd \ irt;! ji ja,,
9 Dem Golden s l j pj jf-jy,
10 Ix>ve Me JittJe, lie i,ong r
SONGS
By GEORGE 0, SCOTT.
fervrp
!fh“
-and
■
...j, vu j iy ^ ay 1ii>e=fro _ :u
SONGS.
£/ a. McCabe.
McCaI*e b a tenor soloist of considerable
ibtlj,t) and Jus record* Hilt probably become
eos^a.
19
jopular. The list em bribes only the latest and
wat selections.
1 Sweet Marie-
'J Burk Amnni.' tire Qhl 1' oiks Once Again,,
S Wont You be My sweetheart?
4 The Volunteer Organise
.5 When Summer Comes Again,
ft Little tkumi e I>e nii-
T- dwrtie - -fcrtn ndu ivu yran ■
SONGS.
By A. C. WEAVER.
Mr. Weaver 34 a ‘'apeciaUac" in voiwte sou?*—
poised of a good baritone voice, a happy
delivery and clear enunciation, l’he character oi
the selections insures for them a ready he&rir.g-
I What The Wild Waves Are Saying,
/i! The Conn That Cot The bhakc.
tjJ 3 Mamie, Come Iviss Your Honey- Boy,
THE TAYLOR BROS. TRIO*
hfW
ure jyeil iau»-n ow.f pnj ndpT'WKnJ^
itt* qi™> ■ Til c rww ni* - r J-C mfh ike tome
oa qua rtdtiwnf*, hrf jtfir w**wf
AmW«. tT^W* are>Wfy and ri*
yhurfa ictfN s?. , ai't?prtf , ii.
1 1 Board at
S Med layoff-- - ...
<t TelefJnone the >ewscn Hugh.
4 T-de Livst SCUt, Grand m u Gave Me.
ftAIeet Me at the Golden Gate,
c
^rnw
I
£0
spEcifn, rrr
&>’ ^ever. We w, 3 f L P r p i ire([ a nd **-
that thevare i„,,' h 1 fJjst «icrtiv uod er .
ones, t£L
" ke cl *“' session UdSiSr™'’ "‘ ll not
, /C/; * f ^-1 C Jr.
<iM>]<i a* 3f>eeia , s pj]J
1 (-1 ) ’" " 01 Sllt tf«* to flu yrfi * Ciauhta .
J Gladstone's Mma-to t ,, *, ..
2 Gtad^UHie 1 * *,«25? 0 Edison.
J The Rftyjxj^ ^ ~Hefp.
4 ^Jn £o*jfh ’ 8 J[hS 0 .
r
piccolo*
21
PICCOLO SOLOS,
^'e present to our patrons a list of I’iecoto&Jk
performed by the Jl^nowned Flute Soloist of p&
Marine Band d
'dS \
aoitv ,t^+KK,
Mr. JaegWis an artist of mttionai reputation,
and 3 ^'ls marvelous execution in^ds the listener
entranced/ For horn reproducikm no piccolo
solos haw ever equalled these records
1 Through the Air, Pollin.
2 Nightingale Famaste,
S Jenny Jones, with Variations,
^Medley— We Gather Shells and We WonM Go
Home Till Morning.
riciroLCK
!
. p
iN
J
SvAtnerLuan A i r.s and Variations.
JJ PniKbh Airs ;irwl Variations*
7 Aij's and ^’firi:it*OiPSi,
H S-ootcb X'rrj and Variation^
5) Columbus S&mtnsie. >
IQ The pirnlv!in30'erii^,..^ith Variations.
Jl iiobin Adair, i,v j £] ] Variations.
1- Auld Lnng Syrie^vti}/ Vjimricus,
V-i Comm 1 Through tV" t£ye r with VariarJOiis,
K Annie Laurie, wifh Agnations*
L5 The Old I r o!iSj>t il-on/^ with \ 'ariations.
Hi Rossi^nql \';L
17 liossiirnoS Polka,,
18 The Swect^S Jve and Pve, with vjvriiitjons.
VJ TheGtfn Polka.
£0 tierfjjan Ait 1 — Du t Du r with Variations*
Stein way Piano used for off accompaniments^
i
* ■
1 *
f*
4
OTRS’ET.
2$
CORNET SOLOS.
recommend, with pleasure* the followi]
Solos performed by dies Popular Com* J
■ft v
^r*v
. V. Vv, - ■
cmSsSw
p:
Nil- AT.
-y. J, : ..
(\ ■y 4t y
* wS
y*
of the Murine R,ii
brilliant r and these recor
for concert use/witb the horn*
1 Weber ’a y(i^i Walta.
2 Three St/r Polka.
3 ArbimV Polka.
4 Clover/] veaf Polka,
5 Pretty' Jane.
6 Sread lower Polka.
7 Siybw Drop Polka.
5 Sweet Marie.
6 CeDoisi from the Opera of Martha.
riETH,
ion is clear and-
irubly adapted
24
cons Jcr.
■
aliens.
ntorei.
uajnbulu).
Steinwaf p/a^o used for aft accompaniments*
CLARIONET SOLOS,
ijiic records listed below* a® rendered Eji
Jin* tVlT,LTA3tf KKl^j'LKIlf
llflvp'Suoceflded in Obtain ini not onV‘ perfect
ejtemtroii, bat die pure s\ym tones of tl\ mem-
' s , r ‘ * ve J > Pj e, ‘ '- s P tr forma n ee leaver not 1 1 i n 2
desired, and ue feel sure our customers nili
thoroughly] enjoy 3iis records.
-
CLAniOf. r 6T,
25
t M:ay Hell*
'olonasse from Mijznon.
Angel'a Serenade.
8on&— t nice Aguiii.
'elt, Thou Sin
n A 1 >re:.L [K by Baers*
7 Burali's ffrelmle,
8 SefiotttscliV-Slj^rfEini on Hie Bench.
9 Selection frorp^c tie i >|>era lajuisa rLi Mont fort,
lLf ^election [rortvAriilJu.
11 SoLunmitbcrfsi, Ah’ and Variations.
12 lionifLiUfc Air, ivHh Variation*..
lit Sounds from Eloruehovith Variation!!,
14 ConmV Through the Kye, with Variations,
15 Vbfe Tns8 O’ I-Otrrie, wsw^J’aTintiota.
lb /ne Fensee Lontaine.
17*rhe Prayer of the Clerk, with YzirmtEona.
Steins a/
records.
Piano accompaniment in the adore
C,
T—
— itT»
Sf CHARLES B . HAH FOR 0.
Jlx- p Hanford's records have reached a popular-
ity vce had not expected. Ills clear. resonant
voice f fine artimlalioti and superb oratory eranm
all hearer, His rendition of wed known
of poetry imparts to them a fre-dumss and benqucy
that is delight Ai!. We arc 10 add neve se-
lections to his list ami feel .sure our customers "‘hi
welcome the addiuon. Mr* Hanford XMtkn re-
cords solely fo] * 1 2 3 4 5 6 this Company +
PATRIOTIC.
LTh e^Star Spaptded banner.
2 Amwifu Co Liu u-y , Tia of Thee),
3 Tlfe-Ajy^OTjMJiii?.
4 Shertih^Ts-^Cde,
5 Make Way forliberty,
i
I
E
L
I
i
■
I
!
RECXTA'TIQNSU
27
DKAJI.VTtC*
t Mure Antoni Address (from Julius C^r%
2 Cnidus AisifnatCu'sur [from Jusiib Lusarj*
5 t ' Jlt l tj l MV A^plo^v to the Senate,
4 >'.j 1 1 i u-i 5 1 ] v l..'] ihefrard UI.
^ Jin' i.Vrea of Mult [from As ^ou Lake
,rl m'i'\ frW in the forest (from As You Like
It).
7 queen Mab (from Romeo and Juliet*)
g- IlmuKF-i f jc liloqny on Death*
^otiJnrrrre-oWviEiu Claudius drom , Ilia inlet).
I u y i. JV oei i 1 1 en r y M H I*
H t^hyloek to Antonio (from The Merchant of
Vtnict)' -
12 Marc Antony in the Senate (from Julius
Orwirl.
1" quarrel o l Marinion and DouglaP*
hK l'J i c D-u onVl^t Wanquet.
]r ' T U \ t men i n the Humans.
10 The Gho« of IhimletV. Father*
17-KirmrH‘tttTrn Conscience*
15LJJ^ciw4hV^>lilufjLiy, * , *,
IP The Murder of MnodufFs Wife and Children*
^4-‘f4r^ttTCfi^ t-ir John Moore*
mi^CliLLASEtUTP.
1 g niu t hrift (Humorous and Pathetic}.
2 The Volunteer liiprauiit (Humorous and 1 *-
ihetjcfr
3 I [ oaf Lts* Sweet 1 3 pm e.
4 The Ckid^ArniM^
5 The Old t^rtT^uckrt. .
l> The TtiieJ j-_ r ht Biissnde.
7 Pins?* l5fir (Fat be-iic).
6 The fctfclsl Fetat (A Temperance Story j.
i i i . i I — i t ...p i . ■ .1 i ■ ■■ H
£8
THE ■ RASTUS SERIES,
C. BANGS.
Mr, Ban-gs is a. very clever humorist. Ilia
selections hi our previous catalogues have already
made him known to oili l customer. He has ar-
ranged tins series especially for the phonograph,
and his practice us it reran l -maker inis ln»en out
to good advantage in the new selections and re-
arrangeruent of old favorites. - The records are
carefully made, only one being prepared at a time,
■and toe dialect is that of the Southern “darkv”
to perfection. After you have heard one of these
cylinders, you will want the whole series.
UK LTATIUSH.
29
J f ‘Ras-tvs a o4 the Watermifiton. dis*
covers a youthful sinner and cu erects him in truly
philowpb Seal manner, . _
2, ‘ftasius and the Ship of Fattft. lie discourse*
on one of hts favorite topics in a very i meriting
manner, and relates a miraculous exampie of sav-
ing grace, „ ,
3, "Jtastui titui ‘Wonky’* Converton^^ Lastus
daughter haa some religions views which do not
a -free with those uf the old man, and lie prui^ls
to reviise them in a manner both vigorous and eh
4 . 'gastus* Lecture on Apples. A unique and
mu using talk on this popular fruit and its resent'
dramatic A>rn s attic us.
1 Hoiuiefs Soliloquy on Death,
2 Kb v lock, in The Merchant of Venice*
3 OtheUo r a Apology to the Senate,
30
RECITATIONS*
4 Fart of Trial S crane. Merchant of Venice.
5 The Charge of the Jij'ht Brigade.
PATH KTfO-
l"! jnrfHjTT^^r^ihrti krtrv Id .
2 The Idiot Huy.
3 The { rambler's Wife. _
4 ^oinehoiiv 1 ^ Mother.
5 The Street of Bye mid Bye,
jj riioRoua.
I The Champion Snorer.
3 A Stump Speech Crt'i Ij'jvs.
5 A Lock of I fiiir iSenO’OoDiLch
0 Mockery Setting a lieu.
7 The Original Marc Antony 's Address*
3 Mutt Ann lhi) linger^ Proposal*
fl Hard Bur ned W ages.
i ne.
11 The EucEuinted Shirt,
-■ ■ -■
■ --"-'■ , -
■ ■!■■■
PIMJI -I ._
*, . «i
'F«'P
J >
< C
'f £
*
_ J5
it “■
r*
In
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r
BALTIMORE OFFICE
110 E. BALTIMORE STREET.
LONG DISTANCE TELEPHONE 1172
CABLE ADDRESS "COLPHO."
^ GE MTq
r— . O
”InMd.,AndD |St 0 f Gol.
For The
1. WASHINGTON POST MARCH. v SOUSA.
2. LIBERTY BELL MARCH. SOUSA.
S. MANHATTAN BEACH MARCH. SOUSA.
4. THE DIRECTORATE MARCH. SOUSA.
5. THE HIGH SCHOOL CADETS MARCH. SOUSA.
6. THE BELLE OF CHICAGO. SOUSA.
7. THE SIMPER FIDEL IS. SOUSA.
8. MARCHING THROUGH GEORGIA PATROL. SOUSA.
9. THE LILY BELL. SOUSA.
10. OVERTURE WILLIAM TELL. ROSSINI.
11. YAZOO DANCE . THOMPSON.
12. LA CZARINA. GANNE.
13. PLANTATION CHIMES. HALL.
14. CORNC PACKER JIG. MEACHIM.
THE FOURTEEN SELECTIONS IN THE ABOVE LIST HAVE BEEN PLAYED
BY MY BAND FOR THE COLUMBIA PHONOGRAPH COMPANY OF WASHINGTON D. C.,
MARCH 10th. 1895.
VO ^
-Hm a Ct \
i
1
■
•O
■Ar
%
j
'>b
1 i
I
. . Columbia , .
PRINCIPAL OFFICE
919 pei^syluaijia pueiyue, U/astii^toi), D. Q.
Cnttlc AdJicssi " CULPHQ, WAJtllXtiTON,"
If possible, make a double list,
naming
1 *
second choice " of selec-
tions in the event those preferred ft ret are not in stock* Unless Lifts
is done we take the liberty of substituting records of our own selec-
tion when necessary— except when direct instructions not to do so
are given.
Great care is exercised 111 packing, and receipts are obtained for
all goods forwarded ,( in good order." Our liability ceases when
goods arc delivered to carriers*
Records are always sent by express. They cannot be safely
transported by mail.
> $
S [>
5
k
|
k
S'** I s 5 1
5 S'! Of § '
.“V * ^
HHu* I. AHA H It Mi, til 4 LI ■ 1AT1 IF
c
- - — — fc B T— '*A tad H-
- V* - & ’fc - t ^
^ 5 ^ ^ s I £ If;
“Columbia Records,”
T li e e s t .
HOW TO GET THEM.
$6, rar// wn'/jr order, for any twelve selected from this catalogue.
P If less than twelve are wanted, 60 cents each; if more than
twelve 50 cents each.
If full amount of cash docs not accompany order, goods will he
sent C, O. !>., provided a deposit is seal with order to guarantee
express charges. Express company's charges for returning money can
be saved by sending full amount of cash with order.
Write orders plainly, adding full address and shipping directions.
Order by number only.
t
'>k
1
£
ii
-J
COLU MBIA RECORDS.
IT. 8. MARINE BAUD.
Tins Unik'il F iih Murine iSnttct la the official
Imrnl of the fi Mum of the United Snues, arHl
filuvaat [111: \Vi House oLk ji || sinie needs Intis
JLlnt ;iL III" i; IkUll iMtlill' [iflieilll gkLtlrMF-
iU‘-=. in Wns i ■ n ■. 11.
U^ituinc U-- i - Jf r'i i h J J 'ftjordis ujvwmd e only by zij.
MnriliLH,
Jlftircftcf . . . fad PMtip Stj\tta,
1- WnshlnjrL. . ! ■ i (Ahvuys I'ornilar).
13. HL^Ii HcJn i lets.
X Thu Tim 1 1 i ' t.A Grand MLIiturj 1 Mntxb).
r.
i i i .
i hritik Dm til f ; Vi]<.ij ,
Jl (OESe ilf l]j.
Uilcii (with i n u in j4» i I it).
i| {till a la Llie I'uniima Wassh-
i. 1 he {ffin t i 1
B. Tbeitfrlk ■
ii. PunuHrr L
7. M is uli ml Li
3, Niilionnii
9, Tin:! Li]j<
10. The Pin.-. .
I E
Mi ■- ■ !i Line® as Mili-cIii'h,
I 12.
2 '..
11 .
15.
HI
17.
16.
IP.
2U.
AmerlGiiu 1 .Ulsc,
A mcrleaii 1 ■ 1 Qiilctntup.
JJCK-.ll'ih: I. VlSIcHIIjj JlllVC3l.
I5i Bitfjn i -■ 1 l r y t [niinduciiiB ,H OQWfttd.
Chris Lj. lien*).
Pt, I»ub. ' . rli>i> .
Tliclfcll- Yurt.
Thu Ne\i V -ij ii.
A tin ill :. . . I Ley (llltrudiiidin; " Ilomtr,
svruiit
CilLniurf! .’ I u nuptial March,
Coi.untiiA. - i. . .(jyisALiE Maucil
hi.
Aeup rldiiin.
Turk i L lj.
Imirini Ci i 1 1 n.
UhHtcjU,
Polka*,
V L, I lot nidi*
£5. Ati'vil tnl! 'i Vi./llrt*
-ii . KetUucki )' 1 r,.c (tvlLti Clog),
27. lift! if Itiy i i Lain (uith Clog).
WdltEOi,
£(s. The HI iii: * 1 1 ■ I v.
:■.!. ivine. \u> . nunti Smi^.
:W. J,n Surer,- iiailSsL),
in. Uirt nell •
3'J 1jiGUii1i;i. j ..Litisli).
21LI. Dream Vi . ! :
SI. 1 a EeJiie ■ ;.i \ 3 er (.By Sousn).
uJ. [>CL.'-Li|| I".. ■ -
3r.. Love's 1 ■ in .: nd.
37. funiiagn ■ ■ i - h, vitli ChitnD«la),
3s. fetudiiuitin 1 1 .in liili, wit U Cnsui nets).
4l.
■in.
■Hj.
■17r
IK.
' LI'.
• on.
5L
FOt'l fllltl PtizLMIIIlt.
Unldn Uuuil ; In trad uel itf “Oh, Promise
fail i I'l L' Li.
Krin til Le,
Fill I kiln ' ■
'■J In: EnSe nrClLlUlipuSllUi
Filial Un in )3nli! (Introdtlelnjj 4 'Ttits Skirt
Ikince
Fa mt Hl> Id Ditto (Ijitrciucltig ,J Lavefa
tJulilen lircjiLtt”).
Cut net ftnldJi.
With Mxithif: Jltutii Accompaniment,
53.
&S,
I -C l S£c j >roti i n Again.
A li'Efid KcLusr-Ji.
The I ihasd ui tlic Rinse.
57.
ML
Ooroet
lET A jVarhif /lajifi /Heccjui^wridair'nf.
Tin: n<Ty,
TUe UUOi'n'n Trill ii ncjtera
CiolcJrtj kol>ln 1 \iIU(i.
60.
m.
ei.
Trimilpiilie Khj J h>k.
With Vniiite
lluchcd Jn tbs Cj.h 1 le oriSie Dlcih
'J’bc Fil l ELUi,
Hmvii Iteep vJUilti the Cell nr.
■C2 .
i^.
Cl
iVi.
flV.
67,
CS .
ca.
Airs Ij[ Jilt >! nl iLm.-l.
(icn I 5 ftVA Hit fiLlLinn i English),
Thi 1 Sl.-tr Pj :Lll -'l | 'il H-uund' (A mnrJcan),
ivi-i. Wlilte mi h IlkiM f Ann-ricnn).
Hh W im.']i Ehi l llLtain (t criLinn).
Jji Mniveilliii-i (French).
3j 4 MftUii Xn.'he i ^l'- 1 Ir.'itn Dunce).
l.R ! \j 1 . 1 1 n :i Ldieintali IkLHCtiK
l.a MniiaBi.i (Clull-nn tJ-nnce).
fiML'lid SelUK tlmi.l,
7 U. Wearer, My Qjd, tnTliee,
71 . T’I: i ! Win id 1 fVO ulitl-Uye.
72, P- 1 Ii- 1 ii tin i A nl ii i if J 1.7-u a.
7ii. lbirk Jif Aj;ea
71 . 1 1 i vi Him i bViutHklimi (Arleslc Fidelia),
7n. lA-iUt, 3 -Ihle3I>'
7 C. I Weed Tliec i-Vtry Itinir.
frrEHCGltnnnchiLS,.
77.
7H,
7!t.
tiQ,
til.
K->,
M,
SI.
ikvrlluri ..ill set e i- 1 Lin ti ^ Inim Oiierus.
HX
fi'L.
Htf.
KX
;iy, Wl I limit ’I V I .
■an. ^nmiu.
1 1 , Tiai 1, Lil-L In > ■ .1 i
12. TbuJntb ■■ r-s.
J3. II TfoViHi. l I ii -uduaiiij; Jl MLutete).
SO.
thj.
01.
Ui
01.
PRIOI
LiOo.
EACH ; $Q.OO PER DOZ.
j*'***
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■ 5 u *-4
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■ u aa
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WUtf. - ..
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M m l ley jj( 1 .i i Ijv r A I rs.
Mmlliij' ikf Sr.'piteii Aim.
)kf<:i tlcy h>( I i lhli Alii
MnLLj' (iJ t’i ilit In.rji Alri.
MeiLinriDinif i Ih IVnr (L'nErlutie Hi’dlny},
On.' hrwrt. One Mind (YnrfceL
|j-V I ; nil .IPL$ rh I H i Cii rm t SLliil 7 ’PfimVHM: Ihlct),
litumliis^ (if Lilt: IIIile: aii (3 (Silly (Medley of
Northern ami Pi'iillnsriL Aim),
Idxli.! iiLnl Vanlite iMittle.
Th 1 Tim S.itl i’ Hu ILIimTies (Claltiuiltd Luflt},
Till : 1 Jin rli ins' I lit nn in n it Li 1 lii:'),
A I'rin nil dm S.liniliit 1 ‘'k \ ( I htnu liletn^
Hull, W 1 1 : 1 ,e: , IsiLiinJ :i 2 ' Jluviiiji Train, CtC.j.
Etenlmiale Gn Aitlu.
TLir» Pltimi nle i E'iceihlik Jiml Unmet tart).
'J Ii" N i;;l .[ Al mu.
'J 1 1 ■ l-i.iin Skirt J UUIt'e.
Liitle Kin kies [iviLli Cing).
* y $ L
P.V X'j
j H r sjff
OKIIKH KY NUAIUKU ONLY,
■
COT-UM13IA RECORDS.
Suiisn’s Ci l : l nl Concert r a r. (i
■tV.' Ihe imn'n« AV>u^( recoup
til; 1 1 '/.n‘ 1 ! 1 H’lMI ill ■ ' In Inf tlini L 1 Oup |VM>yoM*.
! i hHiL wnot 11 k 3' nl :unl iuiimkir ■ mlu i«k itions
,4 "t|if ljii ;i[ 5Ln(i-!i i Id |ilaytxl niilg nil Hip eX-
I ir L'.s'iii >rt, l lif |j$utiI i . i 1 he wnpaivl finish
Ms .[ ■.idx-iir finwHJ- - : . . . ■ •■-lt IilIliiJuiI itn>y ulmliltt
3 , i vu. .:iL't jil.i.y cl i iSy £uivnt'.s 5 'V.ri j.iiud eitii
g. |V I I IV III, ¥«lc- ' 1 1 I ill! lll. , r. , ' , 'SLI]'il. ILVirilJT N't
i'jl.’- lii - ii LL iiic-ntji i i ■ i i r tki<i Ijiiud ia Jiiryrer tlim
itiiy ei cF Lffura ui- ;ut Lit ln;iUujj
[■i. 1 Li i L v Bull 1 1,
;i .. 'L'Iil- I iln i "Ii 1 1 :■ i i' , h J
'flu' Utah. 1 1 ■ -leU* Muruli,
M c'Sl i A lire Will . . E L-lll.
■i' V.ium) J Vilin i'
■H. I .. I 'j£;L ri lnEL M ■ '-.H.
t ii. 1 '«iij-| Crjiclii't F Lin e. ; ■■ •
im 1 1, • .Su iivliSp,, , Alley,
3 i ji - i f’ '[[(in -i.
p : T ‘in JuSly i| ; , nJth ( Iiili ■ k| 1 , 11 1 1 iijt ViiCAl
C 1 , 1 - Ifu h) .
H i Mi.l ii'iiv 11 m 1 ■ '.ieitley.
In",. triu MiVivh ! . ■ l WO £Ee|i (Bed tented to
S "I Ml}.
I i >. i is iiiiln ij- ' h nl-. of IiiLi^mntiLuf, CtdClitnfi
’.i"' i l-(i:J.
! 7. 1 ■■ J '.Lrtiv,-' ■ . ■ ilSun,
L 1 ii.uisLs 'J' [> i liuflcKi^i iu — 1»J' Arthur
LTy> ir.!'.
I h Ulan I'. .. Ii riltvh.
Ml H .. hUU'tOI! I : '.larch.
'J'i'iiiilI.iuiih! hii. )jy Artliu; Fryer,
1
V J'AcurtMfjinJ . Salaisif cttfOikpaNfcd by
Sui : [’ ' ihuilf.
Tin- .piily Ileum I ,r J rj'im’fi Solo* JitfC-f M-'ute,
Ill, .■■■ . i y vi i ltc viiii. Mm mat, flinrit-U.yo,
ill' "S' .. raVrinly . ‘ ■ rl ill the WtirUl for Me,
ii.. 3.inLi> Mell.
II I. I ink M-iri'a M l\ilki.
no. Orictiinl HdliHit'it Miiru]i (ll/tha Cn-nipoiter of
" lFi i ucj'-iiiuniL MakIi
i;j(. 'I I tt? ol ‘1 m.icsI l J laL y>= round W<i.
tii'i. Til* Hmmlwiiy Trt'oSlcp.
lltt, Da fh pi i Lirck-l.
i:SI.. fljiru Critrkv’f JJ 17 .
|:|!», Ami tUu Hu ml I'Snyei'l On,
SlSfi. r-xtnEihur Mnroli iKnigbU TempkrJ,
1,17, 'Flu; LiLIji Utjl L
Wnaliihgton i..itiU\ry Concert Band,
( former !y O ^hoju^grap^ UoittF.)
'I'M- ■ I ui>l Eh (.■ ■ i i»f seli-c L> :•! flillciLs-iliC
J-' i liinvlciniii ! lifnefrui-i-miuiy nf thum
|i >ritfc!L - 1 lilt; ill 1 >■ ra H 1 1 "In H llu B: 1 IM , SHuler $HVI1SH,
TJu-y piny t.vi- 31 m ' . rccfirils jLrut 3i 1 ut. All tin:
1 ; l I : :-itleelLiiiLd . 1 ■- lii mid I 11 this list.
1 1 7i,
Llri.
117,
11
LI
I - I,
l 'I.
l-i >■
li'iSiCy Mi n il
\ { id YV;I -\[ I ■
1 :i|. [ 1 * 11 - 1:1 11 >1
r J'l n: 'Li i pi in 1 i
!: iimnv (1
< ■■ I ■ Jh.ljY .V ,
J I ,C rit I i.
V , 1 lu T ill 1 1
K 1 1 ■ ' t.'i ilti 'i ■
r ‘ 1 1> 1 l - ! H; k 3
'I Ell! J'lr.n.L:f i ;
'Lin' iiiil> . .
l-'iunrilifh
L:-; ( 1 .Li L Ii ,1 1 1 m ! ,
L. 1 ' i.'nirt 3 k i
LAi.
I uvrr'l.
J ! ■; Arnvul
l.'U li.
'i.irch (.Tlnj fiAiuhi (A «whi ) .
f-Pi,
! "Ht Murch.
: ■ - ,;ni Sofc£i} +
: l'.UCll.
' I '■• .111!!.
-r. ...-ffuiritU LvUislK
I .-li-.
1 u Stop f'Ly tM3l1,
; Mart;li |MyiUie slirimj
f'3i.
y i.TLiL't S.jEij -in I "ci ml nr
1 Ui hrLilp,
Twenty-Third Regiment Bnnd, N P Y
i:w,
i:.n,
3 14.
I'll.
3 17,
i 13,
I L-l.
i li.
I la
I IT.
I EH
I VJ,
N h:h.'rl,mj;L L li A'urt h,
A u ttc-vmr iVjiUk
H cl'in I Eci.J Wnl Z,
Dihij! I i!ur (if Ltho Sohictlfms,.
>1 1 hlJ , 1 a I Mil rr frciin CfpL-rft Diimniii.
Mi'li Hi rnli'li l-ch iLtLsuho.
J ,:L 1 LI j nil MlHILrlilL.
(jiil'Httr I irki.T J 'lLtJipQ,
3 -:'l tv ii I hi 11 1 :d,
Afi.-ii :';i 11 LI;lilc:i. 1 . Chhift.
'I'Ijis BmIl.-Il ■ItilSjLT'fl Oriidte
linrcisluim, Ci/tUcE t>iJo-
ljO r
1M.
I fit.
irti,
15 J.
l.VlL
1 iili 1 .
].T.
]:>,.
iro.
llil),
iril
3 id.
I'd-
ME.
im.
Bantn’a Orchestra,
nolle of Hit EuKt Mm eh.
Jiflfj'Ur'i Et£‘ 1'if Mutsid MilTCfa.
j If m li y tnfn 1 11 E'[:.i n. h.
Fin tin.; ^nL Rl mre WilKe,
I.ll IMi IsSt-ume 1 iJiyiiLto.
(JeisiH uf 3 reJaml Qumlrillc.
At tUt fill r Lill]i ip.
Ehltir' III : ilMlio hit! Ill' LI SOlliitElLiC]’lC-,
Tn i^L; >■ \\ 1 u& ydn nl r ise li e,
Mininl'iiip l.atifd AEiLzLirbft.
Ivins' f Hill DU.
*i V 1 : 1 ■ L - l S Shou 3 1 . ', m.'i'-,
E’lL¥li Al.intf My llimcy,
]'i lie »f S'ijiv Turk .Mart;];.
I'ciiin .Jin Waltz.
BfuiTcuS-tlL-C JJEnee.
{ u rnitt SdlfHS l>y IV. Pn rid Cliumhcr^P
> r r, ciuimljora Eh well known ns one of the pop-
ular dotuti-.iH uf tlie W^.rliL’s Pair uiiri ttio CuLJfCirniA
J 1 id '-V Inli; f KNiimbiitfin. mid hns licen liennl uiah
ilia lc-;i,d E ii|j nil’ll uf U'iO com] Cry. IELe IVOUdtTful
il L id lu'ill IiliiI usl-cuLl-iil Eh i^-i'fuctEy record cfJ ami
ilie 1 n 'ii . 1 1 i ful ninl IntiinalEon with
wUif!tL his iiHiys mre playod ts rtpn>
ihltl'd,
tom, JCLllnmey,
NcHi'i-r, Aly E"i •'ilp 1 1 3 'I’Ltce„
'flie it Id Wr liinne.
"L’Iil; fijLmntulufe Pulkti.
Pl'cIH'h TIklI Ate Jirih'hLciMrruiiS ?•' ll ri I iv til).
Jim Bolt
Jt.jtaii Adisir,
A 1 rn.' rl r.Ti I] Xatiiiunl Fanluiy.
Til in hTh l: 1 ii '!] to >3 ie t’t‘111 ph.
The J iM Epu-e o-' Summer
J'.'f-fclc. I In.; i'liiw r <if PimihlauC.
LVilna tSr. n h - 3 if s.
Net IS. LJly lluJka,
My S’. .■ l One, ft.-ny and Dunce.
(.JLii E 1 Lilt' Neil . ‘
WEll'Ii i hr SLL’.ilLnva llmuuwntd Hy.
EVrLirly te I'.dkiL.
I'Jie L <av thick Lit Cl'Lf,
n.liU.
IflUl,
I fit,
lthl'p.
Km.
I'M
Kuts.
lULr-l
3 >Jlrt
mil,
I ’..If- 1 ,
Lilia,
LUM.
Irtl.-i,
tun .
mi 7,
1U1H,
L'KIC 1 HOo. ICACI-I; ijjli.oo DOE,
SJUOJOlt 15 Y 1SUM15KK O.VI.Y,
Si/perb far Co > ternf C&S.
Mr. Stivnr; la faiinousi US ft TfiJlutHJHl&l aaid aaantiUH
records tliM plcrtae croryonA.
lflMh Rocked In the rimllcnf (lit I'feap,
luStt, Dhwil Deep Within theOdllar.
lLRll. E'Uen You'll l-tcnaeinthjr .Ml G.
ifliS. Thu Evenllm: Star {IVotH Tftnulia Ltsur).
HF.B, The Ik art Bowed Ikmn,
KWL J Hive's r Hrl 3wi:i;t Auitf.
]U ih t 'ujii'i Ani i in 1 1 '■ irnmi siwbitl. Muter).
1 U.HJ-, The lltilv tity tSaieruJlu
UM. rrnsLInjf .
HJ2$, O, E^fumiaii Ml.
Corniil Eh ii d Dmiti hy Chamber it
jitiiI Stoau.
Very iuthil, well halm-iced rco Erda > especially
KhUtl fiir PoUfi 1 t work.
1IU9. The Dnlilalu Jun.-l fhoifl the IfAMrOl).
11X10. U'e Fi.t by the Hivtr You and L
I l&K. I) MiJCriift. l^niLlI TripVftkaie).
; |Ltiy. IttJL-k nf AyoK.
HJSi. Columbia 1’I.DDii^ph March.
Clarionet Sol*** ly St^imr ilmlrflU Cutlfl,
r Jlnit fiS-n£.r troda Lh Lire HibiiiT ill the Petlln.>dj r
lnsi.it.nte, HjiiiuEi'ff, 19 it smiHelwu sujtninme of
his ability. Thu iei nrd* 3 iu uiftkiat turns are fine
cpeciiucus oX Iris skin,
1 IK1 1 . Till: Iritai Itijj-e of Bummer.
3IKU.. Down T'K’C j 1 i IVkliln t L lg Cellar,
lain. Tilt DM Folks at IldinC.
HH7. The CjimLviiL of Yenidn.
UtiH. 'j In Henri Rowc4 iXhvra.
1CG3. MoluisEtry Jk-ilH.
i lb Lu. 3 j'L:- 1 i ['im! HF,ie,
! 1011. Anl'i Uni?j Syne,
, Inl2. Lullaby fmm Emiiilie.
IflIA f-e ruainde by ( SeuiUHl „
MU A m ilii; LhutIu,
li'Lfi. CltLjjiiii M.ii lunic.
mill Till.,' jjweut Hy(‘ atid Hye.
JO 67. Thine Ertin"'. 1 WamStims (Saeredj.
lUiuH. Tho.mj Saslj Bivect Yeuia.
Saxophone Bnlo* by Kn|fi!iin CoOln.
flii^ixojihdliu is an EihElnlineiil mi rivaled In
I biy C elnt-^a Hi brne, 'ii'il Mr, CoEllji s work on it is
* of unejiLreimdy l%ia outer, These records fire
(Hi I urn; llac uiosl jiluhilnjj auivelllis WC hllVL L ever
IneSiililtM.
] am . Roc L I J i n L tie C rad t< : 1 1 L tl ie U CC p £ if Lib t it rial
as tons).
loTjtt. Sen Flower I’ljlVa (,w|lh MirrelmiS Triple-
Tois^ue ExeuUlluth),
icfil. Tlie ivimn.
1 avi . I 'ui'.iUn ise,
] g.'j-l , FniitiiPie iiirSiiiopltoiiiL
in's. No iv I I. Ay Mu Down to Sleep
lU£iA, i 'Hirer iMlka,
U .Ik I ihjii't vvumt in Piny in VnufYiiii
HKjT, ftir Mi lie vc i ir, IJlil NdC Goul-Rye,
KJl'A I'L'ihmjX Ti n tup. Trump,
ClarlciiLot mid SiLKhihlftmn Duaitq by Coil A
ihiui ColHn>
A liovOty in IrhBlruinulltrtl ducts, Street sod
fliinii'Llve.
I i.lV, 1, [Hii't from T.neto,,
Jin lif. Till'* SrrenitilC-
lO-U. eoe the FitSe Jloon.
lali. nrtfttns.
IfXKt. KoniAftct, from l/UJare,
lljllljo ISajlOU !lj‘ v+ 1, O liStll tl 13 ■
IhFr. Ctsstnan is trltlmuL iLititii oneoftliQ rtliekS
iHnsjiiiiifu In the w'Mrld. II is recenls Are wonder*
ftsily Uiud. They nil l|iu« the Ltlic tmll j«> tODO.
lull. Chlliene Fiinile,
[Hifi, In 6l4 I'irlil,
lirlij, The . 1 1 >E1 v luirkiei.
t&iT. The IXU-CW Tfttml,
|ih:^, 'j'lie l.fjhrXie Tickle.
]d'. 1 f, O m.'i inn i H n.Liire
liir'ft. SunitHlsfmm A frior
1,071. H.V Ln . Ill-n il' T^irmle Hbtoo.
1 Ll 7 It. Wlji tellur l-iiLU MurelS,
|iu:! r Berkeley Mnri'li,
HiJ-1. hlVifity Jh'lE Mureli,
HK75, I kit Ont M^iirkA.
me< Mercery Surnr.
] 0V7 . rulfnl CmJihjue.
107^ KisruivciUs.
Seugs by titan ;& >T. Rjitliln.
t'Jncr reeoivla fnnu tlda popiilAr VoC.tllsi hay-
never breil muftc. Every mac ialmul and riiaging'
jia Uni^i, earth W'uru ftud Hj-Jlubld (ItHlincL
2-fjfH. Knte Mntu>ibu.
'*[ȣ. rtnte t Murle.
aumh I I .n veil Vdu Better Than You Knew,
ii >- L 3 iveot PI cur tie L1 h.
IHXfo. O r rneftiMi Me.
'JO. hi, Th'.'o Untie fhrls )ii Bliaft,
30U7. I ulH. Ve Tiirriera, Drill.
ttlKie, Scutiiii^ Tyiiii:.":-! fur the IthH,
Sitl'H, A rkaiaiHiLW fSi tfag fLUtf Uanec),
iul.0i 1'bifl All Aly 0.
| 21111. My Pi.nr] in A lEnujfirjr fllil.
20TJ, .Fust PiiV i iimd live Ah'itl".
2063. Re My Lillie I’nl-
■Jill I . pay An lievoir, But fiutGood'Dye,
I "JalA, The k'it l: 1 1 Wuddlnij.
-jam. siMijiiiih'i- SifiimSmu.
*117. Tiurru's Only (bus iiifl in Ost World for Me.
UC'I ?. Take ft Benti Old Lady,
2dV). The SuiiFhliiQ Of Rani'ltse Alley.
SDeJU, Jit' ft I Suit.
JiXllr are OhlihT Ppilittlie YVckWR
2?.f22. Oh. Mrs O'l-hi lierly .
Day After I>ity.
M2i. She May JLjiyaSccii lletler Pay*.
2i«v ifr. PiGoniBl. *
2ir*i Only Me.
JhJ7 r I'i Hu- Ullle Dlcrj.
F!f :i in Li i m «j n llae i 'i ffilUf,
2i rJU. I 3)i«i)T Wai □ t Ut Phiy 111 Your Yiirtl.
2im Tull Tltuln Yen Saw xMfi.
2IU1, M n>ic ■ ih Our YiiOi,
■’nil. The LI i ii I'U Maury.
‘jQ: r .;l, rtemruitjsi Day,
2tt:i Ciiml-fiyu Till We Meet AgnltL. .
itifVx There Aiirl Any UedftU on Yi«n. ' ^
2iliO l SirolUnjj Hi nitiL Hi 1 lie Moral njf. •
2LH7. UU l Wauled.
2faS. I'rtvule T'Hiliilfl v AO I iii.
3JL15. I'll Iw True Li i My ILlTWi
■J0 30 A ti'l liur i ii ihti/Ei II air WAS Hauling Pown
Her nuek +
JO i L FALL I'U Ala hi a.m OkiII.
COLUMBIA RECORDS.
m f
Tminlmim Soldi by ILirry P, Sbiim.
price, eoc. each; 4o.oo per doz.
OliDEK BY MUMBIiiro5T.Y."
7
Sont'n IJJ JJnn (Jul
Mr.GiilPlF* rc[iuliiHim an a YurhlExt 3s eo ugll
rsla-L Mien that llt« 1,1 it - 1 - l" ■iLimrji.tiii'i'inL'i'it t>f lil.-*
itJLino [a a fftnmintt* o[ (.lie nrd. I u lih re rent
eilkil I^e I n uj 1 1 wi 1 1 l na lie I il L n || IulyiI ] mt n y new amt
b Lri k l n if s/jJi: 1 .'!. I ml unllng n uumbi r Which bnvu
never l x in re tNUtii rygniJuil - the latest nuti hut <\(
Mctrapoliia tt fa rQrites,
J A>32. Ob, Urtch: John.
2ul:S. MeVimiy iu tlto Uving TietnrciL
-iH J - Until a.’ We I ti'il lit J'Lity t iy tM rf| Dtiysn).
5017. The lliiiy..! Played rm_
50 14. The Him r> of i 'j. I . ,s
501'/. I Ink I Yihil I [eml IbLlsy MeGnnil it-umle
Irish)
IHJfH. The Little Ij.^L child.
3itJH. There's Only < pjjo fiirL irtLhg World f*»r Me.
-■■ilk Mr. <. "ji |. i|:i in, Htu|i Lite
.1 n-i^-t ni if Him Hdt "L KlimY. j. ^ ;
5102. ( W 15 1\ m I .‘i .1 s iL'^'ll i t^nlui)' <lirl} .
-uui. I’n r Me LJJT nl 1 1 m fliili) r
2iKii, My it.L.i'd tEm Bna Lieer,
'.'i. "i V ] ji ii il iB Li's Coti-i f e,
- I Ji, PjU KeW P-ilJy (May Irwin's latest Lit),
'AtJ i , A rr.j h , f i i)j L r
SW*. H-hr j killed w'irttn F" Mi.rn,k:r <(i Llhicasn.
■jiL'i'j. J tt-int Yer, Ma Il-ntey yt[tutho:r anc of May
ItwiuVi
5i>W H eu L Till Eg Tfiylur.
-'.‘l! L . ll.e fideivnl ks. i if New Turk (ItijiuTjiT Walt*
Sn1j:k.
5UD5. The I'd lr: uiT Areli n; A
5AA l.ieii- -y . UCies YttLI E.u vg M^fpjulun'aenmp^E-
tkil i,^i mjj w il l; trail siieeeifl In "A Country
^■orl"). ■'::•■ iV
2 'Nil. Burnt- iMEU'e L Ii u TjUiCl'es ^VvuLa I'lllv'j new
song).
-in. i, ft le hid if I ll,m T'liihj: FoULiii (TuuJtiull.
2'N^i r i ll Kyppitv Jilin.
2 ■ Jim* It's IL I Tiling Pi I -El It ,-t 1 ■ ill Lf.
-Hh.k, a MiiIi.! Hunch uj' A h Inkers oll ilia CIiIil
2i^T.
wins.
SWA
•JfvMJ,
IM!H .
L.1
Lfll^lCS.
i 5utU.
2 iiikv,
1 m
ihju:.
The Old Ee-xhuj.
Her W lmIi I J ny Ilelfs Will Ring Today rlLoll
tibUffjihtE,
A Snu nJ’tlie Ih-Jk'rt nni T
There'll Sever He One Like YuU-
I'Ja: iiin^er in the l.idLcry,
TJih Hvi L L'iejii BSnry J h er TitSd.
J -^tiHifl on tin- 1 1 rLi t 1 .; ii it t Mjdpalyjlit.
Thu Slnsti! In Otir YurcJ.
T3ie CliH'k of l 1 1 l: I'ti | versa.
IttM-knl in Llic t'rn- LSe <if 1 J io fh k ep L
ESgvr, Iher, Oluriuiua lh:fF r
StNLKK, Jij 1 i:it h|ii:necr«
Ml, Sri-e-ncer nukes a S|JCClsiU> r of negro Bocigs.
OLtr rt-eorila file uf hia La at work.
L'lfiiy. I .i tl i C A li l1 j.i Pi i .I flmiT i .
2PP7U. tiLrrj Me |SiM;k Tu OM \'liginlil (NeyntSonti-
tne i l[el 1 ) i
j-^7L, M tun i mt, ]iDi^ You ].f?ve \’tjijr Honey 7
kM'X'A. TLigre's l. Ul.irk Jfli-.-cji iu Jivtrjr Fltitik,
Siui|i9 llj 1 >k Wi Mytrit.
The i-fcimuip# llariltpii,
For nrtlstte Tcnilllloli no Vttfn) recuixla enmpmre
wit El tllOft 1 . Ttiny rennsent: tEic tl1?IHC , . , 'l Elsie rtf
tlie nrt, Mr. luuuu k fnniliiu' iv hi rover
Talking Much I lied are u-c:«1.
Tins Sii leu alts iif KeiV YmL
The 1 1 i'S H lSuiVt-1.1 Kwii,
The F ust It nil Cull
PnitLi ItmiLcliL'S-
The Mi maid i «l‘the Woods.
T Inj Vi 1 1 1 mice- r Lirgju Eat.
I i'tnr Sc i hi x,
'J'lie A rrfAv arid the Sung (Ltijigfgllow'B
1 Sen i ui [ill, Vei^si.
J lie llrivvia 1 fin i mi I k-rnt enuie March Botlgl.
TJie Lii ml r.f'agcie J and [flu nth.' MuPCll S'hijgj.
■J he Llutliuit Y- 1 ji tu nU (.it irLnl-s.
'Fill! I El ' I J L I i 1 1 1 1 I. : | L'.
A-‘i I If V 11.3 LI (kli J,
W F LJ I C.' 1 die tVJ/jj),
2i i7;l.
a it s .
r .U7.»-
i!iiT4.
Liu";.
LlCiT.S.
wmi
';n^c.
awi.
•j
awitt.
4iul|.. W. al il I L I h >, Ck ft 1 ■> ClHilt S Jllli'tllJ t Jh l H.
JohiiMai in I lie _ origin a) 11 Wli Exiling f:inin. f|i
The tvi'Cf rceuhls listed Ikdnw ha re had li wider
Mile Mnm arty ntlior sifwonlilrs ever imt do. John-
AtuVliLiigh issLhip.ly iriYp-iiitibk’.
LKf.iS, Tin F mi :hEng S 'lift.
!3WJ, Tkq U'liinlillg Onon,
Songs lty I'MivuI'hL >1, Favor.
Mr. Fiivor'b vuiou Is wry tdeAsitig amt well
ci i tii j.' 1 ei l lit rei ippl milking. Ilia rei'ikftU arc Toud
and clear, i wry Udnl Ix-itig jiltLlnly ijfoken, Qnr
lUt OollliLttis Lin Ijul. 1 ieleoLiuit^,
21 Wr. Tlic iSmadway Ci|r| i3 h «i]niliirj*
2H.IL Tfte ] k n>ligMl Sofitltill Nye'a FmtiouB Ver-
S-hfCLE.
2lUi, Yuli Can't |.lim> Ml 1 , Chari It iNVt'ni).
aim. I'll- k Along, Mj 3 toiu L y iNcgni).
21(U. YVIulL ]M Yen TSjLuL if JJooUtiEin iwUh
caynlc Ti i dt e \clniLtn(kktt!iE.
JIilT, Oh'. JTm. liTUlirrcy tCntnic:!,
lini. swim not. O'utinly.
2IW. My Ikiit Lirl'E. ii JSuw Yorker.
•fot
Sfiitgs by iFoi brrt llulcOiuljOi
A voice of ri ttutrkalile svi'eel rieiLH |H , Tfct |> l eiuilP
«|jLlio|f f mid IlllUfCllt tlllutll lit Itlgll lli!(hD llluko
there rL-i'onh wry desimlde,
Ulii". It In Eg tin; I j lid.! ihiv? On.
21W. A Nlglit lit (he liny.
5110. Mi iitiiFch cl tltg SLurm.
5111. T bo iSeliuul Flaj u Found,
CS|i;lLiL-Ii AiiiigK Icy t\ ilk 1 lii Itu hit.
21 Ilk JYl ]a Pin ye.
‘l\u. Me fhiMiin Tmlits i'with L'finlaTinls),
51 M . Join i Icl i tit: [ vv i L 1 1 Csot u twin) .
5115. Julitde Arnt^iPtt.
21 Hi. Como me i:us*a tu Cucriw. ■
Soiige. by JihcilIi lYubur*
Mr. Uvlii-r has a gm H l; v*j1c'C h mid mibhcB* record
wkielt Is easily nrcderslifud.
21 IT,
51 IS.
2115.
2120.
5121.
5125, ...... »
2152. The SutiiEtiiw 1 ft! Pftrn.i1lso Alley. r ' J -j
512-1.
2125,
—
(Hi! 1 'iii'Ii! JcJm
Tin- Hire, Is til' Cairo.
ircmLhliiic.
11 1 u Y(jnd ll'fficy Moon McctcIi.
1 leLlrii-tki, 11 av i; Yoli MeL Her I
J tan'L ]1e Cross,
1'he SutiiEii Lie trf limnlise Alley.
The ViLcanl Chair.
Jmt Hefom tlw ltnttlc p ftCothcr.
HELIy ikikl«ii'« F'lk fki tnj w Si>i:ilul1li)s.
(IuI'Ich'p recL-rd-H nm the 111 l> - st liCjiho tlellltCA-
linns mink:. AlanVs IntefL-itliig— JciJitiltiiklg mnl
blde^gillulifg,
ZILIi. Hnhhlt J T .;i -U .
2327. Turkey Ju Itiu Straw.
2m. The Mocking Bird. LVnttfcue Wlilsi3mg>.
PRICE, UOc. EACH ; ^G.OO I J H:R DOZ.
UttUEll Jiy NUMiiEK ONLY,
COLUMBIA RECORDS.
Talking Records AiJelJunujor— \v, O- Uaskenbuugli.
Kilt [r.irluliK liy Jl, Cl. if ilIij;*,
Wf. Bui"- '; h it i^ry tikvi-r humorb-.i., ree-
unud lira t'tLii. ! l ily iiijuIu, ihlIj, 1 nji£ L»i fc iti^ jiruijurfert
AlMllflC.
. ■/.’■. " i ■ "J the 1 T'l i f i" j-iwj aVj|.o?L. "SliisHns <IR-
i I '- nt a|nii«t Hi j.Kl i5urrectjiliimJii truly
I pnil(j»jjj]ji . . l. l.., niter,
*/■' : .'id M/fj-r i:>/n Vtnnmtw. " III iFM]s r
HfltUjflitrr hi 1 ift; Tf] [fj-ii H3S. vj,'jv,a ah [fill ci(» not
ll^’L! W'JlJ: I ! > . . #f 1 lit I hi L j llllill 41 n I.L hCl T»n K'l.Tll H ll >
n'l'-ba llitn L i I A Lull met Uhli yIlwchj^ jl i ■ . L
CJldgtiml,
a<™. r b ■ • n inbuilt Siffit&siutiA. 'lidJiliihiiiiri
f.TICl'! lliiVi- Ml |.‘ ll ! (Jl'lit ini | ft; foil VLT jH L i.' 'll lit! wlliLt
Aiiijy.'iir Iiili-: i:, Icb ii'mlH f iinstufl UjUiu e’-: |sivs-
nJf-i ti l. f a l j I i, i iJtled OJ.HH 1 1 in.
hKH-IJ . ■ Ji i l-tcai on BaptisiH. The old .ijoiille-
u * u lj>eu’- lii-’i ted About BaveraJ fitblfcgl mi rucks,
aud skill! - lm hits found nil easy way jn Kidviition,
SMii. '!'• ; rip in ihc I’itiuiitr.fl LutkI. flees*
f'Tioiscw i i m fjfiir.ji.rt, thinks he Is imt long
liit tli is Wi l l proves a inbj^mblu Lutcli&Lidcr.
tJim juiL f'lstHiin ii himself |i> fhe t]fu-
h-ct iiLrLe. J , ..i . iilltitJcji Eir : ii i.j.ly ii!» wiiU rui-Hird*
i)f ills recti. .ofoilier eludes jisiblhiivsi:
3M.1. fitli » • \[kiU'Sjy tH L ll u SylLiilft,
Ti • 4 ot the I.ljikt Brlgiulu,
SOWi. &n • ■ i 's Mother 1 1’iiClivticJ-
So'i'J. Th i . i | ikm Kimr- «- (iluium’oiti),
3tM0. A - !■ [hM’CJj imt ).■ jvii.
iWJIl. A I nf Jlidr {Surlo-Cumifi),
" The r.eulljcr I-nt'iged AttelEoin
cut," IhiK mu Ml! JiitnsL'lf fittnoiifc hy his r-eciirLls,
! ihliicli iyi' Jut t'e Jiolil iliprAiglinxiL IImj Murid- TtiC-Mc
lif 1 h i ■ I L:y l r i m l is jli'l' pNccdliu.^ly t*i|uthir lor ex. -
hihJnEnii vn.it, i.'s 1 1 1. ■ i ■ i ; n j I y hi riihpliiytrijl tltc isust-
tid’.iUK ■[InlIJi-l-s h i-i ilift 'fijJhir»;r Miidiinc in rupm-
i.iin iii..-; mjii I :-| n. ..- 1 h
SOL:', Kiilo i«f i'jlwllIt ik^r's i imtuli,
!lI|.I. S-ila of SurhiirlnJii ]
IjUL i . &I k i nf rJirS- unns UnLis, Tnys r etc., (Infer-
rLijilofithY Sinull ILniysl.
dOJft. Siilo ni' 14 j ; i t ■ J i n i i'i. ■- 1 tjirl i wiili IVltllfi Horse
Acco:aipmiiuif*iiO,
grthi. fulfill if iieLLftars !
SUIT, ^ik f d ll(iUiiuimld I'lirujl lire.
3U| £. lit! 4 1 1' ' S' ] f lL 1 1 : 1 I ii|Un|'i.
;;i i| ' i, Kii Jr j i [' Citim |.-i ii [ < rij 4 if I* n Sr.
ISITJU. 1e i >( JJiuui M «■ • 1 1 ilm' I Mk 1 rtnh Lud hy l^^rro&3 . ■
rsfrjl . yaJefll' EEiiISl'miiIjiI ( lit Ilf',
nirJ’J. }<iilciil S iullitlliieii l-n'tifiil.
:S<t! k Thii T.n ii'kitL^ Auctltim.'cr ta OtJiitaRlLjui
Ila-ll*!) I
K^n-eLiit lUc^nls.
ijkJL. f! ItulbtfHiv'M ^U'lviii;;u In K'Mson.
SifJ.'i. filadutonc^B Speech an Self Halpjmd ThdA.
ISCrii. The M ltd liiivliiL- nifJ.ilim McCtlllotieh.
Sd'i?. A tLurik oil tiic Uoti^i' of Lords.
JkiJS. Ll ! i l-jjI n" s S] iLUf Li ti l y i ell j'iLUrff.
iWKiil. Tim Liuvl's I'liLyLir.
ink'ijrtMlr.'i rn.L-it.
3iJ-J3. InyiTHiJ] at the Tomb of N'njialgott.
iixiJ The S-lmw ■ ilor.
Colombia Phonograph Company,
PRINCIPAL OFFICE s
9 [ 9 peijijsyluaijla /^ueijiie, UiasIji^toQ, D k
CiiMo Address, " COLPUO, WASIl*NtlTON. M
\
Edward Jb Easton, /^resident Wm. Ui?Riiii;kT Smith, yr^asurer.
K., F. Cu.viiT.m, Spcrptury. Fhakk Dorian, Afaruigen
New York: 1 159 Broadway,
E. O. ROCKWOOD, Manager.
Baltimore : 1 10 E, Baltimore St-,
M. E, LYDH, Manager,
/T\a QtJf a o to r i ij § Distribcti^^ |1eadquarters for tl?e U/orld ^
for Tailing jT\act?i 7 e& ar;d S^ppliej.
PRICE, 60 c\ EACH ; $ 6,00 ipBR DOZ,
oicmiit is\ Nurvmiiu onuy.
CATALOGUE
OF *
T)?0
F
amoos + * *
‘ Qolumbia
. . * I^eaords,”
MANUFACTURED UV THE.
Columbia
pbouograpb Company,
principal Office::
?J9 Pennsylvania Avenue,
WASHINGTON, d, c.
cable Jtgpntaa, colpHo, WRiWWairoh,"
THE NORRIS & HYDE
TRANSPOSING PIANO
is used lor oil accompaniments In
Columbia Records.
k
CATALOGUE
***'ȣKFi mi
“COLUMBIA RECORDS.”
T HE Snore* of the Columbia Hecorda hue
boon imprcccdoDicd j end the demand lor
them bora all parts of tho world hux lung
bean great Our uiroy of patrons know our
records are the best and are cheap only in price.
Those who use them know U JM}/* to dcnl With
htuttli/ttavietH* If those who havQ not as yet
avmled theutsulvos of this, privilege, will favor ue
vdtli a eaaaplc order, we Will doroonstrato to their
entire eat is (action that our position m
Headquarters for Talking Machines
and
Talking finch ine Supplies,
and our superior Gicilllief! for tho inoiujJsuiture of
everything portuiaiiig to tho btiflSneaa* make it
pocaiblc Ter u& not only to supply records which
cannot be equalled in quality, but to furnish tmr
^Hilrous with them at less tlian tho cost at which
they can actually Ik: made elsewhere. Tito ciior-
iiinus auto of our records is not duo id o ne to tho
fact that they are oifored at a tow tlpurt— poor
records being dear at price— but more par-
ticularly to the fact that it a>W})t(rf*oti between
tli mu and the liigh-priitd once offered by small
dealers ttlumm reavU* hi further eriltfiw for
our goodB t and in the enthusiastic aup|>ort of our
patrons. If you arc not among the fortunate ones
who use our records, pond your sample order at
once, and pat tmt cklms to the test.
How lo Get Them,
Send fti eu*A wfrh order for any twelve selected
from this catalogue. If leu than twelve are
wanted ji cents each ) if mere than twelve, &Q
cents each.
If full amount of cash docs not aecoHijjaffy
order, goods will be sent C. O. D„ lirwwfcati a dc"
}Kmt w senl with tsrtUr fa guarantee rxprew charge*.
RtimeMlwrt a&jmttit nut at jnmittnerfj
(wxiomptmy till C\ O, i>» mulern t m no
soorto can bo shipped >n subh orders without it
Price, 00 Genie l&uib ; $lhOO Per I>oi*
OftOBft pr jnru lusit onlw
\
Express* company *e fur returning money
tarn be reived by sending full amount of cash tvtth
order; and it is of course C is Capo r to order l*i th lH
way.
How to Send Honey*
Hamit by bask draft, P.G. money order, i3xx jreia
order, ot registered totter— ttever by jicmonal
check, aa that method occutona delay in the ship-
ment of the goods.
How to Order.
Head Carefully.
Write order* plainly, adding full address and
shipping directions, Order by number only*
Wham It in ijowihiQ, always state whether the
rmtivik* are to be used with ham er with
hearhtg tube#, Thin will enable ns to give yeas
order more intelligent attention than WO could
otherwise do, and will insure better results in the
US* of the records.
If picHBsiblEip. make a double list, u-anitvy
“second choice** o f flections in the event
those preferred first are not in stock. Unless this
is done we take the liberty of nubutUHUiig
records of oar own selection when necessary— ea>-
eept. when direct {uHtrnetione not to do m
nre j ‘jltmi* Remae bear this Rile in iniiwlj and
ubUu yn«r wtahra in articling,, ns we will assume
that you wish tie to anUtituto if you do net advise
us otherwise. It is well, where it can bo iwsi-
venicntly dune* to cudosoO list nf the records you
have, when it is desired (list wn substitute in the
manner suggested, us we will then be able to avoid
duplicating any that you already have.
Records am always sent by express, being too
fragile to bo safely tmnaporied by mall. Great
ears is exercised in jsn;kiug , and all of oar receipts
from express companies ami other carriers, are for
goods forwarded W iw yowl enter*' Our liability
raasae when goods am delivered to carriers. We
guarantee all of our yoodrt to be exactly
as represented, however; and for tho benefit of
the few who aits not familiar with our method of
transacting business, would say that we will take
backend exchange for auy other* named, &uy Tea-
orde which, upon examination* do not prove to ho
satisfactory, provided they are ehipjied to us imme-
d-ialdtj ufnmihf.tr tempt, nfc the purchaser's risk, and
with a# chargee prepaid ; and am received at our
office in same condition ns when forwarded by us.
This offer docs not apply, of course, to records
which have been in use.
it
Columbia Barjd Records.
Our Bond Records are the standard of music*)
excellence m this line the world aver. They arc
so universally uscd h and are such perfect repro-
ductions of the work of the greatest musical organ-
izations of the century, that to admit that you
have not heard them Is to confess that you have
neglected opportunities For enjoyment ant ^ educa-
tion in the realm of musical endeavor. wMeh can-
not be equalled. The Columbia Band Records
are made by the master mu sic Jana of the age;
and present so high a standard of musical ex-
cellencBj. that it Is Impassible to duplicate them
elsewhere at any price*
U. S. MARINE BAND,
The United States Marine Hand is the official
hand nf tho Preshleftt of tho United States, and
plays at (Ire White Uoube on all fttate occasions,
and ut Inaugural Balia and other official gather-
ings in WftahmgtOD, lie fa mo as a musical organi-
uition is worlds wide; and ih production^) are in
constant demand.
Genuine Marine Rand Recur (.is are mw.k vtdy hy u*.
Marches.
Marchct Oompowil htj John Philip Rmau*
1. Washington Post (Always Popular .
tt. High Submit Cadets.
i. Tire Thunderer ;A Grand Military Murebh
4. Tim Gladiator,
5. The Bello nf Chisago,
& Semper Fidelia [with Drum Solo;.
7. Manhattan Beach (One of tho “Best}.
B. jNiriiomil i'endbUtt (with Drum Ho|g}.
9. The Liberty Belt (Rival* tire Famous Wash-
ington r«E),
10. The Directorate,
172. King CoWnu.
MiBCsllftneoua Marches.
11. American Republic,
12. American Guard Quickstep.
13. Mendetsrahidfl Wedding March.
14. Boston Comuiamlcry { Introducing " Onward
Christian Soldiers
lb. St. JjouLy Exposition.
US. The Bello of Now York.
17, Tire Now York Hun,
LS. American Medley (InUudu-Jing *' Home,
Sweet Home”},
ID. Gilmore’s Triumphal March.
20, Colombia PiiowoanAi'ii Maucll,
198. Honeymoon March.
187. Triumphal Poet March.
USB. Capparkm March.
IflG. Yam March.
Price, 60 Cants EbcIi; $ 6.00 Per I>oz.
QMJfltt VY ^UJHJJELR QNZ.Y.
Price, GO Cents Each; Per Una*
^umat nr nifmhkk otrtv.
4
170, Midway flufaincti Medley,
171. General Felix Aeniis Match.
17K. Tina Bond Flayed On.
174. Draper Hall March,
175. Mystic Shrine March*
170, Hail noUiinbio;-
177, Excalibur,
ITS. Broadway "Two-bUjek
173, Arrival of the Bride.
ISO, Oriental Echoes.
1st, Under the Double Eagle,
183. My Country Homo.
ISSt Swedish Wedding March.
104, Constellation March,
185. The Washington Times March,
ISfi. The Jolty Shrincre.
Patrols.
21. American.
22, Turkish,
2a. Patrol Comique,
187* British,
Folkai,
24. Hornpipe.
25, Anvil (with Anvils),
Sehottisehes,
20, Kentucky Jubilee (with Clog}.
27. Dancing ill the Barn {with Clog}
Waltzes.
28, The Blue Danube.
2i?. Wine, Women and Bong,
30. La Seremtta (Spanish).
31. Mia Bella,
32. Xa Giluna (Spanish].
33. Drcatn Wallses.
34. bn IteitiD do LaMar (By Batumi ,
36, Dream Faces.
36, Love 1 a Dreamland,
37. Santiago Spanish, with Custaiii4si
H8, Efitiidfauttna (Spanish f wilh Cofitunets).
188, Lost Child,
ISO. School Play Ground.
OveTtnrDs and Selection a front Operas.
3fl. William Tc)L
40. /aimai.
41. The Tuttle Duke,
42. Thu Jelly Bobbers.
43. II Trovsitore (In troth) dug II Miterere),
44. Poet and Peasant.
45- BobitiHood Introducing <f Ob, From im Me"),
40. Carmen.
47. Erroinie*
48. Fuuat*
4d. The Mu of Champagne,
50. Tabasco.
51. Fmuttt Dp to Dato : Introducing w The Skirt*
Dance*')*
52. Faust Up to Date (Introduciog Lore's
Golden Dream ).
Price, 60 Gents Each ; $ 6*00 Per Don*
ORDER BV rf U-HKETt OPftA'.
Cornet Solos.
With Marine Band Bcifmnjamiwifni.
63, Let Me Dream Again.
54. Alpine Echoes.
B5. The I mage of the Dose.
701. DonT be Cross.
Comet Duets,
fftf/i Jfortai Band
5(L The Swiss Boy.
67. The Queen'll Tnun patera.
IS®, Gulden Robin Polka.
Trombone Solos,
W*ih Marine. Band Accompaniment,
5fl, Hocked in the Cradle of the Deep.
00, The Pa] ms.
01. Down Deep within the Cellar.
100. Bourn era.
Airs of all Uatioiis,
52. God Save the Queen (English,)
m. The Star Spangled Banner [Aiimnoinl ,
{34, Ucd, White ami Blue (American),
55, Die Wscht am 11 hem {Gemma).
(tit, Lu Maraeilliiise (French),
07, Xa Media Noclie (Mexican Dane® !,
DS. La Poiomit (Spanish Dance] .
AIL Lu Mnimnn (Chilian Dance).
E acred Selections.
7#. Kflarer t My God, to Thee.
71, The Sweet Byeand-Bye.
72, Safe in tlw Arms of Jeetm.
7ft, Hock of Ages, .
74, How Firm a Foundation (Arieulu Fidelia)
75. I .end, Kindly Light
70, X Heed Tlteo Every Hour.
Miscellaneous.
77. Medley of Popular Aira,
78, Mod ley of Scotch Airs,
73, Medley of Irish Aire.
SO. Medley of Southern Aire.
81, Memories of thu War (Patriotic Medley).
K2. One Heart, Ooo Mind (Yorke).
m. La Galondrina [Cornet, and Trombmw Duet),
S4. Blend in g of the Blue and Gray {Medley of
Northern and Aim).
85. Dixie ami Yankee Doodle.
Bfj, The Two Little Uullflneiiee (Clarionet Duet).
87, The Darkies' Bream (with Clog),
8fi, A Trip on t ho limited Express (Introducing
Bell, Whistle, Sound of Moving Train* etc, )
S3. Stephanie Gavotte,
00. Titt's Serenade (Piccoio and Cornet Duet).
SL The Night Alarm,
P2 + The Dole Skirt Omion.
113, Little Kin Idea {with Clog),
7153, Tho Lorehii.
104. Corncnuikor Jig*
105. The lily Bell Sang and Dance [by Hnust).
1510. Ti Wh Sorenudn (Cornet and Piccolo DuetL
Price, 60 Ceuta Enel*; $6*00 Per Bex.
O It PER »V NUMftKR ONLY,
ft
SOUSA’S GRAND CONCERT
BAND.
IP* prtwTtf lh* mly tfrotfinc &WJU Ttond records
that have been BMifte far n* ore than two yearsL If
you want the brilliant and popular rcmpoeithMB of
The Great March King
play fid with all the cxptsieaiote the beautiful
shading, the snap ami finian that tlieir famous cnui-
posnr intended they should have* and played aa
only Sousa's own band ism play them., select from
the accompanying list. The instrumentation of
the band in larger than any ovw before engaged
in making records.
94. Liberty Boll March*
95. The Directorate March*
99. The High Echoed Cadota March.
97. Overture William Tell.
09* Yazoo Utineu.
99. La Czarina Mazurka*
100. Goto Crocker Donee.
lul* The Sunshine of Fhrndtse A lley.
102. King Cotton March.
103. The Jolly CappcrsmUli (Intrcwiurimg Vocal
Chons).
104* Midway PJaisane* Medley*
106* The March King Two Step (Dedicated to
Sousa),
100* CiraiH Galop (SI mu Is of Ringrnaflter, Cracking
Whips, and A ppkiti^ of Spectators),
107* The Darkies' Tcmptati on.
10ft, A KiLtiKia Two Step (Burlesque— hy Arthur
Pryor).
109* Manhattan Reach March. *
110. Washington Boat March.
197. Sidewalks ef Row York.
I9R. Lily Relb
192. Water Sprites.
190. Flan Utiau Chimes*
Trombone Solos by Arthur Fry or.
77(C F^enomcftaJ Ibrtng pSWirisb
Accompanied hy Souna*9 Band.
(Tlie only records of Fry oris Solos over mode}*
ill* Say Au Ke votr, But not Good-Bye.
1 12. There 1 e Only One Girl in the World for Me*
114. Lillie Marcia Mario Polka.
Washington Military Concert Band*
Thin band is composed of tdeded ariwls — the fad
musiclana in Washington — many of them former
mom hem of the Marine hand, under Sou ro* They
play well and the records are Hue. AU the latest
selections will be found in thfe list.
115. Honey moon March.
lift, Midway Medley March fflic Oooclu Coochi),
Tit. Capparian March.
1 18. The Triumphal Post March:
110, Romance (TrcmlKjne Solo .
1
12ft. Gen. Fell * Agnus March.
121. Little Loot Child Waltz.
122. Yale Two-Step.
12ft* King Cotton March [Souarfd Latest)*
124* Under the Double Logie.
125. The Diaper-Hall Two Stop (by GrthL
12fi. The Jolly' Sbrf&ers March Mystic Shrina Fa-
vorite).
127. Hail Columbia March.
128, Don't Ijc Crasti {Curciat Solo— in Popular Favor].
130. Oriental Echoes March (By the Cbm poser of
,E Hooey moon March' 1 *
13 L flic School Playground Waltz,
132* Thu Broadway Two Step.
133, paraphrase— Lorelei.
134. Com Cracker Jig.
135* And the Bn ad flayed On.
136. Biccalibur March (Knighte Templar).
137- The Lily Bell
Twoaty-Tblrd Regiment Band, N. Y.
13S* Hiebelungen March.
139. Au Keytar Waltz*
141. Daughter of the Regiment, Selections*
143. Melon Patch Schattiaelic,
144* La Czarina Mazurka.
145. Corn cracker Dnuco.
147* Mexican Dance* Chlon.
149- Barcelona, Garnet Sate,
212* Frolic of the Conns.
213. its fin mates (from fStabat MftUr).
Banta'e Orchestra.
160* Belle of the Boat March,
151* Marguerite of Monte Qirte March*
152* Honeymoon March*
15H. On the Sea Share Waltz*
164. Ln Parisionne Gavotte.
L5fi. Gama of Ireland Quadrille.
159. At the Fair Galop.
167* Dancing in the Kitchen Scholtische.
158* Twiggy Vena Beholtiecbe.
IfiU. Mountain Laurel Mazurka.
300. Wing Oanee.
201. Wooden Shoe Dance.
103* Belle of JStew York March,
lfi4. Pomona WalU?
Kin. Ben Ton Skirt Dunce*
m Virginia Skedaddle.
Jailer 1 a Orcheitxa*
201* Bottle of Manaasaa Descriptive— Bugles,
Cannon. Musketry and Shoutek
202. Right Left March.
203* Robin Hoad Lancets.
2£H. Jockey (Huh Galop.
2A5. Darkle Tickle*
20A I'll Follow Thee,
207* Invincible Polka*
208. Trolley Galop,
200. On the Midway.
2lO. Selection from the Guam " Martha,”
211* Let Her Rip Quadrille.
Price, 00 Cents Bncii; $0.00 Per Doe*
OHPCR S¥ NIIHHKH 0NL|f,
Price, 00 Gents J&aidi ; *$0.00 Per Dor.
UniUER "BY NlWliKH »M*T.
3
nisccUancous instrumental
Solos and Duets.
These racorda am made with the greatest cure,
trad cociBtiiuio a magnificent demonstration of the
high grade of axcelioneu inauitaioed in our record-
making rlnpurttnenL Every note Is tmo anil clear,
and the ram gwantucas end purity of the original
production Ifl reproduced with a fnithfulnuEH to
detail that- is ueUmbhmg.
Cornet Solos by W. Paris Chambers.
Mr. Chambers is welt known as one of the pop*
ulnr Robists of tho World's Fair and the California
Midwinter Exposition, and hue been hoard in all
the leading cities of the country. His wonderful
and brilliant mention ia perfectly recorded, and
the beautiful nxpruseian and intonation with
which hie snugs am played is faithful! y repro-
duced,
1601. Killamey.
1002, Nearer, My Goth to Thee,
1003. The Old folks ut Home*
1607. BobiJi Adair.
160S. Ainemai) National Pais tuny,
1069. Introduction to the Seraph*
T 61 0, Tim Last Bose o f Summer*
1113. Kelly Bty Polka,
lend. Old u iiL'ftt Ned.
1616. When tllo K wallow s Ho ma Ward Fly.
Trombone Solos by Harry P, Stone.
A^serfc for Qomcert 4/jfJ
Mr. Stone la fame mu as a Trombonist and makes
records that please a very one.
1019. Krjckuu i ti the U radio of the Deep.
1036. Dawn Deep Within the Cedar*
1021. Then "Solid Rem ember Me.
5J22. The Evening Star ( front Titmdifui&er).
1023. The Heart Bowed Down.
1024. Love's Old Sweet Song.
1025. On jus Aumuun (frojit Siabnt Muter).
1026. The Holy City (ifecrad).
1027. Trusting.
IDES. 0, Prom be Me.
1G7SL Fritz 1 Lullaby.
Comet and Trombone Bneta by Chambers
fimi Stone,
Very loud, well-balanced records, csiieciully good
for concert work,
1050. We Silt By the RivOr, Yon and I,
J03L I! Mi so rare fJhomTI Travuki-re).
ItCtD. Columbia Flwnograph March*
Clarionet Solas by Signor Andre* Coda.
That Signor Coda is the niluiat sit the Peabody
Inbiitnfc, Baltimore, is a sullhdent guarantee of
his ability. The records he mttken fur tie am Due
specimens of h ie ak ill .
3,0214. The Luat lioee of Summer.
1035. Down Deep Within the Cellar.
103(1 . The Old Folks ut Home.
1037. The Car nl val of Vonkuo,
1033, The Heart Bowwl Down.
I
i
b
f
lOflD, Monastery Belle.
1040, Trbfh Fuutaaie,
HMl* Au)d Lung Syne.
10-42. Lullaby from Erniinie.
1040. Serenade by Gounod,
1644. A tin in Laurie.
1045, Chopin Koeturue.
1046, The Sweet Bye and Bye,
1047, Thine Image Wondrous (Sacred),
1040, Those Sad r Sweet Yearn.
Saxophone Solos by Eugene Cnffia,
The Saxophone ia m Lnatnttneiif. unrivaled In
ewcutneua of tone, trad Mr* UoIHo’h work on it ia
of an extmmaiy high order. These records ate
among the moat plcamng novelties wo have ever
presented.
1040. Backed in the Cradle of the Deep (with
variations).
1050. Sea Flower Polka (with Marvelous Triple-
Tongue Execution),
1051. Tim rtdme.
1052. Potaoaiae,
1Q5!D Fantaflio for Saxophpne.
1054. Now I Lay Me Dawn to Sleep,
1055. Culver Folk*.
1050. I Don't Want in Pky Ip Your Yard,
1057. Say Au Rmioir, But Not Goud-Bye.
1658. Tramp, Trump* Tramp.
Clarionet and Saxophone Duett by Coda
and Coffin.
A novelty In inelnnmmbii diuetft. 3weet mid
attractive,
105th Duet from Luc i si.
1000. Titl'i? Serenade.
1OTL Sec tins Pale Moon.
1002, Deuame,
IWH. Romance, from L'Claro.
Banjo Solos by T. L. 0a smaii.
Mr. Oh man in without doubt one of the lliuist
hanjniaU in the world. GTe records are wonder-
fully loud, Tlmy all have the tnie banjo tone.
1004* Chinese Picnic.
1005, In Old Madrid.
5057* Thu Dffrki&r Patrol,
1000. The DtorkUs Tickle*
1009, Cocoa nut Banco.
1670. Sounds from Africa.
167L Wheelmen's Parade March,
1072, White Slur Lino March*
1070, Berkeley March.
1074. Liberty Bell Match.
1075. Del Ora Mazurka.
1070, Margery Song.
1677, Patrol Louiiquo,
1078. NurctHuufl.
1080. Tim Frolic nf tho Cm mid.
1081. Gniety Dnnuu.
1082. Darkies Awakening.
1088. Bet Stuff Patrol,
1084. In, Crarim*.
1035* Tyro MLVECulrka.
Banjo Duets by Cullen and Collins,
AU laveraof that embodiment of negro melody,
the banjo, and of true banjo iiiuntc h will greet this
Price* 4IO Gents Each ; $(kOd Per Box.
nmmu BY HIUIHKR ONLY,
Price, (ID Cents Each; $45.00 Per Doe,
ORDER MY NUMBEK OHXy,
aeries of ducts witli delight, The selecikma are
rendered hi the usual iminibtblu style of three
woJl-h urj we artiste, and are fti vent lew with every
one.
IQ»G, D»rkic& ? Jubilee.
HOST. Jolly Darkies.
1036. King Cotton March
1039. California Dance*
m Writ 2 Medley*
10SU* Washington Feat March*
1002. DrtiwniD Dance.
1003. Yegitr March*
VOCAL RECORDS.
For beauty of temo r clear and distinct enuncia-
tion* and poiieml excellence in tbs matter of the
reproduction of the human voice, the Columbia
ItccordH are known In ovary quarter of the Globe.
Send na your order, and wo will imdortata to sat-
isfy you that their fumes is well earned*
Songs by George J. Gaskin.
Finer record r from this popular vocalist bare
never been made. Every otic ifj loud and ringing
in tone, each won! and syllable distinct*
2G02. Sweat Maris*
3003, I Loved You Better Than You Knew .
2004, Sweet Fleur (to Lis.
2003. Oj. Promiee Me.
2000, Two Little Girls in Etna.
9007, Drill Ye Tarrieni, Drill,
2006, Nothing's Too Good for the Irish*
2000. Arkansaw f Song and Dance).
2010, Plain Molly Q.
201 L My Pearl is a Bowery Girt*
2022. .1 list Bay Good-Bye Again.
2013, Be My Little Fat
2014, Say An Be voir. Rut Not Good -Bye.
2015, The Fatal Wedding.
2010, Hc&nlan's Swing Song,
2017* There's Only fine Girl in the World fur Me*
2013. Take a Seat,* Old I*dy- *
2010. The Sunshine of Paradise Alley.
2023. Day After Day.
2024. She May Have Seen Better Days*
2025. Dr. PfeemsL
2020 . Only Mu.
2027. Pour Little Slaty. T
£028, Stand Eng on the Oornor.
2029. 1 Don’t Want to Play m Your Yard,
2030, Just Tell Them That You Saw Me,
3031, The Mti«le in Our Yard.
3932 The Girl I’ll Marry,
3033. Decoration Day,
2034. Good-Bye Till We Meet Again.
2035. There Ain't Any Medals on You.
9030* Strolling Feme irrthe Morning,
2037. Girl Wanted,
2088. 1'tivnlo Tommy Atkina.
3030* I'll be True to My Baby,
3040* And Her Gulden Hair Was Hanging Down
Her Bock,
3041* Little Alabama Coon.
2120. School Playground.
2130, Sidewalks of New York.
31 3L Keep Tbnec Gulden Gates Wide Open*
Price, OO Cents Eorii| 90.00 Per Dos*
nr Hiranimt onlv.
2132. What. Could the Pour Girt Du.
2138* Dear Itobin F« Bo True.
2134. Thu Church Across the Way.
2135. Dixie Land.
2im My Beautiful Irish Maid, ,
2187* Old Folks at Home*
3138. Henrietta,
am* Old Kentucky Home,
2140, Jamie Dear.
Song* by Dan Quinn,
Mr. Quinn's reputation as u vocalist is so well
established that the mere announcement of him
name is a guarantee of the record*
2042* Ob, Unde John,
2043- MuGlnty at the Living Pletiireo,
£044. Games We Used to Piny (Boyhood Days),
2045, Tiie Band Played on*
2949. The Streets of Cairo,
2947. Hold Your Head Up, Patsy MeGaur (Comic
Irish ,
2946. The Little Tx>st Child,
2049. There's Only 0«e Girl in the World for Me,
2050. Mr. Captain, Stop (ho Ship.
2051. Jnet sia if She Didn't Know,
2952. On Broadway 20th Century Girl).
2953. Put Me Oil* at Buffalo,
£054. Sly Dad "a thn Engineer 1 ,
2055, Dooian’a Coterie.
2m. DatNew Bully May Irw in's latest hit).
£057. Arrah Go On.
2058. She Batted with a Boarder to Chicago.
295!i l Want Ycr. Mo Honey (another one of May
Irwin’s),
2900. Sweet Til lie Taylor,
2001, The Sidewalks of New York (Popular Walt®
2003, Th^BcNe of Avenue A.
2tM18. Lindey* Decs You I^>ve Me? (Qul art’s com-
pos itloTi* etmg with great sticcass in “A
Country Sport").
2004. Some Dance the Lancers (Veetn Tilly's now
£005. She Didn't Do a Thing to Him (Topical).
9tKW. m Forgive Him*
2007, It's a Good Thing, Push it Along-
2008. A Little Bunch of Whiskers on Hi# Chin,
2141. I've a Frio ml Who lives Just 'Bound the
Corner.
2142. She May Have Seen Better Days.
£143* Mv Girl's a Corker*
2144. O Honey, My Honey.
2145. The Brile of Poverty Bow*
2I4IL 111 Not Go Out With Biloy Any More*
2147. Sweet Daisy Stokes.
2143, Some Things are Better Left Unsaid*
2149* Mock's Swing Song.
2150* Plain Little Every Day Girl.
2151. She is an Irish Girt.
2152. Baby, Baby (from "The Lady Slavey " ).
2153. Four Ft it gets and a Thumb,
2154. Darky Cavalier.
2185* O’Brien'ta Parrot.
215(1* A Cannibal King*
2157, You Don't Have to Marry the Girl.
2158, A Little Pie™ of String Around Hie Nook*
21&9* My Little Polly's a Peach.
rrlce, (to Cents Each; $6,00 Per Bur,
oiiium nr Kuaiirii okly.
12
13
SlfiQ* Ring-Tall ad Colored Band*
2101. Convivial Ham
2102. Tha Red Hat Member.
2183. Donnie Murphy’s Daughter Kell.
Jll>4, Tho Midway in the Moan.
21fi5. What Wont W^fkj for Lorn
2100. My Beat Oiri'a a New Yorker*
2107. Gome Down* Mft Haney, Ho.
2109. A Sporty Goan.
2HHJ. G Solomon You Are bo Wise,
2170. Bo it Again, It Wjia So Funny*
2171. O Mr. Hitehiu.
2172* Bluet-Ballad in the Lime-Kiln Club.
2172* A Littlo You Know So Bo.
2174. Mike McCarty’ a Wake*
2l7fi. Be Hottest Coon in Town.
2170. Faces We Miss from the Stage.
2177. 1' ve Been Hoodooed,
2173. Ma Dullest One.
2170. Whot Right Hiul He on Broadway.
2180. Gneuy’s Garouail.
2131* Dne of thu Gaiety Girls,
2192. Chi m mie Fad den .
2182. Oriental Euboea.
2181. Tho Deacon Went Astray*
2185. 1 Wonder Why.
2180. In tho Ranks of tho Salvation Army.
2197. Fishing For Wind.
2186 Klttv.
2180* It Alt Seemed Strange to Her.
Sang* by Leu Spencer.
Mr. Spencer i nukes a sjieeHklty of negro son gs*
Onr records are of life beat Works,
2WJ& Little Alabama Coon.
2072. Therc’e a Black Slump In Every Mock,
2100, Laugh You Little Kigpjra
Sengs by J- W* Myers,
The F&m*ym /friritone.
For artistic rendition no vocal records compare
with these They represent the highest stale of
the art. Mr. Myers' name la familiar wherever
Talking Machines am used
2070. Palm Branches,
2077. Tho Maimreh of the Woods.
2078. The Volunteer Organist.
2070, I Fear No Foe.
MBL The Bowery Gronadksre (Comic March Song),
2082. The Land League Band {Comic March Song) .
2038, Tho Gallant Emmett Guards
20fitt. Will o' Urn Wisp.
2098. A Son of tint Desert aid I.
2000. Tlwra’Il Never Bo One Like You.
3001. The Singer in the Gallery.
Wffib I Stood an the Bridge at Midnight.
2005. The Clock of the Universe.
20<Hj. Rucked in tlie Omdle of the Heap.
2CH)7, Beer, Beer, Glorious Boor.
2101. Bedouin Love Song.
Gee, W Jo hns on's Great Specialties*
Johnson Is the original u Whistling Goon.*' The
two reeoi-da Bated below have boil a wider sale than
any other specialties over mode* Jnhneou'e lattgh
is Him ply irresistible.
2008. The Langtilng Snug.
2000, The 1 Vida ding Coon.
I* rice, GO ContsHacli ; $11,00 Per J>o^
OltDKft ifs b kr oni,T.
t
+
Songs by Edward H. FaTor.
Mr- Favor's voice it very pleasing and well
adapted to record making. Ufa rcoorda arc loud
and clear, every word being plainly apokoo. Oar
list curtains bia beat mleutinns.
2106* The Broadway Girl {Popular
2101* The Prodigal Son (Bill Kyc*2 Famous Vw-
2102. You Can't Lose Mft Charlie {Negro
2m Push Along, My Hoiwy (Negro).
21DL What Bo You Think of Hoolllum (with
comic Irish oxclninatipna).
2108. Swim Out O’Gnuly.
211)1 The Singer its the Gallery*
IMS, Ren Bolt. *
2lfri. Midway Bokunu,
2254, The Forgotten Word.
Songs by Herbert Holcamb,
A voice of remarkable Kweetueflfl, perfect enun-
ciation f and musical talent lL high degree make
these records very desirable,
2103. While tins Dnnco Goes On*
2KJ3. A Night at the Play.
3LI0* Monarch of tho Storm.
2105, LoVe’fl Sorrow. _ „ _ .
2l0fl. Thoae Wedding Bells Shall Not Ring Out*
2L07, Gnat, Aside,
2PJ8. The Bull of Life,
S)IK). Clock of tho Bui verse,
2200. Tim Arrow and the Song*
3301* Ban Bolt.
3202. The Balms.
22GA A Winter Ltdkibv.
2204* Toll Her I Love llortto.
2205. Bonnie My Queen*
2200. llromsung of Love.
2207. Then You’ll Remember Me*
Spanish Songs by F, de la, Rosa.
2112. Eii In Play a.
2113* Me Gotten Todas {with Coala note).
21 14* ,fofa del Ole (with (Manats).
2115. ,Iota de Armgop,
211h. Como mu Ctiste tu Cnerpo*
22flS Lop Ojoa Nepros,
2201), La Perform*.
2210. La Mnlnta.
2211, El Hombro es Devil.
Songs by Joseph Weber.
Mr. Weber hue n good voice, and makes n record
which ii easily understood.
2117* Ob 1 TJncSo John*
2130. Tim Vocal Honeymoon March.
2121, Henrietta, Have You Met Her I
21 2 A Thu >uneh1ne of Furudlae Alley*
2124. The Vacant Chair,
3126. Just Before the Battle, Mother.
2212. In Old Madrid,
Billy Golden's Famous Specialties,
Gulden’s records am the finest negro delinefl-
Ltona made. Always interesting — inimitable and
aide-splUting.
2126 . Rabbit Hash*
2127. Turkey in the Straw.
Prko r dO Csitti Hindi ; $0*60 Per Dos*
OltUEK Bf TffMHKH OKtTT.
eec oitr * Talking
14
3128. Thn Mock tug Bird* (Unique Whistling).
2313* Ol<s Unde Jefferson,
Soh^b hy Coney Russell Han t Lug 1.
Mr, Hunting is tod w^ll-known to require an in-
troduction to our patrons. The folio wing records
ora of hie best productions.
2314, Tlira: OJd Sports from Oklahoma.
2315. WimL Do Yon Thi nk of lloolihup.
2216. And the] In nil Played On,
2217, ShuDididlDo a Thing to Him,
r s#*#f Onco Again*
(For othem bv Cagey.
Records.”)
Quartette Records.
Our quartette rwmb are ox <E?pl tonally ih\%
and must 1m heard to he appreciated. You can-*
not fail to ho pleased with them.
Brilliant Qnartettc,
The productions of this quartette are of n very
high order, and Hits sutouUunfi listed are am mg
1 1 5 ) |f 1 M^sUi
2218. Old Blind Tom (Negro Camp-meeting
Shout},
Hour Dam Della
Fee Gwine Buck to Dixie.
T Never Have Been False to Thee*
Golden Are.
Jndt as It Deotl to Bain Days Gena By.
Tell Them Thai You Saw Me.
Four Mourner,
2226, The Song of the Steeple (With Imitation of
Church Organ .
Highland OnaHette.
£310,
nm.
2221.
5m
— 1 * ■
222o.
by this quartette will
good in usie. They are
and of the usual high
The songs furnished
appeal to all lover* of
popukij we! 3 rendered,
CloTurnbiu Hd'ord grade.
2227. The Soldier’s Farewell.
2238. The Bridge,
22S&. Grand Okl Occam.
2330. UotnJn 1 Thro* the Bye,
£231 , Bralim’fl Lullaby.
3332. Nearer, My God, to Thee.
2233. Onward Christian Soldier*.
2234. Lead Kindly Light
2235. In Old Madrid.
Standard Quartette.
Wo have a eniieciion or records by this Amt tutu
quartette, which, for beauty, purity and strength,
cannot bo excelled.
2236. Amt to Laurie.
2237. Old Aunt Jemima.
£238, Wav Down Yonder In the Cornfield.
2230. The Old Daikon Bucket.
224th Almost Parmtaded.
2241, Little Alabama Coon.
2342. Genevieve Medley.
3243. When the Midi Have Rolled Away,
3344, Nationality Medley.
2245; Widdy^Wmk.
15
9246. You May Talk About Jerusalem Morning,
2*247. Booked in the Cradle of the Deep.
2343, Old Kentucky Home.
Minstrel Songs.
The embodiment of Ethiopian wit and melody.
Excellent records representing the work of thorough
hi lists in cork,
23*11), Dew Bence Shall Rise Again.
3250. A High Old Tima,
2251. The Old Log Cabin.
2252. Two Little Girl* in Blue.
3253, Laughing Song,
Toaai Solos by Miss Maud Foster.
Mise Foster's records are well known. They
rank among the best of Annate voice records, and
are in great demand.
2255. Down in Jtoverty Row*
Oh T Uncle John \
Arreh, Go Uni
Little Alabama Goon.
Girl Wanted.
2263. The Fitrturu in My Heart (Sentimental).
2251, Sliding Down Our Cellar Door,
2302. The Sunshine of Baradkse Alley.
2263. T Want Yer* Ma Honey.
22BL Henrietta.
2205, Dad's tlie Engineer,
2368. The Midway in the Moon,
2267. 1 Don't Want to Flay m Your Yard.
230a, Mu torn a Says It’s Naughty.
2260.
2257.
226S.
2359.
3002.
TALKING RECORDS.
Our talking records cannot Lts dupb dated any*
whora, Every word fa clear and distinct, and
every tone and inflection faithfully reproduced.
Recitations by, D. C. Bangs
Mr, Bangs is a very clover hetnoriflt. II to rec-
ords are carefully mtulu, only one being prepared
at a time.
3001, * Jtastm and the Ifa^erFitiffiort. ’Rastas dis-
covers a youthful sinner and corrects him in
truly philosophic*] manner,
1 liostui and f Mmfoft Clm tertian. * Itimtue 1
daughter hoe hdeiio rcUgtoms views which do
not agree with those uf the old man and ho
proceeds to revise them in a manner bath
vigorous anti effectual,
* Jforim iro .Sieamkwf Explosion*. * Rutua
and Luce have an entertaining conversation
on what aifffAl happen* which leafle * RjibIub
to the expresinn of n very decided opinion.
* fJA/j rn JJapUfm, The old gentle-
man k enlightened about severe! Biblical
* mirneics, and ttfetokfi he lias Found un easy
way to salvation*
3005, 5 jJOtfw#* Trip tr> the Promised Land. He ex-
porinooeft n change uf heart, Uiijxka ho is not
long for this world, but proves & miserable
backslider.
3003,
3004.
Price, BO Goiitis Pin-el i; $0.00 Per I>o$e.
ORDER BY NUMBER O^LfVi
Price? 00 Cents Each ; $6.00 Per I>oz*
nv NVHaeft only.
lit
Mr, Bangs haa not confined himself to the dia-
lect series. but eon Li mien to supply m with records
of Ida itiitioDS: of other classes m follows :
300(1, Othello's Apology l& the Senate.
8007. The Charge of the Light Brigade-
3008, Somebody's Mother (Pat hat ni),
SOtEt The Champion Snore r (Humorous)*
3010. A Stump Speed i on Lo ve,
3011. A lyohk of Hair {Serio-Comic}.
30JS3. M«ry Aim Dullincor'a Propcusd (HtunoramV
m h The Gambled Wife Pathetic),
The Famous Cacey Suits,
3035, C*«y Exhibiting Ills Panorama*
Casey’s Trip by Steamboat,
3037* Casey at Lenny Murphy's Wokd.
3033. Ciusuy Jaine the Masons,
3030.. Casey ae Jtuiea*
304LI Coray as lusumucn Agent,
3041 i Onsoy " fakes the Census.”
iiO-12. Cdsey as Umpire at a Bail Gunw*
SfW.i. Caecy Listening to tlm Phonograph.
3044 Durey In Court.
3046. Cusey as Alderman,
3040. Carey jit the Clruus.
!MH7, 1 4Etcy *t the E arty.
304 B. Cnraiy or MoLortnan m a Trolley Car,
304S1. Carey in Bathing.
3030* Casey and the Dudu in n Street Oar.
The Auctioneer^W. 0, B&ckonbaegli.
11 itecketibiuigh- The Leather Lunged Auction-
eer,'* has made hinujdf lainodH by his records,
which w« have wold throughout tlm world. These
novel (lyltittlerH urn exceedingly popular for lofhiM-
tiOn work, tsipon Lid Jy hi displaying the marvel oua
qualities of the bilking Much inn in reproducing
rapid speech.
3012. Sale of Pawnbroker's Goods.
3013- Sain of Suburban Lota.
3014, Bale of Christians Lolls, Toys* etc. {inter-
rupted by Small Boy a),
3016, Sale Of Red-Haired Girl {with White House
AreomnanluKut).
3010. Sale if LOnfiSt’a Efforts.
3017, Hate of Hmurithnht Furniture*
8018, Solo of Whies and LifjuorH.
HOltL Sale of Goods at Close of Kiur
3020. Sale oFDicnc Museum (Interrupted by ParreLl.
3021. Bale of Hordes and Cattle.
3022. Sill o of Unclaimed Freight,
3023. The Laughing Auctioneer {A Contagious
tU-Hat)
Special Talking Becordk
(JVbm^iw*}
3024. Gladstone's Mtesdiige to Edison*
3026. Gladstone's Speech on Self Help and Thrift.
8023. The Mad Havings of John McCullough,
3U27. Gladstones Attack on the Hondo of Lords,
3028. Lincola'H Speech at Gettysburg,
3020- The Lord's Frayer.
3030. JiigersoU's Greed*
3081. Ifigereoll at the Tomb of Napoleon*
8032* The Side Show Shunter,
JPrl m, GO €twit» Bkdi ; $0-00 P^r Duit*
iiaiiKH ny MniwuEit only,
THE NORRIS A HYDE
TRANSPOSING PIANO
Is used fur all accompaniments In
COLUMBIA
pionoppli Compani}
PRINCIPAL OFFICE!
319 tonfhuta Anise, Wi'.ifcgtoi, D. G.
OU. MKiw, “ COLPHOj WASHINGTON. 1 '
EDWARD D* EASTON, President*
WH. HERBERT STHTtf, Treasurer*
R. F, CRCHEL1W, Secretary*
FRANK DORIAN, ttimager*
New York : 1159 Broadway,
fc»tLROCICWOOD f
Baltimore ; 1 1 0 EL Baltimore St,
H. K* LVLEj. ttlUHgw.
Manufacturing ard Btetrf&utlng Headquarters for
th« World far Talking Machines and
Supplier
hr i U l ■ Mly N %II
j:
JANUARY lit, 1*95. ::
TE MPOR ARY
* Catalogue =*
. up mu ,
GOLUMDIA PHONOGRAPH GO/S
KUsieftL records
f=OR IJSK UN
“Hit 1 SUiinUiid of Kxcdlctite
the World Over"
//■I' in,, nt it-u irwt\ •tnjinvfrtu) - u ■■■•■
fltV&fff : fn *t< ... Mu tif.tfi.it - . • Jrwi;.w ,-t. ;
MjfttffUi '.| r.ify ...'.’.w Hi\f i V’iH
Thr JJLflM! frrY.r .V *-r hi
!•$*** H'Wt tfcfaifrtf. Jo.' tt rrl)\li «nff nr/,
, ^jWa'JVy/ W.ir,' /t>J until
fn*thi. tit >1 hi
ri'ftMS r jstf. tj '‘r/mfirnm i)u>A {tnl i r^“» I ■ ri
tti 'thr, ijwut'i mit iu * at t O ft ft, t, » fi
r ' '• it '••* ■«« / it tii it itithi'liiifi i/!t\ ht 1 (it/ ■
i Wtl ifllii i r J r/( 'i
ST
n -.n h' f
U- S- I^ttripe gapd.
Til* Mnrrrcj^ Hnml T,h Urn uiiirinl
I 1 " l ' m .}*?'* 111* 1 fiii.vH !Lh>!
iHayii nt tlit? H lube JIouiw tm nil suite ow^khb
™ S lf ' iTiiiuurural HstElM and uUur olliimii mjiJwiv
3 M ji - ’ Ml \\ rlhli]jiL!;u]i,
dfitfitttHfl fur Ihciv I mis juade ft
ncwMjiry L is ihv nimuhrr uf ^JiTtioiH , in
our IimI in vmt Lh*U*- limy ill p mirmllv
mill _am.nl.!! I, ly, :iml rudy thr VI I V I 4 ’.-i r ,.1 Dip
iliU^lfill J£Ull|y In Lh'r'id' l"i"! HTtuifL* LUV Lt "L: I L L J+:« | .
marches.
■ Marol,ee CompMea by »Iolm Philip Sousa.
\ W ■ is ! I i n;_-h t j I I Vn| I A I ways Popular ) ,
£ I fi^li Sdiuol I 'minis.
3 The J'li 1 1 r n J .* i'c j i i A th'und Military March],
J J'nts i JlnilhitoT.
ij i fit- 1 i k?J It 1 E llilcjiitru,
£3 Semper Mi I ..fife iAWfh Drum Hilo),
7 M unUui-tn A | ISH m mlWtt tti# of 1 1 in lautt)
rS i.rarMJl I'UiEfMVil Mnivti.
Sf**®#* Pemfibh-H fu-isli DntmHokU
lh liH : LJljerU' HH! ([| rivulH-lJi.r Kilim, my A r +,fih-
myhiii l ' m>) i.
I I TFje L lirnctnnLLM . r In Lnleat) .
Miaou II anooLiFi JVTftruiies,
IS AriuTirjin, Jic|mblEc,
iy Slvi>i|KIl Wi j i|ilin^r.
^ urn Tji -in i i mt ■si i l ' juiriiscep,
1 ■& M iii J i ltd vitt I mi V Wr.’i tiling March*
2
ID H. M. 1 KENH JiAXJj.
HMWun CniTllliimiE'-n iMlmtuelllg UlJVl'Jllvl
ChrfaDmx t-li.j1 ( Lin-i^ ,
1 ~ St I I JJllU 1 'lif
is The I k-ilt- mI \-<-iv \urk Nnv-.
E’l The Now Vurlt Sim | \i v, i,
2t> American Mu Iky, >; i 1 1 1 j'i it ' ii i -a 1 1 I [ m 3 f'svrt'ci
I I ['ll I U'
- I Mi i kmiilry ! I e ijui kwh p.
1 SilllifMV - him i [i| hi I \ t : : i h
2b I ’ll I . | M TJI A 1 * r 1 1 [ YH u 1.J A f'l 1 .M 'll.
PATROLS,
1 AniPi'imu,
2 British.
3 Turkish.
4 Patrol Cumene,
POLKAS.
1 H urn pi pc.
2 Anvil (With Anvils),
SCHOTTISCHES.
1 Kentucky Jubilee [With Closr).
2 Dancing in the. ikirn (Willi Clog).
WALTZES,
1 The Blue Danube.
2 Wine, Won mu and Song.
5 I ,;i Seivpatn (Sp&nfch).
4 Mia Rid In.
6 Lsl Gltam (Spanish).
G Loin du lial,
7 Dream Waltzes,
8 1a Heine de la Mer (By Sousa),
0 Dream Fates.
10 leva’s Dream Inod,
H Siiititiajju (Spuri&h, with Castmetfi).
12 IF^iudiimLiim (Spanish, with ( lumn nets).
U. MAIilflJS ijAJSlJ.
3
OVERTURES AND SELECTIONS PKOM
OPERAS.
1 Wiliituxi Tell.
2 Stauma,
3 Seinirfiinhle,
4 [’lie dolly hi »hl it'n'a.
6 IITmvuW (IntmdBciug II Miserere).
l (N’t juiiil iVrwmt,
7 Robin Hood (introducing Oh, Promise Me),
o Uarmen.
0 Th'lninift.
10 Faust
11 The Tale of Champagne.
12 Taljflaco.
IS Fjjuh Dp to Date (Introducing lf Tbc Skirt
Elan™”),.
14 I'uiwL (fji [o It; tin (Introducing r£ J jove’a
r i olden Dreum' 1 ).
CORNET SOLOS.
liy Auffust Or*s»fcm*th, WDli Ztfarlno Band
Aooompan! tnciit,
1 Let Me Dream Again.
2 Alpine Echoes,
3 The Image of Hie Rose,
CORNET DUETS,
By M«M¥A* Groaiiku v fch and WnmlerllOh ,
■With Marine Rand Accompaniment,
1 Thcs Swfrfi JSov.
^ The Queen'* I':- mi ii m^ra.
3 i HiUkei I 'nliin Polka,
TROMBONE SOLOS,
Wltih Mkn’tim lUml AutionuMinimont..
1 Rocked in the Cradle of the Deep.
4
U. S. M.VRIKE BAND,
2 The Falii^.
3 JX>nik Deep Within the Cellar,
4 Christmas Clmmes Polka,
AIRS OP ALL NATIONS,
1 Li 111 I 4J I '. ■ i - 1: 1 KiI^UhIO.
2 Tl 1 1 * SH i hiu^I i: 1 1 1 Btmift# ( A r i » : J'l c an),
3 Hi.^1, WhiUMiml Hli.il ij\pin rE(iLinl.
4 Wftrhf nm I i In. tin (uteri mm).
fi 1 -I Hu rwilluW i I 'n-nri 1 1.
fi I ,i |\ [ t j < 1 in Mi-xU-an Dance).
7 i... Poiomu [fejitmirtl 1 ! J,hii ■
8 Ll F : M I ; 1 1 1 ; i K Lilian
SACRED SELECTIONS.
I Ki mv r. My i . u- 1 .. t?i ['Liec:-
t 1’JsHf Sweet t!y£'-imi| By< j .
3 SaFe i j l ihe Anns ni‘
4 [Jm.-Jl (J j'
5 H. .w ilt m si fim i !;iiii.iJi (Adeflbe Fidelia).
0 I vii' I- Kim Hi Light.
7 I nncil Thf'i. 1 I'jVctj' Hour.
M ISCELL A N EG US.
1 Tlif Metropolis i\t Xight [Introducing Pap-
ular Alj'.s)
2 VI i 'i III y of Hmufcrh .-Urs*
3 Mi -i Mi y d Irish Air>.
4 Hi v of SutrLln'i ri .\ivfl,
5 Memories of the War (Patriotic Medley).
6 One H Hiirij One Mind, Yorlta
7 Li Gnlondritm (Comet tuid Trombone Duet}.
8 Worn ling of 1 1 1 te- I -1 1 1-.' mil l I Jni.y (Medley of
N oiiJiern ami fciniithorit. Airs*,
5 l>ixli L li L i i L Yiiiiki-L 1 PtMiiIlo,
10 The Two Liitle Bullfimdivs {Clmionet Duet).
11 Tine Darkles 1 Dmim (with Clog}*
li, (?, mari s a HAND*
5
32 A Trip on the I .united Express (Introducing
Bell, Whistle, Sound of Moving Trfljrp
efci\).
13 Stephanie Gavotte.
14 Tit! -ft Serenade* (Piccolo mid Cornet Duet).
15 The Night Alarm*
18 The Dole Skirt Dance,
17 Little Klnkles (with Clog) fN^]-
NOTR; ordering 1 plmxe ztak CA^tSS, as
iii dl (w UUMfilMi anti N A ME af selection.
OHQIIJttTJU.
6
SELECTIONS BY WAGNER'S ORCHESTRA.
1 March- Jolly lowttship.
2 March — The N^w York Sun,
d March,— 1 1 In.’ W;kMiiiilglo(i Timi H,
I F J ^ Ksj; 1 1 1 MuKmirka i,:i Oj,lHej:|,
i I ^ii’ij | j'oni Norn in I' or I "iin jh j mul [ !] iii'ir nuzii
ft Mdxourhii— You sVini: I ’lay In Om Ynrd
( 1 1 £ ! h < irn.i i ,
/ S ‘holtT.si‘Jji- — Unger Ijui^r l.urv.
-H ^'.:loiifLvrhr NuLhlnir's Tu p <;,mhL For Tim
1 ri^h.
II '“''I luLLlHctics- My Pretty f.;E|irty eJimwil.
I" l'i ■Ikii—.' Margin i lu- i, l Mimin' Carlo,
1 1 W id lac — uni ijg. j iedii l y .
IS Modify- — A y, ... ■ n.mpntM iu Wagner 1 * Nur-
swy (liitrmJuHjif/ 1 >li I Nursery- Aimi.
L.i M iUivnv h ha Hey — I in ( mi : -i . ni in Eiorm-
H A I mil i— J\| io Jv I i i J i jig lit £$ L
ARTISTIC WHISTLING.
By John Ye#? At Lee.
..l/r' r J-*>* Wif4 J'Uitmuf w/fitfUi't 1 r)( £} Jif
jn'ffl-vtt tht]}* fit.-. ray* Uwt f v,?v m-i n'iiuuij,
J:»‘ tut Mi t\utf h, • ■'■ J. ■ •// I. 1.', ■ ,.v, U fait r , .. f Hm .
• ■>) it, j it . t. The « . ‘ ■ rfi in , I . , I v rt , ■/, , , ,,, : t(Si , _
y ^ . t IV’ tit, iii . 1 ,‘fl! 1 it Hfft r ■ 1 W ti rfrt titty C 4 i,,/,- J.' 1 , rc( i.i if
fWF j rtiritfr (ip tout
ALrrrsaif wmsTLisis.
7
Nivra.— Mr. At Lee makes records ej.-dmvettf
for this com.jm.mjf.
1 The Mocking Hard.
3 The Sweet Lye und Bye.
U Annie Laurie.
4 The Suwannee River.
5 When You and I Were Young, Ma^ic.
t-i Home, Sweet Home.
7 luillahy from Ermurte,
8 Chirp, Chirp Polka.
WHISTLING SONGS.
ihj John- Ybrih: A<Ltx,
The fttUoma.g popular san<jis mlmtlim mtintic
vJmHmp, wifk piano wxomiXtnwwnE The word#
are dine wuhlMurt. the Mr$ foiffht ttnd m u>hy t arid
the vihif-tlinp nf> ri xim n 1 1 epfiiif and d Ht f jd bertrav.
No rad, ft/ua a .‘iftftpt t, mihutif thtve •edn.
Kiiti-i. — Mr. AtLee makra reoordfi e.rduaivdij
ff.H" (kiti CQHipCMjp
] The Whiutliupf Coon.
2 WhtmlJit rj Sos'Jii] nn.
S WliiglJin^ CJrassy.
SONGS.
Gy GEORGE J. GASX{\\
Ti re PiMiwr Phonogrctph Shigar,
v| r i JiiKkhi In o i nhMy k mnvn in riH nnirb
mention. S© has reecfitly u^i ^iih tiio
In .--:1 . i. L lu. si rfoIf-r-riuiiH, sm(l I hit n-cui-dH
from this |H'|Jiil4ir vi'n-4iliMi | isL v«‘ never Ijimti lunitr.
K'.-i ry une i.s l.nnl nml i-in; inu in lontr, '■;!,■ -!r wcirri
:h 1 M'|l; . li - I -I i m-| ,
1 Sweet Marie.
2 The Fatal Wedding.
3 They arc the Beat Friends of All.
4 Mamie, My Darling,
BONUS.
a
^ r Mfi.
h The \ otiuiter-r Organ i&t,
7 Mavourneei],
H When 1 (Jfcast tJm Son.
? Mother Never C*o Forget Her Boy.
10 1 iu> t'kth.TiLiiiib’H, Hi-Mi'.
11 I.ilLk 1 ! JJrninii I >i .lit,
iire Okl Falks Once Again.
k> W,. U ere divert hearts Neli nn d J
14 ArkiuiHiiv | Sum ;in<| IlHttce),
15 Tout and I 'll < rp Ti . 11 .
Hj t^smlnd'.H S v i 1 1 ■ ■; S'it«.
]7 f )lit( iiti t |>;ii mn j Li m i iVu
18 J:trk Wiftil I ' . iJ'Lii ■ [ You.
1 ! t % i H C I irl Uf.t jVl i.t V i »EJ c 1 x p ,
\ l . J ™7 toSrt; N Wirrl I I*ft Behind.
Ai \ 1 Jhtlel- Ln I J is [ Ij,.,!.
255 ]•-<.* Ij ftiiu? Bavk to J Jjjfje
2:-; Vilify lit Our Alley.
24 I i^nout.
-■' ■ I n n il I h ink el Ynirr Mother,
2<i Turn * Kvi-r iCi.itjicv
A m l The l^irivbt Said — 1
2ft 1 1 1 ■ \\ I li^L li 1 1 1 1 p jj Tu!ic>.
25) C.'lmili I p ( Ihimivn, ( ‘jjnih.
30 i >11)3- n Vi iir,
31 When ftinunjiEiT Unnra Again.
:i r . i ' i " k ' Jn - * Lnfc'W liihiupluii AlcUlyi.
3l'J I lio Cuhblet,
34 fitf Bvi-h Omi’LfshturLilte Piiinitiitrlafliuirnd}.
rio M i1il]i‘, { ..me Kjtw ^‘1. mi- ||„ n p V |j n y
jjjjw An Jievoir, lluj 1 ]i 1 1 Q*K»d Bm '
J.- .Urn Widnyr.s 1 'Ji 1 1 fur Her Son/
38 0, Mra, < fHahorly. Wlmi diti von VUasi L.v
ThntV
30 Parody on Sivert Marie.
Songs.
ay dan Qum,
Mr. Quinii'BrepiiUtioi] i,y a vomlist Em so well
established that the mere iiriiKaiiaceixient of bi&
- 1 k rvi , ,
0
mme ^acaw t in i.ih tmm
e«04*ieiimnl nlili urMin lias inii-mtuaod many nSi
and ttJ&tutf smi^s, including * number mteh
1 r/"i7T r ;}*«* r*™n\v t \ -,th‘ lum nmt
ft- * nt Jtitwrfr*.
1 And the l'jirrul Said f
2 IJLiyvr hvitf&r, l.my (Jfrgih 'The tWnbrv
ftjHIIl l.
I p ii]'(j ly on iftwi ; ]\]-i 1
■1 My hitH in a iViUm v Oirl
'] 1 :|, f 1 1 1 imnoa 1 jut I ■j.li'iil .
Hivnii (hit, O'd.rjifly iSfiihrHmliaY- lalwi tmm/ i
7 CTlW.lhtHJld >j rin U ilh :l Me (AiiulhrAjj’
hl'-lll Il'lkuko M.
ft J Vh'H.v Mornii v.
,? KiHv'Yoik (Ntiv ivjtltz txum
|U .lulmtiy, my ( i|i.| Frieini John.
M i'lu y JJ'iHililii'i lIu Hint 111 Uiinkui]
l,Jlir ^ l&Wfiips J ion-ii
13 Slamlij^r fta tile Uirm-r, J >Mtn hUmi no
u ri f / LlJ,J n !f I Vi it in me 'h Jimv HotiKj
14 LntiUy, lh*n \fiti Luva Mp eSinnoto-
Loae — fsuitfr wfLJi great wutx& In -a
Uainiry Sport").
L "W iii I hv Spring UJi'jcf,
v^'- Nr ] ] 1 ,||J rt 't'licia in 1 (in.. iTupioal)
if feaut I^ctwea (St™ lb, 1 a!).
Ift Ute ■ Mnhriiv hibiiwi [A lYfivesty on "F.ti
t nluiiiEi
1 SJ Mc r V ! :u:,jH K iA 1 0<:i 51 » 1 * Ni e ( j j-y, Fitroa
wDifiEy ) P
''^fZJy^h MU ' m |CErn,f Hlt
S is Jiyippofiitinent fTopli'al),
,Jl>eu l"” 11 *"'
3 SWSTv^
10
SOMjtf.
£& I Haven't Done Line Sumac Tiling SBince (From
"Little Trooper" )■
2® I've Been to (Joy Farce [Huey’s Ijitest).
SONGS,
By DAM QUWN,
WUJi Oi'uUuetra Aoirjoiniubnlmejii;.
1 IJer Golden flair Was Hanging Down Her
Back.
2 The Sidewalks of New York.
3 ] I h> \xtvv y<m [S^rio- Condo)-
4 Linjmi 1 1 r’ijiini' i l.itcvn
5 Nothing's iou (Ihih] for tins Irish [An Irish
Hm/pi'isfcV,
SONGS,
By J. J « MYERS,
The liiuHouft jSurUtme.
"With Numo Accompli Jmoni,
■1' i ■i - ' ii-rtisLiu rendition no vor:::l m 'orris compare
W’Uh Hum They ropmuent tlio Utsfhi'H; BLate of
die fltfc 51?, .Uvirxs 1 inuiie is fj 1 1 1 jII tn r wherever
Talking Mjlc] J im's «ru usfcth
1 The Clock of the Universe,
2 The Side* walks of New York,
3 The Const- G iuukFb Daughter.
4 The Heart. Bowed Down*
5 Hocked in the Cradle of the Deep,
fi The Bell buoy.
7 I Btood oh Use Bridge at Midnight,
3 Palm Branches.
A The Old Bex ton,
10 Why Don't They Bing the Dear Old Songs,
11 I'll be True to Jack.
1.2 The hi “Lion in Love Song*
lft The Monarch of the Woods.
fiomn.
11
L4 Will n’ Lite Wfep,
l ,r > A her TwwijLy Years, or The Return of the
l rniligti! Sh in (Keiv),
[ti Dear file] IVIm,
I T The Uir4 K-ilJ Csth
J.W 'l \u MlilHliijiroiLe,
J! 1 \ Sn|i|3.er r-ni| a Man.
Yt 'J I it Vohmlmr Ohjuiiist,
-' SlM ^ Tln.iH' lVn.r v Songs Ajmin
- 2 M eCi iri 1 1 v 'a \V ti In w ((. Jouiie) .
SONGS.,
By J. W. MYERS,
With Orchestra ADeompruilm«nt,
1 Her Win Ming Bella Will King Today fSenti-
liieiHal Ballad), L ’
" hi 1 ^ I ' 1 1'- 'll 1 1 1 l • Ultiv^l^ I f Ij'ili 11:1 tic)
3 The . Arrow and the Bong [l.'ougfi-lJoV’s Beau-
tiful VPl'SCS)*
* Akunof the IJeaert mu |. (Drama t Ip:,
:■ r ^ e l^wery Grenadier* (Comic Mmih Song),
b J he Land League Band (Onmc Mnirh Sod|),
WS$ ULLA CD l MAN'S
Soim.
These records of female rnico r.re free from bleat
or sureeuh— eltwr, m,vt mid d lathi livery
word pin inly ^inlmti ivitlhiuL $ui:rifldne a tone.
I liny are *m(iLbk only (or Ms with the fculnw-
' ’ ' L ttwijutsif Jw hiH'ti ..- /r i‘'>ductt(n\,
1 The Hiumy Suutti.
2 Down Ik L'lm Liver,
3 Old Folks nt II ji no,,
4 The Old Home Ain't What it Used to Be.
5 Dgfir Louise.
6 Biveet Marit,
7 OM Kentucky Home.
12
HON' 0 . 4 ,
8 limy Are The \’>M. l-Yii-nd* of AIL
9 " Ekjhp LiUii' Cjjj-J Aiv- Vc,m.
10 Nulrrr, My m Thi-ru
11 liot'b of Ayyii,
THE BRILLIANT QUARTETTE,
IVeoffc' Id juitimuii^el supply of these
NHiunttt, \V& havf iint lnH'ti si I nU u f pmeLire them
iursoiiie Uum am! mir | » i < hi ill aioi-Jk. i.^ not very
JjiTUH.
1 1 ■ I ] l l> L l.ttri (Nt'^ru iMiJijniJc^tin^ shout],
~ tLiry Ini. Mi-iNtfy (Willi vi, IlijiM - s Ihhibh .1
Lli.-sou” Di lEm MtcKj.b (Willi miirrdoiift
IMUlJLllLMI I'.f rlmvoh Ol^FlU),
* Birthday (ItiiLijiLih'iii^ -munl-
fi'thi'r'u liiupln.
3 ^ 'KllrtJ IU (Witlt ibJILmi,:i11 riffling
ft The -Wfeitti Culling (I iitruiludng
llJi"li.i:Fy Kill I V(J| Mifi'u! ■.
' J * 11 J5j1(,|{ £s> l >Lx ^ ! and iJionw),
^ lUt! 1'ILMll (Kulc] UHL l uhoi'lLV'.
TflE MANHATTAN QUARTETTE.
(OJ Dockatodefe
TlitftM? imirfc uny good fur tuhe Bjfck hut not
kiin I enni iff It for r^m , » J m , ■ i-bn tlm WfU tfeft 1 1 um,
We olitniiied cjiily u few nnd pult'orat ivujiliw (jood
mnsk'j, livr limn Jmrahiiesa or blast
mould order at once, 1
1 Calliope MedUy,
^ Piinitiitii *n Matter.
3 Wtiuthfrn A 3 wl It >y*
4 Sunshine Wi II (Junit: Again*
& A Negro's I Mfiduy,
urci-tTATroNB,
13
SPECIAL I t T
kvcrv exhibitor ot Talking Mudrte is
J1 4 i t|iN;J|U.y l Jill' »- 1 rf'l (“JU’H ui f N II J-l I! US PJ1-PI],
Hpjfe IL t \ Mil wilt lirinjs rtitisrdijtiiui and
p&tfk J w rm»n Is ar» i^all prepared ami exettud-
uijjly i'l«ver, Tb wittfitif) a# jfitoil ljj it>s f$ta —
Gl l.liu vo«w iudi rated. This, Iiuitotof, will not
■'’'die lli'.'ir pussm-iion lew iJiMirablB*
3>KlOn JSACM*
1 ( M^s-Ni^e La I'M won.
“ f i|aiNiorm r rt i^pi'fi-li mi ,-■ ■lf-1 Id;..
3 Mm litiviri^-; nf John VI e-t hilktiijr]i.
4 Kitiviit ItdoOi's Otludtm
THE FAMOUS CASEY SERIES.
Tl.eie ifc a si'L i l KiI list nf ilifHe celebrated
records, enjbhiidiij? the vt:ry of the scries—
1 1 a to LHEl, [ fu Ls nil T til [L 11 i ' Yi I \
1 ! lijwev at i he CIivljh.
2 t.iiisey n f. 1 1 i n n i ■ .
8 r . 4.-1 ‘sHn-JimlijiLi Hi- GirJ.
1 CuKiny llh jiidfrc.
ft i -jjKmy ilsiyiu^ ranh,
0 Cstsey hk Alflt'i mu n.
/ CasLiy j -ifn i JokcvV Army.
8 Csl^Vilx [i W Lor.‘
' 3i l'-wy Hcfairfin- hv Riiilrtifut.
t'twi’y Tiiklnw t Iih ( ViiMiiH.
1 I U:woy -m Mu eg thy 'a Wilkv.
I - tiiHt'V LLH 3 Ltu J i'Jnn'Ii.
£ '> UuHey jii. Mi-a, 1 1* 13 nl imi J.v.
i *1 (. ■; i Ht 7 Murh l vl : U i ( i H i j li rs *
I ft C;ini-y as Mi lyin’.
1 ft Uupvy ;ih . Vr fi i ]■
IT C.L(Hfy',s 1 Vjli i.Llm | Spt'reh,
IS ( litNt'y sjii I Hih I jjhoi't. ik
14
HHClTATrUKg.
I' -I i'Mty :i[ PiTKirk'Ut'fl lie. option.
g^ery Joins the MntfwtiB, ’
2} (-^awy mi I Lim I ij i r [hum ,
-'- ll-H Jin I I 1 LI'LL E I ! ■- - A^Hlll.,
25 Tht3 humm tlliimoi-oiL^ J Ji-citiil [mi In Yankee
J JjllJlTl I.
THE ’RASTUS SERIES.
By D. €. BANGS.
Jli'. Baniffi jn a very til ever hnniorist, If is
ivmi'dH are on re fully marie, only one beiiiF oro-
l Hired Eit.fi |jj | id,
7- 'ftasitm mi/ the Wtitermittion. ’Eastus dia-
ruvcra n y i ■ i j 1 . 1 1 1 1 1 1 rttnit^r and coiTpctB him in
[nily j »liil(KM>|>lilmt mainw.
lUtn’L' irroSH.
lfi
2. 'Btishts and the Ship of Fate. He discourses
on one of hix JUvuritti cupi<H in a very interestiue
maiinci', Ulld ivliih*. u, lrtinLouloliii example of
saving grace.
J. 'Bostu$ and ‘Meriky's Conversion. ‘Jimstns- 1
daughter has Some religious viewy tvmeh do not
iLLih'o with those of the i>lcL iiinii, unri he proceeds
to i'i-v i.se them in n mnimrr both vigorous and rf-
I'H'I Lilli.
4. r Retutus' Lecture on Apples. A unique and
iiuniEUTig talk on this pupiilm' fruit unit I ks resem-
bbrnce io the human i , eu;l j ,
i). 'Justus' Bteming on the Ounce-. Ill invoke#
SJ)| -..risist J I : v i 1 1 i I; I v 1 1 j' 1 1 n 1 . 1 1 Is puptll:ir I'oi'I'L- .Null
lLLJiI Lii'.'i'H 1 ji^ J'i ■: i ■ ■ 1 1 1 l' ir i Joj islL 1 1 1 i.i r IVofu lilt 1
h »1 | jii*jrl il sinil nurn nv pul It.
5. 'Ra&tus on Steamboat Ef plosions. JlnslilN
nnd I -Or i, llnv*- :.n <-i il ■ > hdnitig eumw-*ntmn on
wlnn tnjtjld Em | whirh h-oib- h'nislte- he dm
tixprraaioit of il very itoi.'itlori opbrioci.
7- 'Bustos h/etu r r m Baptism. The id ^mnile
i tin n la n* rs lightened « I mill several HSblicnl liiirfuflff*
an- ! thinks In- iins tun ml tm mrsy wuv Lm snivatioii.
8- 'Rastas , it /he Razor Social, Mo trUti'M hk
oxpr r'ir-iif'o with his I k s| pirl ;ii m i i ►veiling parly.,
much hi the onjiivmoiu nf his bcmvpft.
9. 'Basins' Trip to the Promised Land, lleex-
r^iii'iinf. n elijifiue of htnirl, (kinks lm is nut h 1 1 1 u;
mi" this ivurMs I nt pi'i.tvi - it musei'idJu bncUslMi t*.
Mi 1 . Buna* nut noil lined him self to the ilia-
Jeet series but continues to supply ns with records
of bin recitations of Other cbufleS ns follows :
THU Math; and aim lour,
1 Ha inlet’s Soliloquy on Death,
2 Shytaek, in The Men'inurt of Venice,
3 f Hhslio r s V[ii)Ij. i^y to the £enn te.
4 Part of IVinl Snc»o t Meirlitiuf of Venice,
fl The Glut hre of the Lmht Hi mule.
JO
HW lT.lTlik\^
] J A J i-j i uTK",
J LHl oh t\n y lisnEilf fStsIil.
^ The Idiot Boy,
3 Tile ('nlihIjIo^s Wife,
i Kq] ntljrtrly j e \fu-lJuT.
0 Tilt MtrwL ol' t.Eyi: mini I lye,
nrjiKjiJHiyrt,
1 The t Jim m plan Hiioror,
li Cutsey sit this 13 <i t,
o A Stump S|jt-H^:li on LnVL .
f A 1 .1 irk i if' 1 1 ni r > Tii '
'I Iji [ b'iyiinji] Mtm \ i . 11 -, S Aililri'Ks,
0 M;iry \iils P , llSu|it L i ,l ?i I’lijiioifiL
T I hil l I Km Iji I Wnyi-s.
^ Tin 1 Hri t‘hi i lift'd Sliii'l.
4 >iy Pennsylvania Avenue,
WASHINGTON, t>, C.
EDWARD D. EASTON. Pfkhdent.
WJrt. H. SMITH. ViSE.PHSb AMD The**,
ft, F, CHOMCLIN, Sec«|taft,
F. DORIAN,
BAtFliHflRE .Ml}., no E. iliillirniiro ilrtet,
ATLANTIC Cl! V, V- J..
Ri'ard VVctlk nt-ar Kentucky Avemiis.
MARCH l5 , «8iJS.
TEMPORARY
©
- Catalogue
©P THE PAM OtIS
4 FOR USE OH •
(fttophaphoi^ ^ phcnogfaplip,
# *The Standard of Excellence the World
over/'
Columbia Phonograph Co. p
919 Petinsyfvanin Ave ((
V \SHi!VaTON r D , C<
po bti&iiien of 04tr regular catalogue of
^ fimous u Columbia Records ,il for Graphs-
ph.-nes a- yd I*h. on oy raphs is i- ltawidably delayed,
fir the rantt'mV *: of oar < ujloitiw ttft {saw Uiis
temporary list, from wh'- h ur shall be glad tv
have sdedion* made,
0iir n 'Grds art loo t dl £nr»ic7i to require
peiing” They Stand *t the Head I If you get
" Columbia Records, ” you get THE BEST i
Tmpottanl; to gout?
Jh Orii ringpkvs-:. state clearly whether you irish
ncordef r r pr >jdu (fort thro gh horn or tubes.
Al ways give nmne ant immtgr of selection
wdl iis of record.
To fucdUait pro.qd filing of orders customers
ttfv requested to gi"e tr» th- privilege of substituting
anath •-.*■ record fir tuty specific seicoUou^ which, al
the fine, mmj not bt i i st k. Unload otherwise
iPStnuHed we will exercise this liberty*
When postil tie, we prefer to Jtfuc cuslomer* tadf-
c yt fist a liil second chon g, to aid us in substituting
iu:c jl thho
Writ*: orders plainly , p utting name of each tdte-
iion on a separate line.
Our goods ar> <d\ i ays carefully packed, and u*
we not responsible for dmtagt in transit*
Terms Cash <—7/’ tcmiifanae does not accom-
pany order gotais - ill be sent C> 0 . Z>, Itehtni
express char g .<? ok (■-■demon can be saved by remit-
t ng lift 'th order. L\ 0. It, orders from remote
points should U ttewnpamed by email remittance
to gvicmnt, c qjm* c/rargest
If you do not gd aur cdatoau'S regularly, ■. ■■Ti-l
f - •■ yo irjkrwnnw,,' uc’rfr^i or*./ ic* unit moi£fy r. i
from time in time ^ l* table mfcnrtation of the latest
ttnd best improvements and notrftie* ii tatting
machine* a .d mpfiics.
U. S. MARINE BAND.
The Hatted 'States Marin® Bund is th® official
bund of the Present of the United Static^ and
plays at tbo White House on nil state occaeiona
and nt Inaugural Balls and other official gather*
infjs iti ‘VVoi?Jjingtoii H
The demand for their records has made it
races to reduce the number of sclent ion* on
our list in order that we may fill orders promptly
and acceptably, on 4 only the very bent of the
mimical gems in their repertoire are retained*
MARCHES.
Mnrqliei toitijpoHuiL 1 >j JmIiii FlilUp Fk3un-n.
1 Washing! on Post (Always Popular}*
2 High School Cadets*
3 The Thunderer (A Grand Military March)*
4 The Gladiator.
3 The Belle of Chicago,
tf Semper Fidelia (with Drum Solo),
? Mu ill tilts a Beach (Sousa cults it one of hie
he?t *
a GadkkFs Funeral March.
D Nati'VJil Femdbloa (with Drum Solo]*
10 The Liberty Bell (It rivals the Famous Wash*
iocton host),
11 The Hi recto rate (the Latest}*
- Vu B, HAEttfB BAND,
MlsCCllilLHJtlUll flTlLtnllCHi
12 American Republic.
13 Swedish Wedding,
14 American Guard Quickstep.
15 Met, tie Jesohn 'a AVe rl d i ng March.
10 Boston Coimmmdcry (Introducing u
Christian Soldiers 11 )*
17 St Louts Exposition.
IS The Belle of New York (New).
19 The New York Sun (New*).
20 American Medley i ; Introducing
Sweet Home”)’
21 My Country Home Quickstep. 1 .
22 Gilmore^ Triumphal March,
23 ColrlHMrA PlTOSCHlRAPIf Mahlie*
PATROLS.
1 American*
2 British*
3 Turkish.
4 Patrol Oomlque.
POLKAS*
\ Hornpipe.
2 Anvil (with Anvils).
SCHOTTISCHES.
1 Kentucky Jubilee (with Clop 1 ).
2 Dancing in the Earn (with uJog).
WALTZES,
1 Thu Bine Danube*
2 Wine,, Woman and Song*
3 La Seronata (Spanish)*
*
Onward,
■r
■
u Home,
\
3
V, g. SfAUlMt BA-SJIr
3
4 Mia Bella*
B Ln Ghana (Spanish),
ti Loin ilu Bal.
7 Dream WalUea
a Li Heine do la Mer{By SoumI,
9 Dream Feces.
10 LoW* Dreamland
11 Santiago (Stmnish^ with Castnnuts).
12 Esiudtmilitui (Spanish, with Cuetaneb).
OVERTURES AND SELECTIONS FROM
OPERAS,
1 William TelL
2 Ztunpn.
3 Sc in i rain ide.
4 The Jolly Robbers.
5 13 Trovatore (Introducing II Mieorero)*
d Poet ami Peasant.
7 Robin Hood (Introduc'mrg^OJi* I’mmisQ Me*').
6 Garmon-
ti Enninie*
10 Faust
11 The Llo of Champagne.
12 TalMwo.
13 Faust Fp to Date (Introducing 11 The Skirt
Dance").
14 Fmiet Up to Dale (Ini reducing ^Love's
Golden Dream "i.
CORNET SOLOS,
With Marine l^mlAccomjmnlmftiit.
1 Let Me D renin A gat n.
2 Alpine Echoes,
3 The image of the Hr* a*
& tn jl. Lp i-t
4
I * t* JUAK1XK BAND.
CORNET DUETS,
TVlUi Slarittfl BiiihI A<ctfH|Wtllitl«nt.
l The Swlfl* Boy.
3 The Queen 1 e Trumpeters.
J -Golden Robin Polka.
TROMBONE SOLO 5.
"With Marin* Sand Aucomiioulimint,
] Rocked in the Cradle of die Beep,
O npkflL PdlftlA
a Down Beep Within the Cellar,
4 Chrfc turns Chimes Polka.
AIRS OF ALL NATIONS.
1 God Save the Queen (English).
2 The Star Spangled Banner ( American'.
-1 Ked, While mill Blue American).
4 Bio Wnelit am Ilfiein { German ,
5 La Maraeillftise (French)'
S La Media Noclie {Mexican Dance).
7 La Polo&n. (Spanish Donee),
£ I a Manana (Chilian Donee) .
SACKED SELECTIONS,
Nearer, My God, to Thee,
Tlw Sweat Byroad- Bya,
Safe En Lhe Arms of Jeaua.
Hock of Ages.
How Firm a Foundation i Adts 1 Le Fidelia)
Lead, Kindly Light
7 I Need Thee Every Hour.
i . ti. MARINE BAND.
5
MISCELLANEOUS,
1 The Midropollfl ab Night (Introducing Pop*
ttlur Alfa),
2 Medley of Scotch Airs.
3 Medley of Irish Aire,
4 - Medley of Southern Atns.
6 Memories of the War {Patriotic Medley),
fl One Heart, One Mind* Yorke,
7 Gokmdntm {Cornet and Trombone Duel),
ft Blending of the Blue and Gray (Medley of
Northern and Southern Airs),
0 Dixie «mi Yankee Boodle.
10 The Two Little EulifinidtCE {Clarionet Duett*
11 The Darkies 1 Dream (with Clog],
13 A Trin on the Limited Ex prdss {Introducing
Bell, Whittle, Sound of Moving Train,
id ad-
13 Stopltan in Gavotte.
14 TilF p Serenade (Pkcoln u fid Comet Duet
in The Nigh: Alarm,
10 The Lnio Skirt Dance.
17 little Kinkies (with Clog).
N 0 TE ’ When ardtnrittp p leute tints CLA SS t a*
mil a* NUMJtEH md NAME of tftttion.
,f VltftolJL- WIUHTU.SG.
ARTISTIC WHISTLING,
By JOHN YOBKE AT LEE,
Mr. At Let i* the most fa,uo\ut tchuiltr of the
present day. His run* nnd trilb are mari'elou*<
f'or finish and hrillinnoy hi* awutinn hm never
hw$ Hf nailed. 3Tfr g record t hf. cJfitir «w(i
chanting^ They are th c moei unique itiui striking
echitibitihiu! ever mn\lc to our art, and rumnuiuA.
astonishment and ttcfldrr.
NuTt\— TUr^ AtLce mulcts reeurdti exdvtdsdy
for tha Company.
\ The Mocking Bird,
- The Sweet liyo and Byt ,
D Annie Jamim
4 'Flic SuuiumcL River,
+■* When You and I were Young, Mni&fe-
m Home, Buuet Home,
i Lullaby from Erumik,
8 G2itrji h Chirp Polka.
WHISTLING SONGS.
By JOHN YQBKE AT LEE
The fallowing papular mngi iuTrtrfuc* rlrt-tjfjc
whittling pima accompaniment. The imnk
are clear and distinct, the airs bright mtd at tefar
and the whittling infer fades surprise ermf rfrihAr
hearer* , No coiled ion u coincide toithout th cm
records.
Yore .—-Mr. AtLsa makes records eacludmq
[or ilm Company.
1 'Pi i & W laistJ i Mg CfM)H
‘2 Wiiletliii^f Stwannu,
» Whistling Crtuy.
HONWh .
I
SONGS,
By GEORGE T GA SKfti,
The Pioneer Phonograph Singer.
Mr, Gnskita is ton widely known to reqoira
miA h moatVim He bus recently ecppUnd na
WLtti the lUteat and beet of his selections, and
nner records from this popular y oculist have
never bran imnla. Every one ta Joml and ring*
: tig in tone* each word and sy liable di&tincL
1 Sweet Mark.
2 Tito Fatal ’Wedding.
;! They are the Beat Friendfi of Alb
4 Mamie, My Darling
5 Ob, Promise Me.
d The Volunteer Organist,
7 Mavonroeed,
S When I Cross the Sen.
® Mother Never Can Forget Her Boy +
ID The Fisherman's Bride,
11 Little Bonnie Fean.
B*tek Among the Old Folks Once Again.
PI We Were Sweethearts, Nell and I,
14 Arkanenw (Song and Dance).
In Tom and I'll Go Too,
1G Scaslan^ Swing Song.
17 Old Companions (Now;,
14 -hick Won't Forget Y &u,
ib Yon Gave Me Your Love-.
SO A Letter to Hie Dad.
-1 The G wine Back lo D;?ete+
22 Sally in Oar Alley,
28 Leonora,
24 JwA Think of Your Mother.
2D And th(s Parrot c sid !
W He Whistled Up a Ttane.
- ■ Climb Up, Children, Climb
•3
soyas.
2S Only a Year.
S Cornea Again*
JO Tits Cobbler,
E ^er -^MO^'tShinaUkfl Diniraiad* (Ballad),
| fatll tai Lome Kiss Vur Honey Bov.
*} §H 4 n lint not Good JW J
S'. Parody on Sweet Marie
SONGS*
By dm Qtftm
^ u 4' ri i 9 r e !! at ^i°ii |,s Ic vocalist h sowdl
listabhshoil tliut the mere announce merit of his
r.atr>e i* agtummtae of the record. In h is nscCM
mgagcmeDi with t» he hm introduced mjmv
new and sinking eon^ including a number
v.h ] di have never before htt-n mearttad'/ita
and best oj MtlropoiHan fnvcnie?.
1 Anri tile Parrot Salil — !
- Linger Longer, Lucy (From “The Country
sport). J
3 Parody on Sweet Marie.
I My Pearl is a Bowery Girl.
5 Get Tour Hammer Out (Topical)
? §S2 « l ’t. O'^ily latest SOUS).
r Greet -l.o OM ft'iiji Vv itii it Smile fAiutlieruf
Sea broofces }.
8 Pretty Maggie Mooney-
II The Sidewalks of New York (New waltz
song).
HI Johnny, my Old Fmmi John,
II They wouldn't do that in London '
U Standing on the Corner, Biting Mean no
. .. Harm {Geon» PrimroRc'e now annul*
U Li iJduy, Ones Yon Love Me (Quinn '» eomim-
fiRtion^— etlng with great success in " 4
Country Sport”),
&0FC3,
ii Love in the Springtime*
t§ She Didn't dp a Thing to Him (Topical),
JJ Pictures (Sfliuntionnl).
If The Midway Pulotm (A Tmtosty on “La
Palomn^j*
IS Ptiruw Tommy Attin* fGiwit Hit from
Gaiety Gm"}«
r,n a Disappointment (Topical)*
JO Keep Hi free Golden Gates Wid e Open ( Halloa
and Hart's Latest).
S ?(?? B i^wayCitl(C|vmdnteCoinieSanff}.
22 1 tonu the Same Thing Since (From
*■ Little Trooper”).
^ ^eun to Guy Puree (lloey f fl Latest)*
-4 Th rea Little Chape (Comic)*
&> The (lay Sun b re he (GotuM.
I'O Casey’s Hand (Comic).
27 You-lta-Liar ty (BurJcaniie Y&lliijjrt
“ H Now Ho ia Sorry that He Spoke.
'Round the Other Way.
M The Man who Broke the Brokers (A Wall
_ Street Lamb)*
31 Gil hooloy^ Parly (Irish).
SONGS,
By &AM Bum,
With Orchestra A*e«Htopa a lmw»U
1 Her Golden Hair Wits Hanging Down
Back*
2 Tim Sidewalks of New York,
J J Ho Love You (SsTio Comic)*
4 Linger Longer, Lucy,
o Not (ting's too Good for tlw Irish (An :
Surprise)*
H McMr-nuaiveiiou and the Egg.
10
bond*.
SONGS*
By J. W. MYERS,
The f 'attic) its Buritefit .
With names ^eciMitpuuluMMit,
For artistic rendition no vocal nxiwde com pare
with these. The/ represent the highest state of
the art Mr. Myers' name ie ItimiBitr wherever
Tnl kin# Machines are need.
1 Thu Clock of tli© Universe,
2 The Side walks of New York,
*5 The Comt-GnartV# Daughter.
4 The Heart DowlhI Down.
t > Rocked in the Cmdtc of tliu D«en.
(1 The Bull-Lraoy,
7 I Stood on the Bridge at Midnight,
ft Palm Bnuudio#.
11 The Go] Sexton*
10 Why Don't They Sing tins Deaf Old Songs,
11 HI be True to Jntfc,
12 Tise Ihvloum LoveScing.
1B The Monarch of the Woods.
14 Will o' the Wisp,
15 After Twenty Yours, or the Return of the
Fredigul Son (Now),
111 Pear Old Fill#.
17 The Dust Roll Cull,
18» Tin 1 ‘Midshipnhle*
ID A Soldier and a Ainu*
!!fl Thu Voltititeer Organist.
21 Sing Me Tho^e Pretty Songs Again.
22 McCarthy's Widow (Comic)*
HO MW.
II
SOM OS ,
B f J. W r MYERS,
With Orclic^ra Aouanplhjihonti.
t Her Wedding Belt# "Will Ring To-day (Son-
tlumnhiL Ballad).
2 The Clock of the Universe : Omiimifrh
U The Arrow and the Song \ Longfellow^ Beau*
tiful Yoree&h
4 A Foil of the Desert Am I i Dramatic),
ii The Bower v Oreund ie m (Coin i c March Song) .
B The Land Dengue Band (Com i e March Song).
MISS ULLM COLMAftS
Mezzo-Supnim Sot*;*.
These reemds of female voice are free from
Mast or screed) — clear, aweet mid distinct.
Every wrortl plainly spoken without eacrHking
o nine. They are suitable only for nee with the
tab?# — iVof adapted Jar hom irproduttii ■ .
1 Old Folks at Home,
2 The Old Home Ain't What it Heed to Be.
:i Pear Louise.
4 Sweet Marie.
A Old Kentucky Hook, ♦
ii They Are the Bent Friend# of A1S
7 Nearer* My God*, to Thee.
0 Rock of Ages.
EXTRA.
We have a diubu stork of mhreltancous
ref-orila— not enough of any one eelei-tion to
list — nuihTndng T^itchmim's eemgs, theSiiuidard
ipifiilet in wtlhfcnown Negro melodies, baojo
r
12 RECITATIOSs!
flne^ by Cullen And Colling itu 1 nn assortment
of vocal record# by various artists* from which
jv’q will Iw glad to Hil orders, using our own
judgment* Tim stock fiioludes many dcflcrip*
annuity 1 2 3 * eelmions. and die records
afg guaranteed first grade.
SPECIAL!!!
Every inhibitor of Till king Maehikee i«
frpqjueiitly (liked fur gpcetihea q[ fi nnong men L
rfurp rfl a sunes that will bring ratfflfnetiim and
pmM. The records lire well intiinin.fi imd cv-
™ h W dever. They are irntto/iW-gpod
ornar too— of the voices judical ed*
Wee, ft 1*25 JSttdu
\ Gladstone’? Message to- Edison*
? Giadgirntfs S|«erh cm & if H?lp.
d the Savings or John McQilJough.
4 Edwin Booth's Othello,
THE FAMOUS CASE V SERIES,
By RUSSELL HUNT MG.
Here h el selected list of these edebmied
recoide, made specially for as hv Mr. Hunting
embracing the very best of the wrim-np-U*
■date and faultier than over
1 Casey at the Ctrcue,
2 Casey sit Home,
J Casey Serenudiug His Girl.
HECrrATIOMfi,
is
4 Casey m Judge*
5 Gnsey Playing Cards,
0 Casey as Alderman.
7 Casey joins Coley's Army.
3 QttOy ua Doctor
0 Casey Departing by Steamboat,
10 Casey Taking the Census.
11 Cagey at ,Murphy J a Wake.
12 Casey m Hotel Clerk.
Vd Casey at Mr*. O'lluligan'a Party,
14 Casey's Fight with Geogtuui,
lo Casey as Mayor,
10 Casey (is Actor.
17 Casey'* Political Speeds,
10 Casey and hjs Laborers,
HI Casey at President's Reception,
£0 Casey Joins the Masoaa.
21 Casey In the Bar Hoorn,
22 Cagey os an Insurance Agent.
23 The JJoreau l Humorous Recitation in Yankee
Dialect).
24 Casev at the Out
2o Old Man and Jim |Riley + s famous poem).
THE 'RASTUS SERIES,
S/B. d BAMS
Mr. Bangs is * very clever humorist. Hie
records arc carefully made, only one being pre*
pared at a time,
i* ’Rastas and the Watemtllltem ’Borttifl
discovers & youthful aintier and corrects him In
truly philosophical manner.
14
ftBGtTAfmira,
a. 'Ro^tua and the Ship of Fate* He dis-
course* oil one of his favorite toph-e in u very
intoraetitig manner., and, relates a tnlracTiUxmf
example of saving grace*
3 ' T Rastus and ’Aedky’s Conversion*
daughter line enme religious viewn
which do not agree with Uso-o of the old man'
anil he proceeds to revise them in sl manner
both vigorous mid dTectuuL
4* 'Rnstus' Lecture on Apples. A unique
and untieing talk on this popular fruit end ila
renembkmce to the human rare*
5* 'Rastus 1 Blessing on the Dance* He
invokes special Divine favor on this popular
recreation ami give* his rtacon for departing
from the straight and narrow path,
6 * 1 Rest us on Steamboat Explosions*
'Rastas and Luce have iui entertaining uouver-
flitlon on what might happen, which lends
'Rout ug to the expression of a very decided
opinion,
7* ’Rastas' ideas on Baptism. The old
gentlemen is enlightened about envoml Biblical
miracle*, and thinks to has found tin easy way
to salvation*
8* 1 Rastus at the Razor Social* He relates
hie experience with hie licet girl At an evening
jHirty, much to the enjoyment of big hearers.
9 * 'Rastus’ Trip to the Promised Land.
He experience* il change of heart, thinks ho Is
not long for this world, hut prove- a miserable
backslider.
HOc-ITATiOVa*
in
Mr. Bongs lute not confined himself to the di-
sject eeries, but continues to supply us with
records qf hiH rwitotiooa of other classes n£
follow* :
DKAHAinc P v^n sartious.
t Hamlets Soliloquy on Death -
2 Sbykwk, in The Merchant of Venice,
:i Othello 'a Apology to the Senate.
4 Part ofTrlnl Scene, Merchant of Venire.
5 The Charge of the Light Brigade.
I'ATtrETti -
1 Left on the Battlefield.
2 The Idiot I toy.
'J The Gambler's Wife,
4 Somebody*® Mother,
o The Street of Bye and Bye.
II UMOfCGUfc.
1 The Champion Snarer
2 Casey at the Rut,
3 A Slump Speech rm Love.
4 A Lock of I lair (Serio-Comic *
5 The Original Marc Antony's Address,
fl Mary Ann DaRin eerie Proposal.
7 Harrl-EartiiKl Wanes.
3 Tha Hinehauled Shirt,
L'i
COLUMBIA PHOSOGBAPB GO.,
pip Pennsylvania Avenue,
Washington. o. c.
Cable rw-j « COLi U 0*"
fill WARP D* fi ASTON, Predlrfont
W ri H + SMITH, Vlcc-Pres. add Tttas*
R* P* CROnHUN. Secretary.
F* DOR [AN, n«adiftr^
BALTIMORE, Alll. , ila K, fialllinore Street.
ATI. ANTIC CITY, N, J + .
board Walk, near Kentucky Avenue.
* r iK> i, jfeU, ►Vi ., Ill HJYthT* If,
4l
ii
EXHIBITORS cat: make more money from
Campaign IRccoiSs
between now and Election ‘Day them with
air 1 other class >, eyUnJers. 'The people are
deeply interested in fir issues at stake arid
anxious to be ar everyth: up hearing on the
s ubject. V/e ear the originators of such
Records.. IVe made a spec i ally of thorn in
the last Presiden daL Campaign ; zee are still
bet ter equipp ed t o m eet the demand this time.
tThpfoilowin g 'are naze ready :
Price s: e/ck, $;o per dozen.
wbicb gaineS for Dim rbc IKimm.uion at Chicago.
Oth er records of speeches b y Famous Orators
of bo th parties mw in preparation.
Campaign Songs
Well s u ng, u p-to-da te, and full of good music.
are also in prepar ation. Ufew lists will be
issued frequentl y. DON’T WAIT FOR A
LIST! 'Tell us -..hat kind and bom many
you result and we’ll send you the BEST.
Price i I each, S i o per Dyzer-i.
Caz:: with order.
Columbia {jw&onoorap'b Co.,
Oltf pcimsvlvattla Eve., 1 150 .ffiroabwas.
TKlsibtttgton, E>. C. mew Jilorb.
UO J£, Xaltimorc St., 720^722 Olive St,,
Baltimore, ,'fflb. St. Hems, AOo.
c~
CJ
csr
5 =
! 5
I f
THE G EAT AND ONLY
LEVY!!
Superb
Incomparable
T EVY — TH.
WORLD'S GREATEST
cORNE j 1ST — 1 he one artist whose
mastery of his instrument has made him
greater than the instrument — the man who
has thrilled millions by the power of his
marvellous execution — can now he brought
to you to render his choicest gems at your
pleasure. He had never pertormed for the
Graphophone berore, and so charmed was
he witn its accuracy of reproduction of every
tone and note that he carried a Grapho-
phone away with him when he left us, that
he might always hereafter ‘'hear himself
as others hear him.” You may have this
Prince of Cornetists at your service now
wnenever you wish. Millions have paid
high prices for standing room to hear him
play. For the price of a seat at one of his
concerts you can procure a record c. his
superb music to be reproduced long after the
artist is dead and gone — for Levy is about to
retire from the ..oncert stage, and to many
millions of people this is the first as well as
the last opportunity to Lear him. If you
nave a talking machine ; if you haven't one
now but intend to get it in tne future (how-
ever remote), or if you have friends or ac-
quaintances who possess tnem and who will
permit you to use theirs, you should invest
in one or more oi these records.
V e may not be aole to replenish the
stock of these remarkable records ; therefore,
the opportunity is NOW !
PRICE, $2.00 EACH.
A. 1 he Blue Bells of Scotland (with varia-
tions) .
B. Hearts (Beautiful Waite Song by the
Author cl “ After the Ball ”).
C. The Palms.
D. i he Old Folks at Home (Suwannee
River) .
E. Nearer My God to Thee.
F. a he Star Spangled Banner and Yankee
Doodle.
G. Ben Bolt.
K. Then You'll Remember Me.
I. Say Au Revor-, But Not Good-Bye.
K. Du Du (German Song, with Superb
Variations arranged by Levy).
L. My Country 'Tis of Thee (Played in
Four Octaves — Marvellous Execu-
tion) .
M. Alice, Where Art Thou.
N. Home, Sweet Home.
Order By Letter or Name.
Columbia Pnonograpn Company,
91!) Peuua. Avo., Washington, C.
1L9 Broadway, 1LE. Balto. St.,
New York. Balto., Md.
THE GREAT A NO ONLY
LEVY!!
Superb!
Incomparable l
-o
| iCVY TIIIC WOKlJvS URKATKST
■L* coftNFTTST- T' c one artist wlw*v
of feu tfiuLis him
greater than the iur. v umciit-- the mao
who has thrilled milUoms by the power
of his marvellous esc* ii?n— can now be
brought to you to lender his choicest
geina at your pleasure. You may have
this Prince of -Cornell* ts at your service
iu,\c whenever you witoh. Minims have
paid high prices for Btainiitsg rOOih tnhe&r
him play. For the price of a seat at one of
his concerts you cart pu xury a Word of his
superb music to be reproduced long alter
the artist is dead and gone^for ,fevy
has retired from the concert stage, tu‘d
to many millions of people this is the hlst
iis well as the last opportunity to bear him-
If you have el talking machine ; it you
haven’t one now but in ternl to get it in the
future v however remote), or if you haw
friends or acquaintances who possess them
and who vAlt permit you to use theirs, you
should invest in one # these
, records, ^||g. S2£jQ e^h.
The Blue Bells of Scotland, ■: with vari-
ations).
Hearts a beautiful Waltz Bong by the
Author of '“After the Ball .K
■ j , ■'
The Palms,
The Old Folks at Hniuc.
The Star Spangled thinner and Yankee
Doi>dle.
Alice, Where Art Thou,
trinity chimes,
PRICE. ShOO EACH.
The Vacant Chair.
The Home Over T .ere.
Jesus ȣ Nazareth Ps#th By,
. fibttuy Sweet Home
Shall We Meet fluy-md the Hirer ?
Masses in the Cold, Cold Ground,
• Am erica.
The Sweet Bye and Bye.
Marching through Georgia.
Safe in the Anns of Jesu#.'
Alton Waters,
Chime Again, Beautiful BdK
COLUMBIA PHONOGRAPH CO.,
HEfi ltd 7. SLID &HOAB1YAV, V* MHU&VLVAN'A
T^OfW. ClTY^ VASHiH* D. C-
110 fc WA^TIttOfiSiei. 7S.O-T22 Ol! .e $T-,
BAUTtMOTG, hit " *’#$?■. UO '
-jrrv
At: - . juiii ,/^-Ai.iii — -■»
n . -Up
— r'E , . >_
l
A
f *t * JJL# # # +
N ew j^[arch
^ J*
^ jt By
SOUSA!
5^
Capita 9
(From A/s /jet* o/)era^ now
having <x big run in fiow Yafki)
Pronounced superior to ** LIBERTY
BELL ” or ** KING COTTON/* and
bound to be ver y pop ular l ^
^ ^ ^ *a» & & **
By special courtesy _of Mr^Sousa,
we have advan c e manuscrip t copy
of “EL CAPITAN * It will n ot
appear in print for sever al we eks.
SUPERB RECORDS
Of this Beautiful March, $1 Each j
$10 per Dosen*
Order At Once 1 ^ tj* ^ ^
Cash orders receive first attention 1
4
Columbia Phonograph Co.,
919 Pennsylvania Avenue,
Washington* D, C.
itj 9 BrcsadwsLyp
N ew Y ark..
i
HO E. Baltimore St.,
Baltimore, Md,
i
sj
f rilHt I NfrAI-h
P-fcinri **■
town »f CDIOHBrr JtOTSDS Arclilva Item £
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9/11